Harry and Kate

May 30, 2020May 30, 2020 ~ Chris Green ~ Leave a comment

Harry and Kate by Chris Green

Black cats are supposed to be lucky, aren’t they? Harry Regis thinks so. What he doesn’t realise is that in many cultures, black cats are seen as an evil omen. Most of Europe, for instance, considers the black cat to be unlucky, a harbinger of doom. Fortunate then that Harry lives in the UK. What with the collapse of his kite design business and Meg leaving him for Trevor, a film extra from Billericay, Harry has had a tough time of late. He feels he deserves a break. It is time things started going his way.

So when one evening a black cat wanders through the back door, explores the house and makes itself comfortable on the shag-pile rug in the front room, he sees it as a good omen. He offers the cat a tin of tuna chunks, which it devours with gusto. And some dried cat biscuits he discovers in one of the kitchen cupboards. The saucer of full cream milk is welcomed too. Although Harry leaves the back door open, the cat shows no sign of wanting to leave. It is still there at the end of the evening after he has finished watching Leif Velasquez’s acclaimed adaption of the postmodern thriller, Shooting Script on Netflix. It is dark outside, and his visitor is curled up on the settee, purring gently. Harry thinks it best to put the animal outside. Although it does not have a collar, it does not look like a stray. It has a glossy coat. It is a well-groomed animal. By now, someone will be wondering where their pet has got to.

The following morning, the cat is once again at the back door. It does not wait to be invited in. It rushes past Harry’s outstretched hand and makes a beeline for the kitchen. It seems to be hungry. Surely a handsome-looking cat like this can’t have been out all night, can it? Harry doesn’t have any pressing appointments, so he pops along the road to the convenience store and returns with a box of pouches of gourmet cat food. On the way, he thinks of suitable cat names. Being a fan of the musical Cats, he toys with Mungojerrie and Rumpleteaser, Growltigger and Shimbleshanks, but decides they are too fussy. He settles on Lucky. Lucky is the obvious name for a black cat.

Serendipity seems to work straight away. No sooner has he fed Lucky his gourmet turkey treat than the phone rings. It is Ben Maverick of Maverick Leisure Services offering him the job as General Manager of the new Fridge Magnet Advisory Centre that is opening on the industrial estate. While fridge magnet advice may not have the prestige of kite design, it is a step in the right direction. He needs to keep Lucky around and as he will be out of the house now in the daytime, he fits a cat door so that the cat can come and go.

Kate Dunning-Kruger believes that every cloud has a silver lining. So when she loses her job in marketing with BestFone in their rationalisation drive, she is sure something will turn up. When she is selected to promote a new weather phone app, her faith seems justified. She is over the moon. The new app, she is told, does not merely predict the weather, it can change localised weather conditions. It was created by a whizz-kid in California and cloned by a fourteen-year-old computer geek from Devon. Kate does not need to know how Elements works but, she is told, it has been successfully trialled in one or two places around the county. She is one of a small team who are to start a promotion campaign from a discrete office on Palace Park Industrial Estate. They are hoping to roll the revolutionary new app out nationally soon to those who can afford it. It is by no means going to be a freebie. But before it can be rolled out, she is told, there are cybersecurity issues to overcome. Their IT consultant who goes by the unlikely name of Max Acker is working on these.

Kate is recently divorced and although there are pitfalls in getting involved with anyone new so soon, she can’t wait to get dating again. Her friends wonder if perhaps she is too eager. She might end up making the same mistakes. They point out that Bill was arrogant, self-centred and lazy. She should take her time and concentrate on her own well-being. Kate explains that as a thirty-something single female, there is only so much you can do in a small town. Everything seems to be geared up to couples. And besides, now she has a new job, she will be able to work on her self-confidence.

Kate finds her office housed in a new prefabricated block on the estate, alongside the Bikini Museum, the Mulatu Astatke School of African Dance and The Fridge Magnet Advisory Centre. An interesting selection of enterprises, she thinks, entirely different from working in the corporate environment at BestFone on the fifth floor of the city block, alongside the insurance brokers and tax consultants. Further along the avenue are Balalaika Tuition Centre, Mojo Filter Bicycle Hire and a tall featureless matt black building which has no windows. Nor does it appear to have an entrance. No lettering or insignia to suggest what it might be. Palace Park is a strange environment.

She begins to learn about the new weather app. Although it is in its infancy, there are already reports of its success. Charlie Dixon apparently used it to bring fine weather for the Exeter race meeting when it was raining in the rest of the county. Nick Carr conjured up a torrential downpour to bring a close to a village cricket match when his team were in a losing position to force a draw. The result ensured that his team, Dartmouth Royals retained the title for another year. It appears the app can be activated at short notice. Early indications suggest it works best when activated at short notice, but it now needs to be tested further afield.

Kate discovers the estate is a busy little area. The bikini museum is incredibly popular, there are lots of comings and goings at the newly opened hedgehog sanctuary and The Fridge Magnet Advisory Centre does a roaring trade. Following a favourable article in one of the Sunday supplements, fridge magnets are enjoying a revival. It will be a while though before Kate is fully occupied as Max Acker keeps finding more glitches in the Elements app.

On her third day at work, when Kate is outside smoking her mid-morning cigarette, she catches the manager of The Fridge Magnet Advisory Centre arriving with a new delivery. He looks like a nice fellow, the type that would be kind to cats maybe. And, of course, Bill has left her with four of them.

‘Hi! I’m Kate, she says. ‘I’ve just started working at Elements.’

‘Really? I started here last week as it happens,’ he says. ‘I’m Harry, by the way. Harry Regis.’

‘You seem to be doing well, here Harry,’ Kate says. ‘Lots of interest in fridge magnets, these days, I gather. I can see you are busy, but perhaps one day when you have a quiet moment we could hook up for a coffee at Cuppa Joe along the way there. I haven’t had a chance to try it out yet.’

‘Sure,’ Harry says. ‘And maybe a bite to eat. We could meet up one lunchtime. It has been mad here lately with all the new editions coming out. Everyone wants fridge magnets. But there are so many magnets on the market that people don’t always know which designs to go for. The rare album cover ones are popular, of course, and the royal residence ones. They never go out of fashion. We’ve got some new Bake Off magnets and we’ve just had the new Peaky Blinders set launch. And believe it or not, the French symbolist poets magnets are popular too.’

‘I believe you, Harry,’ Kate says. ‘I’ve always found truth is stranger than fiction.’

Harry and Kate catch up for lunch at Cuppa Joe the following Monday. Not wanting to talk shop, by way of making conversation Harry mentions that he had a new cat called Lucky. Kate has no shop to talk. Max Acker has found a new problem with the app. She wonders if it was ever going to be ready to roll out. Max seems to spend more time trying to chat her up than he does working. Unsuccessfully. He is much too old and she just hates those floral shirts he wears not to mention the way he invades her personal space. Coronavirus may be over and done with, but hasn’t he heard of social distancing?

‘A new cat?’ Kate queries. Might Harry be the caring type? This is not something she could ever say about Bill. In the flesh too, Harry is much hunkier than Bill. Toned physique and a manly beard. And he has a managerial position. Something that Bill had never had. Bill had only occasionally had a job.

‘Yes. A black cat,’ Harry says. ‘It just came in one evening and stayed. Lucky is good company too. I was starting to find it lonely in the big house after Meg moved out. We’d been together for ten years.’

Better steer the conversation back on to cats, Kate thinks. We don’t want to dwell too much on Meg.

‘Cats are excellent company,’ she says. ‘I have four little darlings, Sylvester, Smokey, Tigger and Dave. You must come round and meet them one evening.’

Over their pasta lunch, Harry and Kate discover they have a mutual interest in Scrabble, owls, donating blood, and Game of Thrones. They both like listening to Kings of Leon and Queens of the Stone Age. Harry saw Queens of the Stone Age at Finsbury Park in 2018. With Meg.

Time for some more cat chat, Kate thinks. ‘Does Harry know that Isaac Newton invented the cat door?’ she asks. Harry doesn’t, but he does know that cats spend 70% of their time sleeping and about 15% grooming. He found this out when he was looking for a cat basket for Lucky. The conversation moves on to dogs and other animals. The Lion King leads them to other films they have seen. Although he prefers action thrillers, Harry concedes that he has a secret admiration for Nora Ephron romcoms. Oh no, Kate thinks. He’s going to start talking about Meg Ryan and that will bring us back to the other Meg. She tells him instead that she has a soft spot for Quentin Tarantino films. She has seen them all but Kill Bill is her favourite. Meg’s name doesn’t come into the conversation again. Not that she is interested enough to ask, but she wonders if it is short for Megan, or Meghan. Best to let the matter go.

After lunch, as they walk up the road together, Kate points out the featureless black building.

‘I’ve been wondering what happens in there,’ she says.

‘You’ve heard of White Stuff,’ Harry says. ‘Well, that building there belonged to Black Stuff. While everyone associated White Stuff with coke, and although it was a little naughty, liked the idea, everyone associated Black Stuff with coal and didn’t go for it.

‘Wasn’t Black Stuff tar?’

‘Whatever! The brand name didn’t work. No-one wanted to buy their stuff. They went broke.’

‘Probably just not promoted very well,’ Kate says. ‘These things make a difference.’

‘To be honest, a lot of these businesses are here today and gone tomorrow,’ Harry says. ‘It’s like pop-up land on some of these out-of-town developments. I mean, look! The Pet Rock Counselling Service. How long is that going to last? What’s happening at your place, by the way? Is this new app going well?’

‘It’s not ready yet,’ Kate says. ‘At the moment, I’m just twiddling my thumbs.’

‘Teething troubles, are there?’ Harry says. ‘It’s only a phone app, isn’t it? What’s so complicated? What does it do?’

‘I can’t tell you that yet,’ Kate says. ‘It’s still at the development stage but I’m told there should be a beta version soon.’

‘Anyway, let’s do this again,’ Harry says.

‘Perhaps we might go out for a drink, one evening,’ Kate says.

‘I’d like that,’ Harry says. ‘Since Meg left …….’

‘You must come around and meet my cats,’ Kate interrupts. ‘How about tomorrow?’

As he drives to work, the following morning, Harry is pleased but somewhat surprised to find that the sun is shining. The storm that went on until the early hours was a violent one, rattling the doors and the windows of the house. Lucky was so frightened by the driving rain and howling wind that he snuggled up to him the whole night. Several inches of rain must have fallen in a few hours. The builder he called about the water coming through the bathroom ceiling seemed puzzled by his call but said he would pop round after five.

To Harry’s amazement, there is not so much as a puddle on the roads. How could a storm be so localised? As he makes his way through the morning commute, he gradually notices that a black BMW with tinted windows and the personalised plate, ACK3R seems to be following him. It tailgates him along Electric Avenue. It seems to be doing its best to force him off the road. Harry has the feeling he has seen this car before. Was it perhaps parked outside Elements where Kate worked? Didn’t she mention someone called Max Acker in connection with the app she is working on? That instead of getting on with work, he is always on her case?

At the Princes Street lights, Harry swings into the left-hand lane cutting up a delivery van to turn into Duke Street. Boxed in, the BMW cannot make the manoeuvre. It carries on straight ahead, towards the industrial estate. Harry dives into the superstore car park where he takes a moment to compose himself. Who exactly is this maniac who was trying to run him off the road? Why was he doing it? He googles Max Acker on his phone and discovers that Max is a fictional character that features in half a dozen stories by the author, Phillip C Dark. Several sites confirm this. Phillip C Dark, it appears, is a speculative fiction writer.

Speculative fiction, Wikipedia suggests, is a broad category of fiction encompassing genres with certain elements that may or may not exist in the real world, often in the context of supernatural, futuristic or other imaginative themes. If the Max Acker tailing him is fictional, then what are the ramifications? Where does that leave him, Harry Regis? Does he, Harry not exist in the real world? Does Kate not exist in the real world? These are not matters that he has had to grapple with up until now. In the flesh has always meant in the flesh. Yet here in the superstore car park, Harry suddenly finds himself in the throws of an existential crisis.

If it turns out he is fictional and at the mercy of his creator, then anything could happen. He has no control over it. He has no free will. What if his creator decides to kill him off? Just when things with Kate were looking up. He has Kate’s number and decides to give her a call before it’s too late. He feels he needs there to be some element of reality to cling to. He is not sure what he is going to say to her. She is likely to think he is going mad. There is no reply. Harry fears the worst.

Further research reveals that despite his work being categorised as speculative fiction, which can often be doom-laden, many of Phillip C Dark’s stories have happy endings. Why would this not be the case? Readers like a happy ending. Happy endings sell books. A majority of fiction in any genre has a happy ending. The author usually arranges the climax to make it look as if all hope is gone before coming up with an unexpected turn of events to save the day. This is known as the denouement. Climax and denouement are key elements of dramatic tension.

In any case, although Max Acker is not a common name, this does not mean there is just the one Max Acker. It’s a big world out there. There are likely to be many Max Ackers. Most likely, Phillip C Dark just picked the name at random. As he watches the shoppers come and go, Harry wonders why he is even thinking this way. He pinches himself. Here he is in time and space, sitting in his car in the car park, to all intents and purposes a sentient being. He must send his paranoia packing. Having placed great importance on the black cat appearing on his doorstep, he feels the need to go home to reacquaint himself with reality. His reality. Work can wait.

As Harry parks outside his house, he spots Kate at the front door. She has Lucky in her arms and is stroking him.

‘I hope you don’t mind me calling around like this,’ she says. ‘But I heard that Max was out to get you. When you weren’t at work, I became worried something might have happened. I thought I’d better check you were all right. This is a lovely cat you’ve got, by the way. Lucky, isn’t it?’

Harry notices the front garden has dried up already. Perhaps there hadn’t been as much rain as he had imagined.

Extra

May 21, 2020June 6, 2020 ~ Chris Green ~ Leave a comment

EXTRA by Chris Green

How do they know there are only thirteen days left? How can anyone be so precise? And what exactly is the nature of the emergency? Why does no-one appear to know? Or if they do know, why are they reluctant to tell us? Not that I can do much about it, whatever it is, stuck on the third floor of this ill-equipped institution building in the middle of nowhere in a wheelchair with both legs in plaster. You can’t even get the internet in here to find out what is going on. Perhaps you can’t get the internet anywhere now. Perhaps the internet has been closed down. This would make sense if they, whoever they are, don’t want people to find out what is happening.

It wasn’t so bad at first when we were told there were nineteen days left. First thoughts were that it was probably a hoax or that, whatever the supposed emergency was, it would go away. There was plenty of time, nineteen whole days. There’s not much that stays in the news for nineteen days. But, as the days count down with no further revelations about the nature of the emergency, and seemingly no way of finding out what is going on, I can’t help but speculate. What are they hiding and why? Is there a colossal asteroid on a collision course? Has there been a nuclear accident? A biological attack? There have of course always been things that have been kept secret on the basis that it is not in the public interest to know. Rumours about unbearably loud sounds, antimatter on the loose, apocalyptic winds, blinding blue lights. Media silence seems somehow more sinister.

Of course, there were dozens of us here at first. Only those of us who are physically unable to get away remain, four of us in all. The rest have surreptitiously left. The ones who appeared to be in charge of the place also went today. We watched them go off in a minibus. Rats and sinking ship come to mind. None of us knows why we are here. Is the emergency worldwide or is it something more localised? There’s no way of finding out. To add to our distress, there appears to be a power cut. Maybe there is simply no electricity being produced in these final days.

………………………………………….

When you are faced with the prospect of annihilation in eleven days time, eleven feels like a very small number. It is impossible not to feel fear.

Burl Rector, if that is really his name, believes categorically that it is the hand of God.

‘It’s retribution for all our sins,’ Burl says, in one of his diatribes. ‘Revelations tells us that the fearful and the unbelieving, the abominable, murderers, whoremongers, and sorcerers, idolaters and liars shall have their part in the lake which burneth with fire and brimstone.’

I do not have the energy to point out that I for one am none of the above, well perhaps the fearful and unbelieving, but none of the rest. And although it is far from verified, what news we have is that everyone is going to perish, whether they are sinners or not, in just eleven days time. If I were to challenge Burl, he would probably have some other Biblical text at the ready. Burl’s God is a wrathful God. A vengeful and unforgiving God. Burl’s God put him in his wheelchair simply because he missed church two Sundays in a row.

Huey Minton is also not someone you would choose to be stuck in a lift with. Huey is not even half empty in his outlook. He is empty with a capital e. He is acutely paranoid. He doesn’t even think we should eat the food that we have access to. It is bound to be poisoned, he says, even the tins will be poisoned. What would he rather us do, starve? Huey is a seasoned conspiracy theorist. He can hold forth about 9/11 or chemtrails and mind control for hours. He started by claiming that the present emergency was an alien attack but he has since switched his diagnosis to it being a rampant airborne disease started by the New World Order as a means of population control. It doesn’t matter he says whether we are out there or in here, it will still get us.

Mary Jane doesn’t have an opinion regarding the explanation for the emergency and I am with her on this. If we are going to survive, then its cause is perhaps secondary, we need to come up with a strategy for our survival beyond the next eleven days. Or at least be able to live out our remaining time in good spirits.

………………………………………….

Despite our limited mobility, Mary Jane and I somehow manage to get down to the second floor. The other two are not with us. We try shouting up the stairs but there is no reply. They have vanished. Perhaps they are caught in a wormhole between floors or an unscheduled timewarp but something has happened to them. In uncharted territory such as we are, perhaps we should expect strange things such as this to happen. At least Mary Jane and I are spared the wrath of God diatribes and the wild conspiracy theories for the time being. At least Mary Jane and I are spared for the time being.

It is eerie down here with the peculiar echo of silence you find in a large space when no-one is about. Although we are two floors up, it feels oddly subterranean. Three days on and there is still no sign of the power coming back on. It is dark down here and smells of decay. It looks as if it has been abandoned for a long time. Certainly, more than a few days. The paint is flaking off the mildewed walls and the windows are clouded with soot. Spiders’ webs hang from the furniture. Amongst scattered papers on a gnarled wooden desk, we discover a transistor radio. It’s one of those military-looking ones with lots of wavebands. Despite its business-like appearance, the only transmission we can pick up is in Spanish. This strikes us as ominous. Does this mean that everyone else has gone off the air? With the smattering of Spanish Mary Jane and I have between us, we try to make out what they are saying. They appear to be talking about a football match. A big upcoming football match. Mañana, mañana, El partido más grande de la historia.

‘Vamos a descubrir que Barcelona es el mejor equipo para la eternidad,’ one of them says. ‘Barcelona es el mejor equipo de futbol del universo entero.’

With just eight days to go before the apocalypse, it seems that this is the match to decide once and for all who really is the best team.

‘Perhaps this is something they should have done years ago and had done with it,’ Mary Jane says. ‘Rather than put us through the anguish every year for nine months of the year only to for it to start all over again.’

‘What do you think they would be talking about if it were a French station?’ I say.

‘Wine, of course,’ Mary Jane says. ‘They would be talking about appellation and terroir and all that nonsense.’

‘German?’

‘Sausages and Pilsner,’ Mary Jane says. ‘What about a British radio broadcast? I wonder what we would be talking about.’

‘Still talking about Brexit, probably,’ I say.

‘It’s good that even in these last days, we still have a sense of humour,’ Mary Jane says.

The lightness of mood is short-lived. Without warning, the Spanish station goes off the air. In mid-sentence, the excited voice dies. We are left with the hiss of static, this made up in part I recall by cosmic microwave background radiation from the Big Bang. There is nothing out there. It is a chilling moment.

………………………………………….

I can’t be sure of anything anymore, there are no certainties. Everything is in flux. But, according to my calculations, there are just five days left. I can’t recall how we came to be here, but Mary Jane and I now find ourselves on the first floor of the complex. First floor is probably not a fair or accurate description, in fact, no description at all. Before us, as far as the eye can see, there is open grassland. And it seems to go on forever. It even smells like a prairie, with the scents of grasses, resinous shrubs, warm earth and sage. Yet, at the same time, we are somehow still within the confines of the monolithic structure. There are staircases both up and down. How have the wild open spaces come inside? We have entered the realms of science fantasy. The space is somehow dimensionally transcendent.

Like everywhere else around here, the prairie is deserted, if deserted is not a contradiction in terms. We haven’t seen anyone else for a long, long time now. The unspecified catastrophe seems to be playing out. This is surely the end. I can’t help but indulge in some reverie. There’s a sudden longing for the past. For better times. Those idyllic days when life was simpler. The odd thing is, I’m really not sure that I’ve done some of the things that are coming into consciousness. I seem to be flooded with ……. false memories. How could I possibly have been a Roman centurion? Or been in the trenches in the First World War? I wouldn’t have been born. Surely I didn’t really grow gourds in Somerset or have a dog called Kafka. And I can’t for the life of me place who some of these people are that are coming to mind, Philip C. Dark, Leif Velasquez. Certainly, they seem half-familiar. But, who are they? They seem one step removed from my experience. Like phantoms. There again, I do remember Vicki and the twins and Elm Close and Lee’s Bar. I believe these are real memories. And my job at the insurance office. Or was it music shop? I’m sure I had some kind of career. My memory is a laboratory of confusion. Mary Jane, on the other hand, says she doesn’t remember anything at all from her past.

………………………………………….

Somehow, I negotiate another descent. I try to get my bearings once more but I seem to have lost Mary Jane. I call out her name but she does not answer. The darkness makes it difficult to see what is down here but it is no longer open prairie. This is an indoor setting – an indoor setting with a vengeance. All the windows have been boarded-up. It is dark. Enclosed. Forbidding. Where is Mary Jane? I don’t want to be the last person alive.

I’m not.

‘Don’t move!’ yells a hollow voice, from out of the gloom. I’m thinking perhaps it is the Grim Reaper. My heart is thumping. I’m not ready for this. The seconds pass. The figure slowly approaches. In the slither of murky light coming from a split in one of the boarded up windows, I can just make out his shape. In heavy black uniform and protective headgear, he looks like Darth Vader. He is pointing a gun of some sort in my direction.

‘Oh! It’s you,’ he says, as he gets closer. Do I detect a sense of relief in his voice? Was he expecting someone more dangerous? I’m still too terrified to say anything.

‘You’re supposed to be in quarantine,’ he says, matter of factly.

‘Quarantine?’ I say.

‘Yes, quarantine. You are contaminated.’

‘What are you talking about?’

‘Don’t you remember what happened?’

‘Remember what?’

‘The explosion on set.’

‘What set? Who are you?’

‘I’m Site Security.’

‘What’s this about an explosion?’

‘There was an explosion. On the set of Nineteen Days. Two weeks ago.’

‘Nineteen Days? Two weeks?’

‘Oh, come on now! You were one of the extras in the big scene at the end of the film. I had to apprehend two of your oppos a day or two ago and take them back in. Difficult bastards, they were.’

‘What about Mary Jane? What have you done with Mary Jane?’

‘No idea what you are talking about, pal.’

Perhaps there was no Mary Jane. The only thing I am sure about is my confusion.

‘You say we were in a film?’

As I am saying this, I begin to understand the likely origin of the false memories I’ve been getting. The Roman centurion, the First World War soldier. They must be from bit parts I’ve played in films.

‘Look!’ Darth Vader says. ‘Are you a bit slow or are you pulling my pisser? All of you were in Leif Velasquez’s Nineteen Days. The film he was making of the classic Philip C. Dark story. The production was shut down following the accident.’

‘Accident?’

‘The apocalyptic explosion filming the final scene,’ he says. ‘It was like Armageddon.’

Suddenly, I find I am getting flashbacks about an explosion like the one he is describing. But I’m not even sure about these. In my state, they could easily be brought on through auto-suggestion.

‘They had to shut down the film and quarantine everyone involved in the scene,’ he continues. ‘Those of you that actually survived that is. Because of the alarming side effects, you were experiencing. Toxic chemicals were discovered everywhere, some of them never known before. The area has been declared a no-go zone. All means of communication both in and out have been cut. Weren’t you told any of this?’

Communication cut. This explains the lack of radio reception perhaps but there are still a lot of things that don’t add up.

‘What happened to the others?’ I ask. ‘Where have they taken them? And where is Mary Jane?’

I do not get a reply. Instead, he raises his weapon once more. He uses it to point the way. Perhaps I am about to find out where the others have been taken. Or, is this all part of Leif Velasquez’s film? Are they still filming? You can perhaps never be sure if you are an extra.

You Never Know Who Your Friends Are

May 8, 2020 ~ Chris Green ~ Leave a comment

You Never Know Who Your Friends Are by Chris Green

A writer can become dangerously obsessed with fiction. The temptation to create something original out of an ordinary everyday situation can be hard to resist. I could not possibly know what I was getting into when I created Quentin Thief’s social media profile. Quentin was a fictional character from one of my short stories. When I found myself twiddling my thumbs one rainy afternoon, to amuse myself, I set up Gmail and Facebook accounts for him. I gave him a few page links, David Lynch, Banksy and The Prisoner and Liked a couple of bands for him, The Dead Kennedys and Dogs Die in Hot Cars. I became his Facebook friend and set his status to public, but without any real expectation that anyone would see his posts.

Quentin’s first friend request came from Seamus Dark. I was puzzled as to how this could have happened, but intrigued. Seamus was a minor character in Magic and Loss, another of my short stories. Seamus didn’t have a very detailed Facebook profile. His only Likes were Twin Peaks and the blind musician, Moondog. Rather than panic as perhaps I should have done, I played along with it. There was bound to be a simple explanation. It was surely someone playing a prank, as indeed I had been. By accepting the request, I felt that one way or another I might be able to get to the bottom of it.

The next time I logged on to Facebook as Quentin, he had five friends. Besides myself and Seamus Dark, there were three others, Reuben Flood, Pearson Ranger and Randy Drummer, all characters from stories of mine. Reuben was a character from the semi-autobiographical Quicksand, Pearson Ranger from my story Snake in the Glass and Randy Drummer from Soft Watches. I could find no rational explanation. No two ways about it, this was spooky.

There were a series of conversations between the characters, both on their timelines and private messaging. I scrolled back through a few screens. The references were cryptic. The copious use of acronyms, AFDN, AFT, BTDTGTS, IYNAEGBTM, etc made the messages unfathomable to a social media novice like me. I had only just grasped LOL and LMAO in internet jargon. Were they hatching some kind of plot? There certainly seemed to be a lot of collusion between them. I signed out, and signed in as myself but found, amongst my regular feeds, exactly the same posts. Their profile pics bore an uncanny resemblance to how I had visualised these characters. Quentin Thief wore an Aloha shirt. Seamus Dark was well-groomed. Reuben Flood had a thick beard and wore a Ché Guevara beret. Pearson Ranger had a military buzzcut and Randy Drummer wore a pork pie hat.

I phoned my friend, Ram, who was knowledgeable about IT matters. Ram banged on about internet security, proxy servers, hackers, firewalls, and malware, but after a few minutes of his techspeak, I was none the wiser. What on earth were packet sniffers and keyloggers?

‘Can you come round and have a look, Ram?’ I said finally. ‘You’ll probably be able to put your finger on how this is happening just like that.’

‘I’ve just got to run a machine round to Gerry’s and I’ll be over,’ he said.

‘Gerry’s? Isn’t he in Birmingham? That’s eighty miles.’

‘About that,’ he said. ‘Seventy-eight point four. Look! I’ll be over around seven, OK. Why don’t you just switch the thing off and take the dog for a walk on the common or something?’

With my creative writing residency at the university in abeyance and Patti on sabbatical in San Sebastian, life was slow. Tom was in the forces and Cat had gone off to university, so I just had my dog, Murphy for company. Murphy had originally been Cat’s dog but now she was in Edinburgh, he had become my responsibility. Despite his being twelve-years-old, he was still a ten mile a day dog. I was no longer a ten mile a day dog walker. It was a good thing that the common was so close. I could find a seat while Murphy ran around chasing phantom rabbits.

At The Belted Galloway, I got chatting to a couple of walkers. They waxed lyrical about the beauty of the area. How lucky I was to have this all on my doorstep and such a delightful pub, full of rustic charm. Did I know there were thirty-eight species of wildflower on the common? They were just going to do another six miles and then call it a day. They had found a lovely little Airbnb that welcomed walkers. I began to feel I was spending too much time in front of a screen in my internal world.

I got home late afternoon and put a pizza in the oven. I was apprehensive about switching the computer on, but finally, I did. By the time Ram arrived, a little after seven, Quentin’s Facebook friends had multiplied. There were another half dozen familiar names from my literary lexicon. This time the list also included a couple of my leading characters, Max Tempo from Tequila Mockingbird and Tara Vain from Tara’s World.

Muttering to himself, Ram started going through the feeds. Over his shoulder, I could see at a glance that Max and Tara seemed to have started most of the post entries, with various combinations of my other characters responding. Lara Love from Little Dissing and Dr Bolt from Be Here Now had joined the fray. Dave Too from Kosmik Kitchen was there too, along with Roy Tackler from Slumpton. Poor Roy. He spent most of his fictional life on the bench. I never did give him a first-team game. Then there was his chronic alcoholism. The list of characters on the posts seemed to go on and on. Even Charlie Saxx from a story I was in the process of writing seemed to have got in on the act.

‘GHOMCOAFA,’ Ram read out. ‘Get him off my case once and for all. Looks like someone’s out to get you.’

It was Tara. I had described the nitty-gritty of Tara’s reliance on other people, he disastrous relationships and her subsequent descent into madness. Perhaps I needn’t have been so explicit.

‘WWLWEP. We will liquidate with extreme prejudice. Max Tempo’s not too keen on you either. What did you do to upset him?’

‘Nothing, Ram. He’s fictional, remember.’

‘IGTBBTTR. I’ll get the bloody bastard this time around. Well! This doesn’t sound very fictional. What did you write about him?’

‘He was originally a delusional character in my story, Tequila Mockingbird, who thought the Mexicans were out to get him. He saw signs of them everywhere. Maybe I could have been more sensitive in the way I portrayed his nervous breakdown. Now I think of it, I may have used him in one or two other stories.’

‘I am not a number, I am a free man. What’s that all about?’

‘That’s a line from The Prisoner. The Prisoner is one of the likes I gave to Quentin Thief. It looks as if he’s trying to make a point.

Ram started humming a tune. It was an annoying habit he had when he’s concentrating. I worked out the tune was Puff the Magic Dragon. Puff the Magic Dragon! That was the title of another of my stories.

He carried on scrolling down. Another batch of acronyms appeared.

All these acronyms, Ram. Must be a youngster, don’t you think?’ I said

‘I don’t think youngsters do Facebook anymore, Phil, Ram said. ‘They’ve got Whatsapp, Instagram and Snapchat.’

‘IGYBFWLAM?’ I asked, before Ram moved on. This was from Nolan Rocco who featured in several of my stories.

‘I’ll get you back for writing lies about me,’ Ram said with little or no hesitation. How did he know all these acronyms or was he just making them up? Perhaps he had been creating the characters? Now I was getting paranoid.

‘Mick Jagger? What’s Mick Jagger doing here?’

‘He says that you mentioned him in one of your stories and he’s unhappy about it.’

‘Click on him. It can’t really be Mick Jagger, can it?’

‘2,080,706 followers. Yes, it can.’

‘He appeared briefly as a character in The Food of Love, I only gave him a couple of lines.’

‘Perhaps he feels he should have had more.’ Ram began to hum Jumping Jack Flash, one of the least hummable tunes I could think of. He was thinking again.

‘Let’s sign in as you, what’s your password?’

‘50FUck1NGb01ledcabbages’

‘Nice mix of upper and uppercase characters. Quite a secure one I’d say.’

The posts on my wall looked much the same but there was now an additional one from Quentin Thief. It was the picture of a car crash.

‘What’s that all about?’ Ram asked.

‘I hate to think,’ I said.

‘It seems to me that because you and Quentin Thief are friends that you are going to see any post that he puts up.’

‘I’ve got that, yes.’

‘But the ones posted by the others should not show on your wall.’

‘Yes. I can follow that much.’

‘So these that are posted by Tara Vain should not be there. OK? Or the ones by Max Tempo.’

‘But they are.’

‘You’ve heard of the darknet,’ he said.

I hadn’t. I wondered if it had something to do with Seamus Dark, or perhaps if Seamus Dark had something to do with the darknet. Ram explained that the term darknet was used to describe all underground web communications associated with illegal activity or dissent. ‘Don’t learn to hack, hack to learn,’ he laughed.

‘How does this fit in with what’s been happening here,’ I queried.

‘Probably nothing to do with it,’ said Ram. ‘But something weird is happening, isn’t it?’

‘What can I do about it?’ I asked.

‘Simple! You could do what you should have done in the first place, delete your Facebook account.’

‘But then I’ll never know.’

‘That’s right but, you never know who your friends are, anyway. That’s what they say, isn’t it?’

More Weird Shit – an Inspector Boss Mystery

April 14, 2020 ~ Chris Green ~ Leave a comment

More Weird Shit – An Inspector Boss Mystery by Chris Green

‘It didn’t occur to you that a two-year-old Mercedes Sprinter on sale in Toker’s End for less than two grand might be hot,’ Jonny Geezer says.

‘To be fair, we were a bit strapped for cash, guv, and there wasn’t that much around,’ Gandy says. ‘And time was of the essence.’

‘So, let’s get this straight. To do a job, you saddle us with a van that the filth will be all over even before we start,’ Jonny says. ‘You might as well have just nicked one like other blaggers do. ……. What’s in the blue bag in the back there? Looks like one of those Ikea bags.’

‘It appears to be empty, guv,’ Gandy says. ‘The odd thing is, it weighs a ton. I could hardly move it.’

‘You’re such a wimp, Gandy?’ Jonny says. ‘Let me have a go.’

With a huge effort, Jonny manages to move the bag a few inches. While he is doing so, the bag appears to change shape.

‘It is as if the bloody thing is breathing,’ he says. ‘It seems to have a life of its own.’

‘I meant to tell you about that,’ Gandy says.

‘Then why didn’t you?’

‘What do you think it is, guv?’

‘It’s not someone’s shopping from Ikea, is it, Gandy? What was the fella that sold you the van like?’

‘Average height. Medium build. Dark hair. Didn’t take much notice, to be honest, guv.’

‘Not from outer space or anything then?’

‘No perfectly ordinary guy. He had the registration document for the van. I gave him a fake name and address and handed him the cash and that was it.’

‘You’re sure it was a kosher registration document?’

‘Well, now you come to mention it, he seemed to want to get things over with quickly, like.’

………………………………………..

‘Sorry to spring this on you so early, sir,’ Lennon says. ‘But there’s no easy way to tell you. Another bag has gone missing.’

‘From your serious expression, I take it you mean a blue Ikea bag,’ Inspector Boss says.

‘I’m afraid so,’ Lennon says. ‘Like the one you told me about.’

This is not the kind of news that Casey Boss of the Strange Occurrence Detail wants to hear first thing in the morning. His stress levels are already through the roof following SOD’s bungled inquiry into the phone signal hi-jack. And the fallout from the invisibility investigation. With so much weird shit going down lately and landing in his lap, he finds it hard to keep up with it all. His doctor has told him to avoid stressful situations. He has warned him that any more stress could prove fatal. He is on powerful beta-blockers which he supplements this with black-market drugs. He is not sure he should even be at work. Just the trip up in the lift to his fourth-floor office these days raises his anxiety.

‘That was what started it all off. I was coping well before that, Lennon!’ Boss says. ‘Is that really your name? ….. What happened to Jagger?’

‘Jagger got shot, sir. Last month. Don’t you remember?’

‘Oh, that’s right. I do seem to recall now. Outside the corned-beef processing plant that was a cover for a tulpa store, wasn’t it?’

‘That’s right. What is a tulpa, sir? I’ve been meaning to ask.’

‘Never mind that now, lad. Give me the lowdown on this new business. We’d better get on to it. What do we know?’

‘The courier who was supposed to deliver this blue bag to the secret location used by the Department that we are not allowed to mention had his van stolen at 3.30 yesterday morning,’ Lennon says.

‘I see. And presumably said van hasn’t turned up,’ Boss says. ‘And the thinking is that the bag is jam-packed with arcane ideas, I take it. So it will in all probability be in the hands of a rogue regime or terrorists by now,’

‘That’s the suggestion, sir. Yes.’

‘And that’s why we’ve been landed with the case.’

‘Indeed, sir. And as you keep telling me, the first forty-eight hours is critical.’

‘I know. I know, lad. Just give me what we’ve got, will you?’

‘Would you like me to get you your meds, sir, and a glass of water?

………………………………………..

‘We need to find out what this weird shit is, Gandy,’ Jonny Geezer says. ‘PDQ.’

‘What about talking to TeeJay?’ Gandy says. ‘You never know. Whatever it is in the bag might be worth money.’

‘He’s not going to buy something he can’t see, is he?’ Jonny says.

‘Brett and Bro?’ Gandy says. ‘They’re gullible. Especially Bro. I sold him his own Kawasaki bike once.’

‘I’ve got it,’ Jonny says. ‘Pete the Maj. He is the man to see. Pete’s a spoon bender. He knows about paranormal shit. He lives around here. Harmonica Road. Just off Tambourine Way. Pete will be able to tell us what is going on.’

They drive the van around to Harmonica Road. Pete the Maj’s house is a quotidian no-fines semi, distinguishable only by the bank of satellite dishes and the black flag flying on the flagpole outside. Pete answers the door. Jonny and Gandy exchange puzzled looks. In their world, men don’t often answer the door wearing orange wet suits with marmosets perched on their shoulders.

‘Hi guys,’ Pete says. ‘I’ve been expecting you.’

They hadn’t phoned ahead. How could he possibly know they were coming, they wonder?

‘And what’s more, I know what exactly you have come about,’ Pete adds. ‘What you have is a bag full of concepts waiting to be realised. In a word, my friends, ideas.’

‘But it looks like there’s nothing in the bag,’ Jonny says.

‘What do you expect, Jonny? Ideas are invisible,’ Pete says.

‘But despite this, the bag is heavy,’ Gandy says. ‘It took the two of us to pick it up.’

‘Of course, it’s heavy,’ Pete says. ‘Ideas are often complex. You didn’t think they just came floating in through the kitchen window, did you? Or that you could download them from the Internet?’

‘If you can’t see them, how do you know what they are?’ Jonny asks.

‘Firstly, you need to know where they came from,’ Pete says. ‘I’m guessing by the look of you that you don’t know.’

‘Not as such,’ Gandy says.

‘Then you need to have the right equipment and the necessary skills to get them to materialise. I’m pretty sure you are not going to have that,’ Pete says.

‘So without this equipment, no-one can tell what it is,’ Jonny says.

‘Exactly,’ Pete says. ‘Perhaps now that you’re here, you might like to sing to my marmoset. She’s called Sacha. She’s very friendly.’

‘You wouldn’t like to hazard to a guess what the stuff might be, I suppose,’ Gandy says.

‘Many new ideas come from military sources, microwaves, GPS, 5g, all these are military in origin,’ Pete says. ‘The internet too originated in the military, along with lots of everyday things like disposable razors and superglue. So that’s where my money would be. ……. Although you wouldn’t think the military would transport the raw material in a blue Ikea bag.’

………………………………………..

‘We’d better get the courier in here, Lennon,’ Boss says. ‘What did you say his name was?’

‘It’s a hard one to get your head around,’ his sidekick says. ‘Banana Petroleum or something like that. He’s Albanian, apparently. ……. Ah, here it is, Bajrami Pernaska.’

‘Let’s stick with Banana Petroleum. ….. OK! Get Petroleum in here this morning. He could well be in on it, don’t you think?’

‘It would certainly make our job easier if he were, sir.’

‘Look! If you joined the department because you thought it would be easy, Lennon, you’re in for a rude awakening. This isn’t the regular constabulary, lad. This is SOD. The Strange Occurrence Detail. You better be ready for all kinds of weird shit. None of it good or easy.’

‘I didn’t for a minute imagine it would be easy,’ Lennon says. ‘I knew there would be a lot to learn. I’ve not worked in metaphysical policing before. I have a mind games background.’

‘Four thousand holes in Blackburn, Lancashire, eh, lad?’

‘What?’

‘Semolina pilchard climbing up the Eiffel Tower.’

‘Eh?’

‘From old songs, lad. I thought you might know them.’

‘Before my time, I imagine, guv.’

Inspector Boss’s Albanian is not up to speed and Banana Petroleum’s English is not much better. It takes twenty minutes to establish that BP is a delivery driver for Safe as Houses Security and while the van he was using when it was stolen belonged to them, due to an oversight in planning, it had none of the firm’s livery. It was a plain white van.

‘I stop van for smoke,’ Banana Petroleum says. ‘When I return, van gone. In trouble now. Yes.’

‘You know what was in the van then I take it,’ Boss says.

‘Van gone,’ BP repeats. ‘In trouble now. Lose job.’

After an hour they establish that BP probably did not know what he was carrying, and the van was taken from outside the community centre on the Toker’s End estate, a notorious spot for petty criminals and drug dealers.

‘We’d better get around to Toker’s End, Lennon,’ Boss says. ‘Have you had any small arms training?’

‘Not really, sir,’ Lennon says. ‘Most of my work involved writing confusing copy for under the counter publications.’

‘Well no doubt, these skills will come in useful,’ Boss says.

………………………………………..

‘I don’t know how to tell you this, guv, but the bag seems lighter,’ Gandy says. ‘Like something has escaped.’

‘And how did that happen, Gandy?’ Jonny Geezer says. ‘I told you to keep an eye on it.’

‘I kept an eye on it. I didn’t let it out of my sight.’

‘How did that happen?’

‘A complete mystery, guv. I even made sure the CCTV was focussed on it. But I’ve played the footage back and there’s nothing to see. The hard disc has been wiped.’

‘That’s should be impossible. ….. Well. Never mind, Gandy. I suppose it’s a good thing in a way, seeing as the stuff in the bag was invisible anyway and we wouldn’t have been able to sell it.’

‘Shall I just ditch the bag then?’

‘To be on the safe side, we’ll hang on to it for now. With all this strangeness around, you never know.’

………………………………………..

‘Before we rush off to Toker’s End,’ Lennon says. ‘Have you seen this splashed across the front of the paper? It says that all across the country, time is going backwards. In Brighton, it has gone back to Tuesday. In Swindon, it’s Monday last week and in Bristol, it has gone back to January.’

‘Let me have a look, will you?’ Boss says.

‘Here you go, boss.’

‘Don’t call me that, man. How many times?’

‘OK, guv.’

‘Nor that. Guv is for hoodlums and lowlife.’

‘Sorry, sir.’

‘God’s teeth!. You are right, Lennon. It looks like time is on the blink. Looking at the locations they mention here, there doesn’t seem to be a pattern to it, although all the places are in the south of the country. I hope it’s not heading this way. We haven’t noticed anything different here yet, though, have we?’

‘I didn’t like to mention it, sir, but the hands of my watch do seem to be going backwards.’

‘I see. Oh my God! So they are. Not good, lad! I’ve got a bad feeling about this. It could well be connected to the disappearing bag. That’s why the bigwigs have got us on it. I imagine we will get a call from them shortly telling us to pull our fingers out.’

‘I’ve just had a newsflash come up on my phone,’ Lennon says. ‘It’s from Devon Live. It’s about 9/11. It says planes have crashed into the Twin Towers in New York. A newsflash. As if it’s just happened. Time must have gone further back down south.’

‘Have I got much of that stuff left, Lennon?’ Boss says.

‘You mean your meds, sir? Yes, there’s enough for a week or so. But, to be on the safe side, would you like me to order some more. I think I have your man’s number here. Is he really called Razor?’

‘Yes. I think you’d better. This could be a fraught investigation.’

………………………………………..

‘Who do I speak to in SOD?’ the Home Secretary, Mercy Creech asks her PA, Dodd. Mercy is new to the job. She has only been in post for three weeks.

‘That would be Inspector Casey Boss,’ Dodd says. ‘Would you like me to get him on the phone?’

‘Yes. That would be good. What’s he like, this Boss?’

‘Well, he’s probably in his late fifties’ Dodd says. ‘He appears to be a little vacant unless this is merely an affectation. But you’d have to say, he’s a bit dour. He’s always complaining how under-resourced SOD is. But don’t they all claim to be undermanned.’

‘Got you. SOD have lost a few of their officers lately, haven’t they?.’

‘Yes, Home Secretary. They had one taken out just last month. Jagger, I believe. Terrible business.’

Dodd keys in the number and hands the phone to Mercy Creech. Inspector Boss leaves it to ring for a while before picking up. He has a fair idea of what is coming.

‘Ah, Boss. Home Secretary calling. Good to make your acquaintance. I take it you are up to speed on the crisis.’

‘I’ve picked up the gist of it, yes.

‘Look! I’ve spoken to the Department that I’m not permitted to mention and they tell me that this matter is now Category XX. In a word, time is going backwards. Now, as I understand it, because just one bag of whatever it was went missing, this is only happening in certain places, mostly down south. In other locations, nothing has happened. In most parts of the country, it is still today. But the rupture in time could spread. How is it where you are?’

‘It’s just stared here, Home Secretary. Weird business. One minute, it’s dark and the next it’s light and then it’s dark again. At a guess, we are about three weeks back at the moment.’

‘I see. It’s gone so far they are already back on dial-up in some places. In West Somerset, they say it has gone back to 1983.’

Boss wonders how they can tell. It probably always seems like 1983 in West Somerset, but he doesn’t say anything.’

‘We to need to recover the missing bag quickly,’ the Home Secretary continues. ‘Even then, it might be too late.’

‘I might need more personnel, Home Secretary. We’ve taken a bit of a hit lately, if you’ll excuse my pun.’

‘Yes, so I hear. We will look into it and be reassured, we are trying to get to grips with gun crime.’

‘And my new sidekick, Lennon is inexperienced in the field.’

‘Lennon, you say? Is that really his name?’

………………………………………..

Casey Boss is always nervous about contacting Colonel Ж of the Department that cannot be named, but if they are to make any progress on the case, he realises he must do so now. To prepare himself, he takes a handful of the Razor’s designer supplements. He has no idea what they are, but they seem to do the job.

‘Ah, Boss,’ Colonel Ж says. ‘I was wondering when you would call. What’s it like where you are?’

‘Time is going backwards here. I don’t know how exactly it works but as far as I can tell, we are not going backwards with it,’ Boss says. ‘If you get my drift.’

‘It is one of those things that is difficult to predict with any certainty,’ the Colonel says. ‘Especially as nothing like this has happened before. Time is still going forward normally here, but, of course, this could change at any moment. The distribution seems to have happened more or less at random. I’m getting lots of conflicting reports. There’s nothing uniform about the spread. Did you know it’s gone back to 1913 in Windsor? They are worried about the military build-up in the Balkans.’

‘I’ve given the issue some thought,’ Boss says. ‘Off the top of my head, it would appear that we need to get to the depot where the van was loaded. And hope that time in this location has not gone too far back. Then, we can just load the bag or bags that were to be transported on a different van and perhaps that will change things back.’

‘Good thinking.’ the Colonel says. ‘I’m not sure it will work but it’s certainly worth a try. If I give you the location, can you get another van there quickly?’

‘I’ll get my man, Lennon on to it right away, Colonel,’ Boss says.

‘Lennon? Is that really his name?’ the Colonel says.

………………………………………..

‘From what you said earlier, sir, I gathered we were on a tight budget but guess what, I managed to get us a two-year-old Mercedes van from Gumtree for a very good price,’ Lennon says. ‘Only 100,000 on the clock.’

‘Good work, Lennon. Let’s get on with it then,’ Boss says. ‘Time is of the essence.’

‘In more way than one, sir, if you get my drift,’ Lennon says.

‘Oh, I see, time. Very droll,’ Boss says. ‘Here’s the postcode to key in.’

After driving for several hours through fractured time zones, they find themselves in logistics-land, deep in the heart of the Midlands. Here, the roads are newly tarmacked and have clear white lines and elaborate traffic furniture at all the roundabouts. There are new warehouse buildings lining both sides of the road. Time seems unaffected. It is six-thirty on Thursday evening, which they calculate is what it should be.

‘Only three more miles, sir, Lennon says.

‘Perhaps we are in time then,’ Boss says.

‘In time. You are at it again, sir. Look! That must be the depot up there on the right, don’t you think? The tall one with the camouflage cladding.’

‘I think that’s probably Colonel Ж getting out of the Hummer.’

‘You can get quite a lot of people in a Hummer, can’t you? And look! They are heavily armed.’

‘Military unit, Lennon. All we were given was this pistol. And, as you know, I had to beg for that.’

‘My watch is starting to go backwards again, sir. But that’s good, isn’t it?’

‘Perfect. All we have to do then is get out and wait until yesterday.’

‘That may not be too long. The hands-on my watch are spinning wildly.’

………………………………………..

The cargo always travels by night, the Colonel tells them. The missing cargo set off from the depot with Safe as Houses Security at midnight. The task this time is to pick up the bag an hour earlier than originally planned and head for the secret location. They will be escorted by Colonel Ж and his men in the Hummer. The secret location is a hundred miles away in the direction they’ve come. They will be informed of the exact location once they are near. The latest reports from the secret location suggest that time here is behaving as it should. Boss wonders why the Department could not have done this without them, but his is not to reason why. Why hadn’t they delivered the original cargo by helicopter if it was so sensitive? Or at least put it with a reputable carrier? It seems a bit lax to trust it with a random Albanian dude with a white van. Boss wonders too at what point, time will correct itself. Will this return to normal when the bag is safely aboard the van, when it has travelled further than it originally did or only when it is safely delivered. While logic suggests the first option, there is nothing rational about the current situation. Perhaps, it is a riddle that no-one can be sure of the answer to, not even the Colonel.

‘We don’t know exactly where the van was stolen,’ Boss says. ‘Banana Petroleum was not very specific and in the end, we found we were just wasting time by grilling him further, but we have a rough idea. So to be on the safe side, we will take a different route.’

‘OK. Let’s get the show on the road,’ Colonel Ж says ‘We’ll be close behind you. You can be sure of that.’

………………………………………..

‘We’d better try to get rid of the van,’ Jonny Geezer says. ‘Count our losses. If we don’t ask much for it, someone’s around here is sure to snap it up. Probably someone else who wants a plain white van to do a knock-over.’

‘I was meaning to talk to you about that, guv,’ Gandy says. ‘The van has, how can I put it? Gone. One minute it was there, the next, it wasn’t.’

‘What!’

‘Someone must have half-inched it while my back was turned. I was on the phone to Loulou. The van was only out of my sight for a few minutes, then I went back to lock it up and …… well, it wasn’t there. I didn’t hear anything. It must have all happened very quickly.’

‘Someone who knew we wouldn’t report it, probably.’

‘Next time, we’ll just have to nick one like you said, guv.’

‘You ditched the bag, didn’t you?’

‘You told me not to. …… Didn’t you?’

‘Where did you put it?’

‘It’s in the shed back here, boss. …….. Look!’

‘Where am I looking, Gandy?’

‘Oh no! The bag has gone too.’

………………………………………..

As far as it’s possible to tell, time has settled down. To the good folks of Windsor, the military build-up in the Balkans is nothing more than an episode in history. They are once more able to harangue the graceless town planners in neighbouring Slough. In Devon, they have got over the shock of 9/11 and can once again whinge about the legions of caravanners that flock to their beauty spots every year and get stuck in the narrow lanes. Brighton is now straight again too and back on British Summer Time. The urban centres of Swindon and Bristol are back on track, each dreaming that one day, they might be able to produce a successful football team. Maybe eventually field a side to progress beyond the Fifth Round of the F.A. Cup. Throughout the land, clocks and watches are synchronised. Dates for events throughout the year are once again set in the calendar. Yet, for some unaccountable reason, in parts of West Somerset it still appears to be 1983.

ICKE

April 4, 2020 ~ Chris Green ~ Leave a comment

ICKE by Chris Green

It was the summer I worked for the Parks Department. Tony and I had parked up our mowers in Cortina Drive, a quiet cul-de-sac in a residential area, a place where I reasoned, Nick Ford would not find us if he came to check. It had been a hot dry summer, and the grass hadn’t grown much so I figured if he came, we could bluff it. We would work out where he had been looking for us and explain that we had been doing the verges in other roads in the area. Although Tony and I had not been teamed up before and he was a little wary, I told him this ploy had worked for me up until now. Nick Ford tended to stick to set routes on his patrols.

Tony and I settled down for a smoke on the stretch of undeveloped land at the far end of Cortina Drive. We talked about our backgrounds. We discovered that these were similar. Both sets of parents had recently divorced, both our fathers worked in IT and both our mothers, for some reason, were fans of Andy Williams. How this had come into the conversation is hard to say. Neither of us were particularly family-orientated or interested in crooners. Although Tony and I had gone to different schools, we found we had similar interests, girls, partying and sleeping. And liked the same bands, Foo Fighters, Queens of the Stone Age and The Red Hot Chili Peppers. I had some Northern Lights skunk as I recall, and it was not long before the two of us were laughing loudly at anything and everything.

Suddenly, our peace was shattered by a powerful, low-pitched whooshing noise. We looked up and saw it was coming from a vortex in the sky. I had been too young to catch the original Twin Peaks and this was years before Stranger Things on Netflix, so naturally, I had not come across anything like it before. Nor I suspect had Tony. We were only nineteen and vortexes and portals had not featured in our sheltered upbringings. The roar grew louder and louder. The spiral moved faster and faster and came closer and closer. We were buffeted this way and that by the blistering wind. This continued for what seemed an eternity, but I suppose, in reality, may just have been a few seconds. We felt ourselves being sucked up into the firmament. It was all we could do to keep our feet on the ground. Tony’s profile was cutting in and out in rapid beats like an entity materialising and dematerialising. We appeared to oscillate between terra firma and a nebulous netherworld. Fortunately, the vortex retreated as quickly as it had arrived and thankfully, we were spared.

The experience must have had a profound effect on Tony, for he didn’t come into work the following day. Or the day after. At first, I didn’t think too much about it because we both viewed working for the Parks Department as a summer job rather than a career. There was a high turnover of staff, especially as the money was not very good. But, I never saw Tony again. I tried for a while to get in touch with him but he seemed to have completely disappeared.

When you are nineteen, your world changes rapidly from day to day. You are happy-go-lucky, carefree. New experiences come your way all the time. Friendships are fluid. You are out every night, meeting new people. You hardly notice the passing of time. So understandably, I did not dwell too much on the strange episode or for that matter, Tony’s disappearance. After a while, I began to wonder if perhaps because we had been so stoned, we had imagined the vortex. Or at least exaggerated what might simply have been temporary adverse weather conditions. Nothing about it had appeared in the local paper, or if it had, I had missed it.

Growing up, I had read the odd science fiction novel and seen the occasional sci-fi movie, but they were not particularly my thing. It was not until in the twenty-tens, when I picked up a book by former sports broadcaster turned new age philosopher, David Icke, that I realised what portals were. Or that for many years, scientists had been attempting to open portals to parallel universes, shadowy dimensions that mirrored our perceived world. Or the claim that we might live in a multi-dimensional holographic universe. And the argument that if we on Earth had this type of technology then others from distant worlds would be likely to have equivalent technology. Could some of this weird stuff explain the episode with the vortex, I wondered? Could it even account for Tony’s subsequent disappearance? Had he simply been spirited away? If David Icke was to be believed, this explanation appeared to be plausible.

The Baader-Meinhof Phenomenon suggests that once you come across a new word, subject, concept or idea, you are likely to come across references to it everywhere. Many believe this is an example of collective consciousness and has a supernatural explanation. In addition, it is claimed the references often lead to other previously undiscovered but connected concepts and ideas until you find a whole new world suddenly has opened up. Such was the case around portals. Firstly, I noticed that the window of Waterstones was full of books on portals and wormholes. Then I found an advert for an upcoming talk on Time Travel and Parallel Universes at the John Morris Memorial Centre by someone called Marcellus Go. I saw a youngster on the street wearing a David Icke T-shirt and to my astonishment, another wearing a David Icke T-shirt. I hadn’t realised that David Icke had such a following. Then, out of the blue, Ravi in the corner shop struck up a conversation on hidden portals. What were the chances of this? I had only gone into KMart for cigarettes.

‘NASA has admitted that Earth portals teleporting human beings from one place to another are a reality,’ he said, looking up from the book he was reading. ‘They’ve been studying them for a long time. You’ve heard about The Philadelphia Experiment, right?’

I told him I hadn’t. I was new to all this.

‘In 1943, the US Navy teleported the entire crew of the USS Eldridge into the future. 1983 to be precise.’

‘Wow!’ I said. ‘That’s quite something.’

Why, I wondered, was Ravi telling me this? It wasn’t as if I knew him well. I had only been into KMart a handful of times. I could see he wasn’t busy but still it seemed odd.

‘And more recently in the Montauk Project, the American Air Force created a. dimension portal, a time tunnel that enabled their researchers to travel to make contact with aliens. A flying saucer became stuck in the underground tunnels along with its alien crew. I’ve just been reading about it. Cool stuff, huh?’

‘Do you know, I’ve often had the feeling that time was not working properly,’ I said. ‘My account of when particular things happened is often at odds with other peoples’ accounts. I keep meaning to keep a diary to keep track because so many things just don’t seem right.’

‘Time’s not linear,’ Ravi said. ‘I can tell you that much. Einstein proved that years ago. You want to get yourself along to that talk by Marcellus Go, last week.’

‘You mean next week,’ I said.

‘Who can tell?’ he said. ‘Like I said, time’s not linear.’

There were perhaps thirty people at the John Morris Memorial Centre to hear Marcellus Go speak. A veritable circus of jugglers, clowns and space-cadets. In the front row were the pair of youngsters I had seen in the David Icke T-shirts. Marcellus held forth about time travel and aliens and how these matters had been consistently hushed up by successive regimes the world over. Secrets and lies, it seemed formed the basis of political power. Literally thousands of sightings of UFOs had been dismissed as hoaxes. There were aliens among us, Marcellus said, possibly even some in tonight’s audience by the look of it. He went on to explain that far from being taboo subjects, wormholes and portals were matters that should interest us all, particularly in this neck of the woods as there were a handful of potential sites for portals to other dimensions nearby. It had to do with magnetic fields and energy stores. If we bought his book, Quantum Revelation, we would discover the coordinates for these sites.

I lined up with the others to buy Marcellus’s book. I found myself standing next to one of the more attractive attendees, in fact, she was the only woman there. She was tall with long flowing dark hair and was wearing tie-die balloon pants and a floral shift. I caught a whiff of patchouli.

‘I’m Aura,’ she said.

‘I’m Charlie, I said. ‘Pleased to meet you.’

‘I expect you’d like to go for a drink after all that,’ she said. ‘There’s a quiet little wine bar I know just around the corner.’

This seemed a little forward, but a drink seemed like a good idea and the prospect of attractive, intelligent female company for the evening seemed an even better one. I had been at a loose end since Linda had left. Linda and I had been together for three or four years but had slowly drifted apart. Linda was a creature of habit. She didn’t like anything new. She strongly disapproved of my fascination with David Icke. She started coming out with all kinds of nonsense about my naivete. How can you be taken in by him? she said. He’s a charlatan, she said. Nothing but conspiracy theories, she said. It was bad enough that she used to hide my weed but the final nail in the coffin came when she took all my David Icke books to Oxfam.

Yin Yang was tucked away down a back alley. Unless you had been told about it, you would not know it was there. Strange for a licenced premises not to advertise itself. Yin Yang too was an odd choice for the name of a wine bar, I remember thinking. Perhaps there was a connection between Taoism and wine that I did not know about.

‘How did you get into all this, Charlie?’ Aura asked. ‘Don’t take it the wrong way. You scrub up quite well, but you don’t look like the new-age type.’

To keep her interested, I felt I had better open up. I told her how reading the David Icke books had taught me to question everything we had been told. How I came to realise the universe was made up of vibrational energy and consisted of an infinite number of dimensions sharing the same space. And that the world was run by lizard people from the fourth dimension that over time had interbred with humans. After all, once you had been alerted to this, it was obvious. The evidence was everywhere. The Royal Family, The Rothschilds, The Rockefellers along with most top politicians and world leaders past and present were the progeny of these liaisons.

Aura nodded her agreement. She was clearly familiar with the Babylonian Brotherhood or the Illuminati, as the elite were otherwise known.

‘Reading David Icke on parallel worlds got me around to thinking back to an experience I had years ago,’ I continued. ‘With what I now realise was in all probability a wormhole.’

Aura listened attentively while I explained where it was.

‘Cool!’ she said. ‘That sounds close by. It’s probably one of the local portal sites that he gives the co-ordinates for. Perhaps we might go in the morning. After breakfast.’

This sounded promising. Did this mean we were going to spend the night together?

I can’t remember much about the rest of the evening, but I suspect we may have consumed a bottle or six of wine and perhaps had more than the odd puff on a spliff. I woke in unfamiliar surroundings with a thumping head. Once I became used to the startling array of fabrics in the room, I realised there was perhaps a theme and they didn’t all clash. Even so, it was a riot of colour. Aura emerged from the shower and said something about it having been a good night, which helped to put my mind at rest. It seemed odd that according to my watch I had missed three days, but I didn’t dwell on it. If Aura seemed happy about the situation, this seemed to be sufficient.

On our drive to Cortina Drive, Aura talked about her trip out to Area 51 in the Nevada desert the previous year. There was a festival going on with people coming from all over the world. Some of those she met had drone footage of the captured spacecraft in the compound. Others, with first-hand experience of the base, had actually seen the aliens that were being held there but say they were not allowed to take photos. It was clear she said that this was not just a U.S. Air Force where they tested planes. There was so much that we just didn’t know.

It was a disappointment to find that the portal site from my youth had been built upon. It knocked the wind out of our sails. At the far end of Cortina Drive, we found ourselves facing an odd-looking industrial building with rain-screen cladding and no windows. It seemed an odd structure to build in what was otherwise a traditional red-bricked residential area, the kind of thing you would have thought it would be difficult to get planning permission for. We walked around the perimeter but found nothing to indicate what the building might be used for. We were not even able to detect an entrance.

Try as we might, we could not find out who the strange building belonged to. Or what they did in there. We even staked it out one morning but no-one arrived and no-one left. There appeared to be no record of the building anywhere. It didn’t even appear on Google maps. It was a real puzzler. It was as if it didn’t exist.

But, there are other potential portal sites mentioned in Marcellus Go’s book. Some of these are within easy travelling distance, there and back in a day. Also, I see that David Icke has a new book on the way, which is likely to have heaps of new ideas for us to investigate. But perhaps some of these things can wait awhile. Now that Aura and I have moved in together, there seems to be less of a sense of urgency. We might spend some time exploring inner space instead and see where this takes us.

Shooting Script

February 4, 2020 ~ Chris Green ~ Leave a comment

Shooting Script by Chris Green

The headline on the front page of The Independent, Shot Down in Downing Street came as a shock to Catherine Larsson. It was accompanied by a grainy picture of the Prime Minister clutching his shoulder. A trail of blood appeared to be trickling down his white shirt. Unaware that he was being scrutinised, Matt continued to turn the pages of his paper. PM Fighting for his Life, was emblazoned across the centre spread. This was big, big news. Assassination attempts on British Prime Ministers were unheard of. Why had it gone unnoticed? Catherine had heard nothing about the shooting on the news when she drove in to work, it was not reported in her tabloid, and curiously, no one in the office had mentioned it during the morning. Yet a story of this magnitude would be something that spread like norovirus. It ticked all the boxes for good newspaper copy, bad news, head of state, bloodshed and closeness to home. This was something you would expect everyone to be talking about.

Having only been briefly introduced to Matt earlier in the day, Catherine was a little nervous of him. His having possession of the newspaper with the dramatic headline seemed to give him extra charisma but also made him more unapproachable. She occupied herself with some desk tidying while she weighed up the situation. She was about to ask Matt for a look at the paper, or at least get him to clarify what was going on, but at that moment a call came in. When she had finished on the phone, Matt was nowhere to be seen. She had not noticed him leave. Having just started at Total Eclipse Events Management a week ago, Catherine was still finding her feet. She could not remember what position Matt held or where she might find him. She had never seen him around before. Perhaps he was just a visitor. She looked around for her colleague Maddie who had introduced them but now Maddie had vanished too.

Another call came in, and before Catherine knew it, it was lunchtime. Although she liked to keep up with current events, the attempted assassination of a public figure was perhaps in the big scheme of things not going to affect her greatly. It was only politics after all. And furthermore, she didn’t care much for the Prime Minister anyway. He was smug and mendacious. Since her divorce eighteen months ago, Catherine was more concerned with keeping her own boat afloat and making sure that her teenagers, DJ and Jessica were keeping away from the deadly new skunk parties she had heard were sweeping the country. All the same, it was very odd that news of this significance had not circulated more measurably.

Since starting at Total Eclipse, Catherine had begun to take her lunch at Gino’s, a small café around the corner from the office and down a side street. Here she could listen to jazz, enjoy a baguette and a cappuccino and generally chill out. She felt that it was important to put all work thoughts out of her head for a spell, so she usually went alone. She put in her order and took a seat. Miles Davis was playing It Ain’t Necessarily So. Miles was one of her particular favourites. She loved the melodic style of the muted trumpet and the way his quintet filled in the harmonies.

While she was waiting for her order, as she looked around at the jazz posters that hung on the walls, she noticed that Gino’s offered a range of newspapers. Curious once more, Catherine scrutinised them one by one for any news of the assassination attempt. To her puzzlement and alarm, none of them carried the story, not even the Independent, which instead led on the earthquake in the Middle East, with a feel-good picture of the Duke and Duchess of Cambridge in Australia on the right-hand side of the page for balance. Catherine was not comfortable with things she could not explain. They made her head spin and gave her a feeling of nausea in the stomach. She did not touch her baguette.

During the afternoon, when she had a few quiet moments, Catherine zipped around the news sites on the internet. There was not a mention of an assassination attempt anywhere. Had the whole thing been a wind-up? But what would the motive have been? Surely there was no point in such an elaborate hoax, for her benefit. She felt too cautious to bring it up with any of her colleagues. She was the new girl and did not want them to think she was doolaley. There was still no sign of Matt. Had she imagined him too? She thought back to the moment when she had been introduced. There had only been a brief exchange. They had shaken hands. Her mind had misted over and she had felt dizzy, she recalled. She had thought nothing of it at the time as she was in the middle of some printing, and the printer had jammed. She could now bring to mind next to nothing about Matt, other than he was a large thick set man with, she thought, a trace of an accent. She could not recall what the accent was. He was wearing a grey suit, or was it jeans and a sweatshirt, or was it a diver’s wetsuit. She was not sure. It might have been any of these. She remembered only that their eyes had met briefly. This was shortly before he had disappeared. She recalled she had sensed a charge of electricity. Something strange was definitely happening.

As Catherine was getting into her Micra at 5 o’clock, she noticed a black BMW leaving the car park. Although the windows were heavily tinted, behind the wheel was a large shadowy figure. As he sped off, she noted the registration. It was a 68 plate with the first two letter area code being LK. A 68 plate!! But this was 2017. The plate would not be due for another year or so. She experienced that feeling of nausea again like she was slipping away.

‘Stanmore, London,’ Devinder said, in response to Catherine’s question about the plate’s origin. She had phoned him on her hands-free while waiting for the temporary traffic lights to change at the St Georges junction. ‘But 68 is impossible. You must have misread it.’

‘No, it was definitely LK 68 something,’ she said.

‘It is easily done,’ he countered.

Catherine was determined she had not been mistaken.

‘Would you like me to come over?’ Devinder said, sensing that Catherine was more than a little distressed. ‘I can leave Ravi to look after the shop.’

Catherine did not consider her and Devinder to be an item, but after the dating agency had matched her with a series of chain-smoking lorry drivers, balding insurance salesmen with paunches and sixty year-old thirtysomethings, she had found Devinder to be a breath of fresh air. She had taken to seeing him once or twice a week. She found him knowledgeable, witty, understanding and very good company, except when the cricket was on. Perhaps it was the lavish gifts he bestowed on them on occasions, or some under the counter activity that she was unaware of, but even DJ and Jessica seemed to accept him. Devinder’s biggest plus point, however, was his ability as a lover. No-one had understood her body and pressed all the right buttons like Devinder. It was as though he knew what she was thinking. But of course it was early days and she was careful to remind herself that her ex-husband, Hilmar had once seemed like the man of her dreams.

When Catherine arrived back at her flat in Cardigan Street, she found it empty. Perhaps DJ and Jessica were at the library. There again, more likely they weren’t. There were plenty more unsavoury places to hang out. What could you do with teenagers? Whatever you told them, they would be likely to ignore. They would negotiate their own terms of engagement with life’s great mysteries.

Devinder duly arrived and while Catherine expressed her confusion, administered much-needed comfort. Before long, they found themselves in an uncontrollable embrace. This seemed to happen every time they met lately. There was only one place to go. Afterwards, Devinder attempted to put Catherine in the picture about reality.

‘Reality is an illusion,’ he said. ‘Even the teachings of the Ten Gurus will tell you that this is so. For instance during sleep dreams seem very real, but upon awakening, you realise that they were just dreams. So it is with this world that we call reality. It is possible to wake from it too. Sri Ramana Maharshi, the great Indian teacher, maintained that the difference between a dream while sleeping and the dream we call wakefulness is only of duration, one short and the other one long.’

‘So you are saying I did not meet a man called Matt today, who had a unique newspaper and a car from the future,’ Catherine protested. There had been she realised now something strange about Matt’’s presence. It was difficult to explain; it was as though he was there but not there. Although he was broad, he was at the same time, insubstantial, like an apparition.

‘We never directly experience the world around us,’ Devinder said. ‘All we ever know are the contents of consciousness, the thoughts, feelings, perceptions and sensations that appear in the mind.’

It was just after six in the evening. Dennis and Audrey Crick were enjoying Eggheads on TV, when they heard a loud knock at the door. Living as they did on a suburban estate, the Cricks quite frequently had cold-callers at this time of day, so they did not immediately answer. At their time of life, they did not get a lot of friends casually coming round and their own family had over the years spread out. Besides, people that Dennis and Audrey knew would always phone before calling round. This caller seemed persistent, so on the third or fourth knock, with a grunt of disapproval, Dennis got up and went to the door. The figures he was faced with across the threshold, a man and a woman, did not look as if they were representatives from a power supplier trying to get customers to switch or speculative callers on behalf of a charity. They wore dark blue quasi-military uniforms and had a grave look about them. The man introduced himself and flashed an ID card. Dennis did not have his reading glasses, so just took it on trust that it was genuine.

‘You may have heard that there’s been a nuclear accident,’ the man said. He did not give the impression that he was joking.

‘No,’ Dennis said.

‘We’re here to let you know about the arrangements for your safe evacuation,’ the woman said.

‘What?’ Dennis said, astonishment now mixed with perplexity.

‘We would like you not to panic, but to be ready with the things you need to take in one hour,’ the man said. He barked something cryptic into his chunky radio pack. The pack Dennis noticed had a bold stencil stamp on it, MKEF or something.

‘Transport is being arranged,’ the woman said. ‘We’ll be taking you to the closest reception centre.’

‘Any questions?’ the man said.

Dennis was too stunned for enquiry. His rational mind was dissolving. He stood on the step with his mouth open.

‘We’ve got other calls to make,’ the woman said. ‘One hour! Please be ready!’

Dennis closed the door and went back inside. Barry for The Eggheads had just won the Arts and Books round, having correctly identified that it was Picasso who had said, ‘he wanted to tear reality apart’.

‘Who was it, love?’ asked Audrey. ‘You’ve gone very pale.’

‘I think we’re being evacuated,’ Dennis said. ‘A nuclear accident.’

‘There must have been a radiation leak,’ said Audrey, applying a phrase she remembered from the news coverage of the French nuclear plant crisis.

‘But I don’t think that there is a nuclear power station within a hundred miles,’ said Dennis. ‘But then, I couldn’t be sure.’

‘Didn’t you buy a Geiger counter at the car boot last year?’ Audrey said.

‘No dear, that was a metal detector. I don’t think that would work. Anyway, it hasn’t got any batteries. I was meaning to get some.’ Dennis did not get out much since the rheumatoid arthritis had worsened. It was over a year now since he had been to a Milton Keynes Dons home game. He had not been since they lost 4-0 to Yeovil. The Don’s Montenegrin keeper had been responsible for all four goals in a nightmare game, but the following week he had played a blinder against local rivals, Stevenage in a narrow 1-0 win and even got away with a blatant trip on Stevenage’s Sudanese striker. Dennis found things had a way of working towards a balance. A friend of his was fond of saying, ‘go with the flow.’ Dennis found that this made a lot of sense and saved a lot of time and energy. You could not expect to get a run of green lights all the way to the superstore. And if you did, there would be road works on the way to the garden centre. Dennis attempted to adapt this principle about dynamic equilibrium to their present situation.

‘Shall I turn over to the news?’ Audrey said. ‘There’s sure to be something about it.’

There was no mention of anything about the emergency on the BBC News or Sky. The military build up on the Turkish border with Iraq and the floods in North America were the main stories and there was a report about a beached whale in the Outer Hebrides. Nothing anywhere about radiation. Perhaps security issues were involved, and the authorities wanted to keep it a secret. If this was the case, how could anyone hope to find out?

Dennis went round to see the Lockharts next door, knocked several times, and peered through the front window, but it appeared they were out. Perhaps they had already been evacuated, he thought. He was about to go round to see if the De Koonings had heard anything when Audrey called him.

‘I’ve just phoned Alison and she thinks that it is a hoax,’ she said. ‘Fake news, Alison called it..’

‘Is she sure?’ asked Dennis.

‘You know Alison pet; she knows everything,’ Audrey replied. ‘She thinks it’s pranksters.’

‘Bit of a rum thing to joke about,’ Dennis said.

‘Alison said that the Sintons had two nice young men round to tell them about the total eclipse of the sun. You would only be able to see it from high up, they told her. They went to the clock tower and waited, but there was no eclipse and when they got home they found they had been burgled,’ Audrey said.

‘Blimey!’ Dennis said.

‘Then there was the time they said on the tele that Big Ben was going to go digital,’ Audrey said.

‘But wasn’t that April Fools Day,’ Dennis said.

‘I still don’t believe it,’ Audrey continued. ‘What do they say on that show, It’s a Wind Up?’

‘Have we ever watched it?’ Dennis said. Lately, Dennis was finding the drawers in the cabinet where he stored his narrative harder and harder to open. The wisdom of age was, as far as he could see, a fallacy. You spend your life accumulating knowledge so that you can have facts at your fingertips, but the cruel irony being that when you are at a stage of life when you might benefit from this, you are already beginning to lose stock daily from this repository of information. Dennis’s consciousness was diminishing. Most days he and Audrey watched Eggheads, Celebrity Eggheads and perhaps EastEnders, then let the cat out, put their teeth away on the bathroom shelf and went to bed. Sometimes they would stay up to watch a drama. He was not sure why they watched these programmes. He could never remember the answers to the questions on Eggheads, usually lost the thread of the complicated plot lines in EastEnders and had no idea at all what was going on in the drama. There had been one on recently called Total Eclipse, which was so incomprehensible it might as well have been science fiction.

‘I’ll make us a nice cup of tea,’ Audrey said.

Dennis and Audrey settled down to watch Celebrity Eggheads, which had just started. The Eggheads were playing a team of celebrity chefs. In the Music round the TV chef with the double-barrelled name and the plum in his mouth had just guessed correctly that it was Bungalow Bill and not Caravan Carl or Penthouse Pete who had ‘gone out tiger hunting with his elephant and gun’, in The Beatles’ song. Pat from when there was a knock at the door. It was Lars de Kooning.

‘Are you and Audrey ready?’ he asked. He had his coat on and a large Team Blitz sports bag across his shoulder.

‘Audrey’s sister says that it is a prank,’ Dennis said.

‘Well, we’re all set,’ Lars said. ‘The children are really excited. They think we’re going on holiday. They’ve packed the playhouse. How much do you think they will let us take?’

‘I don’t know what to think…….What did they say to you?’ Dennis asked. ‘To be truthful, I did not have much of a conversation with them.’

‘They’re not allowed to say very much, are they? National security. Anyway, it’s probably one of the French nuclear power stations that’s melting down or whatever they call it after there’s been an explosion. The French have got hundreds of reactors dotted all around the coast, and the southerly winds that we have been getting would be blowing the dust over this way.’

‘You don’t think it could be a nuclear war,’ Dennis said. ‘We seem to be very good these days at upsetting other countries.’

‘Either way, there would probably be a news blackout,’ Lars said.

‘You never know what to believe these days, do you?’ Dennis said.

‘No hay banda! Nothing you see or hear is real.’ Lars said.

‘Come again.’

‘Mulholland Drive’

Dennis was none the wiser. Perhaps Mulholland Drive was a film. He and Audrey seldom watched films. Except for The Great Escape or The Railway Children occasionally on Boxing Day. Films today were much too hard to follow.

Matt Black was a television screen-writer by accident rather than design. He left university after his dissertation on ‘The Illusion of Reality’ had been poorly received by the School of Natural and Social Sciences. Matt’s research had been helped along by an eclectic interest in Eastern mysticism, string theory, Carl Jung, Monty Python and psychoactive drug use. The central tenet of his thesis held that contradictory statements could be true; Schrödinger’s Cat was as we know both dead and alive. Were we limited to a single outcome from our decisions, or might a number of outcomes be realised simultaneously, as in Borges’s The Garden of Forking Paths? Paradox was key to Matt’s argument. Which is better, he asked, eternal happiness or a tuna sandwich? It would appear that eternal happiness is better, but, he argued, this is really not so. After all, nothing is better than eternal happiness, and a tuna sandwich is certainly better than nothing. Therefore a tuna sandwich is better than eternal happiness. His frivolity and word play did not go down well with the examiners.

Matt had a loose circle of friends. He was a keen saxophone player and could keep fellow musicians, Bernie, Bazza, Frankie, Gooch and Ziggy, or Eric, Derek, Dolph and Mario entertained for hours with apocryphal tales, in the Jazz bar of The Blind Monkey, where they hung out. Jam sessions at The Blind Monkey interspersed with these exchanges could go on well into the night. Matt refined his stories over the years and his storytelling became more and more polished, until one day fellow saxophonist, Fats, suggested Matt should write for television.

‘TV drama is like painting by numbers,’ Matt said. ‘It’s so completely predictable.’

‘Granted most of it is garbage, but there are a few good things,’ Fats said.

‘One or two maybe. But the television schedule is so mindlessly conventional. The same programmes in the same order every day on every channel. It’s spoon-feeding couch potatoes syrup,’ Matt said.

‘You are one stubborn sonofabitch. Sometimes in life to get anywhere you have to compromise. Meet them half way. Look at it like this. The jazz world wouldn’t have been able to accept Charlie Parker if he had hit them with his virtuoso improvisations straight off. Even Bird had to establish himself as a player first,’ Fats said.

‘You mean I have to make a name with a style that doesn’t rock the boat too much,’ Matt said.

‘That’s right. You’re getting it at last,’ Fats said. ‘Once you’ve had one or two of your efforts screened, then you will be able to experiment. Take your cue from Miles. He started off filling in the harmonies for others. But, once he had made his name, he could make the music that he really wanted. He had the freedom to experiment. And of course, he went on to create some of the twentieth century’s coolest music. The point is he took his audience with him. He could get away with playing anything and they’d listen.’

‘So, for the time being, I stick to the banal plot line of the discovery of a crime, the plodding investigation by maverick investigator who has family problems and a battle with the bottle, moving towards the arrest of a perpetrator at the end of the episode,’ Matt said. ‘Is that what you are saying?’

‘Bergerac is not on anymore,’ Fats said. ‘Things have moved on a bit. They have espionage thrillers and all sorts these days.’

‘Still written to a formula,’ Matt said. ‘Disillusioned intelligence agent goes off the grid, defies authority, blows stuff up. Shoots a lot of people and single-handedly makes the world a safer place.’

‘And psychological dramas.’

‘Formulaic. Visibly unstable characters. Dark rooms with long shadows. Sparing dialogue with a lot of echo on the voices. Flashbacks. Bit of sinister music by Sigur Ros repeated throughout.’

‘I’m sure you’re allowed to throw in a twist or two,’ Fats said.

‘I guess I’ll have to,’ Matt said.

Matt Black’s success in screen-writing was not immediate. He had to send off numerous ‘spec scripts’ before his first was accepted, a fifty minute post-modern crime drama called Missing Link. Although it was screened at 11: 30 at night on BBC2, it was so popular with viewers that it was quickly re-shown, with just a few cuts, at a sensible hour on BBC1. It also caught the attention of producers at the corporation and Matt found himself working on the team writing for the top BBC soaps. This was not exactly what he would have wanted, he would have preferred the top BBC spy genre perhaps, but the money was good. He knuckled down and gave them scripts involving baby swaps, cot deaths and the annual torching of the pub in their flagship soap. These all seemed to go down well, but when Matt upped the ante and wrote Christian suicide bombers into the script, the producers baulked. Fortunately, people in television now knew his name and all was not lost, as a young executive recognised that Matt’s controversial themes would suit the experimental political thriller. Matt embarked upon a series of successful dramas in this genre, Double Take, The Beirut Diaries, Conspiracy, Total Eclipse, etc.

Following his initial success, Matt Black installed himself in a small but well-placed penthouse overlooking the Thames to do his writing and bought the latest ibook and software. Writing required solitude, but at the same time, it was important to be near the hub of things to provide inspiration. Surrey Quays provided both. He got himself into the habit of writing from 8 to 2 every day and again for an hour in the evening. His reputation developed steadily. His edgy thrillers Collateral Damage and Fragile both won awards, the latter compared by one critic to David Cronenberg, and it was suggested that he might move into films.

Matt was always meticulous in the way he presented his scripts, down to the last detail. He even put in stars and stripes logos where he thought the commercial breaks should be placed if the programme were sold to American television. He was certain that he had saved the document for his new script, Malice, correctly. He had updated it daily. Final Draft 10 was a piece of software on which you could rely. Nearly all screen-writers used it. But when he opened his document one day, he could not help but notice that a key scene from his story had disappeared. Matt was mystified.

He updated his firewall and virus checker, ran a host of malware checks and retyped the scene, as close as he could remember to his original. Fortunately, there was not much dialogue, as there were only two characters, Ron and Anne. Much of this section consisted of sluglines and action. As a further precaution set Final Draft to auto-save each document every two minutes. He also began to back up all his files on a data stick and also, for belt and braces security, on icloud.

Two weeks later he discovered that Bruce and Lee, the two Emergency Force characters from Brink had disappeared entirely from his screenplay. Every reference to them was gone. To his alarm, they had also disappeared from the all of the sequential copies of Brink on his data stick backup and from icloud.

Shane, the technician on the repair desk at PC World told him. ‘We’ve run dozens of tests. There have been no incursions into your hard drive. Your machine seems perfect.’

‘But its also gone on all of the storage backups,’ Matt said. ‘How do you explain that?’

‘The loss of data there is even weirder,’ Shane said. ‘It’s is all a bit GCHQ,’

‘Either that or X Files,’ Matt said.

Shane was not familiar with The X Files. He was from an X Factor generation.

‘There are measures we could take to find out where the data is disappearing to’ he said. ‘We could put a programme on that would track each byte of data.’

‘But doesn’t the Apple operating system do that anyway?’ queried Matt.

‘Well, it does and it doesn’t,’ Shane said.

‘Perhaps it would be a good idea,’ Matt said, ‘to start again from scratch.’

Fortunately, there was an offer on a top of the range iMac.

Shane readied the machine, and Matt was soon typing into the recovered version of Brink, putting in the passages that had disappeared from the original. It was a cracking script, he felt as he embellished the evacuation scene. Happy that he had made good progress, he went off to make a cup of tea. When he returned, to his horror, the new passages had gone again. In fact, the text of the document was disappearing before his eyes. The sentences were evaporating.

Soon there would be a blank screen.

Soon there would be no-one left in Milton Keynes. Peterborough and Northampton were being evacuated too. There would be burning and looting all over central England. There would be many casualties before order was restored. As he pressed keys helplessly and line by line Brink vanished, he was completely unaware of its far reaching consequences. How could he know? Nothing like this had happened before.

Matt also noticed that, minimised on the task bar, the screenplay for Shot Down in Downing Street was open. The assassin, posing as a reporter, was ready to strike as the Prime Minister emerged from Number 10.

Where Have All the Flowers Gone?

January 30, 2020January 30, 2020 ~ Chris Green ~ 1 Comment

Where Have All the Flowers Gone? by Chris Green

Always something of a wild man, Danny Rocco isn’t the type you would expect to find at a Ludovico Einaudi recital. But the main reason that Danny’s being at the Einaudi concert is unlikely is that Danny Rocco is dead. He met his maker three years ago when his Triumph Bonneville collided with an eighteen-wheeler truck on a notorious accident black spot on the A39. He was reportedly doing ninety-five miles per hour. He stood no chance. My sister, Sara was devastated. She and Danny had been an item. Although Danny and I had little else in common, I went with Sara to Danny’s funeral. He was cremated.

Yet, in the interval at the concert, Danny comes nonchalantly up to me and shakes my hand. He is dressed in a stylish dark suit and tie. Being dead seems to have mellowed him considerably.

‘Primavera sounded pretty good, this evening, didn’t it, William?’ he says. ‘One of Ludovico’s best, don’t you think?’

I am flummoxed. It is strange enough that someone who previously sprinkled his conversation with expletives and listened to Motörhead and Slipknot should be so taken with the gentle piano tunes of Einaudi. And he had never called me William, it was always Bill. It is beyond strange that I am about to have a conversation with a dead man. A number of possibilities flash though my head, this is Danny Rocco’s long-lost twin, a stunt double or perhaps it was his stunt double or his secret twin that crashed the bike. But the scar on his left cheek, sustained I remember in a fight with Slugger McGee in The Pig and Whistle suggests that, impossible though it might seem, this really is Danny Rocco. To back this up further, he is also wearing the distinctive carbon fibre black ring that Sara gave him. This is Danny Rocco.

When I come round, I find myself stretched out on a worn red velvet settee in a small windowless room. A dark-haired middle-aged woman is hovering over me. She says her name is Izzy. She says she is a designated first-aider.

‘What happened?’ I say.

‘You passed out,’ Izzy says. ‘What do you remember?’

I begin to regain my bearings. I remember I was watching an Einaudi piano recital. Suddenly, it hits me like a left hook from Wladimir Klitschko.

‘I was ……. I was talking to an old friend of mine,’ I say, looking around me, vaguely expecting to see him in the flesh. ‘Danny Rocco. Did he ….. Did Danny bring me in here?’

‘No,’ Izzy says. ‘Your friend was not with you. When I arrived on the scene, you were lying flat out on the floor in the aisle with a group of concerned people around you wondering what had happened. One or two of them said they had tried to bring you round. They kindly helped me to bring you in here.’

I should be used to strange. There have been a string of unrelated anomalies lately. Last Thursday, hundreds of clocks exploded. Time was scattered everywhere, hours and minutes strewn all over the streets. Guv Malone told me the tide didn’t come in and while you can’t believe everything Guv says, you have to agree we live in volatile times. We had yellow buses in the town and then they were green, then red and yesterday they were yellow again. No explanation. The numbers had changed too. 6 was 9, 13 was 31 and 17, 71. Without any explanation, the peacocks and cardinals disappeared from the garden and there were no parrots in the park. They just upped and left. But then they returned in their thousands. Birds were everywhere. Toucans, lovebirds, parikeets, lorikeets, red-necked tanagers, spangled cotingas. You couldn’t move for brightly-coloured birds.

It’s as if someone is playing tricks. I’m sure all of you have noticed any number of unexplainable phenomena but surely Danny Rocco’s coming back from the dead ranks among the strangest. No-one seems to believe I saw him at the concert, not even Ellie.

‘You should have been there,’ I tell her. ‘It was him. I’m sure of it. Why weren’t you there, anyway? I told you I had a ticket for you. I waited for ages before I went in. I missed the opening number.’

‘I tried phoning but you never answer your phone,’ Ellie says. ‘You do still have a phone, don’t you? I was going to tell you that Ludovico Einaudi is touring Japan so not to bother going. In any case, he’s not likely to be playing at The Little Theatre, is he? It only seats about two hundred. It must have been someone else. You don’t remember who because you fainted. And this Danny Rocco you think you saw was probably someone who worked at the theatre. You say his appearance had dramatically changed. I know you get confused when putting names to faces. You thought Rahul Joshi at the convenience store was Daniel Craig, remember? Or at least that he looked like him. I think you may have meant Dev Patel. I don’t think Meghan Markle is going to be the new James Bond either. I can’t imagine how you came up with that one.’

I try to interrupt Ellie but she has the bit between her teeth.

‘You do realise you keep imagining things, don’t you?’ she continues. ‘It’s time you got a grip, Bill. I think you ought to go and see Dr Rosado.’

It turns out Dr Rosado is on sabbatical so I see Dr Gray instead.

‘I see that over the years, Dr Rosado has had you on a range of ….. well I suppose for lack of a better expression, you would have to call them hallucinogens,’ Dr Gray says. ‘H’mmmm. A little unorthodox. But I suppose he is an experienced practitioner. And you are currently taking, let me see ……. Sorry, I’m having a little difficulty with the name. I’ve definitely not heard of them. How are you getting on with them?’

‘OK, I guess,’ I say. ‘My partner felt I should check in with you. That’s why I’m here. She thinks I was mistaken about something. She doesn’t believe that someone that was dead has come back to life.’

‘I see. Well, it has happened before.’

‘It has?’

‘Yes. Our dear Lord came back to life, didn’t he? He rolled away the stone.’

‘You mean Jesus?’

‘Yes, Jesus. On the third day.’

It’s probably best not to go into Danny Rocco’s lack of messianic credentials.

‘Apart from that,’ Dr Gray says. ‘Any delirium?’

‘Not really, no.’

‘Any confusion?’

‘Now and then. We live in very confusing times, don’t we? Everyone is finding things a little strange since the circus came to town and they changed the road names. Have you noticed that dogs have stopped barking?

‘Look! To be on the safe side, I think we’ll try you on something different this time. This new one they’ve brought out perhaps. There are fewer potential side effects.’

Time has settled down. The birds are back in the garden. Blue tits, finches, blackbirds, sparrows. They are singing their hearts out. And the dogs are barking again. The buses too have sorted themselves out. They are back to their muted grey. And the old road names are back. It is easier now to get your bearings. But predictability can be dull. There are no longer any surprises. I’m finding it difficult to adjust to regular patterns, waking each morning to find everything exactly as I left it. And where have all the flowers gone? Those colourful blooms that reached up to the sky. These new tablets that Dr Gray prescribed will take some getting used to. I believe that on the whole, Dr Rosado’s tablets suited me better. It’s a pity that he is now in custody.

Homburg

January 26, 2020June 8, 2020 ~ Chris Green ~ Leave a comment

Homburg by Chris Green

Ben Maceo told me about the clock last week. Ben has special powers, you see. He can tell when things are going to happen. Had it been anyone else, I would never have believed them, but as it was Ben, I knew that it would happen and so I was able to prepare. Ben knew that the big clock in the town’s main square was going to explode and that there would be fragments of time scattered everywhere. He knew you would no longer be able to rely on your watch or the numbers you saw on your phone display to tell the time. He knew that time being the key to practically everything, the chaos would spread. Perhaps I should have shared his warning with others, but I did not. I find that not many people are ready for unpleasant truths, and especially not to hear them before the event. The others on the campus already think that I’m a bit weird for hanging around with Ben.

Anyway, time is all over the place now. Not just hours and minutes, but years and months are coalescing, or separating. No-one knows what is going on and from what I can see from the television pictures, there is panic on the streets. Film crews have been shipped in from far and wide to take a look at the chaos that is happening in the town. Many of course have not been able to get here as time is buffeted around, but some have arrived, or are arriving. But others who have arrived are stuck here, whether they want to be or not.

Every aspect of our everyday lives, as Ben points out, is time-dependent. I am not going to even venture outside until things get back to normal. Perhaps they will never get back to normal, but this is a chance that I have to take. In the meantime, I can take some cuttings from my agave plants and practice some Janacek on my ukulele, and there’s that Schopenhauer essay I have to finish off. Schopenhauer’s view on time is that we spend too much of it ruminating on the past or planning for the future that our lives quickly pass us by. So, I’m going to try to get on with mine. After all, Ben has my phone number. He will let me know if and when there is any change. Perhaps he might even call round. We could listen to my new Ozric Tentacles CD. And, who knows what else?

I have learned to trust Ben’s intuition. It was Ben who told me about the man in the Homburg hat’s arrival at the railway station last June. Ben was aware that the stranger’s very presence in the town would bring about the worst snows on record, and this in the middle of summer too when the rest of the country was basking in the seasonal sunshine. The mystery man was also responsible for the disappearance into thin air of the 11:11 train from the capital to the west country on November 11th, somewhere between the ancient burial sites and the land sculptures by the artist with the unpronounceable name. Ben told me this was going to take place days before it happened.

His gift is that he can detect what is happening behind the scenes. He can see the invisible threads that connect all things. He knows that when one of those threads gets broken that something anomalous will happen. By tracing the path of the broken thread, he says, he can tell exactly what will happen, along with when and where it will happen. He does not do any of this consciously. He says that it’s just like having the radio on in the background. This is how he knew that we would have blizzards in June and he knew the train would disappear.

‘There is more strangeness in the world than most people realise,’ he is fond of saying. ‘Most people cannot see the mechanics of things happening. They just put events down to cause and effect, without understanding what cause might be or what happens in between cause and effect or else they come up with some claptrap about theoretical physics to explain things.’

I’m right with Ben on this one. Theoretical physicists seem to know very little about the universe. Their theories change every five minutes. They talk about red shifts and blue shifts, expansions from the big bang and contractions down to gravity, dark matter, and dark energy, but despite all this blather, their understanding of what is really going on never seems to become any clearer. The great Karl Popper summed it up by saying, ‘Whenever a theory appears to you as the only possible one, take this as a sign that you have neither understood the theory nor the problem which it was intended to solve.’ Ben Maceo takes it a step further and argues that there is no point at all in universal theories, each event is unique and has its own explanation.

……………………………………………….

Time is still all over the place. So far as I can tell, it has been three days, give or take, so far as I can tell since it all went down and Ben still hasn’t been round to see me. He hasn’t so much as called me. You would think that given his intuitive powers, he would have detected the undeniable chemistry between us. Surely he has spotted that I always sit next to him in Paradox and Plurality. He must have noticed that I hang on his every word. What can he possibly be doing that is getting in the way of our blossoming romance? Especially now. He can’t be busy. College has been closed since the upheaval. He has no excuse not to get in touch.

I left several messages on Ben’s phone, but amidst all of the temporal disorder, I suppose he may not have got them. Perhaps he will get them tomorrow or maybe he got them and thought they were from last week. From before the clock exploded. This could explain why I haven’t had a call. On the other hand, the messages may still be up there in the ether, struggling to find its way, along with all the other communications that have been disrupted. They said on the news that messages from weeks ago were still bumping around out there, trying to find their destination. I suspect some people will have made it out of town, but the newsman said that this would be a risky undertaking because of the wormholes. I imagine the term wormhole is perhaps being used here because they have no idea what is going on.

Ben would be able to explain what is going on, but he probably wouldn’t want to tell them. Perhaps they would not understand it if he did. If you can’t understand something without an explanation, then you can’t understand it with an explanation. I read that somewhere. I wonder where it was. There is an innate tendency to feel that things have always been as they are now and always will be. This is the way the human mind seems to work, but there was always a before and there will always be an after. It’s just a question of learning to think this way. We need to take a more Zen approach.

It is dark much of the day. Sometimes light breaks through for a few minutes but then the sky blackens again. With nothing to regulate them properly, night and day seem to be entirely arbitrary. My laptop is continually doing a system restore and my bedside clock is like a random number generator. I keep picking up numerals off the floor from the various clocks around the flat. Living without the certainty of time takes a lot of getting used to.

Ben did say that in the beginning, at least for the first few days, the aftermath of the explosion in the town would be difficult to live with. Perhaps he has left town. He knew that it was going to happen and seemed to understand the effect it would have, so this would make sense. And this is why he can’t communicate. Bit he should have taken me with him. Instead, I am stuck here. Oh well, no use dwelling on it. If it stays light for a while, I think I will paint some yantric mandalas to focus my mindfulness.

……………………………………………….

The stranger in the Homburg hat. …… The one that Ben described. ……. He is outside my house. ……. He’s looking in the window. ……. He has something in his hand. He is holding it up for me to see. It looks like an envelope, a black envelope, one of those A4 folding ones that you use to keep documents in. …… Oh my God! I can see his silhouette through the frosted glass of the front door. He is wearing a long black overcoat and with the hat looks about seven-feet tall. He’s knocking on the door. ……. What should I do? I’m not ready for this. I am terrified. He knocks again and shouts something. I can’t make out what he is saying. His diction is not good, but it does sound like a threat. ……. Suddenly, there is another rupture in time and to my great relief, the man in the Homburg hat is no longer there. But, the black manilla wallet is lying on the coir doormat inside the door, in front of me. Anxiously, I pick it up and inspect it, afraid to open it to see what is inside.

Finally, I pluck up the courage to take a look. The wallet contains nine sheets of A4 paper, each with several paragraphs of text on, but it is like no writing that I have ever seen before. It is perhaps a little, but only a little, reminiscent of Arabic script. In any event, it looks to the untrained eye as unintelligible as Kurdish or Urdu might be. At the bottom of the last page, as if acting as a signature, there is a line-art graphic of a shattered clock. How am I supposed to make anything of this arcane communication? We covered Theosophy and The Golden Dawn and all that Zoroastrian mysticism in a module last semester, along with Rosicrucianism and the Kabbalah, but I can’t pretend that I followed it that closely. It was too easy to get one mixed up with the other and I drifted off a lot. I think I may have just sat in on the module to be around Ben.

The curious thing is, I find that I am able to read this bizarre communication. Not all of it, certainly, but I can make out passages of the strange text. Where has this remarkable ability sprung from? The letter contains none of the mumbo jumbo from esoteric teachings that the blocks of arcane lettering suggest. Instead, it mentions a meeting. I am to meet an undisclosed party, by the statue of Neil Diamond. The statue of Neil Diamond? Crackling Rosie? Sweet Caroline? Why is there a statue of Neil Diamond? The statue, it says, is located next to the harmonica museum. I didn’t realise there was a harmonica museum in the town. Where on earth is the harmonica museum? The letter doesn’t offer a map. Oh well, I expect I will find it. It is not a large town. The main problem might be the one concerning the specified time, midday. Time has not settled down yet, so how will I know when it is midday and if I do find out, will it still be midday when I get there.

……………………………………………….

‘Light doesn’t necessarily travel at the speed of light,’ says a muted voice. I cannot see where it is coming from and, at first, think it might just be a voice in my head. After all, it is an odd line in conversation.

‘The slowest recorded speed for light is thirty-eight miles per hour,’ the voice continues. Is it perhaps some kind of coded message? I turn around to see a short stocky one-armed man in a Pablo Picasso blue and white hooped sweatshirt and black sunglasses emerging from behind the statue of Neil Diamond. He has a Siamese cat perched on his shoulder. Even though there is a lot of competition for strange, if this fellow is going for strange, he has surely succeeded.

‘Would you like to sing to my cat?’ he says. ‘He likes sea shanties best.’

‘I don’t think I know any sea shanties,’ I tell him. ‘Sea shanties aren’t a very girlie thing.’

‘Of course, you do,’ he says, dancing on the spot. ‘Everybody knows at least one sea shanty. What about Blow the man down?’

‘No sorry,’ I say. ‘I don’t know it.’

‘What about a folk song then,’ he says. ‘My cat likes Wimoweh. My cat is called Trevor, by the way.’

‘OK I’ll give it a go,’ I say, finding myself somehow being drawn into Pablo Picasso’s veil of nonsense.

Wimoweh is easy as it doesn’t have a lot of words, but as soon as I start singing, Pablo Picasso disappears along with his cat. One minute they are here and the next they are gone like thieves in the night. I am still no wiser as to what the meeting might have been about, or indeed if this was the meeting at all. I wait outside the harmonica museum for a while, but no-one else turns up to meet with me.

I notice that some men are trying to rebuild the town clock. It is a great brute of a thing, much bigger than I remember it being. It is surrounded by crude scaffolding and one of the men is struggling to carry the minute hand up an improvised ladder while another holds the hour hand in place at three o’clock. Perhaps time will soon be back to normal and I will see Ben again. After all this singularity, I’m looking forward to some straightforward metaphysics and philosophy.

……………………………………………….

‘By the new saxophone shop? Yes, Ben. Of course, I can meet you there. I’ve got my bicycle. The new saxophone shop, though? I’m not sure where that is…… Ah, I see. Jack of Clubs Street. That’s around the corner from the kaleidoscope repair centre, is it?’

At last, to my great relief, Ben has called me. It’s so good to hear his voice. Since he’s been away, I have had to suspend belief with some of the things that have been happening.

‘Yes, up Jack of Clubs Street and about a hundred yards on the left,’ he says. ‘You can’t miss it. It has a large Selmer saxophone hanging outside. I’ll meet you in an hour.’

I’m concerned that if I let him off the phone then he will be gone out of my life again. ‘Look! I’ve been worried about you,’ I say. ‘And I’ve been living a nightmare. Where have you been?’

‘I’ve been here and I’ve been there and I’ve been in between,’ he says. ‘You’re right. Things got a bit mad back there for a while, didn’t they? But, I believe the man in the Homburg hat has gone now.’

‘Thank God,’ I say. ‘He was sinister.’

‘I hope the dancing painter with the cat wasn’t too much bother,’ he says. ‘He comes out of the woodwork sometimes when he sees an opportunity. I expect you had to sing a song or two.’

It is uncanny the way Ben knows what has been happening, even though he has not been in town. Or has he? He did say he’s been here and he’s been there and he’s been in between. Anyway, I’m thrilled to be meeting him again. I can hardly contain myself.

I pass the clock and see that the hands are now in place and the men are taking the scaffolding down. A small group of cheery vagrants are gathered around it, celebrating with their bottles of cider. I pass the new statue of Neil Diamond, although I have to say, it doesn’t look a bit like him. I take a detour to avoid some men putting up a hoarding to advertise a new blockbuster called Rocket Man, or something. I’ve not been this way often, but eventually I manage to find Jack of Clubs Street. It is a long narrow street and it is enveloped by a haze so I cannot immediately make out where the saxophone shop is. Then, I spot the silver Selmer saxophone shimmering through the murk. It seems to have fallen from its mount onto the pavement.

But, where is Ben? There is no sign of him. What can have happened? I get off the bike and I look frantically up and down the street. Through the haze, I can see the man in the Homburg hat. He is walking slowly towards me. On his shoulder, he is gripping something with both hands, It is difficult to make out what it is. Is it a balloon? Or, is it a surfboard? It seems to be changing shape. Oh, Jesus, Mary, and Joseph! Surely it’s not a rocket launcher! Why has Ben brought me here? Jack of Clubs Street does not seem a safe place to be. The haze clears a little. The man keeps coming towards me. He is close now and I see that what he is carrying is carrying is a bucket of dreams. He offers it to me.

‘It doesn’t have to be bad,’ he says. ‘You can pick one with a happy ending if you like.’

When I Was Older

January 17, 2020January 17, 2020 ~ Chris Green ~ Leave a comment

When I Was Older by Chris Green

When I was older, I was a saxophonist. I was one of the last living saxophonists before the instrument was banned and all saxophones were melted down to help the war effort. The trumpet suffered a similar fate. Brass instrument detection squads with sophisticated detection equipment were deployed with harsh penalties introduced for possession. But that was then. April 2047, if you want the precise date it became illegal to blow your horn.

I’m Charlie Tooting. You may not have heard of me as I am, at the present time, that is your present time, the time you are reading this, still a journeyman, working out tunes on the blues harmonica. Little Walter and Junior Wells are my inspiration. But at some stage, in what you think of as your future, you will hear my name. You will hear my music. Mark my words! You may even be moved to buy some. Make a note now! Charlie Tooting. Saxophone.

It is difficult, isn’t it, to get your head around the fact that time isn’t linear? This is not what you are led to expect. But, when you look more closely, there is no conceptual distinction between past and future, let alone an objective line of now. You need to drop the idea that time is something that flows. Time, like space, is just there. All of it. More helpful perhaps to view space-time as a four-dimensional structure. The fundamental laws of physics work the same both forward and backwards.

Saxophones were not melted down to help the war effort, of course. Nor were trumpets. By 2047, wars were not fought this way. All conflicts were conducted in cyberspace. The real reason for the ban is a puzzler. It may never be disclosed.

A group of us, a dozen in all perhaps, are sitting in Eve’s garden in the early Autumn sunshine. It is a Saturday morning. It is the time you refer to as now. Eve has put on a spread of cakes and pastries including my favourite, tiramisu. In the background, Chet Baker is singing about a lost love. It is not clear when his love went missing.

Vincent asks Eve if there is any wine.

Eve laughs and says something about 1969.

What on Earth is she on about?

‘A reference to a lyric from a 1976 tune by The Eagles,’ Holly Wood explains.

Mainstream rock is not really my thing. It lacks subtlety. Little use of counterpoint. Sparing use of minor keys. I prefer jazz and blues.

‘Is there anything going on today?’ Pascal asks. ‘Something we could all go to.’

I mention the possibility of going to the match. Our local team are playing one of the bigger teams. This doesn’t seem to interest anyone.

The stranger in the harlequin-patterned shirt stroking the Maine Coon cat tells us there is a Street Fair on Monday. With fairground rides, magicians, circus acts, music and dancing. He mentions the names of some bands. They sound like tropical diseases.

‘Is Monday a Bank Holiday?’ I ask. It seems strange to have one in October. If it is a public holiday, it will probably mean that my harmonica class will have been cancelled. Lou said nothing about this last week. He just told me I needed to learn a new breathing technique and practice my blocking.

‘Monday is a Bank Holiday,’ Eve says. ‘It’s a new one to celebrate Prince Barry’s birthday.’

Who is Prince Barry, I wonder? Have I missed something? It’s hard to keep tabs on everything. There are so many unanswered questions. Why are red buttons always the most important? Who let the dogs out? And what is that low-pitched hum we’ve all been hearing for the last three months? No-one knows.

‘I don’t think I’ll be able to go to the Street Fair,’ I say. ‘My war wound is playing up.’

Shrapnel. Operation Olive. The Battle of Rimini. 1944. This was a proper war. A war with tanks and guns. That’s where I came across the harmonica. It must have belonged to a dead soldier. 1944.

‘Time can be a trickster,’ I say.

‘Time keeps on slipping, slipping into the future,’ Eve says.

Another tune from the 1970s, apparently. Eve is fond of quoting song lyrics. But does it? Does time keep slipping, slipping into the future? It seems to me this is not always the case. The big white Zephyr with the tail fins has been following me for weeks and I have been following the big white Zephyr with the tail fins for weeks. You may have seen it too. Big white Zephyr. Blacked out windows.

You’ve probably noticed how the night moves. Without warning, you are shifted from one narrative to another. It is said that when we leave somewhere, we leave something of ourselves behind. Even though we go away, part of us remains. We might thus inhabit many places at the same time. I was unable to understand the mechanics of the mystical crossroads until I was older but this is the way it is with time. One day, you will wake to find that the information has silently seeped into your consciousness. You will find yourself zipping about the space-time continuum. It will become so commonplace you will not even notice when it happens. And happen, it will.

I am on stage. The Charlie Tooting Quintet. We are playing at the Rimini Bar. In a small town in the west of England. Maybe you are in the audience. I can see there are quite a few in tonight. If you are not, you can catch up with us elsewhere. You will find details of our touring schedule on our website. Be sure to check the dates carefully otherwise you may find you have missed us. We have a request to play How Long Has This Been Going On. This is strictly speaking a tenor tune but I like to surprise people by playing it on soprano sax. I look around the stage for my instrument. I don’t appear to have brought the soprano. In fact, I have no saxophone at all. All I have here is a harmonica. And there is no band.

These things happen. When I was older, I discovered temporal precision, like many other things, is not something you can rely on. Best to throw out your timetables. They will do you no good. What then can you rely on? Can you rely on what you see? What you hear? What you read? Of course not! Can you rely on Divine intervention? Can you rely on intuition? Chance? Who can say?

Backgammon is considered a game that has the perfect balance between skill and luck. You need to make similar calculations to those you might make in a game of chess but at the same time, throughout the game, you have to rely on chance. The odds of throwing a double six are thirty five to one. The odds of rolling two double sixes in a row, when this is what you require to bear off, I believe, are one thousand, two hundred and ninety five to one. How then is Clancy Edo able to defy these odds? And this, of course, from a losing position and after I have upped the stakes with the doubling dice. Clancy has managed this on several occasions now. Littlewood’s Law suggests a person can expect to experience miracles, which he defines as events with odds of one in a million, at the rate of about one per month. But even so.

It was not until I was older that I realised many things in life are quite probably, unexplainable. The low-pitched hum we’ve all been hearing is unexplainable. The way the big white Zephyr with the tail fins keeps appearing is unexplainable. The way an original tune appears in your head from out of nowhere is unexplainable. Perhaps any revolutionary new idea is. Where can it have come from? Consciousness itself is unexplainable. If you are looking for answers to life’s mysteries, rationality will get you nowhere. There are black holes and it is said by one of our great thinkers that black holes are where God divided by zero.

I think I can hear someone calling me. It could be that my new medication is ready.

ODDS

October 2, 2019October 2, 2019 ~ Chris Green ~ Leave a comment

Odds by Chris Green

Having worked at BiggerBet, Rick O’Shea knows a little about odds. Rick knows, for instance, the bookmakers’ odds of West Ham winning the Premier League are 1,000 to 1. The mathematical odds of being dealt a Straight Flush at five-card Draw Poker are 72,192 to 1. The odds of winning the jackpot on the six ball Lottery by getting each number correct are roughly 14 million to 1. But the odds of Billy Chance turning up on his doorstep in his Tottenham Hotspur strip bouncing a football are incalculable, especially as Billy doesn’t appear to have aged since Rick last saw him over thirty years ago. As far as Rick knows, Billy is dead. He heard Billy met his maker when his Sierra Cosworth came off the road at Fiddlers Elbow, a notoriously dangerous bend that over the years has claimed many lives.

If Billy is dead, he doesn’t seem to realise it because he wants to know if Rick is up for a kick-around in Farmer Flynn’s field. This is not going to work out as Farmer Flynn’s field has long since been built upon. It is now a mixed development of three and four bedroomed town-houses and deceptively spacious starter apartments. In any case, Rick’s arthritis means that kicking a ball around is all but impossible these days. He has an appointment with the doctor later.

‘You’d better come in, Billy,’ he says, hoping that something will come to light to help solve the mystery.

‘It looks different,’ Billy says once they are in the hallway. ‘What happened to the poster of Gazza?’

Billy doesn’t look different. He still looks ten years old. He is exactly how Rick remembers him. The same ginger hair parted harshly at the side. The same scar on his left cheek which has not quite healed, this from the scrap he had had in the playground with Johnny Keating. He isn’t sure how he should play it. There is too much of a gap between logic and what is happening here. Can Billy not see that he is no longer ten years old? That things have moved on? Rick tries to explain to him that this is not the old house he used to visit. That all happened a long time ago.

‘Oh! I see. You’ve moved, have you, Rick?’ Billy says. ‘When was that?’

Rick tells him in the simplest way he can that he has moved several times. And furthermore …..

‘If you like, we could go along to the double bridge instead,’ Billy says.

Rick recalls they sometimes used to go trainspotting in the old days. The double bridge was a place you could see the trains coming in both directions from a long way off.

‘No. I don’t fancy that, Billy,’ he says, hoping he will not need to explain railway developments over the last four decades.

‘OK,’ Billy says. ‘But I think I’ll go along. The express will be coming through soon. I’ll leave the ball here then, shall I?’

With this, Billy is gone.

……………………………………….

‘Too much sitting at a desk,’ Dr Baccarat says. ‘You need to get more exercise. But I have an under-the-counter spray that I think might help. And I’ll see what I can do about that other matter.’

Rick is pleased he was able to see Dr Baccarat. He is always more helpful than Dr Hopper or Dr Bolt. They usually send him away with a flea in his ear.

After the appointment and a blast of Dr Baccarat’s spray, he stops off at The Gold Cup for a Special Brew. He has a chat with his former colleague, Dean Runner. Dean has also lost his job with BiggerBet. Dean says the problem is you can bet on anything. Bog snorkelling, cheese rolling, the discovery of life on Mars, when the end of the world would be. How can you honestly offer objective odds on unusual bets? It is easy to see how Rick made a mistake offering odds on the winner of the Home Counties Conker Semi-Finals. While he probably shouldn’t have accepted such a large bet at such long odds and certainly not to someone he was acquainted with, BiggerBet could afford the payout. Besides, they themselves had not done too badly. Both Rick and Dean had frequently taken advantage of insider knowledge and backed unlikely winners.

When Rick returns home, he finds an old Fiat Uno parked on the drive. A rare sight these days but the car seems somehow familiar. He assumes it must belong to a friend of Amy’s. Amy has probably returned from work early. Since Brexit, there has been a reduced demand for eyebrow tinting. People can no longer afford such luxuries. But there is no sign of Amy’s Mini.

Inside the house, he becomes aware of a sweet perfume he doesn’t immediately recognise. Someone is shuffling about upstairs.

‘Is that you, Ricky?’ a female voice calls down. ‘I hope you don’t mind. I let myself in.’

It takes him a while to recognise the voice. He has not heard Donna’s voice for a long time. But it certainly sounds like her. It is then he remembers she had a Fiat Uno back when he used to see her. As he recalls, it kept breaking down. But he hasn’t seen Donna for years. What can she possibly be doing here?

He goes up to the bedroom. Donna is slipping out of her dress. She looks exactly as she did years ago. Lithe and youthful.

‘Shall we get in?’ she purrs, gesturing towards the bed.

Dr Baccarat’s under-the-counter spray has offered some relief to Rick’s arthritic limbs and the Special Brew has perked him up. But an under-the-sheets romp with a twenty-something Donna is an altogether different proposition. He remembers she was always what one might describe as lively. Also, it might be difficult to get Amy to be understanding if she comes home early from the salon. Meanwhile, it is difficult for him to understand what is going on. This isn’t merely a question of the odds being incalculable. They have somehow entered the realms of impossibility. What crazy shit is going down in his world?

To buy some time, he tells Donna he is going to take a quick shower. He urgently needs to gather his thoughts.

‘Don’t be too long,’ Donna says. ‘I’m feeling very horny.’

Rick goes into the spare room and calls Amy, this on the pretext of asking her to drop by Tesco on her way home to buy plum jam as they have run out. She tells him she is meeting Nicky after work. She told him this morning. Doesn’t he remember? He tells her not to worry, he will go out and get the jam. On the plus side, she isn’t going to suddenly come through the door.

When he goes back into the bedroom, he discovers Donna is no longer there. He hears the sound of a car starting up outside. He looks out the window and sees the Fiat disappearing up the drive.

……………………………………….

Years ago, Rick’s psychotherapist, Hoagy Platt taught him the 4-7-8 breathing technique. Remembering this, he uses it now to try to calm himself. It seems to work. As the minutes pass, he feels more centred. He questions whether either of today’s curious visits actually happened. Perhaps he was simply mistaken. This has happened before. The mind can sometimes play tricks. If you give it free rein, imagination is apt to run wild. Perhaps the visits were nothing more than illusions brought on by stress.

He checks the bedroom again. At first glance, nothing appears to be out of place. It looks as it usually does, the bed neatly made, the pillows on either side correctly stacked and the sheet folded over the duvet at the top. But then he notices a large pink hooped earring on the floor. This is not the type of thing that Amy would wear. She only ever wears studs or discreet dangles. This is a younger person’s jewellery and pink is Donna’s colour. There are traces of perfume lingering in the air, the same one he caught a whiff of earlier. While neither of these things in themselves is conclusive, together they present a strong case for Donna’s having been here. Billy’s football on the floor by the coat-rack in the hallway suggests that he too was here.

Weird though the day has been, Rick tells himself that no actual harm has been done. Whether real or not, these were his own private experiences and so long as he can put them behind him, life can return to normal. He has overcome lapses in reason before. When you consider it, life itself is strange. Many things happen to people every day for which there is no plausible explanation. Why would he be exempt from the whims of unpredictability and strangeness? Who can tell what is real and what is imaginary anymore? What is genuine and what is fake?

‘How’s the job hunting going?’ Amy asks when she comes home.

Rick tells her he has applied for a senior position at YouBet. He hasn’t. He had thought about putting in an application but with everything else happening, this had taken a back seat.

‘That’s good,’ Amy says. ‘All this sitting around at home is not good for you. Haven’t you noticed you are putting on weight? By the way, someone called Donna came in to have her eyebrows done earlier. She said she remembered you from years ago. Knew you quite well, apparently. It seems strange you’ve never mentioned her. Around fifty, I’d say, although she dressed much younger. Skimpy little dress, bleached blonde hair, lots of make-up. Mutton dressed as lamb, to coin a phrase. Ring any bells?’

‘No,’ Rick says. ‘I don’t think I know anyone like that.’ The Donna that Amy is describing seems to have little in common with the vision he caught a glimpse of earlier. And yet ……

……………………………………….

‘I wonder who that creepy old fellow is that’s been hanging around outside,’ Amy says at breakfast the next morning.

‘Who?’ Rick says. ‘I haven’t noticed anyone.’

‘The one with the long ginger hair and the scruffy white football shirt,’ she says ‘Every time I go out, he seems to be there. He talks to himself. He’s definitely strange.’

‘No. Can’t say I’ve seen him,’ Rick says.

‘Mutters to himself, Gazza’s great or something like that,’ Amy says. ‘I always give him a wide berth. Perhaps you might have a word.’

‘I can’t see him,’ Rick says, going over to the window. ‘Where is he?’

‘He’s doesn’t seem to be there at the moment but he was first thing when I got up,’ Amy says. ‘Look. I’ve been meaning to ask. Where did that football in the hallway come from?’

‘Don’t know,’ Rick says. ‘Your nephew, Adrian?’

‘But Adrian hasn’t been here for months.’

‘Don’t know, then. Perhaps it’s that crazy old man’s and he’s been looking for it.’

‘Very funny! Anyway, I have to get to work. Hope you hear about that job.’

Hoping for a less traumatic day, Rick settles down to do some research. He isn’t sure what terms to use but time shifts and false memory seem like good starting points. He finds pages and pages of results, each repeating the same things, no matter what he types in as qualifiers. Time shifts are more related to science fiction than hard science and false memory is a self-explanatory psychological phenomenon. Not exactly revelations. The internet is so frustrating. He is glad he has the cat to keep him company.

But wait, they don’t have a cat. Amy must have accidentally let this one in when she left for work. Yet Rick can’t help thinking the cat looks like Zorro. But don’t all black and white cats look the same? And Zorro died over twenty years ago. He would be about forty by now. That would be two hundred and eighty in human years. The cat has the same red collar that Zorro used to have. With a name tag. It is called Zorro. The odds against there being more than one black and white cat called Zorro with a red collar would have several noughts on the end.

Granted, these are short odds compared to the appearances of Billy Chance and Donna Betts. But still. This can wait until later. The cat is not doing any harm. It is time to find out what he can on Billy and Donna. He is about to try some targetted internet searches when he is interrupted by the arrival of a white van and a knock at the door.

‘You’ll have to give me a hand with this one, guv,’ the delivery driver says. ‘You’ll see why.’

The package turns out to be a three-foot by three re-enforced cardboard box. It is addressed to Rick but he feels he would remember if he had ordered anything this bulky. It is clearly not the windcheater jacket he bought on eBay or the DVDs from Amazon. The package has no return address. Rick is reluctant to accept it but the driver hovers over him threateningly and mouths something about having come all this way. Between the two of them, with a lot of huffing and puffing, they manage to get it inside the house and Rick signs for it.

Nor is it simple to open the box. Rick has to call upon most of the items in his toolbox. To his puzzlement, despite its huge size and weight, the box appears to be empty. He tries to turn it on to its side but it takes all his strength just to move it a few inches. How can an empty cardboard box be so heavy? Science and sensibility are out the window.

As Rick sits staring at the box wondering what to do with the thing, the hidden contents begin to emerge. Slowly at first. A smell, a taste, a pattern. Then a trickle. A song here, a picture there, a candle, a potted plant. A flip-top mobile phone, a new book about a boy wizard, a family pack of Honey Nut Clusters. Soon there is a settee, a chair, a CD rack, laughter and chatter. A card table, beer cans, a stack of newspapers, open at the sports pages. A TV in the corner with a chef shouting abuse at the others in his kitchen. Someone buzzing about saying something about taking the children to see Shrek. The news channel showing live pictures of planes hitting New York towers. The desktop computer is slow and clunky but it has the Internet and the facility to bet online. You can get odds of 6 to 4 on there being a third plane. A good price for a certainty. A no-brainer, Rick thinks.

He attempts to make a large bet. The site won’t accept any of his credit or debit cards. Is this a bad thing or a good thing? He cannot decide which. If, on the one hand ….. But, there again ….. The box in the room is still regurgitating the past. More clutter. The room is filling up with stuff. Tables and chairs, a backgammon set, half-empty coffee cups, discarded clothes, wine bottles, overturned ashtrays. The dog is barking. He doesn’t have a dog. Alarms are sounding. There are intruders. Everything is closing in. He feels claustrophobic. There are more shots of the burning towers on the TV. He finds it difficult to breathe from the smoke inhalation. He needs to go outside to get some air.

He makes his way out onto the street. To his relief, there are no suspicious people from the past hanging around. There are no unexpected cars on the drive. The traffic on the street is flowing orderly in both directions. A normal day here. A number 28 bus passes. It has an advert for YouBet on the side with their tag-line, you’ll get the best odds.

Cor Anglais

August 26, 2019August 26, 2019 ~ Chris Green ~ Leave a comment

Cor Anglais by Chris Green

I’m guessing many of you haven’t had someone following you in the fog playing The Diabelli Variations on the cor anglais. Beethoven piano pieces aren’t something you expect to hear on a double reed woodwind instrument in a concert hall, let alone while you are taking a morning walk along the coastal path. You will be able then to understand my puzzlement. Here I am on my way to Red Rock and so is the mystery cor anglais player in pursuit. Sea mists have been building in strength throughout the year in these parts and this is the worst one we’ve had. It’s a solid sheet of dense grey. Visibility is down a matter of feet. It is foolhardy to be walking along the narrow path at all. But the dogs next door were barking furiously. I could no longer concentrate on the chess video I was watching. The so-called game of the (last) century, Bobby Fischer versus Donald Byrne. We had reached Fischer’s famous Queen sacrifice on move seventeen. There were only four moves to go but I had to get out of the house.

When I stop to allow my pursuer to catch up so that I can catch a glimpse, he stops too. But he continues playing. I have only a rudimentary knowledge of music but my understanding is that the range of the English horn is a little under four octaves while the pianoforte spans seven octaves. As Beethoven was one to make full use of the keyboard, you would have to say this interpretation of the Diabelli Variations falls short.

My phone rings. ‘Bonjour Monsieur Gibson,’ the caller says.

He continues speaking in French but slowly, as if it is not his main language. Not that this helps. My knowledge of French is almost non-existent. I blame this on my old language teacher, Mr Coot. I don’t think his heart was in it. He spent whole lessons talking about cricket or telling us about the time he met Harold Macmillan. I wasn’t able to learn much French. But argent means money, doesn’t it? And I can make out the words, fils and tuer. Son. Kill. I don’t much like where the conversation is heading. I was wondering why Paul hadn’t phoned me but I had put it down to his being too busy with his Environmental Science assignment and not because he was being held hostage. It appears he’s been kidnapped. There’s not a lot else that kidnappé can mean, is there? I can’t understand much of the rest though. What’s the point in him issuing a threat in a language I don’t understand?

I try to get the caller to speak English but he clearly wants to call the shots. When he hangs up, I still have no idea who he is, how or why he might be holding Paul or exactly what his demands are. Why does he imagine that I have any money, anyway? Since I lost my job at the software company, I have been living on handouts. Could the phonecall even be a hoax? Someone pretending to be French? To confuse the issue, shift the emphasis? Might it even be something Paul has for some reason cooked up with his friends? Probably not. It does not seem like the kind of thing Paul would do. In any case, it would be irresponsible for me to let the matter go. For the time being, I have to assume my son is being held to ransom and it is not a hoax. I need to phone the police. Unfortunately, the Emergency 999 service has been suspended and I don’t have enough credit to phone the 118 Directory Enquiries services to get a number.

It is getting murkier by the minute. I need to take stock and get to a phone I can use. I remember my old chess buddy, Krzysztof lives close by, in a static home in the holiday park. He rents it cheaply during the winter months and I haven’t seen him for a while. Krzysztof is a resourceful man. He is one of those fortunate people that know how to get out of difficult situations. I’m certain he will be able to help. He will know what I should do.

I give him a call and explain my predicament.

‘Strange things are happening to us all, my friend,’ he says. ‘These days, day is night and black is white.’

I agree with him. Things are indeed upside down. Until recently, Paul’s future seemed guaranteed. The world was crying out for environmental scientists. But how quickly things change. Unlike climate, which is officially not now changing, even though everyone can see it is. I am not a great one for reading the papers but the outlook hasn’t looked good since the big squabble started. Then there was that other business. The one we voted on. It’s a shame the young did not get out to vote because it is going to be worse for them. Wherever you look now there is doom and gloom. Censored internet. Less choice. Poor prospects. Smaller horizons. You probably remember those days not so long ago when you could book a holiday in the sun. You could fly anywhere. Chess players from my club can no longer play any of the guys from overseas. Sundays have been replaced by Mondays, they are fracking in the park, packs of dogs are roaming the streets and a bottle of red wine costs an arm and a leg.

When I arrive at Krzysztof’s, I find to my horror that he has no face. I look at him but no-one is looking back at me. Between the collar of his shirt and his hat, there is a void. No eyes. No ears. No mouth. He did not warn me about this. Would it have been better if he had given me the heads-up? I don’t know. It would still have been a shock. Some of you may not have experienced it but until you get used to talking to a hat bobbing up and down and stranger still, the hat talking back, it can be disorientating. I try not to draw attention to it but Krzysztof detects I am uncomfortable and tries to put me at ease.

‘It’s not as unusual as you might imagine, Bill’ he says. ‘Many people from my country living here have no faces now. It’s one way we are able to stay put since that vote.’

‘On the other hand, they’ve made it easier to stay put,’ I say. ‘There’s not even a rail link to the continent anymore.’

Only One Reality

August 19, 2019August 19, 2019 ~ Chris Green ~ 2 Comments

Only One Reality by Chris Green

A second did not seem an important integer, but therein lay the problem. It was such a small unit of time. Yet, such was the degree of precision operating in the overcrowded skies that if Quincey Sargent had returned from his break seven seconds earlier or seven seconds later, the dreadful accident would not have happened. Sargent would not have given the instruction that resulted in the collision between the two leviathans that changed, albeit ever so slightly, Earth’s path around the sun.

Had the accident not happened, things would be as they had always been. Earth would spin on its axis once every twenty four hours and revolve around the sun in its normal orbit every three hundred and sixty five days. There would still be thirty one million, five hundred and thirty six thousand seconds in a calendar year. But as you know there are now more. Just how many more has still to be calculated accurately. We hear new estimates every day with eminent scientists forever trying to steal a march on one another. No one can even say for sure that Earth’s orbit is going to settle into a regular pattern. As you will be aware, the uncertainty has played havoc with digital technology and really messed up schedules and timetables. Try catching the eight o’clock Eurostar now.

Quincey Sargent has of course been dealt with, along with Stanton Kelso at ATC who failed to notice that the two giant craft were on a collision course. You probably saw Sargent and Kelso’s execution on television, if you have one that still works. But knowing that they were punished can never make up for the hundreds of thousands of lives that were lost. I expect from time to time some of you still take a look at the film of the explosion on topnet, if you can get topnet, to remind yourselves.

But it is not only the measurement of time that we have to consider. The accident has a far greater legacy, affecting every area of our lives. We’re only just beginning to find out the full extent of the disruption it has caused.

My friend, Ƣ, who works at the spy base calls me up out of the blue. He says that many of the strange phenomena that might be attributable to the catastrophe are being hushed up. Ƣ is not a WikiLeaks scaremonger. When Ƣ tells me something I believe him. I trust Ƣ implicitly. We go back a long way. We belonged to the same motorcycle club, The Diabolos when we were younger. He rode a Triumph Bonneville and I had a Norton Commando. You build up trust when you are riding fast bikes on long runs in large groups like this. Margins of error are small. Ƣ would not lie to me now.

‘I’m sure you’ve noticed that your satnav no longer works and there aren’t nearly as many websites as there once were,’ he says.

‘Of course,’ I say. ‘As you know digital is my field.’

‘Quite! Time is well and truly screwed, isn’t it?’ he says. ‘Anything that depends on time or needs a timer to operate, forget it.’

‘At least you no longer need to keep looking at your watch.’ I say. ‘Do you know? Even the oven timer is kaput and I’ve no idea when to put the cat out. In fact, the cat no longer wants to go out.’

‘Who can blame it with all that fog?’ he says. ‘But, there’s a whole bunch of other stuff that for whatever reason is not being reported. Why has an eight kilometre wide trench opened up across Central Asia?’ he says. ‘I don’t think that has been on the news. Why are they keeping the lid on that?’

‘Perhaps they have been too preoccupied with the floods in Nevada and Arizona to report on it,’ I say.

‘Why have the people in Australia started talking in a language that no one understands? Why do goats no longer have shadows.’ he says. ‘And what’s happened to all the fish in the sea?’

‘You think it’s all part of a big cover-up then,’ I say.

‘The communication satellites weren’t taken out by the explosion like they told us,’ he says. ‘They’ve been shut down since. And it’s not our people that are doing it. There’s definitely something sinister going on.’

I tell Ƣ about the after images that have begun to appear on all my photos. ‘They make it look like people are slowly leaving or arriving,’ I say. ‘It is as if I have set a long exposure or superimposed a series of images on one another.’

Ƣ tells me that others are having the same problem. A friend of his finds he has a Serbian First World War ambulance superimposed on all his pictures and someone else he knows has a spectral German shepherd in every shot. Every day he says he comes across more and more curious things that cannot be explained.

‘I’m wondering whether we are seeing more strange things lately, Ƣ, because we’re beginning to expect things to be odd,’ I say. ‘Aren’t we looking for weirdness?’

‘I suppose you might have a point, Bob,’ he says. ‘But I’m guessing that you don’t really believe that what you say explains everything. There are just so many things that have changed. Life bears no resemblance to how it used to be. Look! There is one important thing that has never been revealed and no-one seems to have picked up on it. What was on board those two craft that collided? We just don’t know. The Ministry hasn’t been able to find out. Our allies haven’t been able to find out. Nobody seems to know. Which is where you come in.’

‘I do? You’ll have to make that a little clearer,’ I say.

‘Well, Bob. For obvious reasons I can’t go public with any of the information I come across. I mean, look what happened to Eddie Snowden. I don’t want to have to live like that.’

‘What you are saying is that I can, is that it?’

‘Pretty much, Bob. I know that the internet is a bit skinnier than it once was, but you’ve got the skills to set up a proxy website and you know all there is to know about SEO, if that is the right expression and assuming that search engines still work. You could at least begin to post information for me. At the same time, you could discretely find out what other people might be noticing that we are not being told and report back.’

‘But …..’

‘You will get paid.’

‘It’s not that. It’s …..’

‘I know. I know. I work in the secrecy business. But there’s a limit. When something this serious is going down, I don’t think you should keep people in the dark. What do you say?’

I don’t have anything better to do. I no longer have a job. Nobody seems to need digital display designers any more. I suppose I could get a job repairing cars or something. With all the electrics failing that’s where the demand is. But everyone’s going to be turning their hand to that. I agree to Ƣ’s proposal.

I try to think of a suitable name for the site. aintthatthetruth.com, wtfshappening.com, alliwantisthetruth.com, none of them very snappy. Surprised that the domain hasn’t been taken, I settle on whistleblower.com.

Ƣ comes up with staggering tales from the word go, extraordinary stories from around the world. He wants people to know that they have started practising voodoo in Switzerland. He wants it out there that everybody in Japan has become left handed. That there are giant badgers in Nepal. The reason that the fish are all dead it is now thought is that there is no salt left in the sea. They have moved the International Date Line three times in a week and changed the value of pi. The latest on the length of a day is now that it is believed to be twenty five hours and twenty four minutes in old time. Ƣ says that no-one is talking about the number of seconds in a year any more. This he says is going to be impossible to calculate until Earth’s orbit has settled.

My site begins to attract whistleblowers from around the world. Rigatony posts that Venice is sinking fast and that everyone in Padova is having identical disturbing dreams at night. Plastic has become unstable and computer keyboards and TV remote controls are decomposing, posts MercyCaptain. According to Kommunique, all the babies born in Kyrgyzstan since the catastrophe have been female, not a popular option in a Muslim country. There are dust storms in Oklahoma says CrashSlayer. Aren’t there often dust storms in Oklahoma?

A lively online community quickly comes together through the forum. My admin duties keep me busy day and night. In no time at all the analogue hit counter is up to five figures. Although there’s nothing directly relating to the cargoes of the craft, a majority of the posts are constructive and informative. Being an open forum there are of course also time wasters and religious fanatics. Fire and brimstone and Sodom and Gomorrah are mentioned a lot. What we are witnessing, the evangelists claim, is God’s punishment for planned parenthood, spare parts surgery and gay marriage.

There have always been conspiracy theories, so it is unsurprising that some of these also find their way on to whistleblower.com pages. Everything going wrong it is claimed is part of a plan by ruthless aliens who want to force us into submission so they can take over Earth. It is an Illuminati or Zionist plot to take over the planet. It is part of a big budget surreality television show. Everything is an illusion anyway. Some things you have to take with a pinch of salt. Nothing resembling a conclusive explanation for the upheaval appears, although the illusion explanation, while clearly impossible to confirm, is tempting. Everything that is happening might well be part of someone’s dream. Or a hologram. Gravity in the universe comes from thin, vibrating strings. These strings are holograms of events that take place in a simpler, flatter cosmos. The holographic principle suggests that, like the security chip on your credit card, there is a two-dimensional surface that contains all the information needed to be able to describe a three-dimensional object, our universe. In essence, the information containing a description of a volume of space, be it a person or our Earth could be hidden in a region of this flattened real version of the universe.

It’s a bit of a head-banger. I put this to Ƣ as best I can.

He agrees that multiverses and strings are legitimate lines of enquiry and the Ministry has been putting resources into their research. But how does this help?

‘We have a whole heap of strangeness, that we didn’t have before,’ he says. ‘If parallel worlds could explain what is happening, we would have had the kind of anomalies we are getting now all along. There would have always been parallel worlds. That’s not what it is.’

It is difficult to disagree with him. Quantum mechanics even in its simpler form is something I have never been able to grasp, despite watching many programmes about it on television.

Ƣ goes on to tell me I am doing a good job and if I keep at it, all should be revealed. There is bound to be an explanation for the apparent rupture in the space-time continuum. So that’s what it is, a rupture in the space-time continuum.

One moment I am sat at my computer, keying in a report about the dense swarm of black moths that has appeared over London, the next I am in a darkened room. The space is unfamiliar. It is small. There are no windows. There is a dank smell. The door is locked. I can hear the hollow sound of a slow but steady drip of water. I have always suffered from claustrophobia. Being confined like this has always been my deepest secret fear. I am terrified. This feels like the grave. Is this what death is like? Is this how it happens? Could this be it? No blinding light. No life flashing before your eyes. No white tunnel. Is this it? The other side? Or, perhaps it’s the waiting chamber, the holding bay.

This is not it. Sometime later, it may be hours, minutes or even seconds, my captors reveal themselves. Not before I have been to hell and back. The door opens and they materialise slowly as if they are made up of dots, like a half-tone in an old newspaper. There are three of them. As my eyes get used to the light I can see that they are three-dimensional figures and they are wearing military fatigues. They don’t look friendly. There are no welcoming gestures. They have guns.

The one on the right of the group opens his mouth to speak. The sound appears to come from the one on the left, the one with the scar down his cheek and the alligator grin. ‘You will close the website down,’ he barks.

‘Immediately,’ says the one on the right. The sound appears to come from the one on the left. This one has a gallery of Japanese Dragon tattoos on his arms.

‘We would have taken it down ourselves, but you did something ……. smart with it,’ says the one in the centre. He is built like a Sherman tank and aptly he is the one with the biggest gun. It is pointing directly at my head.

Beneath my fear, I can’t help thinking that this is a heavy-handed approach. Just one of them, any one of them could have knocked me up at home, pointed a gun at my head and expected to get results. You would not mistake these people for boy scouts. They really look like killers.

‘We are the time police,’ says Alligator Grin. This may not be what he says, but this is how I hear it. Perhaps they are the time police. Perhaps they are not. Perhaps they are hallucinations but I am not taking that chance. My survival mechanism tells me that they are armed and I am not.

‘We are here to set the record straight,’ says Dragon Tattoos.

‘To put an end to all that nonsense you’ve been publishing,’ says Tank.

‘Lies,’ says Alligator Grin. At least I think that’s what he says. His diction is not good.

‘There’s only one reality,’ says Dragon Tattoos.

‘And it’s not yours,’ says Tank.

‘You are going to start again on your server and tell people the facts,’ says Dragon Tattoos.

‘The real facts,’ says Tank. They have lost the rhythm. It’s not his turn to speak.

‘The day is twenty Ferraris,’ says Alligator Grin. I’m getting the hang of it now. He means twenty four hours.

‘And there are sixty minutes to the hour, and sixty seconds to the minute,’ says Dragon Tattoos.

‘The same as it has always been,’ says Tank. For a moment, I think he is about to pull the trigger, but if he does that then the website is still going to be there.

‘And the earth sorbet has always been the same,’ says Alligator Grin. Perhaps he means Earth’s orbit.

‘You will say all the rest was a misapprehension.’ I lose track of who is saying what. They are firing phrases at me like bullets. I feel dizzy. The room is spinning.

‘A result of an over-active imagination,’

‘Too much science fiction,’

‘Choo many movies,’

‘Too many video games,’

One moment I am face to face with three menacing mercenaries, the next moment I am back in front of my computer at home. The mercenaries must have been an hallucination caused by the stress of being in the darkened room. The darkened room might itself have been a delusion. It’s hard to tell what is really happening any more. But, here I am at home. I breathe a sigh of relief. But I’m not out of the woods yet. Two men in dark suits are with me in the room. One looks like a Mormon missionary, the other looks like Napoleon Solo. They both have guns. They are both pointed at me.

‘You have not heard from Ƣ,’ says Mormon missionary. This is a statement.

‘You are not going to be seeing Ƣ,’ says Napoleon Solo. This too is a statement.

‘Ƣ died in a motorcycle accident in 1999.’ Mormon Missionary again.

‘So let’s get started on the new website,’ says Napoleon Solo. He is beginning to look less like Napoleon Solo. More Reservoir Dogs. Is it the way he angles his gun? Or is it the look of intent he has on his face? Mr Blue, perhaps.

‘People need to know what’s really going on,’ says Mormon Missionary. He begins to look a little less like a Mormon missionary. More Men in Black.

‘sameasiteverwas.com,’ says Mr Blue.

‘And put this little piece of …….. worm software on the back of it,’ says Man In Black. ‘It will take over all internet browsers and stop anyone getting access to any …….. rogue sites.’

‘People will be able to sleep easy in their beds, with the assurance that everything is OK,’ says Mr Blue.

‘And know that someone is looking out for them,’ says Man In Black. ‘Like a big brother.’

I begin to see how it is that history is always written by the ones with the guns, the ones with the biggest guns, whoever they might be. The ones who can manipulate the media, whatever the media might be. How science at any point in time is what the scientists of the day tell us, however erroneous, and why God persists, albeit in one or two different versions. The people who are in charge make the rules, all the rules. They are the ones that dictate what is true and what is lies and that their way is the way it has always been. They establish their set of beliefs as facts and employ militia to enforce their truth, their version of events. They quash dissent. They find out what people’s fears are and work on them until they are too frightened to disagree. There are no ways of seeing. There is just the one way, their way. Their version of events will always be the one that has always been. If necessary they will burn books and rewrite history. They will put worms onto your computer. They will destroy civilisations to make the oven timer work. You will know exactly when you have to put the cat out.

Earth will revolve around the sun in the same way at the same distance and there will always be thirty one million, five hundred and thirty six second in a year until such time as the people in charge say otherwise. Goats will always have shadows, Switzerland will never practice voodoo. Plastic will continue to be stable. Venice will not sink. There will always be fish in the sea. There will never be a multiverse. Pi will always be three point one four one six. The same as it ever was. There will only be one reality. All the rest will be make-believe. That’s just the way it is.

The Hurdy Gurdy Man

August 5, 2019August 5, 2019 ~ Chris Green ~ Leave a comment

The Hurdy Gurdy Man by Chris Green

It is after midnight. Lois and I are watching a nail-biting episode of Bad Break on Horizon when the old man in the threadbare purple duffle coat calls round. He is selling violins. In these uncertain times, traders are likely to call round at any time of day or night but it is unusual for a violin seller to call so late. You expect people selling camping gear and kitchen utensils to knock on your door up until three a.m. And of course, carpet sellers. But we are usually in bed by then. As a rule, we go to bed at two, after Cricketers’ Wives on Bygone finishes, unless it’s a Thursday and we happen to be watching Black Lens on Extra. This does not finish until two-thirty.

Lately, there is a non-stop procession of hawkers, selling anything and everything. Fishing tackle, jet skis, garden gnomes, overspill from car boots, sometimes things that even charity shops won’t take. Having been encouraged to buy all manner of merchandise at every opportunity, people are constantly clearing out. Add to this the swathes of people who have been hit by the dramatic downturn, desperate to sell a few bits and pieces to be able to put food on the table and you begin to understand why you get so many callers. We now recognise some of the regulars. The late-night transient selling boxes of knock-off DVDs, the Frankie Dettori lookalike selling fake signed photographs of sports celebrities, the down-at-heel vagrant selling Lambretta badges and Gilbert O’Sullivan CDs. Sometimes we have to put the light out and pretend we have already gone up the wooden hill.

We don’t normally buy violins on the doorstep. Neither of us plays. Yet this does not stop me from purchasing a Cremona Premier. I have not seen a green violin before. And he is only asking ninety-nine pounds for it. I recognise a bargain when I see one and a green violin for ninety-nine pounds is a bargain in anyone’s book. The man in the purple duffle coat knocks off a catchy Fritz Kreisler tune and says that he will accept an IOU if necessary. Although money is tight, I don’t like the thought of being in debt so I pay him in cash. He says his name is Quinn and if we are interested, he may have some trumpets next week.

Buying from door-to-door sellers is all very well but you have to be on your guard. Life was easier when you could buy goods over the internet. You had eBay and Amazon and Gumtree where practically everything you could ever want was available. I knew someone who bought a bottlenose dolphin and Ravi next door used to buy all his drugs this way. In addition, most businesses had an online purchasing facility. Admittedly, you were deluged with adverts but with practice, it was easy to ignore these. And for specialised markets, there was the so-called darknet.

But all of this is gone now. It might only be six months or so but it is as if the internet never existed. It just goes to show how quickly you get used to things. It is surprising how easily a new common sense develops. Lois and I used to work for Google and now and again, we hear a rumour from an ex-colleague that the internet will soon be back. But then, we hear nothing further. This leads us to believe that whoever or whatever is blocking it is determined to keep it that way. While it is difficult to say for certain, it appears cyber-networks are down worldwide. It seems you would need the internet to find out why there is no internet. Without the internet, news media has struggled. The stories we get have become more localised, the re-routing of the bypass, the search for the missing teenager or the closure of The Goat and Bicycle.

People are throwing out their iPhones. With their functionality reduced to that of making calls, they are of little use. Even making calls is hit and miss due to the breakdown of communication links. Someone from the discount store in town called round last week in the middle of the final episode of Killing Steve offering a job lot. £50 for ten, he said.

When the internet was still up and running, you could stream your favourite TV programmes on your portable devices or on sixty-inch screens in the comfort of your living room. Lois and I used to watch our shows in the middle of the afternoon after we had finished our shifts at Google. We became accustomed to binge-watching box sets. We frequently used to watch three or four episodes of Twin Peaks or Black Widow on the trot. And we could get Alexa to put the kettle on or turn the central heating up while we looked through reviews of hundreds of new series that were available to stream. We took it all for granted. Without the internet, there is no catch-up television. You have to view everything in real-time and there are strict rules about what can be shown on TV before the nine pm watershed. Tame sitcoms and vapid soaps. Auctions of tat and tired quiz shows. Channels are required to put any programmes with adult content on after nine. So, Lois and I no longer enjoy our cosy early nights. Although today’s serial dramas are only poor imitations of those of yesteryear, each night we find ourselves in front of the TV until the early hours.

For some unexplainable reason, recording devices no longer work so we cannot time-shift programmes. Even the techies I know cannot understand why this is. But I suppose we should consider ourselves lucky. We still have television although from time to time there is talk of this too disappearing completely, in the same way that the internet did. You never know what to believe. In this post-truth age, it is nearly impossible to find out what is really going on.

Now there are no longer any internet-related services, Lois and I are unable to find work. We now grow much of our own produce in the garden and door-to-door grocers come around each morning to supplement this so we do not need to go into town often. When we do, we come across groups of noisy protestors, no doubt angry about what is going on. It means I have plenty of time on my hands to learn to play my new violin. The first few days are probably agonising for the neighbours. If you’ve ever had a son or daughter learning the instrument, you will understand. The violin in the hands of a novice does not immediately produce sweet music. I suspect Ravi is able to find a way to shut it out but once or twice, I hear the Domingos the other side of us banging on the wall.

In the middle of an episode of Found, Quinn calls round as promised with his trumpets. He plays a pretty little Chet Baker number on a shiny Selmer. Lois is transfixed and decides she wants it.

‘You can have it for ninety-nine pounds,’ he says. ‘And I’ll even throw in an interesting little primer.’

‘That’ll be a great help,’ Lois says. ‘No YouTube instruction videos these days, are there? I’ll take it.’

‘And next week I’ll be round again with a surprise,’ he says. ‘Something a little different.’

I make slow but steady progress on the violin but with her somewhat unusual primer, Lois’s trumpet playing comes on in leaps and bounds. In no time at all, she masters, Should I Stay or Should I Go and Rock the Casbah. The Domingos appear to be enjoying these Clash numbers as we hear no further knocking on the wall.

Without warning, television goes off the air. All the channels show static. None of our friends or neighbours has any information about what has happened. Who is behind it? What is their aim? At first, the hope is that the blackout is temporary but it continues day after day. There is no way of knowing but it gradually becomes apparent that it is a worldwide phenomenon. It looks like TV will not be back anytime soon.

Lois and I start going to bed at nine o’clock. It is often difficult to sleep though as more and more people knock at the door with goods for sale. Without the internet or television, perhaps there is nothing left for folks to do with their spare time but life-launder. We debate whether we ought to do the same. Should we have a big clear out? Should we get a handcart and go door-to-door, selling some of the teapots Lois has collected over the years and my model aeroplanes?

‘Where have you been?’ Quinn says. ‘I’ve called round several times.’

‘We don’t answer the door after three in the afternoon,’ I say. ‘Too many people selling things and we don’t need anything else. We don’t have room.’

‘You’ll want this,’ Quinn says. ‘I’ve been saving it for you.’

He opens his bag and pulls out the most curious musical instrument I’ve ever seen. It is shaped a little like a violin but has a silver crank at the butt end. Its strings appear to be covered by an ornate wooden board and it has a small but prominent keyboard on the underside of this. It is a work of art.

‘What is it?’ I say.

‘It’s a hurdy gurdy,’ Quinn says.

With this, he deftly knocks out an old English folk tune. So far as I can gather, the crank works like a bow and the keyboard blocks the strings to produce notes.

‘Ninety-nine pounds and it’s yours,’ he says. ‘You might find it a little tricky at first but I’m sure you’ll get the hang of it. No primer for this one, I’m afraid.’

It still seems remarkably cheap so once again I go to see what cash we have left under the mattress. There is just enough. I tell him I will have plenty of time to learn to play now that there’s no television to interrupt me. ‘

‘Of course,’ Quinn says. ‘The old goggle box has finally gone. Never watched it myself. Constant stream of babble. Frank Lloyd Wright called it chewing gum for the eyes. Anyway, you probably won’t believe me but I have a theory about what has happened to the internet and TV.’

Everyone, it seems, has a theory but no one is able to back up their thoughts. The Earth’s magnetism gone haywire. Mass malfunction of satellites. Divine retribution for our sins. The Illuminati perhaps. Religious zealots, Muslims, Jews, Seventh Day Adventists. Tech companies holding everyone to ransom to raise their prices. The Chinese or the Russians using it as a tool for world domination. The precursor to an alien invasion. Is Quinn’s theory going to be any different?

We hear him out. His idea is absurd. Surely he cannot be serious. How could it be down to a small bunch of anarchists to highlight climate change? Granted Google’s servers used the same amount of power as whole continents and televisions were getting larger and larger. Certainly, taking out the main channels of advertising would hit capitalism where it hurts. But how would they have had the funding or the means to take down secure well-established global communications networks? And how would the ensuing chaos benefit the Extinction Rebellion cause? Surely they would need a voice and a means to transmit their anti-capitalist, save the planet, peacenik, no nukes message. To to do so by word of mouth on a day-to-day basis worldwide would be a big ask for a small disorganised unit.

‘Nice try,’ I say. ‘But I really don’t think that’s likely.’

‘I did say you may not believe me,’ Quinn says. ‘After all, it does seem a bit fanciful. But, we shall see. Enjoy your hurdy gurdy and don’t forget to look out for me. I may be round again with another surprise.’

TIME

April 9, 2019April 9, 2019 ~ Chris Green ~ 9 Comments

time2019

TIME by Chris Green

Time is a bitch. You never know quite where you are with it. Einstein, bless him, argues that the distinction between past, present and future is an illusion, albeit a stubbornly persistent one. This morning as I go through the mail, I begin to appreciate the great man’s uncertainty. These bills are the same ones as yesterday, electricity, phone and pet insurance. Exactly the same. And there’s an identical postcard of an Agadir beach at sunset from Rick and Sammi.

When set against the bigger issues of political corruption, terrorist bombs, and the war in the Middle East, a duplication of personal correspondence is not a big deal. Puzzling, yes, but I do have a large green recycling bin. More importantly, I’m running late. It is 8.15 and the traffic on Tambourine Way will be horrific if I don’t hurry. I scrape the ice off the Skoda’s windscreen and give it a few squirts of de-icer. I put a Johnny Cash CD into the player while the inside windows start to de-mist, and move off into the February frost.

I have a sense of déjà vu as I flash the headlights at Pedro, in his SUV on Solitaire Street, and again on the dual carriageway when I find myself behind a learner bus driver keeping to 30 where you could easily be doing 50 or 60. Does this learner bus driver come this way every day? My progress is further impeded by an accident at the Scott McKenzie roundabout. As I edge through the flashing blue chicane of police vehicles, I notice that the two battered cars seem to be the same two cars as in the accident two days ago, a white Mercedes and a black BMW. The impact of the collision has buckled both cars irreparably, as it had in the previous accident. I shudder. The coincidence is way beyond that presented by chance.

I arrive at Sanctuary Inanimate Pet Crèche and Counselling Service where I work. I greet Boris and Gerhard. I can’t help but notice that the cyber dog that was collected by its owner the day before yesterday is already back. There is also a familiarity about the headline War Dims Hope for Peace in Boris’s tabloid. Admittedly inanimate pet care is a repetitive line of work but the conversation Gerhard is having with Major Churchill about his pet rock seems identical to the one earlier in the week. After Gerhard puts down the phone I tackle him about this.

He looks at me challengingly and says, ‘what are you talking about? I have never spoken to Major Churchill before. And this may be just a job to you, but the Major’s pet rock does seem to be pretty sick.’

I think of taking up the point. Yes, it is just a job to me. Unlike Gerhard who sees a visit to the dentist as a bit of an outing, I have seen a bit of the world. But I keep quiet instead. What is the point? One pearl of wisdom that comes with age is that past glories count for nothing. I am here, and it is now. My life has taken a bit of a nosedive. Like Orson Welles, I seem to have lived my life backwards, if not quite in the sense I am about to.

Over the days that follow I have a permanent sense of déjà vu. Everything in my every day has happened previously. I have the same conversation with Spiro about West Ham’s problems in defence, spend the same hour chatting to my daughter, Promise on the phone about the dangers of putting too many personal details on Facebook, watch Groundhog Day again on DVD, and buy another new metal detector from The Army and Navy Surplus Stores. The hours on my watch are still going forward but the date is going backwards. The presidential election comes round again and they bring the old president back, and that family entertainer that we all once liked is prosecuted again for entertaining children in an inappropriate way. All the papers on the news-stands each day are yesterday’s papers.

At first, I imagine that it must be a huge practical joke, admittedly one with a formidable amount of complicity. Whilst I do not advertise my predicament in case people think I am a basket case, no one I speak to displays any sense that anything is wrong with their own temporal world. There is nothing in the papers or on the news to suggest anything irregular in the cosmos. Just the usual reports on war, politics and celebrity indiscretions. It appears that I am alone in my renegade perception of time, although there is a short item in The Morning Lite calling for a twenty five hour day. NASA scientists have apparently researched this and found that participants in the experiment benefited by the increased levels of melatonin. The findings it says would come in handy if astronauts go to Mars. A Martian day it points out lasts for 24.65 earthly hours.

There are a number of contradictions of logic involved in whatever it is I am experiencing. My days are still moving forward in a linear fashion. I go to work, come home, go to the pub, walk the dog, watch the rerun episode of Spender on ITV3, and go to bed as normal, but when I wake up the next day, it is the day before yesterday. Each day, I become a day younger. This aspect of my condition is, of course, something that at sixty three I should be pleased about; instead of a creeping decay, there will be a gradual rejuvenation. In a world that places excessive emphasis on artifice, this is what millions of people dream of. Zillions of pounds every week are spent by slavish consumers on a staggering array of products promising the reversal of the inevitable. The consentient sorcery of keeping flowers in full bloom is the central tenet of our belief system.

If I am reliving the past there is plenty for me to look forward, or backward to. I have on balance enjoyed my life. There are all of the special places I have been with lovers or friends that I have felt I wanted to go back to sometime. All of the times I have said or thought, I’ll always remember this. Things that just could not be captured on film. I reason I will also know when to expect the difficult times, like the divorce from Monique, Sebastian’s fatal illness, and the bankruptcy hearing. Painful though it will be, I can be ready for these episodes. And I can go on to experience youth with a wise head. What was it Oscar Wilde said? Youth is wasted on the young?

Despite these deliberations, the sequential upheaval continues to be both disconcerting and disorientating. After a week or so of going over the same ground, I decide to seek professional help. I find myself limited by the need to arrange an appointment for the same day. The medical profession does not operate this way. There is no point in my making an arrangement for any time in future, and clearly, I cannot make an appointment for last week or last month. Similarly, I am unable to arrange to see a priest, a mystic, a philosopher, or even a time traveller at a few hours notice. The Auric Ki practitioner that I do manage to see at the community centre at short notice talks about meridians and explains that there might be blockages on the layers of my energy field. Over a dozen or so sessions she says she can balance my chakras and time will move forward again. I try to explain that she might need to do this in one session and she suggests if this is my attitude, then I should go elsewhere.

I begin to wonder what would happen if I do not actually go to bed. Will the day progress normally to the next, or will I at a certain point be flung back to the day before? It seems that despite my predicament, there is still an element of free will about my actions so I buy a wrap of speed, from Sailor, a friend of a friend in the Dancing Monk public house.

‘This is wicked gear,’ says Sailor, so named I assume because of his abundance of tattoos. ‘It will keep you busy for fucking days.’

‘Good,’ I remark. ‘I may need it to.’

I see the exercise as a demonstration of free will, and not therefore merely a duplication of what happened on the corresponding day a couple of weeks previously. At my age, I am not really a late night person and have not taken drugs since my youth, so I am not sure what to expect.

Despite taking the whole wrap of wicked gear with four cans of Red Bull and playing some kicking music, I drift off at around 5 or 6, anyway before daylight.

……………………………………………………………………

When I wake up I am not sure where I am. Everything around me looks foreign, almost alien. In a conversation that must be puzzling to my companion, Song, I establish that this is the balcony of one of the upper floors of an apartment block in north-eastern China. It is 1988 – the year before Tienanmen Square. I have gone back seventeen years. Song and I are filming the spectacular estuary of the Songhua Jiang below for a travelogue for Sky TV. It seems the Chinese authorities are keen to promote tourism in the area. It is a Sunday morning and from our high vantage point, Song and I can see for miles. It is late August, near the end of the rainy season, and while the rainfall this year has been concentrated mainly in July, much of the flood plain is still underwater. Around the swollen river basin acres of lush green landscape luxuriate. Song points toward a flooded football field to our right, saying that despite the pitch being waterlogged the locals are about to turn out to play.

‘We are used to a bit of water. We have long tradition. Chinese invent football in the Han period over two thousand years ago,’ he says. ‘Is called Cuju. Means to kick a ball.’

Song goes a little deeper into the history of cuju in the region and says that he feels the water football game would look great on film, with a commentary about the history of the game from its Han dynasty roots. I nod my agreement. I am not surprised. Through classes in Tai Chi back in, well, there is no other way to say this, back in the twenty first century, I developed an interest in Sino culture. I came to understand that the Chinese invented practically everything from paper and printing to gunpowder and aerial flight, and most advances in science and medicine can be attributed to them.

I feel distracted. The future seeming like the past takes some getting used to. While I am conscious of my vitality, I have the strange sensation that I am also an observer of my life.

A boat carrying a team decked out in carnival colours chanting something patriotic is coming up the river. It is hot and humid and a dank haze hangs suspended above the water as if waiting for an impressionist painter. The regressing part of me is trying frantically to get a handle on what is happening. According to the log, I am keeping to help with later editing of the film, I have been in the Peoples’ Republic for ten days and am scheduled to be there for another ten. I am missing Monique, Sebastian and Promise. Song says that the phone lines will not be down for much longer but I know in my world they will be down until my arrival, so I will be unable to phone home.

Sebastian is six and Promise is five. It will be Promise’s birthday soon. Then she will be four. She will stop going to school. Before long, I will be reading her bedtime stories and taking her to nursery. It is curious to comprehend that my life going backwards means to all intents and purposes that everyone’s life around me is also doing so. I can only experience their past.

Filming in China goes back day-by-day as the day approaches that I arrive on a flight from Heathrow to Beijing. During this time I ponder my situation continually. When Song says, ‘see you tomorrow’, I know I had already seen him tomorrow but I will see him again yesterday.

I contemplate the age-old question as to whether we control our destiny or follow a preordained path. This seems all the more pertinent to my circumstances. Am I just reliving events in a life that I have already experienced or could my new actions or thoughts as a person coming from the future have any effect? And how will I know whether they do?

More immediately I am concerned as to why time for me has gone back seventeen years rather than the more conservative day at a time that I came to accept. I am anxious to avoid such a dramatic leap happening again. The only clue I have is that I had tried to stay awake at night to find out why time was going backwards.

I begin to become anxious about sleeping and visit one of the four thousand acupuncturists in Harbin. I also buy various traditional Chinese remedies from a 114 year-old herbalist named Ho Noh at the local market. Not that Ho instils any confidence. He does not look as if he had ever slept. But I am particularly concerned that the flight on which I was to arrive in Beijing comes in at 5 am local time. There seems to be no way of rescheduling the flight and reducing the risk of more temporal upheaval.

……………………………………………………………………

And indeed there isn’t…. When I become aware of consciousness again I find myself on stage at a Pink Floyd concert. I have some difficulty at first working out the time and place but conclude that it is The Wall tour around February 1981 and this is one of several concerts at Wesfallenhalle, Dortmund in what was then West Germany. What is once again West Germany. I am a sound engineer, and it appears that the tape loops for The Wall have been mixed up with those from Dark Side of the Moon. I suspect I have programmed something incorrectly into the console. Roger Waters is storming around the stage set with a face like thunder and some of the band stop playing.

Back at the hotel, I have a call from Astrid from the house in Rheims.

‘You seem upset baby,’ she says. ‘Is something not good with you?’

I tell her that I have just been sacked by Pink Floyd management. It seems better than saying I have just been jettisoned through space and time from The Peoples’ Republic of China.

‘Why?’ she asks. ‘They seemed so nice at the party in Paris.’

‘A long story,’ I reply, intensely aware of two different life forces, the present, and the future in reverse. You cannot expect to have much of a conversation about space-time continuums in an international phonecall to someone, whose first language is not English.

‘You could come down if you want,’ Astrid said. ‘I have missed you, you know. The only thing is I’ve got Monique staying. Have I ever mentioned my friend, Monique? I’m sure you would like her. She came yesterday.’

It occurs to me that unless I travel the 400 odd kilometres between Dortmund and Rheims by yesterday I will never even meet Monique. It also occurs that I can’t anyway because I have spent yesterday in Dortmund with Pink Floyd. In a devastating flash, having travelled back to before they were even contemplated, I realise I will never see my children again, or for that matter, Monique.

Before The Wall tour starts, or after The Wall tour starts, I spend a month seeing the new year out and the old year in, with Astrid at the house in Rheims. Astrid is a freelance photographer who does shoots for Paris Match and Marie Claire, specialising in quirky subjects like Sumo wrestlers, dwarfs and circus performers. She is successful and works more or less when she chooses to. We make love, morning, afternoon and night, paint, walk along the Vesle, go to galleries, concerts, and French films without subtitles.

During this time I go to see a hypnotherapist and give up not smoking. Almost immediately I find myself getting through a pack of Gitanes a day. It is a revelation to me to discover that one session can change the habits of a lifetime.

With Astrid in Rheims I go with the flow, seize the moment, and try not to think about the disappearing future, about the first time Monique and I saw the Grand Canyon a morning in May, or looking down at The Great Barrier Reef through a glass-bottomed boat, walking amongst the mystical stonework of the sun temple of Machu Picchu or watching the spectacular patterns form in the Sossusvlei sand dunes in Namibia, the sun’s reflection on the water in the Halong Bay in Vietnam, about Promise’s wedding, or Sebastian getting in to Oxford, sadly just a month before his fatal illness took hold. I do not think of the excitement of my novel being published or the acclaim I received for the first feature film I directed. I certainly do not think of the months in The Jackson Pollock Recovery Home, the job at Don Quixote or about anything else that happened after my breakdown. The future is history. And the future from a normal chronology of events will now never be. I will not have to endure that period of time later in life when those around you are slowly dying off. Those senior years when if you see a friend you haven’t seen for a while, their news will be that someone else had died. Back in the future when I was sixty three I recall that this had already begun to happen. My parents had died and, of course, Sebastian had died. Also, in a few short months, my friend Giorgio had died from liver cancer, Jacques had died from a heart attack, and Marianne had died from complications during surgery.

I feel I can live with going back a day at a time, and being aware of what will happen next is not a huge problem. With Astrid, life seems easy. I am twenty six years old and it seems that this is a time for pleasure. Each day the mystery of our attraction unfolds as we know less about each other. An affair lived backwards is very exciting. The fascination increases day by day, the first time you will get a mutual invitation, the first time you will go away together, the first time you will get or buy a present, the first time you will have breakfast together, the first time you will undress one another, working toward that glorious, breathtaking moment when your eyes will first meet, when intuition and desire will form an immaculate, unstoppable, mystical union, that split second when love is heaven-sent.

……………………………………………………………………

Astrid becomes Francesca in Barcelona, then Isabella in Rome. In between, there is Natalie in New York, and before I know it I am twenty three. These years are wild and exciting. I go to parties with painters and dine with divas. I work on a film with Antonioni and play with Led Zeppelin. Keith Moon crashes my car and Marc Bolan throws up in my jacuzzi. In a wave of hedonism, I just soak up all the pleasure that is available and cannot recall when I last tried to exercise free will. I have gone with the flow, allowing my youth and libido free rein.

Time going backwards is by now the most normal thing in the world to me. Déjà vu has become so commonplace that it is now unnoticeable. I am no longer surprised that news items and soap opera plots unfold backwards. But I am sometimes made aware of echoes of a future life. A persistent voice in my head seems to narrate stories concerning an older person. The voice is familiar, and comes from within, but while it seems it belongs to me and has some sense of self, at the same time I feel a sense of detachment. I have recollections of having lived through many of the episodes, but they exhibit themselves like false memory.

This older person seems to have experienced considerable misfortune. He found his crock of gold early and bit-by-bit has seen it disappear. As a result of the dispossession, he has suffered some kind of nervous collapse. He lives a lonely life, works in inanimate pet care, drives a brown Skoda and listens to Hank Williams and Johnny Cash. Even if this were to be my own future, it is neither tangible nor attractive. It seems to me that as my life is moving irrevocably in reverse, nothing is to be gained by taking possession of a character surrounded with so much sadness. So the more that it happens, the more I try to block out the voice.

It is often said that when you are young, life is a timeless flight, but as you get older time seems to fly by like it has been turned to fast forward. I find that as I grow younger a similar thing is happening. Months fly by. One moment it is August and the next it is April and another summer is gone. Christmases and birthdays are closer together. No sooner am I twenty three than I am twenty two, and then in what seems the blink of an eye, twenty one.

……………………………………………………………………

After, or before, an especially profligate drinking session, with a group of Dutch football supporters, in a bar in the red light district of Amsterdam during the World Cup, I make the decision I am going to fundamentally change the way I live. We have consumed bottle after bottle of genever as Holland lose to West Germany. We continue our drinking into the night, inconsolable that Johann Cruyff, despite being the finest footballer in the world, will never lift the trophy.

The binge is just the last in a long line of testimonies to guileless self-deprecation. I am unhappy with myself. I have begun to feel that my youthful comportment is frivolous and empty. My behaviour is inconsiderate and hurtful, and I despise the person I am becoming – or have been. I frequently catch myself saying really immature things, and acting badly towards those around me.

What brings matters to a head is a chance meeting at Amsterdam bus station with Faith, a friend of my mother’s. Faith is dressed in a miscellany of chiffon wraps, scarves, bead chokers and jangly jewellery. She carries a tote bag with a yantric design on it and has rainbow coloured braids in her hair. Faith greets me with a warm hug, which brings with it an assault of patchouli.

‘What are you doing here?’ she says. ‘Where are you going?’

‘I’m not sure where I’m going,’ I say. ‘Because it seems to be more a case of where have I been.’

In that moment I have a profound sensation of being disengaged from time.

In the 1960s both Faith and my mother will live on the fringes of a bohemian lifestyle. My father, a man ensconced in the decorum of the professions, will not. He will go to the races and Rotary Club dinners, while my mother and Faith will metaphorically burn their bras and go on demonstrations. It is not hard to see how they will grow apart and the disagreements and separation that will be the backdrop to my early life will arise.

‘Time present and time past are perhaps present in time future,’ Faith continues. ‘And time future is contained in time past. If all time is eternally present all time is unredeemable.’

‘Where does that come from?’ I ask.

‘Those are the opening lines from T. S. Eliot’s Four Quartets,’ she replies, looking me in the eye. It is an English teacher kind of look. I look away.

When I am younger my mother will try to educate me in poetry, but I will prefer The Rolling Stones and The Beatles. I will get an appallingly bad grade in English by reading none of the books. My father will not notice because I am too unimportant to be of any significance.

‘But, if you do not know where you are going, you should not be at the bus station. Why don’t you come and have some lunch with me?’ Faith says. ‘I live in Haarlem.’

The bus arrives and we take it. Haarlem is just a few miles. I open up to Faith. I explain I haven’t seen mother since I was twenty six and then only briefly. She looks puzzled so I tried to explain a little of my predicament.

She quotes T. S. Eliot at me once again.

‘We shall not cease from exploration. And the end of all our exploring will be to arrive where we started. And know the place for the first time.’

I began to wonder if T. S. Eliot might have shared my sequential dysfunction.

On the journey, Faith tells me about the community in which she lives, all the time emphasising how happy she is. The community, she says, support one another, share everything, and work together towards a common aim. It seems idealistic, naive even, but I can see that Faith appears to be happy and feels she has found what she is looking for. Her view of life seems to be in marked contrast with my own.

We arrive at Haarlem. A lengthy explanation about eastern philosophy and the middle way sees us outside Faith’s house.

‘BEWARE OF THE GOD,’ says the sign on the front gate.

‘Which God?’ I ask.

‘It does not matter,’ she replies. ‘How about a Retriever?’

……………………………………………………………………

I come round in the playground of The Frank Portrait Primary School. I am wearing short grey trousers, grey flannel shirt and a blue blazer. I am fighting with a boy called Jon Keating. No!…..Wait! …… I AM Jon Keating. ‘Keating needs a beating, Keating needs a beating’ they are chanting, this swathe of little grey monsters. ‘Keating needs a beating.’ They empty my blazer pockets, and one of them, Nolan Rocco I think it is, takes my wristwatch. How will I know what time it is now?

3:13 a.m.

November 17, 2018 ~ Chris Green ~ Leave a comment

3: 13 a.m. by Chris Green

Not so long ago, it was becoming recognised that at 3:13 a.m. each morning, everyone heard something disturbing that gave them a jolt and caused the heart to skip a beat. The rogue sound was not the same for everyone. For some, it was the tolling of a distant bell, for others a mournful foghorn, while yet others might hear an air raid siren or find a freight train running through their head. It was believed that no-one was immune. No matter where you found yourself in the world, at whatever time of year, you were likely to hear it. Whether you were asleep or awake, there was no escaping it. At exactly 3:13, your state of grace would be interrupted. Jonny Bisco would be woken by the pounding of horses’ hooves on tarmac. Brady Ness would hear the blast of an air horn. Jack and Vera would both hear Chirpy Chirpy Cheep Cheep.

In normal waking life, each of the senses is distinguishable from the others. But, in the case of the 3:13 disturbances, hearing could become inseparable from the other senses. The unsettling sounds you heard might be tinged with a taste, for instance, or a smell. Sometimes you could see and touch the sounds. The blood-curdling scream that Emma-Jane heard smelt like a rotting corpse, Lorenzo’s dental drill tasted of cabbage and the minor chord on the cello I heard emitted an eerie glow.

Some people were in denial. Tiffany Golden, for instance, was in denial. She maintained that at 3:13, she heard nothing. She was not disturbed by the sudden creak of footfall on the stairs or the howling of a wolf. She did not hear distant drums or the chant of a rampaging mob. Her heartbeat, she said, was always regular. She slept the sleep of the just. Walter Ego too was in denial. This was the time, he said, that he usually walked his dog after finishing his shift at the nightclub. He claimed the albatross he heard circling overhead was a natural occurrence.

Denial was nothing new, even for those who acknowledged the nocturnal disturbances. The debate centred around whether the inexplicable night-time sounds they were hearing were real or not. There were many interpretations of what constituted reality. Einstein famously posited that reality was an illusion, albeit a very persistent one. Roy Sax, my philosopher friend from The Goat and Bicycle subscribed to the John Lennon view that nothing was real. Perhaps there were degrees of reality on a sliding scale. Or were the sounds, while not fantasy exactly, a phenomena akin to dreaming? They occurred in the middle of the night when, more often than not, people were asleep or trying to sleep. And we had been aware since time immemorial that the night harboured all manner of mysteries. By its very nature, darkness triggered a whirlpool of shadowy possibilities. Might we be getting clandestine messages from the depths of the unconscious, spiritual guru, Lars Wimoweh wondered? A crude form of communication from the collective unconscious. To describe them, he coined the phrase spontaneous textural phantasms. Some felt that there could be a sinister motive behind the sounds although they remained puzzled as to what this motive might be. Scare tactics on behalf of a consortium? A leftfield advertising strategy for a new product launch? Were they part of a Russian plot, asked the Daily Mail? Or perhaps just mass paranoia? Auditory hallucinations? With so many explanations, it was perhaps unrealistic to expect consensus or closure.

While the world over, whole families, whole streets, whole towns and cities appeared to be experiencing these sinister night-time sounds, they were seldom if ever discussed. Discussions that there were tended to be short.

‘I heard a helicopter circling overhead in the night. At about three o’clock,’ I might have said to Patti. ‘It smelt of burning rubber.’

‘I heard the sound of breaking glass again,’ Patti might have said. ‘Shall we go and see the new Danny Boyle film at the Empire later?’

I might have said, ‘yes, that’s a good idea. We could go for some supper afterwards at that new Mexican place.’ In all probability there would have been no further reference the helicopter or the breaking glass.

I’m fairly sure Emma-Jane and Lorenzo never talked about their night-time disturbances. They were too busy looking after their parrots. Being a public figure, Brady Ness was afraid of ridicule. Jack and Vera didn’t speak to each other much anyway. Roy Sax was busy watching the wheels go round.

Last year, there was a breakthrough. A number of people in different locations were recorded simultaneously waking at 3:13 a.m. to a momentary discordant rendition of Ace of Spades. Unusual that so many people in different places should hear the same unexpected ruckus. Suspicious too. Synchronisation of nocturnal sounds had not been obvious before. And why Ace of Spades? A publicity stunt for Motorhead? A cyber punk trying to make a name for himself? Whatever! It did draw attention to the phenomenon. The clip went viral on social media. People began to examine their own night-time disturbances. They began to share these with others. 3:13 became the subject on everyone’s lips.

The product life-cycle of viral clips on the internet is, however, all too brief. Interest quickly faded and the subject was once again forgotten. But, when you consider it, the position can’t have changed that much. People the world over must surely still be hearing spontaneous textural phantasms. Every night, their consciousness is, in all likelihood, still receiving an unwelcome jolt. Yet, because no-one is talking about it, the mystery remains unresolved.

Meanwhile, at exactly 3:13 tonight your state of grace will be interrupted along with all the others. Jonny Bisco will be woken by the pounding of horses hooves on tarmac. Brady Ness will hear the blast of an air horn. Jack and Vera will both hear Chirpy Chirpy Cheep Cheep. Senses may once again become confused. The blood-curdling scream that Emma-Jane hears will smell like a rotting corpse, Lorenzo’s dental drill will taste of cabbage and the minor chord on the cello I hear will emit an eerie glow.

Chinese Boxes

January 23, 2018April 14, 2020 ~ Chris Green ~ Leave a comment

Chinese Boxes by Chris Green

The fire engine comes hurtling towards me. It is out of control. It has no driver. Conan Doyle Street is narrow and the precipitate leviathan gathers momentum as it heads down the slope. I dive for safety into the doorway of the antiquarian bookstore. The fire engine forges ahead, gradually slowing as the incline levels out. It comes to a stop in the dip where Conan Doyle Street meets Rider Haggard Street. Fortunately, there are no casualties as the streets are deserted. This part of town is no longer prosperous and a lot of the shops are boarded up.

I am on my way to the doctor’s in Bram Stoker Street, a block or so away. I don’t have an appointment, but when I phoned earlier I was told someone would see me if I came along. I let the sour-faced receptionist know of my arrival and sit in the grey waiting room. Afternoon surgery has finished and I am the only one there. For comfort, I take my Doc Martens off. I start to read a monthly military magazine, but I can’t concentrate. After a few minutes, Dr Bilk comes through and says that he will see me but he has to make a phonecall to the hospital first. He asks me to go wait for him in Surgery 2.

Realising I am in stockinged feet, I go back to fetch my boots. It takes a while to lace them up and when I return Surgery 2 is locked. Dr Bilk has disappeared. I look everywhere for him. I go out into the courtyard. I look up and down the street. Back inside, a dozen or so men in dark suits are having a meeting in the room down the corridor from the locked surgery. There is a hostile air about the gathering. I do not like to interrupt. I go out to the car park. I manage to collar Dr Bilk, just as he is getting into his car. Without bothering to listen to my symptoms, he hurriedly writes me a prescription. I have not heard of the medication, he prescribes. Perhaps he has made a mistake.

What makes me want to return the fire engine to the fire station I do not know. This is what happens sometimes, isn’t it? In a moment of madness, you find you make a decision that you just can’t account for. It’s as if a force takes over and you no longer have free will. It may be just me but I have noticed that these decisions are often injudicious.

I am not used to handling such a bulky vehicle and I have several near collisions with other cars on the way. I accidentally cross two sets of red traffic lights and manage to negotiate the Henry James roundabout on two wheels. When I finally arrive at the fire station, I find that it is closed. What would happen if there were a fire? I park the vehicle outside the book depository in Franz Kafka Street. I think about phoning my brother, Quinn to come and pick me up, as it is now after six o’clock and I need to get home for dinner. I am suddenly struck by the thought that my fingerprints will be all over the fire engine and they will think that it was me that stole it.

I come to with a start. I do not recognise my surroundings. Red would not be everyone’s choice of colour for bedroom walls and Francis Bacon’s mutilated torso prints would not be to everyone’s taste to hang on them. There is a large sagging woollen drape coming down from the ceiling and a silver saxophone on a stand in the corner of the room, alongside a device that looks like a medieval instrument of torture. Mr Bojangles is playing from a portable red speaker, a grunge version that I am not familiar with. The room has a musty smell.

The important question seems to me to be how did I come to be here? I have no recollection. Where is my beautiful house, my beautiful wife and my large automobile? How do I work this? Before I have a chance to get my bearings there is a loud knock at the door. I leave it at first, but when no-one else answers it, I conclude that I must be alone here. On the second or third knock, I go to to the door. A man is standing there holding a large metal plate. He doesn’t seem surprised to see me.

‘I’ve come to fix the cooker,’ he says.

‘You’d better come in.’ I say.

I don’t have any idea where the kitchen is, but he seems to know.

‘Did I wake you up?’ he asks as I follow him through to the kitchen.

‘No,’ I say, looking around to take in the funky chickens strutting about the place.

‘Good idea to keep them indoors,’ Cookerman says. ‘Stops the foxes getting them. There are a lot of foxes about round here.’

I don’t ask him where round here is in case he gets suspicious.

‘Rhode Island Reds, these little beauties,’ he says. ‘Good for laying brown eggs. Perhaps we might have breakfast when I’ve done the cooker.’

The kitchen is kitted out in an odd mix of styles, a startling hybrid of Scandinavian chic and Dickensian squalor. I have not seen a zebra patterned fridge, or a red cooker before. Cookerman takes it all in his stride. Perhaps he comes across vibrant appliances every day. Ducking beneath the cast iron pots and pans hanging from butcher’s hooks on the ceiling, he makes his way over to the cooker and opens the door. I don’t know if you’ve ever seen a cooker explode. I’m guessing most of you haven’t. But I can tell you, it does wake you up.

Which is how I come to find myself in a barnacled beach hut in the middle of a storm surge, with the waters already sloshing over the sandbags. The wind is getting up again and it has turned round to the north. The spring tide is due to keep coming in for the next two hours. Looking through the gap where the window once was I can see more black clouds forming over the steep escarpment the other side of the bay. With the water already around our ankles and the roof leaking like a faucet, the last thing we need is another downpour.

Earlier, I tried in vain to rescue a struggling black Labrador that was being taken away by the rip current. My leg became trapped and I was thrown against the rocks. I was knocked unconscious. She is only slight and I am nearly fourteen stone but somehow Vision dragged me here to this beach hut, the highest beach hut in the row. Some of the other huts have already broken to pieces and been taken out to sea. I can hardly move my damaged leg, so we won’t be leaving anytime soon. We are at the mercy of the elements. We are trapped.

‘Don’t you know what time high water is?’ Vision asks, looking at her watch. ‘It must be soon.’

‘14:05. Nearly two hours to go.’

‘We can’t stay here that long. We’ll drown.’

‘We’ll send out a mayday then, shall we? Where did you put the flares?’

‘I could go for help,’ she says.

We are caught between the devil and the deep blue sea. If Vision goes for help we are both at risk. If she stays we are still both at risk.

‘No,’ I say, with some authority. ‘Don’t go.’

‘I guess we’re in this together then,’ she says. ‘That’s what we used to say isn’t it?’

‘It’s been a long time,’ I say. ‘Seven years, isn’t it? Or is it nine?’

‘Twelve, I think,’ she says.

As the waves continue to crash against the flimsy fabric of the hut, it feels like being aboard a ship going down. I have the urge to break into a sea shanty, to summon up the sailor’s spirit, Blow The Man Down, Haul Away Joe or something like that.

Is that a lifeboat I can see in the distance? ……. Is it? ……. Or is it just another phantom? Am I doomed perhaps to an endless chain of unfathomable nightmares from which I can never wake? Doomed to grapple feebly with this nest of interlocking riddles, that fit inside one another like Chinese boxes?

Give Chance a Piece

November 22, 2017 ~ Chris Green ~ Leave a comment

Give Chance a Piece by Chris Green

If Dalton Ripley had not stayed up until the early hours watching The Shining on Netflix, he would probably not have been late leaving for work that fateful Monday in late September and if he had not been late leaving for work he would not have been speeding along Nine Bends, the windy B road he took as a short cut and if he had not been speeding along Nine Bends he would not have skidded off the road at its notorious fifth bend, the so-called Elbow Bend and taken out the power line that supplied the power to much of the neighbouring town, Porchester and if he had not taken out the power line that supplied the power to much of Porchester then things might have been very different. As it is, you can but speculate.

Had Porchester not been without power, for instance, the Royal visit that was scheduled for that late September day would not have been cancelled. The Duke and Duchess of Burberry would have opened the prestigious new sports centre as planned and the town would have received a much-needed boost after a decade or two in the doldrums. Dalton Ripley, of course, would still be alive, his late night viewing of The Shining perhaps scheduled for a later date. More importantly in the big scheme of things, Charise Lapointe, the scientist who was on the verge of discovering a cure for the common cold who was booked in for a routine procedure at Porchester General Hospital would probably not have met her maker that day. She died on the operating table when the power suddenly went off and the backup generator failed. If this had not happened then Charise would have continued with her ground-breaking research and you might not be sniffling so much next winter. The irony is that Charise Lapointe was not even scheduled to have her procedure at Porchester General Hospital, nor was it originally supposed to be on this day but a series of unexpected delays and cancellations came into play. But, these things happen.

If we go delve a little deeper, had Dalton’s wife, Diane not been away visiting her mother in Farrowgate, Dalton would in all likelihood not have stayed up late watching The Shining as Diane hated scary films. She preferred family dramas. When she was at home the Ripleys mostly watched historical drama series like Downton Abbey or Grand Hotel. Or wholesome documentaries like The Blue Planet. If this had been the case they would probably have had an early night and Dalton would have been up early for work as usual that late September morning. They say that hindsight is a wonderful thing, but it is an unhelpful dictum in a world where chance and coincidence are constant agitators, the best laid plans of mice and men and all that.

All the same, one can’t help but be curious as to how it is that calamitous events unfold. At what point can it be said that this particular chain of events or any other is inevitable? Chance is defined as the occurrence of events in the absence of any obvious intention or cause. Where do cause and effect come in? Is chance in any way related to what we think of as fate? Are we just talking semantics? Perhaps all views on the matter are subjective. Eighteenth century, German philosopher, Friedrich Schiller, for instance, claims there is no such thing as chance and what seems to us merest accident springs from the deepest source of destiny. Twentieth century icon, Marilyn Monroe agrees with him saying that life is pre-ordained, like Kismet. Bernie McBurnie, the former manager of BetterBet in Brewcastle takes the opposite view, this based on a lifetime in making the wrong call setting the odds in his shop.

Fortune favours some people. They appear to be defy the odds. They are described as being born lucky. I recently read about a man called Lloyd Banks who was a serial lottery jackpot winner. He only played the lottery three or four times a year but each time he did he won one of the big prizes. A spin of the wheel or a roll of the dice and Lloyd seemed to know what would come up. Long odds meant nothing to him. He had such a successful record on the Blackjack tables that he found himself banned from all the casinos in the country. Then, at the other end of the spectrum, you get the Wet Blanket Rons of this world. Everything they touch turns to dust. Ron, having just lost his job, was knocked down by a hit and run driver and hospitalised with a catalogue of injuries. In hospital, he went down with Norovirus. While he was in the isolation ward, his wife, Heather ran off with his best friend, Frank who had been giving her lifts to work. On release from hospital, Ron was given notice on the flat by their unscrupulous landlord, Kostas Moros, who saw Heather’s disappearance as an excuse to subdivide the deceptively spacious two bedroomed apartment and make more money. To cap it all Kostas Moros ordered Ron to pay £2000 for damage incurred to the flat during the tenancy, which cleaned Ron out. Patti says you make your own luck, it’s all down to mental attitude but I’m not sure it’s that simple. Chance seems to be lurking in the mix somewhere.

Whether attributable to chance or not, the chain of events set in motion by Dalton Ripley’s misjudgement of the notorious Elbow Bend that late September day gives us a perfect illustration of the domino effect. If the untimely death of the biologist in the hospital were the most serious consequence of the power outage, tragic though this would be, it would not be catastrophic. But, worse was in store for the town that day. Despite Herculean efforts on behalf of the power company, they were unable to restore the power. With surveillance cameras disabled and all aspects of everyday life disrupted, a group of sophisticated terrorists, apparently not aligned with any of the usual suspects, spotted an opportunity and decided to target the beleaguered town. You did not hear about this at the time. There were no reports because the event was deemed so serious and so mysterious, a D notice was immediately issued. There was a total news blackout and parts of the town were sealed off for weeks, while the inexplicable massacre was investigated.

But, in this age of social media leaks, it is difficult for the authorities to silence a story indefinitely. Gradually, the scale of the atrocity that took place that Monday in late September began to emerge. It is now being suggested that as many as a thousand people were killed in Porchester that day. Yet, it seems no-one is certain who the anonymous group of terrorists that carried out the attack were or even by what method the attack was carried out. No-one has been able to establish what the cause of death was and despite the numerous dead being found in a number of different locations, there appears to have been a puzzling absence of witnesses. Sonic waves are currently being suggested as an explanation along with laser beams and mind control. If the medics do know any more about the cause they are not letting on.

There have now been several similar attacks at various locations around the country, each one occurring during a lengthy power outage. Yet, each of the power outages is unplanned, unpredictable, a chance happening, a random event. There is no common cause to them. Although you can read odd posts on the internet about the attacks, almost all the questions remain unanswered. How can whoever is responsible for the deaths predict that Dalton Ripley or someone like him is going to plough through a power line? How can they know that some inexperienced employee of one of the power giants is going to flick the wrong switch? Who are the terrorists, what powers do they have and what is it they are doing? Strangely, not so much as a single amateur iPhone video of any of the incidents has come to light. People are just dropping dead in random locations where security cameras are down and without any survivors seeing them. You are not able to get near any of the sites as they are crawling with soldiers and spooks.

The government appear to have accepted that the public is finding out about the atrocities that have been taking place and are now using this as an excuse to impose greater border control, restrictions on freedom of movement and that kind of stuff. Imposing curfews. For our protection. Reports are appearing too about plans to police the internet. They are suggesting doubling the size of the workforce at the so-called listening centre, out in the sticks somewhere. Patti thinks I am being paranoid but I wonder if the government themselves are not the ones trickling information about the mysterious terrorist attacks down to us so they can justify these draconian new measures. Business as usual then, Guy Bloke suggests, like one of Philip C. Dark’s political thrillers. Perhaps the government are even the ones behind the attacks or maybe they are just making them up to make us feel that we need them to protect us. We live in those kind of times.

What would Casey Boss of the Special Ideas Squad make of it all, I’m wondering? Let’s give it over to him and his sidekick, Jagger to bat about for a while.

‘So, what have we got to go on, Jagger?’ Casey Boss says. ‘How much of this improbable story can we verify?’

‘Dalton Ripley’s accident looks sound, guv,’ Jagger says ‘There are dozens of pictures of the crashed car.’

‘But, how do we know it is Dalton Ripley’s car?’ Boss says.

‘Does it matter whose car it was that took out the power line?’ Jagger says.

‘And what has happened to Diane Ripley?’ Boss says. We have heard nothing of her.’

‘The Ripleys don’t matter,’ Jagger says. ‘Those kind of details are not important.’

‘I take your point, Jagger,’ Boss says. ‘So, where do you think we ought to start?’

‘The power line was definitely down, guv,’ Jagger says. ‘We can say that much.’

‘So, let’s move straight on to what happened when the power was out in Porchester,’ Boss says.

‘Don’t you think we should take a look at the chance elements first?’ Jagger says. ‘There do seem to be quite a lot of random connections.’

‘You mean, give chance a piece?’ Boss says.

‘Ha, ha! Very droll,’ Jagger says. ‘But it’s the …… other fellow you’re thinking of. He’s not been with us for a while now.’

‘I would be happy to put it down to a series of accidents, were it not for the scale,’ Boss says. ‘This would seem to imply some intent. ……… Where are we getting all the information from, anyway, Jagger?’

‘It’s from a book I’ve been reading,’ Jagger says.

‘What sort of book?’

‘A collection of short stories.’

‘Short stories, eh? And who are they by?’

‘Chris Green. He’s a new writer. He’s very good.’

‘And where is he getting it from?’

‘He’s making it up, obviously. He’s a writer.’

‘So, we’re fictitious.’ Boss says.

‘Of course.’ Jagger says.

‘Oh shit, Jagger!’ Boss says. ‘What are we going to do now? What’s going to happen to us?’

‘Lap of the Gods, I’d say, guv.’

‘It’s up to him, isn’t it? This ….. This, Chris Green.’

‘Perhaps it would help our chances, guv, if we could solve this mystery behind all these fatalities,’ Jagger says. ‘Then we might get an outing in another story.’

‘What about ……….?’

‘I do believe I know what you are thinking, guv,’ Jagger says.

I was, of course, surprised to get the call from Casey Boss. Surprised perhaps doesn’t adequately describe my bewilderment. My consternation. Here was a fictional character, one of my fictional characters, contacting me. Before I had a chance to steady myself, Casey Boss began to tell me that he thought he had the explanation to the mystery of the attacks. He and Jagger were investigating an unrelated incident, he said, regarding a blue Ikea bag full of science fiction plots. He explained that Ikea bags were common in his line of work as villains found they could easily conceal insurrectionist ideas, Ikea and idea having lexicographic similarities. He and Jagger had intercepted the consignment a month or so previously and had hoped they had put the case to bed. But they had recently discovered that one of the plots had gone missing from the Special Ideas Squad evidence room. It would appear to be a perfect match. But, he said he was unable to tell me the rest of the details as he was saving these for when I wrote the sequel.

But, as my namesake, the great Graham Greene says, a story has no beginning or end. Arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.

No Windows

November 4, 2017August 30, 2018 ~ Chris Green ~ 1 Comment

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No Windows by Chris Green

Pablo Picasso once said, ‘if I don’t have red paint, then I use blue.’ You have to be able to adapt to changes of fortune. I did not plan my early retirement, but here I am on a Tuesday morning sitting in my recliner with a cup of green tea and a toasted teacake. I am listening to the Berlin Philharmonic playing Beethoven’s Symphony Number 5. I find Otto Klemperer’s interpretation on this digitally re-mastered recording both heroic and warmly tender.

The phone rings. I wait for it to go on to answer. It doesn’t. It keeps ringing. The caller seems to be determined. I make my way to the study. It is my partner, Amy. She has gone over to her friend Hermione’s house to go over the church flower arranging schedule and is phoning from there.

‘Why didn’t you answer the phone,’ she says. ‘I’ve been trying for ages.’

‘I was out in the garden,’ I lie.

‘We’re having trouble getting on to Hermione’s computer,’ she says.

‘Has she plugged it in?’ I quip. Neither Amy or Hermione are good with computers. Not so long ago I had to explain to Amy that there wasn’t an any key. When Hermione got her PC she thought the DVD ROM drive was a cup holder.

‘Ho, ho,’ she says. ‘Very funny.’

‘What is happening? Does the router need rebooting perhaps?’ I say.

‘The what?’ she says.

‘The router, the box with the flashing lights that gets you on the internet,’ I say.

‘No, no, it’s not that. It hasn’t got that far.’

‘You mean it’s still rebooting?’

‘No it’s not the box, it’s the monitor.’

‘Is the monitor plugged in?’

‘Yes, it’s plugged in, but it’s not working.’

‘Is there a message? What does it say on the screen?’

‘Can’t you turn the music down? I can hardly hear what you are saying,’ she says. It is the end of the first movement. I love the way Klemperer slows it down to realise the full majesty of the symphony. Not many conductors do this. They try to finish the movement at breakneck speed. I tell Amy that there is a quieter passage coming up.

She huffs.

‘There will be a message on the screen to tell you what Windows is doing,’ I say.

‘That’s just it,’ she says. ‘Windows isn’t doing anything. It says Windows is unavailable just now. Please try again later.‘

‘But Windows isn’t something online. It’s resident on the hard drive,’ I say.

‘That’s what it says,’ she says.

I have never come across anything like this message before. It is a real puzzler.

‘It must be a trojan or a virus,’ I say. ‘What has Hermione been doing? Does she keep her firewall and virus checkers up to date?’

‘I shouldn’t think that she knows what they are. I know that I don’t. You always take care of that for me.’

‘Does she go on to any dodgy sites?’ The Andante Con Moto is just starting. This is divine. I am anxious to give my full attention to Beethoven, but I am equally keen to stay married, despite Amy’s shortcomings on IT and her lack of reverence for Ludwig, and her tendency to over-water the succulents.

I hear her asking Hermione about her browsing habits. She comes back to me to say that Hermione uses it mostly for celebrity gossip and gardening tips but sometimes Hermione’s daughter, Autumn goes on to youtube and spotify when she comes to stay.

‘No it won’t be that,’ I say. ‘Look, love, I’ll just fire up the laptop and see if I can find out anything.’

The main theme is just breaking out now. Klemperer handles this with a subtlety and grace that more recent interpreters of the work cannot manage. It is heavenly.

‘I’ll phone you back in five minutes when I’ve checked on google,’ I say.

I lose myself once again in the hymnal resonance of the Andante. It is sublime. Towards the end of the movement, I switch on the laptop. ‘Windows is unavailable just now. Please try again later,’ my screen says. How bizarre! How can an operating system that is based in the kernel of the machine be temporarily unavailable? It is either there or not there. Where could this command originate? I try the Esc key and all the Function keys in the hope of Windows starting or resuming. Nothing!

I dig out Lance’s phone number. Lance handles all of my computer problems and upgrades. He is bound to know what is happening. The scherzo is just beginning. I pause it for a moment. I’m not sure Lance likes classical music. He listens to Kings Of Leon and Kasabian. Also, Lance baffles me with a lot of long technical words. He imagines that everyone understands what he is talking about when he talks about digitizers, bots, and crawlers. I listen and just say yes and no in the right places. He usually manages to come up with a solution.

‘Hi Robbie,’ he says. ‘Long time. You got a PC problem too?’

He knows that when I phone him it is not to invite him round for dinner.

‘Something like that, yes,’ I say. ‘I didn’t like the way you said, too’

‘You’re going to tell me that your Windows has gone AWOL aren’t you?’ he says.

‘That’s right,’ I say. How did you know? Hermione’s is the same too. What is happening?’

‘No idea, I’m afraid, mate. And I can’t get online to find out. I’m as mystified as you are. Android is down, and Blackberry is down. Even Palm OS is down. You will probably find that the OS on your mobile has vanished as well.’

I check my Nokia. Lance is right. The phone display just says. ‘No Symbian OS. Consult Your Nokia Dealer.’ Not that I use it much anyway. I preferred them when you just used them to make phonecalls. You don’t really need them to watch the sky at night or set the timer on the oven.

‘I’m going to check with my mate, Jago, to see if iOS, the Apple platform is down too,’ says Lance. ‘But I’d put good money on it being down.’

It occurs to me that I don’t use the computer that much either. I research family history sometimes go on ebay, but I don’t do twitter and Facebook or anything like that. My emails are nearly all spam. And I have to spend hours keeping the bloody thing updated. It would not be the end of the world if it did not work for a while. I suppose I had my fill of computers when I used to work for the civil service, before the accident. These days I prefer to read a good book.

Amy is not pleased with my progress report. She is used to my being able to fix things. She feels I should be able to work some kind of magic.

‘How are we going to work out the church rotas and what about the parish magazine that Hermione produces? Its due at the end of the week and she hasn’t started.’

‘I’m sure it will be sorted out soon,’ I say.

I’m not sure, of course. In fact I have a bad feeling about this. It does not seem an everyday kind of issue. We seem to be talking macro, not micro here. I wonder if there might be more important matters than Hermione’s church magazine that are affected.

Amy and I have not had that much to do with our neighbours. We don’t like the late night comings and goings and their noisy summer barbecues. We have regular conversations about how we can get them to move. It is a surprise, therefore, to find Guy Bloke on the doorstep.

‘Eh oop,’ he says. ‘Just wondering if you were having any problems with your telly, like.’

Like what, I am thinking. It is not snobbery or a North-South thing, or even a prejudice about the way his belly hangs over his trousers. Some people just don’t come across well and Guy is one of them. Why isn’t he at work anyway? Has he lost his job?

‘Only our telly is saying that it doesn’t work anymore,’ he continues.

‘Is that what it says?’ I ask. ‘On the screen……. like.’

‘What it actually says is we are unable to broadcast any programmes because of a software error, whatever that is when it’s at home.‘

I wait for him to add, like. He does not. ‘Oh,’ I say. ‘I hope that ours is working because they are screening Beethoven’s Symphony No. 7 at the Proms tonight with that new Ukrainian conductor, whose name I can never pronounce. Do you know the one I mean?’

Guy doesn’t. I imagine he is thinking of buses in years gone by.

Guy clearly wants me to check ours. I invite him in and I turn on the new 42 inch internet TV that Amy insisted we buy to watch the new series of Cranford.

‘We are unable to broadcast any programmes because of a software error,’ the display says. I press a series of buttons but the message stays on the screen. The internet button displays ‘unable to connect with operating system, please try again later’

After Guy has left, I put on Einaudi’s Una Mattina, to calm myself. As I drift off to Ludovico’s soft piano, I try to put cares aside. I settle into the pranayama breathing technique that my acupuncturist, Li taught me during my course of treatment. I let the haunting hypnotic melodies wash over me with gentle waves of calm. I visualise white temples and imagine clouds drifting gently across the summer sky. Conjure of images of country lanes and babbling books. By the penultimate track of the album, Nuvoli Bianche, a melody even Ludwig would have been dazzled by, I am suitably chilled. Computers and mobile phones are but a distant memory lost in the mists of time.

During Ancore, the final track, Amy blusters in, bringing with her chaos and uncertainty. I obey her unspoken command to turn the music down.

‘Waitrose is closed because the tills aren’t working, and I couldn’t get any money out of the ATM because they are not working either,’ she screams. ‘And, they tell me that you can’t get petrol, although there is a big queue at the pumps of people who haven’t realised it yet.’

‘Calm down, dear.’

‘And, on the way back from the supermarket the traffic lights through the town had stopped working and there was a tailback after an accident on the roundabout so I had to take a detour and I got lost and the satnav’s not working. What’s going on?’

‘It’ll probably all be back to normal later.’

‘How can you say that?’

‘It’s just a blip, I’m sure’

‘And now the phones aren’t working either.’

‘But we spoke to each other on the phone earlier.’

‘Well! They’re not working now. Try it!’ She hurls the headset across the room at me. Fortunately, it misses.

‘I suppose phones need an operating system too. Everything’s digital these days, you see.’

‘How can you be so calm. With your head in your music as if nothing has happened.’

‘But nothing has happened, dear. The world’s still spinning. We’re still here.’

‘Is that your answer. Well! I’m glad the world’s not digital too. That’s all I can say.’

There is no TV, so there will be no broadcast news. Also, there will be no newspapers. I speculate as to what the emphasis of the stories they would be running with might be, as the country, indeed the whole world grinds to a halt. The redtops might be talking about the looting taking place with stores closed given the absence of CCTV, Facebook withdrawal syndrome and the postponement of the Got Talent final. The broadsheets might be saying what might happen with satellites spinning out of orbit, the collapse of the world’s financial system, and the pollution of the water supply. The Daily Mail would be banging on about the potential rise in immigration, given the lack of border controls. The Express, of course, would be unchanged. It would have a story about Diana’s death or new hope for finding Maddie on the front page, no matter what crisis is looming in the real world.

We live on a fairly quiet suburban street and people tend to keep themselves to themselves. We are not what you would consider a community. Each has his own separate interest group outside of the estate. There are few common interests. On our street, we get a handful of dog walkers, mostly in the morning and the evening, but otherwise very few people walking up and down. You become accustomed to the gentle trickle of traffic throughout the day. Periodically there is a delivery van. The houses all have driveways and there is no street parking. From the bay window, you get a good view of the street in both directions. It is unusual to see people gathering outside as they are this afternoon. By about 3pm, a sizeable group has gathered outside the Bassetts at number 42 and all seem to be talking over each other or gesticulating wildly. Around these parts a dozen people together in one place constitutes a riot. Having settled our differences, Amy and I go out to investigate. It is not hard to guess what has brought the assembly together.

Other than Julian and Debbie Bassett, we do not know many of the gathering by name, so we introduce ourselves. We are introduced in turn to Duncan Boss, Kirstin Canada, Dorsey Johansen, Cornelia Hawes, Rolf and Masie Harrison, Daryl and Bonita Callender, Mohandas and Maya Joshi, Tilda Bolton, and Mr and Mrs Stover. Assorted children belonging to the assembled and who have been sent home from school come and go.

No-one has any actual information about what has caused the catastrophe. Opinions range from an alien attack to the a blip in earth’s magnetic field. Duncan Boss thinks it is a scam by Microsoft and Apple to get more money from users. Kirstin points out that her open source Linux system has lost its operating system too.

‘I can’t even start my Mercedes,’ says Cornelia.

‘All the on-board gadgets,’ laughs Dorsey. ‘My Mondeo’s fine.’

‘We were booked on a flight to Dehli,’ says Mohandas.

‘Even The Gordon Bennett is closed,’ says Daryl, who having been given the day off work was keen to get a lunchtime pint with his friends.

‘Good thing too,’ says Bonita, under her breath. She would like his attentions to be on her.

‘Doesn’t anyone remember how life used to be before computers and mobile phones?’ asks Tilda.

‘We were still able to find out what was going on from the newspapers,’ says Dorsey.

‘Depends which newspapers you read,’ says Rolf.

‘Before newspapers, callers ran from city to city, town to town, shouting out the latest news,’ says Mr Stover. ‘Before that, jesters brought news about a recent conquest or disaster in song.’ Mr Stover, we discover, teaches History.

‘But only to royalty, of course,’ suggests Mrs Stover. ‘Commoners were kept in the dark.’ Mrs Stover, we discover, teaches Sociology.

‘I can remember the three day week coming in,’ says Guy Bloke, who has decided to join us. ‘My dad said, I’m not working an extra day for anyone.’

No one laughs.

Our gathering builds as more residents come along to attempt to find out what has turned their lives upside down. More speculative guesses are aired. Perhaps it is a new terrorist group. The Illuminati maybe. Might it be GCHQ? Having worked at the base, I keep quiet on this one.

Grange Road has not to my knowledge ever held a street party. Even the Queen’s Golden Jubilee passed by without teasing out community spirit. By eight o’clock, though, there is something of a party going down here. People have brought barbecues out to the street along with bottles of wine and cans of beer. I wonder if maybe the off licence has been looted. Some musicians have brought along guitars and we are having a singsong. The hardships of digital communication are being buried under a new festival spirit. Is that a piano that Julian and Debbie Bassett are wheeling out? Who could imagine that a gathering of relative strangers who just a few hours ago had been stressed out and despondent could be so carefree?

Our gatherings we are told are being replicated everywhere. A make do and mend mindset is spreading as people realise they are going to need to be more resourceful, but forty eight hours on, there is still no explanation for the technological failure. Digital radio, which might have helped to spread news in emergencies is of course off the air and FM and AM were closed down just a few months ago, a move primarily aimed at selling digital radios. The move, like many things changed under the label of progress, is beginning to look a little short sighted. The maxim, if it isn’t broke don’t fix it went out the window years ago. Nowadays it is more like if it isn’t broke it will be soon.

The initial release from responsibility is turning back once more to a sense of concern. The problems are becoming apparent. The supermarkets are closed and food supplies are running out. There are no planes or trains because the services are tied into central computer systems and road transport and private motoring are being run down because the lack of fuel. It may be in the pumps but no-one has worked out how to dispense it without the help of computers. With container ships navigation systems affected too, there is a lot of potential for disaster. Given the complete absence of global communication, Amy is worried about Emily in Florida and Justin in Australia. I keep telling her they work in safe environments. Emily works in design at Disneyland and Justin is a cricketer. It’s not like they are in the Everglades or the Outback. They can look after themselves.

Amy seems to have grown tired of Beethoven’s Piano Concerto No. 3. Perhaps I play it too often, but I can’t help it. Alfred Brendel’s elegant fingerwork is a delight.

‘I’m going down to the allotment,’ she says. ‘I noticed that the Bassetts were putting the canes up in the back garden for their runner beans earlier. We’re probably all going to need to grow vegetables, you know.’

The Largo in E Major is beginning. The solo piano opening is divine, an oasis in a sea of calm. ‘I’ll pop along later, love, if that’s all right,’ I say.

‘I understand you can’t do a lot of digging with your leg,’ she says. ‘I’ll get Hermione to come and help me turn the ground over.’

‘Is this to make me feel bad?’ I wonder. We took up the allotment last year before the incident and now it is overgrown with weeds. I have not been able to do much to it because of my leg. Twelve months on, I still get nightmares about the episode, sometimes in the middle of the day. It is not an experience you can put away in a drawer and forget about. I had finished my shift. I was coming home from work. Two men dressed in police-style fatigues grabbed me and bundled me into the back of a black Nissan Qashqai, not far from the base. I think they mistook me for someone else, someone higher up. At the lights at the Harry Palmer roundabout going out of town, I managed to open the back door and make a run for it. The first bullet shattered the bone in the upper leg and embedded itself in the flesh. The second bullet caught me in the back of the head and travelled the length of the left side of my brain and exited through the front of my head. I was in hospital for over a month, undergoing one procedure after another. As a result of the first bullet, I walk with a limp. They are still not sure of the extent of the brain damage from the second bullet, but it was enough though for the grandees to retire me from the service as a security risk. My abductors have never been apprehended.

Amy returns from the digging. She says that there were dozens of others down there getting their vegetables in. It was like a community event.

‘One thing was a bit odd, though.’ she says. ‘There was a large typed notice on the notice board which just said, ‘You have less time than you think.’

‘That’s all it said. Nothing about who it was from or anything?’

‘No! That’s all it said. What do you think it could mean?’

Mysteries are multiplying, answers are absent in this windowless world. ‘It is best not to think about it,’ I tell her.

We have a quiet evening listening to Beethoven’s Moonlight Sonata interrupted only by Guy Bloke wanting to borrow our strimmer so that he can start tomorrow on his vegetable patch. During the final notes of Ashkenazy’s strident arpeggios, the power suddenly goes off. I have been half expecting this. After all, the electricity grid must be centrally controlled and need a computer system. We content ourselves with an early night. I read Sir George Solti’s biography by candlelight and Amy reads The Self Sufficiency Handbook.

In the morning, we find a flyer on the door mat. It just says cryptically, Time is Running Out. Over the next hour or so we discover that everyone has had exactly the same one pushed through their letterbox and no has seen anyone delivering them. Normally you might think this was a prank, or Jehovah’s Witnesses announcing the end of the world once again. Not given present circumstances. We gather once again on the street to share our concerns.

We get occasional reports from places within easy reach, but word from farther afield is thin on the ground. Herschel Fowey and Scotch Jim, two radio enthusiasts live locally. Unfortunately, both might be considered as questionable sources, what might be seen in literary circles as unreliable narrators.

Herschel Fowey is a retired naval radio officer. He lives at the end of our street. He is the one with the Union Flag in his front garden. Herschel is old school. He still has non digital transmitters and receivers and a shed full of car batteries. He delivers his news with a megaphone from his bedroom window. He tells us that both his man, Ho in China and Nehru in India have gone off the air, since this morning. He does not know what has happened, but their last messages were anxious ones. He is still in touch with Eli in Tel Aviv and Abdul in Baghdad. Both are reporting tension and unrest. Nothing is coming from Ivan in Moscow but is often the case, he says. We can only hope that no news is good news. In my opinion, Herschel Fowey does not have a clue what day it is, let alone what might be behind the global OS outage.

Scotch Jim is not really Scottish. He isn’t even called Jim. No-one is sure how he got his moniker. He dresses like a cold war spy, dark raincoat with the collar turned up and lots of pockets and oversized thick rimmed glasses. Addressing a gathering of locals, he tells us he picks up messages from agents in the field on his bank of shortwave sets. He is not a great speaker. Some are drifting away. He recognises me, we have passed the time of day on occasions. He comes over to talk to me.

‘You have experience of this sort of thing, don’t you?’ he says. ‘You used to work at the spy base. Now, I’ve got lots of receivers but only got one pair of ears. You speak German or Italian, I expect.’

‘A bit rusty on both, I’m afraid,’ I tell him. ‘My main source of both languages is centred around musical terms.’

‘Never mind, better than nothing.’

‘I don’t like to leave Amy alone in the house.’

‘It will do you good to get out for a bit,’ says Amy, who has been listening. ‘And anyway, Hermione and I will be down at the allotment. We’re going to put the runner beans and spinach in.’

I wonder if Amy is trying to distract herself because she is worried that there is no news about Justin and Emily, but I do not want to draw attention to this. Australia and Florida do seem further away with each day that passes. I give her a hug and say I will see her later.

I don’t particularly want to accompany Scotch Jim but I can’t think of any other excuses. I’ve got to finish reading Sir George Solti’s biography might seem a bit selfish.

Scotch Jim’s flat is an emporium of junk. It is as if he has spent his life at car boots and jumble sales with the odd afternoon raiding antique shops and recycling centres. The main room is given over entirely to radio gadgetry. Antennae hang out of both sash windows. Lining three walls, from floor to ceiling are stacks of 1950s style valve radio equipment. Amongst a sea of static, echoing voices chatter away in an atlas of different languages. For some reason with the whistles and hisses, a lot of them sound Scandinavian.

‘Take a seat,’ he says. I can’t see a chair or anything, so I plonk myself down on an old box radio and survey the bank of receivers in front of me. The room is sweltering. I take off my jacket and unbutton my shirt.

‘It’s all the valves giving off the heat,’ says Jim. ‘You will get used to it.’ He still has his overcoat on.

It is difficult to describe what is taking place here. We monitor crackly voices coming out of the sets. The voices might be coming from another dimension or from the afterlife for all the sense they are making. Periodically Scotch Jim will say, ‘Sweden has gone’ or ‘I’ve just lost Helsinki’ or ‘are you getting anything from Rome?’ Rome says stiamo arrivando alla fine, or something. I have no idea what it means. I think fine might mean end.

The fumes from the generator beneath the window are making me feel nauseous. What on earth am I doing here? The guy is nuts.

One of the remaining shortwave transmissions is in German. I can’t make out anything that is being said. Fritz is probably not talking about classical music. Another is French. I could be wrong, but the French one seems to be talking about food. Le dernier repas, something about supper.

‘We are now left with just Germany and France,’ Jim says.

‘I think I’ve got that,’ I say, showing a little exasperation. ‘Why is this? What is happening?’

‘I was hoping you might be able to tell me, with your experience at the base and everything.’

Why is there this automatic assumption because I worked at the so-called spy base that I was some kind of secret agent? My job was to manage metadata. This involved me sitting in front of a screen making sure international internet traffic was mirrored properly and that there were no blockages in the pipe. While I am still subject to The Official Secrets Act, I can say that I never once got to see any of the data that was being gathered and I certainly did not take part in clandestine undercover work in the field or have a licence to kill.

‘I don’t think that I was in that particular section,’ I tell him, for simplicity.

I can’t help but bring to mind Nevil Shute’s On The Beach, where a group of people in Australia, maybe some of them cricketers, await the arrival of deadly radiation that is spreading towards them from the northern hemisphere.

‘Look! It’s getting late,’ I say. ‘I’m going to get back and see how Amy is.’

‘I think that we’ve just lost Germany,’ he says, as another transmission turns to static.

Amy says she is pleased with her work at the allotment, but I can sense something is wrong. She starts to talk about when Justin and Emily were little and we used to take them down round to grandpa’s piece of land where there was an old blue tractor and a rusty brown water pump. And a timber summer house full of chickens and cats. How they used to get excited by the runner beans growing up the canes and have snail races along the flagstones. There is a tear in her eye.

Suddenly, I cannot hear what she is saying, Her mouth is moving, but no words are coming out. I try to speak, but my utterances too are silent. Time is running out. I can no longer see outside. It is as if there are no windows. I glance at the clock. Its says 11:59. Is this it?

The Sadness of the Post-Truth Pianist

May 25, 2017May 25, 2017 ~ Chris Green ~ 6 Comments

The Sadness of the Post-Truth Pianist by Chris Green

You don’t hear Mozart a lot on the radio these days. While his music isn’t officially banned like that of Beethoven and Bach, playing it is strongly discouraged. You can no longer buy decadent European music in the shops. No Fauré, No Debussy, no Chopin and certainly no Sebelius. Jingoism has spread to most areas of culture but it is perhaps most noticeable in music. Fed daily by post-truth sound bites, prejudice is now rife. England’s isolationist stance has strengthened its grip. Classic FM now feeds its listeners on a diet of Elgar and Vaughan Williams and even the latter is a bit suspect because of his Welsh sounding name. Wales and Scotland are of course long gone, this by mutual agreement in the aftermath of Brexit, so no Karl Jenkins or …… William Wallace. No, I guess you’ve not come across William Wallace all that frequently either. Perhaps the bagpipes were a natural obstacle for Scottish classical music that was never successfully overcome.

For those of us that really love music, it is thrilling to hear Wolfgang Amadeus’s Piano Concerto no. 23 again. It is heart-warming that in this stifling climate of fanatical bellicism, one or two broadcasters like Miles London still risk playing European music. Miles, despite his British-sounding name, has always been a champion of free speech. It could be argued that he gets away with his stance by virtue of his name. John Schafernaker was imprisoned for playing Shostakovich, this before the Russians actually appeared on the blacklist. Others, like Martin Paris and Michelle DuBois, were not only taken off the air but deported. Boys born today are required to be called Hugh or Rupert, Trevor or Nigel while girls must be named Audrey or Doris, Millicent or Lesley. In exceptional circumstances, Mary and Jane are allowed but notice has been issued to Registry Offices up and down the country to no longer allow names like Jennifer or Anne that have their origins across the Channel.

I used to enjoy going to Ristorante Rossellini for a Caprese salad with pesto sauce followed by tagliatelle Genovese and tiramisu. My partner, Patrizia and I would share a bottle of Rosso di Montalcino. Puccini or Donizetti would be playing gently in the background. Luigi would come over during the meal and ask if everything was a tuo piacimento. Sadly, Italian restaurants have all been closed down and Patrizia has been repatriated. Cheese on toast with a bottle of brown ale on my own at the Dog and Duck with whippets running around and Ed Sheeran blaring out is just not the same.

Puzzled by how the wave of nationalism grew so rapidly, I decided to investigate its origins. What had happened to the idea of the global village? Jingoism seemed to be going against the general tide of cultural exploration. After all, until recently we had been all too willing to go on Mediterranean holidays. We couldn’t get enough of the sun, sea and sex. We were quick to develop a taste for wine, olive oil and garlic. We readily took to café society and al fresco dining and brought it home. Pizza parlours proliferated and late night kebab houses opened in every town. We didn’t even baulk at eating snails or some of the unsavoury things Germans put in their sausages. We eagerly participated in European sporting events and brought over so many European footballers that it was difficult to find a British one in any of our top flight teams.

The turn of the tide appears to have been the outbreak of mad cow disease in the late 1990s which prompted the EU to refuse to buy our beef. This struck at the heart of the British psyche. Cows, it appears were the linchpin of our culture. British beef, British beef, British beef, we chanted. We railed and railed but to no avail. Our continental comrades refused to listen. Brussels quickly became branded as the root of all evil. We wanted a life without the interference of Johnny Foreigner. Everything bad that happened could now be blamed on the foul capital of that slimy little lowland backwater that nobody wanted to visit.

But, to fully explain the demonisation of all things European, perhaps we might turn our eyes once more to music. Every year the United Kingdom, as it was then, would carefully craft the perfect song to win the Eurovision Song Contest. Each year it was announced in the press that this time we stood a realistic chance of taking the trophy but each year we would get fewer and fewer points. This was a travesty as we felt, with some justification I understand, that we produced the best pop music in the world. This was the area in which we excelled.

I wish I could go back to those days before the ignominious tabloid headline about bovine TB. To the days when you could hop across the Channel on Eurostar. To when you could peruse the Picasso paintings in the Tate or buy an Alfa Romeo legally. To those days when Bruch’s Violin Concerto was number 1 on the Classic FM Countdown. To the time when I was a dazzling young pianist, fresh from an Amadeus Scholarship and enjoying the first fruits of success. I had hopes and dreams. I did not need self-help books or a prescription for anti-depressants. Things were better then.

Lenticular Clouds

February 19, 2016May 29, 2019 ~ Chris Green ~ 2 Comments

Lenticular Clouds by Chris Green

Lenticular clouds hang over Mount Dante in the distance. Disc-shaped and silver, they have an air of the surreal about them. You expect clouds to move across the sky with the wind, but these are stationary. Here in the town below, the inhabitants are in the midst of a heatwave. It has been searingly hot for two weeks now. Chet wishes the clouds would come over and deposit their load. His friend, Raul tells him they will not come this way. Lenticular clouds are only there because of the mountain. They could stay in place for days, hovering. They will gradually morph as the air currents push them towards the troposphere. Raul knows about weather. Before his accident, he used to be a pilot. He says they can expect another two weeks of this heat. With high pressure systems like this, rain-bearing clouds do not form, he says. There is not even a hint of a breeze. Chet wishes he were by the coast. Being landlocked in a heatwave is the worst.

Before the battery went flat, the weather app on Chet’s phone showed 44 degrees Celsius. He cannot charge the phone now. There has been no power in the town for seventy-two hours. There has been no explanation for the outage. There was talk of it being a terrorist attack, but why would terrorists target a backwater like this. News travels slowly in these parts. Rumours abound instead. The next town is forty miles away. Conditions were bad enough before the power went off, but if you had air conditioning you could stay indoors. If you did not, you could, at least, circulate the hot air with a barrage of fans. Chet did not have air conditioning and by the time he got round to thinking about fans, the stores had all sold out. He could have perhaps eaten humble pie and gone back to his parents, but anyway, it doesn’t matter now. Not even they with all their resources will have any protection against the interminable heat. A little discomfort will do them good, he reckons. What they did was unforgivable. He is better off staying with Raul. The accommodation may be basic, a collection of shacks tacked on to one another, with the occasional rat scurrying around, but the company is good.

The town has ground to a halt. The tar on the roads is turning to liquid. The air smells of creosote. Cracks are appearing in the concrete of buildings. The river bed has dried up. Blue-green algae have formed on the town’s swimming pool. There are warning notices posted outside. The water smells awful. Food is rotting in overflowing waste bins and on the streets. Everywhere is closed. No-one is going anywhere. Buses are no longer running and petrol stations are closed. The nearest airport is over a hundred miles away near the border, and the coast is the same distance in the other direction. Banks, offices and schools are closed. Even Bashir’s convenience store which is open 24/7 is closed. The hospital is closed and rumour has it that dozens are dying daily from the effects of the extreme heat. There is no way to confirm these rumours. Stores are being looted. Chet wonders how anyone can summon up the energy to loot. This would not be a prime pillaging place at the best of times.

Chet sits in the shade beneath a wilting zelkova tree on a lone patch of grass that the blistering heat has spared. He is decked out in shorts and flip flops. He has taken his CoolDude t-shirt off and is wearing it like a bandana. He is trying to read a book about the stars that Raul has lent him. Since the lenticular clouds appeared he has taken an interest in the sky. He finds he cannot concentrate on the book. The heavens are a celestial smorgasbord of byzantine complexity. It is too hot for long words to sink in. He puts the book down.

She appears as a mirage. She comes out of the sun in a thin white silk dress. Chet has never seen her before. He would remember. This is not a large town. There are perhaps five thousand people living here. He has never seen anyone like this before. She is stunning. She approaches him. She has a waterfall of obsidian hair and skin like porcelain. She has a smile like springtime. Her eyes are deep brown and look like they are made out of glass. How does she manage to look so cool in the sweltering heat? She looks as if she has stepped out of an ice cream parlour.

She puts her finger up to her lips in a gesture to signify that she requires silence for her mission. Chet is lost for words anyway. Where could he begin? She takes his hand and leads him off as if they were familiar lovers. With clandestine stealth, she bypasses the main square and the roads leading off it, through a series of narrow winding streets and labyrinthine alleys. He does not know where they are. Although it is a small town, he has not been this way before. It seems abandoned. Many of the buildings are falling apart. They arrive at a small white town-house. It is entirely in the shade. It is noticeably cooler. The sun never reaches these parts. They enter through a stuccoed courtyard. Chet finds they are in a small shuttered room, with ethnic tapestries hung on the walls. They are on a soft bed with brightly coloured linen. She draws him towards her and kisses him passionately. It is not until after they have made love that the silence is broken when his vision speaks softly to him in a language that he does not understand. To Chet, this is a small matter. Conversational consonance cannot compare to the poetry of the senses. For now, he’s going to stay.

Chet wakes with a start. He is disorientated. The room is dark and unfamiliar. There are slatted shutters on the windows but no light is coming through. It must be night-time, he decides. He is alone. He is naked. He is lying on a dishevelled bed. He cannot remember how he came to be here but he has had the most erotic dream. He is all sticky from the emission. He cannot find any clothes. Where are his clothes? There is no power for the light, so he stumbles around in the darkness. He finds the door is locked. It feels like quite a flimsy door, but he cannot move it. It must be strengthened with something to keep it firm. He is trapped. His mouth is dry. He is incredibly thirsty. A sense of panic mixed with despair rises in him. He listens for a sign of life outside of the room. There is a profound silence. It is still, not even the sound of the wind. He finds a bottle of water. It is a litre bottle and it is nearly full. There is nothing he can do but wait and hope. The last thing he remembers is reading Making Sense of the Heavens, the book that his friend, Raul lent him. He was sitting under a zelkova tree near the dried up river bed. And then …… And then …… Nothing. Then ….. the dream, if it was a dream – about an exotic temptress in white.

At dawn, he can just see out of a small crack in one of the window slats. He can see the peak of the mountain. The lenticular clouds still hang ominously over its summit.

…………………………………………..

Raul is secretly pleased with the lack of power in the town. It means that he does not have to go to work in the plant. He is painting a landscape in oils. Since he has not been able to get up in a plane, painting is the pastime he most enjoys. He would like to give up work and take up painting full time and sell his work. Although his art is accomplished, there is not a big demand for it since the recession. He has been told his brooding, haunted style is reminiscent of metaphysical Italian artist, Giorgio de Chirico. Although flattered, Raul doesn’t really like comparison to anyone. He feels his art is highly original. The landscapes with the elongated shadows of the town’s old decaying buildings are ideal source material for his moody studies. The emptiness of the streets since the power outage has also been inspirational. The painting he is working on has chimerical Iberian towers and arches leading to a desolate rocky desert landscape with lenticular clouds hanging over a mountain peak in the background. A lone silhouetted figure holding a broken wheel by the dried up fountain hints that all is not well. The stacked saucer shape of the clouds today is perfect for the balance of the composition.

He has to be careful not to apply the paint too thickly. He slapped it on the canvas yesterday and it cracked and blistered in the high temperatures. He daubs an arc of coral red at the base of the clouds and mixes in a dab of zinc white in situ on the canvas. It is a technique he uses a lot. He pauses to let the paint dry. He steps back to look at the work from different angles. He is pleased with its progress today. The scene has a dreamlike quality. The clouds with their otherworldliness add an air of mystery and menace.

He wonders what has happened to Chet. He did not come back last night, which is unusual as Chet likes to sit down with him for a chat over a bottle of wine. He was going to show Chet how to find the constellations, Hercules and Indus in the night sky. They are going through the celestial alphabet. Chet does not have a lot of friends. He is a bit of a loner. Surely he would not have gone back to his parents’ house. They disowned him when they found his drugs stash. And he would surely never have forgiven them for going to the police. After all, most young people around here smoke cannabis. It grows like a weed out in the badlands. The police probably smoke cannabis. They probably smoked Chet’s cannabis. They let him off with a caution.

…………………………………………..

‘Ola,’ says a voice from behind him.

Brush still in hand, Raul turns around. He is dumbstruck. Standing there is Salvador Dalí. His handlebar moustache is fully waxed and despite the heat, he is wearing a dark three-piece suit. The immense bird of prey perched on his gloved hand is a bit of a shock too. Is it a hawk or an eagle? Raul struggles with an explanation. Not least in the mystery is the small matter that Dalí has been dead for many years. This could be an impersonator, but why would he be here? Raul can see and hear this substantial figure before him, who to all intents and purposes is the legendary painter, with an avian friend. Until a better explanation comes along, he must go by his senses.

‘I love the clouds,’ says Dalí, scanning the painting. ‘They are like how you say, objeto volador no identificado, yes?’

Raul composes himself for a reply. He manages, ‘Whuyuh,’ or something similarly devoid of language.

‘Rocks and clouds. They are the secret to a successful painting,’ Dalí continues. ‘If you remember this then your art will sell the millions and you will become famous. Let me see some more of your paisajes.’

How does one address the master, Raul wonders? The raptor on Dalí’s gauntlet is fidgeting. It looks as if it might lunge at him. The prospect makes him nervous.

Raul leads the artist into his small studio. There on rickety wooden easels are two landscapes that he has been working on. One canvas is of a seashell suspended from a classical arch in a desert landscape. In the middle of the orange sands is an oversized mannequin in black sunglasses. The other features two columns of arches set at impossible angles casting geometric shadows, in the background the silhouette of a steam train set against a yellow and green sky. Dalí walks up and down smoothing the ends of his moustache pensively.

‘I am thinking that I see Giorgio,’ he says. ‘I should not say this, but I did copy a lot from Giorgio. All I added really were rocks and trees. And the soft watches, of course. Oh, and tigers.’

Whilst trying to resist the comparison with de Chirico once again, Raul can’t help but feel flattered that the great Avida Dollars is appraising his work. This gives him the confidence to enter the conversation a little.

‘I was wondering about a perigee moon over the train in this one,’ he says. ‘And maybe darkening the sky to compensate.’

‘I designed a tarot pack,’ says Dalí. ‘I was very pleased with The Moon card. You cannot go wrong with a big red moon in a painting.’

‘When I was a boy I wanted to go to the moon,’ says Raul. ‘I asked my parents and they said that NASA weren’t recruiting in these parts, so I trained to be a pilot instead.’

‘When I was a boy I wanted to become Dalí,’ says Dalí. ‘So that is what I did.’

‘You can never tell how things are going to turn out, can you,’ says Raul. ‘Sometimes in life, there is great irony. I was taking aerial photographs of the moon when my plane crashed.’

‘I could tell how things were going to turn out,’ says Dalí. ‘I knew I would be a great painter. I knew I would be famous. It was my destiny. It was in the stars.’

‘I study the stars,’ says Raul. ‘I’ve been teaching my friend, Chet how to read the night sky. I am showing him where to find the constellations. But he has disappeared.’

‘People come and go. Things appear and disappear,’ says Dalí. ‘All things must pass. My good friend, George Harrison told me that.’

‘He did not come back last night.’

‘Last night I could see the stars. The night sky is very clear,’ says Dalí. ‘What has happened to the lights? Is there no electricity here?’

‘No-one knows why the power is off,’ says Raul. He disappears behind a curtain to fetch some other canvases to show Dalí. When he returns there is no sign of the artist. He is fanned by the wings of a large black raptor as it flies off with a small rodent in its talons.

…………………………………………..

Time passes slowly for Chet in the locked room. After initial attempts to break down the door and dismantle the shutter, he has given up. He has disturbed the shutter enough to allow a shaft of light through and if he puts his face up against it, he can see out. He is facing a whitewashed wall. He can just see the peak of the mountain and the lenticular clouds capping it. He has given up shouting for help too. He is wasting valuable energy by doing so. It is clear that no-one is around.

He tries to piece together the events of the previous evening. How much of it was real and how much of it a dream? Being brought to a secret lair and seduced by an exotic angel is certainly the territory of dreams, but here he is. In this unfamiliar room. How did this happen? Was he drugged? Perhaps the water he is drinking contains some potion. According to transcendentalist poet, Ralph Waldo Emerson, who Raul is fond of quoting, reality is a sliding door. His friend would probably have an explanation for what is going on. He has a far greater experience of life. Growing up in a household where he was never encouraged to think for himself, Chet finds clarity elusive. All things seem shrouded in mystery. He has few answers. There are many questions. Why is the sky blue? Why is the sea salty? Why do fools fall in love? And presently, and most importantly, why is he being held captive? He can think of no reason. His imprisonment would seem to benefit no-one. Also, it contradicts the initial experience where he was made more than welcome by the libertine lorelei who brought him here.

How long will a litre of water last, he wonders? It is either half full, or half empty now.

…………………………………………..

Raul takes a long pull on his beer. The warm bottled beer in the Agave Bar is unpleasant, but he feels he needs one. He has no wine at home and everywhere else is closed. The Agave never closes. It would take an earthquake. Sol, the barman seems to live at this dark and dingy bar. Raul asks him if Chet has been in.

‘No. I don’t believe he has,’ says Sol. Not seen him since you brought him in a while back.’ He explains that since the power outage hardly anyone has been in. He is ready to launch into a rant about the loss of trade that the power outage is causing. Sol is not aptly named. His disposition is anything but sunny.

Noah, who has been sat at the bar listening, interrupts him. ‘Is that the posh kid?’ he asks Raul.

‘Guess that’s who you mean,’ says Raul. ‘Why, Noah? Have you seen the lad?’

‘Think I did, now you come to mention it,’ says Noah. ‘He was with a pretty girl. I was sure surprised. Never seen him with anyone but you before. Had him down as a ….. well, a bit of a loner.’

‘When was this?’

‘Yesterday afternoon it must have been. They were heading for the old town. Did you see him, Jake?’

Jake looks up from the bottle of tequila he is nursing. ‘No, Noah, can’t say I did.’

‘Where do you think they were going?’ says Raul.

‘Well, I have no idea. I’m not going to be following them, am I, although she was quite a stunner,’ says Noah.

‘Nobody goes up there much since the ….. uh, emergency, do they?’ says Sol. Sol doesn’t get out anywhere that much. He has the pallor of a dedicated barman.

‘What actually happened?’ asks Raul. He has heard all kinds of rumours, but small towns can generate fanciful stories.

Noah and Jake look at one another. Neither of them says what they are thinking.

‘The outbreak,’ says Sol. ‘There was an outbreak of something, wasn’t there?’

Noah and Jake exchange another glance.

‘I’m going up there,’ says Raul doggedly. ‘Thank you, boys, for the information.’

…………………………………………..

It is morning, or perhaps it is afternoon. Chet cannot tell. Daylight is spilling through the shutter. He is woken up by a noise of someone outside. He hasn’t slept much. He is drowsy. With a rattle of keys the door opens. With the light now from the open door, he sees her standing there in all her finery. The same little white dress, the same waterfall of obsidian hair. She has brought a basket of fruit. She hands him a peach. He devours it ravenously. She slips out of her dress. She joins him on the bed and kisses him passionately. He responds to her touch. She responds to his. She is wet. Ardently they make love. It is as if nothing has happened since the previous time they were together. They are just resuming the assignation, where they left off. There are no recriminations.

Afterwards, as they share the fruit, she speaks to him in the language that she spoke to him before. The difference is, now, he finds he can understand her. This is inexplicable. It is the same language, but it is no longer foreign to him. His mind is buckling with incomprehension. How can this be happening?

She tells him that although she is made up of flesh and blood, she is insubstantial, like a spirit. She can only appear in the material world under a particular set of circumstances. She says that she cannot explain any further for now, as it would only confuse him more. What she requires from him is his trust.

‘When you appear, can everyone see you?’ asks Chet.

‘No, not everyone.’

‘When you disappear, where do you go?’

‘Please do not ask any more questions, as I cannot answer them,’ she says. ‘Just trust me is all that I ask of you. You will be rewarded if you put your faith in me. Let’s go and get your clothes. We have to go. Time is short.’

…………………………………………..

The church clock is stopped at eleven minutes past eleven as Raul makes his way through the town. The scorching heat saps his strength. The streets are still deserted. There may be no power, but where is everyone, he wonders. Where do they all go? Life cannot stop because there is no electricity. He notices that the sky over the mountain top is changing. Normally the wind blows right through lenticular clouds. They form in the crest of the mountain wave where the rising updraught of the wave has cooled and moisture has condensed. The clouds dissipate in the downdraught of the wave where the air has descended and warmed to the point where the moisture evaporates. The stacked saucer effect of the lenticular clouds above Mount Dante has gone. They are scattered. They are brightly coloured, almost psychedelic. The shape that is forming and the rich hue of the clouds suggest they are dispersing. When he was flying, Raul was careful to avoid cloud banks like this. They could cause dangerous turbulence.

As he approaches the crumbling ruins of the old town he becomes conscious of an eerie hush. It is like entering another world, a world of spirits perhaps. It has been a no-go area for so long, he cannot remember why the townsfolk abandoned it, but Noah and Jake’s conspiratorial silence seemed to have suggested he should avoid it. Apprehensively, he enters the network of narrow winding streets. The cobbled road surface is covered in sand and strewn with assorted debris. Boston ivy and Virginia creeper compete for space on windowless ruins and gutted houses. Tumbleweed grows amongst the rubble. A path leads off to the right into a labyrinthine series of alleys, each lifeless and silent. It is a much larger area than it first appears. He feels his hopes of finding Chet here evaporating.

…………………………………………..

Chet and his revenant run hand in hand out of the dark void and into the light. The lenticular clouds over the mountain look spectacular. The whole sky is alive in a fluid chromatic explosion. It is as if the heavens are hosting a titanic light show for the Gods by a mythic rock band. It is breathtaking. Alas, all things must change. Nothing is permanent. Dreams fade, bubbles pop, and clouds evaporate. The carnival will soon be over. The lenticular clouds over Mount Dante will be gone by the end of the afternoon.

‘We have to be quick,’ Chet’s vision says. ‘Soon the power will come back on, and I too will disappear.’

He asks a thousand questions, all at once. She does not hear. Already her form is fading.

…………………………………………..

Chet and Raul sit on the stoop taking in the evening sunshine over a glass or two of red from Bashir’s new delivery. A gentle breeze rustles the canopy. Chet is pleased that it is a little cooler. The heat really got to him, he says, and he didn’t know where he was without the internet. Anything could have been happening and he wouldn’t know about it. He had some very strange thoughts. He wondered if he was going mad. Raul says that the heat didn’t bother him, nor the lack of electricity.

‘I’m glad the clouds have gone, though,’ he says. ‘There’s something about lenticular clouds that makes me uneasy.’

‘I know exactly what you mean,’ says Chet. ‘They don’t bring any rain. It’s a bit like thunder without the lightning. It throws you off balance.’

‘And they are there for days, just hovering.’

‘Bound to have an effect’

‘Like the moon and the stars.’

‘We’ll probably never know the full story.’

‘Mysteries should remain mysteries. The universe is full of secrets.’

‘We’ll have to get back on to the constellations tonight. We were up to H, weren’t we?’

‘That’s right, Hercules is next, and Indus.’

‘What about another glass of wine?’

‘I did manage to get some painting done, though,’ says Raul. ‘I don’t expect you noticed.’

‘I love the new picture,’ says Chet. ‘It reminds me of one I saw by Salvador Dalí.’

You Never Know Who Your Friends Are

June 23, 2014October 16, 2017 ~ Chris Green ~ Leave a comment

youneverknowwhoyourfriendsare2017

You Never Know Who Your Friends Are by Chris Green

A writer can become dangerously obsessed with fiction. The temptation to try to create something original out of an ordinary everyday situation can be hard to resist. I could not possibly know what I was getting into when I created Quentin Thief’s social media profile. Quentin was a fictional character I used in one of my short stories, Buy and Buy. When I found myself twiddling my thumbs one rainy afternoon, to amuse myself I set up gmail and Facebook accounts for him. I gave him a few page links, David Lynch, Banksy and The Prisoner to get him started, and Liked a couple of bands for him, Accidental Goat Sodomy and The Angry Samoans. I had used these band names in one of my earlier stories. I thought their unconventional names might stimulate some interesting updates on Quentin’s wall for me to check later. I created a bitstrip avatar for him, a portly figure with long hair and a beard and set him up with a couple of bitstrip adventures. I became his Facebook friend so I could play around with his day to day posts. No malice was intended. Quentin had no Facebook friends apart from me.

Quentin’s first friend request came from Seamus Dark. I had no idea how this could have happened without me logging in, but I was intrigued. Seamus was also a minor character – in Magic and Loss, one of my other recent stories. Seamus didn’t have a very detailed profile. The only Likes that he had put in were for the TV series Lost and the blind musician, Moondog. Rather than panic as perhaps I should have done, I played along with it, on the assumption that there was bound to be a simple explanation for his being there. It was surely someone playing a prank, as indeed I had been. By accepting the request, I felt that one way or another I might be able to get to the bottom of it.

The next time I logged into Facebook as Quentin, he had five friends. Besides myself and Seamus Dark, there were three others, Reuben Flood, Bob Scouler and Guy Coventry, all minor characters from stories of mine. Reuben was a character from the semi-autobiographical Quicksand, Bob from my epic tale Isn’t it Good, Norwegian Wood? and Guy from my homage to jazz and film noir, Jazz. I could find no rational explanation amongst the armada of thoughts struggling to surface. This was beginning to feel a little spooky. It was like the feeling you get at night when you think someone is following a few steps behind you. Chills ran up and down my spine.

There were a series of posts between the characters. I scrolled back through a few screens. The references were very cryptic. The copious use of acronyms, AFDN, AFT, BTDTGTS, IYNAEGBTM, etc made the messages unfathomable to a social media novice like me. I had only just grasped LOL and LMAO in internet jargon. Were they hatching some kind of plot? There certainly seemed to be a lot of collusion between them. I signed out, and signed in as myself but found, amongst my regular feeds, exactly the same posts. Now there was even a bitstrip featuring their all their avatars. They bore an uncanny resemblance to how I had visualised these characters. Quentin Thief used the avatar I had created. He wore an Aloha shirt and Bermuda shorts. Seamus Dark was decked out in a blue Paul Smith suit with narrow lapels, untied woollen tie and a pork pie hat. Reuben Flood wore painted smeared green shorts and Ché Guevara T-shirt. Bob Scouler wore a grey serge suit along with a tattersall check shirt and lovat and mauve paisley tie. His haircut, the neat central parting and the sides hanging just over the tip of his ears was from the seventies. Guy Coventry wore military combats. Despite their comical appearance, they all had expressions of purposeful intent. ‘Watch out! We’re coming to get you,’ read the tagline for the strip.

I phoned my friend, Ram, who I saw as quite knowledgeable about all IT matters. Ram banged on a bit about internet security, proxy servers, hackers, firewalls, and malware, but after a few minutes of his techspeak, I was none the wiser. What on earth were packet sniffers and keyloggers?

‘Can you come round and have a look, Ram,’ I said finally. ‘You’ll probably be able to see how this is happening just like that.’

‘I’ve just got to run a machine round to Gerry’s and I’ll be over,’ he said.

‘Gerry’s? Isn’t he in Birmingham? That’s eighty miles.’

‘About that,’ he said. ‘Seventy eight point four. Look! I’ll be over around seven, OK. Why don’t you just switch the thing off and take the dog for a walk on the common or something?’

With my writing residency in abeyance and Patti on sabbatical in San Sebastian, life was slow. Lewis was in the forces and Carroll had gone off to university, so I just had my dog, Murphy for company. Murphy had originally been Carroll’s dog but now she was in Edinburgh, he had become my responsibility. Despite his being twelve, he was still a ten miles a day dog. I was no longer a ten mile a day dog walker. It was a good thing that the common was so close. I could find a seat while Murphy ran around chasing phantom rabbits.

At The Belted Galloway, I got chatting to a couple of walkers. They waxed lyrical about the beauty of the area. How lucky I was to have this all on my doorstep and such a delightful pub, full of rustic charm. Did I know there were thirty eight species of wildflower on the common? They were just going to do another six miles and then call it a day. They had found a lovely little B and B that welcomed walkers. I began to feel I was spending too much time in front of a screen in my own internal world.

I got home late afternoon and put a pizza in the oven. I was apprehensive about switching the computer on, but finally, I did. By the time Ram arrived, a little after seven, Quentin’s Facebook friends had multiplied. There were another half dozen familiar names from my literary lexicon. This time the list also included a couple of my leading characters, Tara Vain from Tara’s World and Max Tempo from Tequila Mockingbird.

Muttering to himself, Ram started going through the feeds. Over his shoulder, I could see at a glance that Tara or Max seemed to have started most of the post entries, with various combinations of my other characters responding. Dr Bolt from A Change Is As Good As A Rest and Judson Cleary from With or Without an E seemed to have joined the fray. Dave Too from Kosmik Kitchen was there too, and Roy Tackler from Slumpton. Poor Roy. He spent most of his fictional life on the bench. I never did give him a first team game. Then there was his chronic alcoholism. The list of characters on the posts seemed to go on and on. Even Mason Wiley from a story I was in the process of writing seemed to have got in on the act.

‘GHOMCOAFA,’ Ram read out. ‘Get him off my case once and for all. Looks like someone’s out to get you.’

It was Tara, I noticed. I had described the nitty gritty of Tara’s reliance on other people, he disastrous relationships and her subsequent descent into madness. Perhaps I needn’t have been so explicit.

‘WWLWEP. We will liquidate with extreme prejudice. Max Tempo’s not too keen on you either. What did you do to upset him?’

‘Nothing, Ram. He’s fictional, remember.’

‘IGTBBTTR. I’ll get the bloody bastard this time around. Well! This doesn’t sound very fictional. What did you write about him?’

‘He was just a delusional character in my story, Tequila Mockingbird, who thought the Mexicans were out to get him. He saw signs of them everywhere. Maybe I could have been more sensitive in the way I portrayed his nervous breakdown’

‘I am not a number, I am a free man. What’s that all about?’

‘That’s a line from The Prisoner. The Prisoner is one of the likes I gave to Quentin Thief. It looks as if he’s trying to make a point.

Ram started humming a tune. It was an annoying habit he had when he’s concentrating. I worked out the tune was Puff the Magic Dragon. Puff the Magic Dragon! What was he on?

He carried on scrolling down. Another batch of acronyms appeared.

There was one from Nolan Rocco. In Slumptown I had made him the root of all evil in the story. Just thinking of him as a real character was scary. ‘IGYBFWLAM?’ I asked, before Ram moved on.

‘I’ll get you back for writing lies about me,’ said Ram with little or no hesitation. How did he know all these acronyms or was he just making them up? Perhaps it was Ram who had been creating the characters? Now I was getting paranoid. IWSMP.

‘Mick Jagger? What’s Mick Jagger doing here?’

‘He says that you mentioned him in one of your stories and he’s unhappy about it.’

‘Click on him. It can’t really be Mick Jagger, can it?’

‘2,080,706 likes. Yes, it can.’

‘He appeared briefly as a character in ‘2015 – An Odd Space Essay’, I only gave him a couple of lines.’

‘Perhaps he feels he should have had more.’ Ram began to hum Jumping Jack Flash, one of the least hummable tunes I could think of. He was thinking again.

‘Let’s sign in as you, what’s your password?’

’50FUck1NGb01ledcabbages’

‘Nice mix of upper and uppercase characters. Quite a secure one I’d say.’

The posts on my wall looked pretty much the same but there was now an additional one from Quentin Thief. It was the picture of a car crash.

‘What’s that all about,’ asked Ram.

‘He might be referring to the fact that one or two of my characters have had car crashes,’ I said.

‘It seems to me that because you and Quentin Thief are friends that you are going to see any post that he puts up.’

‘I’ve got that, yes.’

‘But the ones posted by the others should not show on your wall.’

‘Yes. I can follow that much.’

‘So these that are posted by Tara Vain should not be there. OK? Or the ones by Max Tempo.

‘But they are.’

‘You’ve heard of the darknet,’ he said.

I hadn’t. I wondered if it had something to do with Seamus Dark, or perhaps if Seamus Dark had something to do with the darknet.

‘It’s sometimes called the lost net,’ said Ram

I thought of one of Seamus Dark’s two likes, the TV series, Lost.

Ram explained that the term darknet was used to describe all underground web communications associated with illegal activity or dissent. ‘Don’t learn to hack, hack to learn,’ he laughed.

‘How does this fit in with what’s been happening here,’ I queried.

‘Probably nothing to do with it,’ said Ram. ‘But something weird is happening, isn’t it?’

‘What can I do about it?’ I asked.

Ram said with a wry smile, ‘You could always stop writi……..…

Sign of the Times

June 22, 2014February 15, 2016 ~ Chris Green ~ Leave a comment

Sign of the Times by Chris Green

Earlier

Some years ago the Chinese surreptitiously replaced the Year of the Cat in their astrological calendar with the Year of the Rabbit. The story goes that they wanted all the zodiac animals to get along and the rabbit was more compatible with the rat than the cat was. I was disappointed by the move as I was born in the Year of the Cat and I saw the rabbit as a less prestigious animal. After all, cats are bold noble creatures; rabbits are jittery frightened little animals with no dignity at all. The Vietnamese, whose calendar follows the same pattern as the Chinese, still call it the Year of the Cat, their argument being that it helps to offset The Year of The Dog, yin and yang and all that, but then you don’t hear too much about the Vietnamese new year compared to that of the Chinese, in my neck of the woods.

Let’s move the story on. Isn’t it time to change one of the signs of the western Zodiac? The current twelve sun signs each occupying thirty degrees of celestial longitude have been around for three thousand years. They are an anachronism. Surely they too must be due for a refresh. If done in the past this might have been done by introducing something mythological, in fact in the 1970s there was a move to introduce a thirteenth sign, Ophiuchus, the serpent carrier. It was to be slotted in November and December and the other signs rearranged. Virgo was to cover forty three days as a result and Scorpio just six days. The new proposal did not catch on with astrologers. It would have caused havoc with their popular newspaper columns. Mathematically there could only be twelve signs they maintained; this much was obvious. Thirteen into 360 did not go.

The change now could be the subject of a Facebook poll. Facebook is international. The question might be ‘which astrological sign would you like to replace?’ or something like this. Which one I wonder would get the chop?

Although we live an urban existence in a technological society, three of the signs, Aires, Taurus and Capricorn are still named after farm animals, reflecting the values of a bygone age. With people yearning for the mythical green and pleasant land, this might work in their favour of course, or it might work against them. One of them (Scorpio) is named after an insect and another (Cancer) a crab. I suspect that they would be among the contenders for replacement. Cancer of course has more sinister connotations, so it could possibly be the bookies’ favourite. I imagine Leo would be safe; except for a small group of hard hearted big game hunters, people like lions. Libra would stay, after all, Libra is well balanced. The cynical might suggest that as a sign of the times, the archer (Sagittarius) be replaced by the sniper. There’s nothing very twenty-first century about the idea of water carriers (Aquarius), or for that matter, virgins (Virgo). They might be at risk. It’s a tough call. The fishes (Pisces) and the twins (Gemini)? No, they would probably be all right. Fishes would rally a lot of Christians, and twins, well people like the idea of twins don’t they?

Later

The internet spreads things quickly. The debate went viral. There has been a Facebook vote. Did you miss it?

Patti was born in Cancer and although she is pleased with her given traits, she cannot escape the rogue morbid thought each time she is asked what sign she is. She voted to replace Cancer with a new sign. She is pleased that the results are in. Cancer just pipped Virgo into second place, with Scorpio a distant third. Her partner is disappointed however as he is a Virgo. In all, 293 million people took part in the vote. Now there is a second question to be answered, ‘What would you like the new sign to be?’

It is on all the popular social media. It is a multiple choice question and there are six options: Tesco, the food provider, Apple, the communicator, Boeing, the traveller, Barclay, the money lender, Beyonce, the hit-maker and Snowden, the whistle blower. All you do is click on like and you are allowed one vote. Although the campaigns are anonymous you cannot help to suspect that vested interests are driving them.

Patti looks at the list with an air of disbelief. She wonders whether whoever has compiled it has taken into consideration the characteristics of Cancers, their homeliness and their preoccupation with family, the crawling back into one’s shell when this is threatened. If astrology is to be given any credibility then these essential attributes cannot just be erased. Her friend, Bee who is a Pisces, like Cancer, also a water sign, wonders whether the elements can be ignored. What connection is there between Boeing and water for instance? Patti wonders if she should mention the missing jet and the search for it in the Southern Ocean.

There is speculation about whether the plane was deliberately brought down. Popular opinion seems to be that it is at the bottom of the ocean. There are a number of other theories. It landed in the Andaman Islands. It flew to Kazakhstan. It was flown towards Langkawi island because of a fire or other malfunction. The plane is in Pakistan. The passengers were deliberately killed by decompression. The plane will take off again to be used in a terrorist attack. Twenty employees of Texas-based technology company Freescale Semiconductor were on board, four of them were patent holders for a revolutionary new semiconductor. The remaining patent holder stands to benefit. Which of these explanations is the correct one? Perhaps none of them. We may never be told the truth.

Its a sign of the times.