Tag: speculative fiction

Shooting Script

~ Chris Green ~ Leave a comment

shootingscript3

Shooting Script by Chris Green

1:

The headline on the front page of The Independent, Shot Down in Downing Street came as a shock to Catherine Larsson. It was accompanied by a grainy picture of the Prime Minister clutching his shoulder. A trail of blood appeared to be trickling down his white shirt. Unaware that he was being scrutinised, Matt continued to turn the pages of his paper. PM Fighting for his Life, was emblazoned across the centre spread. This was big, big news. Assassination attempts on British Prime Ministers were unheard of. Why had it gone unnoticed? Catherine had heard nothing about the shooting on the news when she drove in to work, it was not reported in her tabloid, and curiously, no one in the office had mentioned it during the morning. Yet a story of this magnitude would be something that spread like norovirus. It ticked all the boxes for good newspaper copy, bad news, head of state, bloodshed and closeness to home. This was something you would expect everyone to be talking about.

Having only been briefly introduced to Matt earlier in the day, Catherine was a little nervous of him. His having possession of the newspaper with the dramatic headline seemed to give him extra charisma but also made him more unapproachable. She occupied herself with some desk tidying while she weighed up the situation. She was about to ask Matt for a look at the paper, or at least get him to clarify what was going on, but at that moment a call came in. When she had finished on the phone, Matt was nowhere to be seen. She had not noticed him leave. Having just started at Total Eclipse Events Management a week ago, Catherine was still finding her feet. She could not remember what position Matt held or where she might find him. She had never seen him around before. Perhaps he was just a visitor. She looked around for her colleague Maddie who had introduced them but now Maddie had vanished too.

Another call came in, and before Catherine knew it, it was lunchtime. Although she liked to keep up with current events, the attempted assassination of a public figure was perhaps in the big scheme of things not going to affect her greatly. It was only politics after all. And furthermore, she didn’t care much for the Prime Minister anyway. He was smug and mendacious. Since her divorce eighteen months ago, Catherine was more concerned with keeping her own boat afloat and making sure that her teenagers, DJ and Jessica were keeping away from the deadly new skunk parties she had heard were sweeping the country. All the same, it was very odd that news of this significance had not circulated more measurably.

Since starting at Total Eclipse, Catherine had begun to take her lunch at Gino’s, a small café around the corner from the office and down a side street. Here she could listen to jazz, enjoy a baguette and a cappuccino and generally chill out. She felt that it was important to put all work thoughts out of her head for a spell, so she usually went alone. She put in her order and took a seat. Miles Davis was playing It Ain’t Necessarily So. Miles was one of her particular favourites. She loved the melodic style of the muted trumpet and the way his quintet filled in the harmonies.

While she was waiting for her order, as she looked around at the jazz posters that hung on the walls, she noticed that Gino’s offered a range of newspapers. Curious once more, Catherine scrutinised them one by one for any news of the assassination attempt. To her puzzlement and alarm, none of them carried the story, not even the Independent, which instead led on the earthquake in the Middle East, with a feel-good picture of the Duke and Duchess of Cambridge in Australia on the right-hand side of the page for balance. Catherine was not comfortable with things she could not explain. They made her head spin and gave her a feeling of nausea in the stomach. She did not touch her baguette.

During the afternoon, when she had a few quiet moments, Catherine zipped around the news sites on the internet. There was not a mention of an assassination attempt anywhere. Had the whole thing been a wind-up? But what would the motive have been? Surely there was no point in such an elaborate hoax, for her benefit. She felt too cautious to bring it up with any of her colleagues. She was the new girl and did not want them to think she was doolaley. There was still no sign of Matt. Had she imagined him too? She thought back to the moment when she had been introduced. There had only been a brief exchange. They had shaken hands. Her mind had misted over and she had felt dizzy, she recalled. She had thought nothing of it at the time as she was in the middle of some printing, and the printer had jammed. She could now bring to mind next to nothing about Matt, other than he was a large thick set man with, she thought, a trace of an accent. She could not recall what the accent was. He was wearing a grey suit, or was it jeans and a sweatshirt, or was it a diver’s wetsuit. She was not sure. It might have been any of these. She remembered only that their eyes had met briefly. This was shortly before he had disappeared. She recalled she had sensed a charge of electricity. Something strange was definitely happening.

As Catherine was getting into her Micra at 5 o’clock, she noticed a black BMW leaving the car park. Although the windows were heavily tinted, behind the wheel was a large shadowy figure. As he sped off, she noted the registration. It was a 68 plate with the first two letter area code being LK. A 68 plate!! But this was 2017. The plate would not be due for another year or so. She experienced that feeling of nausea again like she was slipping away.

‘Stanmore, London,’ Devinder said, in response to Catherine’s question about the plate’s origin. She had phoned him on her hands-free while waiting for the temporary traffic lights to change at the St Georges junction. ‘But 68 is impossible. You must have misread it.’

‘No, it was definitely LK 68 something,’ she said.

‘It is easily done,’ he countered.

Catherine was determined she had not been mistaken.

‘Would you like me to come over?’ Devinder said, sensing that Catherine was more than a little distressed. ‘I can leave Ravi to look after the shop.’

Catherine did not consider her and Devinder to be an item, but after the dating agency had matched her with a series of chain-smoking lorry drivers, balding insurance salesmen with paunches and sixty year-old thirtysomethings, she had found Devinder to be a breath of fresh air. She had taken to seeing him once or twice a week. She found him knowledgeable, witty, understanding and very good company, except when the cricket was on. Perhaps it was the lavish gifts he bestowed on them on occasions, or some under the counter activity that she was unaware of, but even DJ and Jessica seemed to accept him. Devinder’s biggest plus point, however, was his ability as a lover. No-one had understood her body and pressed all the right buttons like Devinder. It was as though he knew what she was thinking. But of course it was early days and she was careful to remind herself that her ex-husband, Hilmar had once seemed like the man of her dreams.

When Catherine arrived back at her flat in Cardigan Street, she found it empty. Perhaps DJ and Jessica were at the library. There again, more likely they weren’t. There were plenty more unsavoury places to hang out. What could you do with teenagers? Whatever you told them, they would be likely to ignore. They would negotiate their own terms of engagement with life’s great mysteries.

Devinder duly arrived and while Catherine expressed her confusion, administered much-needed comfort. Before long, they found themselves in an uncontrollable embrace. This seemed to happen every time they met lately. There was only one place to go. Afterwards, Devinder attempted to put Catherine in the picture about reality.

‘Reality is an illusion,’ he said. ‘Even the teachings of the Ten Gurus will tell you that this is so. For instance during sleep dreams seem very real, but upon awakening, you realise that they were just dreams. So it is with this world that we call reality. It is possible to wake from it too. Sri Ramana Maharshi, the great Indian teacher, maintained that the difference between a dream while sleeping and the dream we call wakefulness is only of duration, one short and the other one long.’

‘So you are saying I did not meet a man called Matt today, who had a unique newspaper and a car from the future,’ Catherine protested. There had been she realised now something strange about Matt’’s presence. It was difficult to explain; it was as though he was there but not there. Although he was broad, he was at the same time, insubstantial, like an apparition.

‘We never directly experience the world around us,’ Devinder said. ‘All we ever know are the contents of consciousness, the thoughts, feelings, perceptions and sensations that appear in the mind.’

2:

It was just after six in the evening. Dennis and Audrey Crick were enjoying Eggheads on TV, when they heard a loud knock at the door. Living as they did on a suburban estate, the Cricks quite frequently had cold-callers at this time of day, so they did not immediately answer. At their time of life, they did not get a lot of friends casually coming round and their own family had over the years spread out. Besides, people that Dennis and Audrey knew would always phone before calling round. This caller seemed persistent, so on the third or fourth knock, with a grunt of disapproval, Dennis got up and went to the door. The figures he was faced with across the threshold, a man and a woman, did not look as if they were representatives from a power supplier trying to get customers to switch or speculative callers on behalf of a charity. They wore dark blue quasi-military uniforms and had a grave look about them. The man introduced himself and flashed an ID card. Dennis did not have his reading glasses, so just took it on trust that it was genuine.

‘You may have heard that there’s been a nuclear accident,’ the man said. He did not give the impression that he was joking.

‘No,’ Dennis said.

‘We’re here to let you know about the arrangements for your safe evacuation,’ the woman said.

‘What?’ Dennis said, astonishment now mixed with perplexity.

‘We would like you not to panic, but to be ready with the things you need to take in one hour,’ the man said. He barked something cryptic into his chunky radio pack. The pack Dennis noticed had a bold stencil stamp on it, MKEF or something.

‘Transport is being arranged,’ the woman said. ‘We’ll be taking you to the closest reception centre.’

‘Any questions?’ the man said.

Dennis was too stunned for enquiry. His rational mind was dissolving. He stood on the step with his mouth open.

‘We’ve got other calls to make,’ the woman said. ‘One hour! Please be ready!’

Dennis closed the door and went back inside. Barry for The Eggheads had just won the Arts and Books round, having correctly identified that it was Picasso who had said, ‘he wanted to tear reality apart’.

‘Who was it, love?’ asked Audrey. ‘You’ve gone very pale.’

‘I think we’re being evacuated,’ Dennis said. ‘A nuclear accident.’

‘There must have been a radiation leak,’ said Audrey, applying a phrase she remembered from the news coverage of the French nuclear plant crisis.

‘But I don’t think that there is a nuclear power station within a hundred miles,’ said Dennis. ‘But then, I couldn’t be sure.’

‘Didn’t you buy a Geiger counter at the car boot last year?’ Audrey said.

‘No dear, that was a metal detector. I don’t think that would work. Anyway, it hasn’t got any batteries. I was meaning to get some.’ Dennis did not get out much since the rheumatoid arthritis had worsened. It was over a year now since he had been to a Milton Keynes Dons home game. He had not been since they lost 4-0 to Yeovil. The Don’s Montenegrin keeper had been responsible for all four goals in a nightmare game, but the following week he had played a blinder against local rivals, Stevenage in a narrow 1-0 win and even got away with a blatant trip on Stevenage’s Sudanese striker. Dennis found things had a way of working towards a balance. A friend of his was fond of saying, ‘go with the flow.’ Dennis found that this made a lot of sense and saved a lot of time and energy. You could not expect to get a run of green lights all the way to the superstore. And if you did, there would be road works on the way to the garden centre. Dennis attempted to adapt this principle about dynamic equilibrium to their present situation.

‘Shall I turn over to the news?’ Audrey said. ‘There’s sure to be something about it.’

There was no mention of anything about the emergency on the BBC News or Sky. The military build up on the Turkish border with Iraq and the floods in North America were the main stories and there was a report about a beached whale in the Outer Hebrides. Nothing anywhere about radiation. Perhaps security issues were involved, and the authorities wanted to keep it a secret. If this was the case, how could anyone hope to find out?

Dennis went round to see the Lockharts next door, knocked several times, and peered through the front window, but it appeared they were out. Perhaps they had already been evacuated, he thought. He was about to go round to see if the De Koonings had heard anything when Audrey called him.

‘I’ve just phoned Alison and she thinks that it is a hoax,’ she said. ‘Fake news, Alison called it..’

‘Is she sure?’ asked Dennis.

‘You know Alison pet; she knows everything,’ Audrey replied. ‘She thinks it’s pranksters.’

‘Bit of a rum thing to joke about,’ Dennis said.

‘Alison said that the Sintons had two nice young men round to tell them about the total eclipse of the sun. You would only be able to see it from high up, they told her. They went to the clock tower and waited, but there was no eclipse and when they got home they found they had been burgled,’ Audrey said.

‘Blimey!’ Dennis said.

‘Then there was the time they said on the tele that Big Ben was going to go digital,’ Audrey said.

‘But wasn’t that April Fools Day,’ Dennis said.

‘I still don’t believe it,’ Audrey continued. ‘What do they say on that show, It’s a Wind Up?’

‘Have we ever watched it?’ Dennis said. Lately, Dennis was finding the drawers in the cabinet where he stored his narrative harder and harder to open. The wisdom of age was, as far as he could see, a fallacy. You spend your life accumulating knowledge so that you can have facts at your fingertips, but the cruel irony being that when you are at a stage of life when you might benefit from this, you are already beginning to lose stock daily from this repository of information. Dennis’s consciousness was diminishing. Most days he and Audrey watched Eggheads, Celebrity Eggheads and perhaps EastEnders, then let the cat out, put their teeth away on the bathroom shelf and went to bed. Sometimes they would stay up to watch a drama. He was not sure why they watched these programmes. He could never remember the answers to the questions on Eggheads, usually lost the thread of the complicated plot lines in EastEnders and had no idea at all what was going on in the drama. There had been one on recently called Total Eclipse, which was so incomprehensible it might as well have been science fiction.

‘I’ll make us a nice cup of tea,’ Audrey said.

Dennis and Audrey settled down to watch Celebrity Eggheads, which had just started. The Eggheads were playing a team of celebrity chefs. In the Music round the TV chef with the double-barrelled name and the plum in his mouth had just guessed correctly that it was Bungalow Bill and not Caravan Carl or Penthouse Pete who had ‘gone out tiger hunting with his elephant and gun’, in The Beatles’ song. Pat from when there was a knock at the door. It was Lars de Kooning.

‘Are you and Audrey ready?’ he asked. He had his coat on and a large Team Blitz sports bag across his shoulder.

‘Audrey’s sister says that it is a prank,’ Dennis said.

‘Well, we’re all set,’ Lars said. ‘The children are really excited. They think we’re going on holiday. They’ve packed the playhouse. How much do you think they will let us take?’

‘I don’t know what to think…….What did they say to you?’ Dennis asked. ‘To be truthful, I did not have much of a conversation with them.’

‘They’re not allowed to say very much, are they? National security. Anyway, it’s probably one of the French nuclear power stations that’s melting down or whatever they call it after there’s been an explosion. The French have got hundreds of reactors dotted all around the coast, and the southerly winds that we have been getting would be blowing the dust over this way.’

‘You don’t think it could be a nuclear war,’ Dennis said. ‘We seem to be very good these days at upsetting other countries.’

‘Either way, there would probably be a news blackout,’ Lars said.

‘You never know what to believe these days, do you?’ Dennis said.

‘No hay banda! Nothing you see or hear is real.’ Lars said.

‘Come again.’

‘Mulholland Drive’

Dennis was none the wiser. Perhaps Mulholland Drive was a film. He and Audrey seldom watched films. Except for The Great Escape or The Railway Children occasionally on Boxing Day. Films today were much too hard to follow.

3:

Matt Black was a television screen-writer by accident rather than design. He left university after his dissertation on ‘The Illusion of Reality’ had been poorly received by the School of Natural and Social Sciences. Matt’s research had been helped along by an eclectic interest in Eastern mysticism, string theory, Carl Jung, Monty Python and psychoactive drug use. The central tenet of his thesis held that contradictory statements could be true; Schrödinger’s Cat was as we know both dead and alive. Were we limited to a single outcome from our decisions, or might a number of outcomes be realised simultaneously, as in Borges’s The Garden of Forking Paths? Paradox was key to Matt’s argument. Which is better, he asked, eternal happiness or a tuna sandwich? It would appear that eternal happiness is better, but, he argued, this is really not so. After all, nothing is better than eternal happiness, and a tuna sandwich is certainly better than nothing. Therefore a tuna sandwich is better than eternal happiness. His frivolity and word play did not go down well with the examiners.

Matt had a loose circle of friends. He was a keen saxophone player and could keep fellow musicians, Bernie, Bazza, Frankie, Gooch and Ziggy, or Eric, Derek, Dolph and Mario entertained for hours with apocryphal tales, in the Jazz bar of The Blind Monkey, where they hung out. Jam sessions at The Blind Monkey interspersed with these exchanges could go on well into the night. Matt refined his stories over the years and his storytelling became more and more polished, until one day fellow saxophonist, Fats, suggested Matt should write for television.

‘TV drama is like painting by numbers,’ Matt said. ‘It’s so completely predictable.’

‘Granted most of it is garbage, but there are a few good things,’ Fats said.

‘One or two maybe. But the television schedule is so mindlessly conventional. The same programmes in the same order every day on every channel. It’s spoon-feeding couch potatoes syrup,’ Matt said.

‘You are one stubborn sonofabitch. Sometimes in life to get anywhere you have to compromise. Meet them half way. Look at it like this. The jazz world wouldn’t have been able to accept Charlie Parker if he had hit them with his virtuoso improvisations straight off. Even Bird had to establish himself as a player first,’ Fats said.

‘You mean I have to make a name with a style that doesn’t rock the boat too much,’ Matt said.

‘That’s right. You’re getting it at last,’ Fats said. ‘Once you’ve had one or two of your efforts screened, then you will be able to experiment. Take your cue from Miles. He started off filling in the harmonies for others. But, once he had made his name, he could make the music that he really wanted. He had the freedom to experiment. And of course, he went on to create some of the twentieth century’s coolest music. The point is he took his audience with him. He could get away with playing anything and they’d listen.’

‘So, for the time being, I stick to the banal plot line of the discovery of a crime, the plodding investigation by maverick investigator who has family problems and a battle with the bottle, moving towards the arrest of a perpetrator at the end of the episode,’ Matt said. ‘Is that what you are saying?’

‘Bergerac is not on anymore,’ Fats said. ‘Things have moved on a bit. They have espionage thrillers and all sorts these days.’

‘Still written to a formula,’ Matt said. ‘Disillusioned intelligence agent goes off the grid, defies authority, blows stuff up. Shoots a lot of people and single-handedly makes the world a safer place.’

‘And psychological dramas.’

‘Formulaic. Visibly unstable characters. Dark rooms with long shadows. Sparing dialogue with a lot of echo on the voices. Flashbacks. Bit of sinister music by Sigur Ros repeated throughout.’

‘I’m sure you’re allowed to throw in a twist or two,’ Fats said.

‘I guess I’ll have to,’ Matt said.

Matt Black’s success in screen-writing was not immediate. He had to send off numerous ‘spec scripts’ before his first was accepted, a fifty minute post-modern crime drama called Missing Link. Although it was screened at 11: 30 at night on BBC2, it was so popular with viewers that it was quickly re-shown, with just a few cuts, at a sensible hour on BBC1. It also caught the attention of producers at the corporation and Matt found himself working on the team writing for the top BBC soaps. This was not exactly what he would have wanted, he would have preferred the top BBC spy genre perhaps, but the money was good. He knuckled down and gave them scripts involving baby swaps, cot deaths and the annual torching of the pub in their flagship soap. These all seemed to go down well, but when Matt upped the ante and wrote Christian suicide bombers into the script, the producers baulked. Fortunately, people in television now knew his name and all was not lost, as a young executive recognised that Matt’s controversial themes would suit the experimental political thriller. Matt embarked upon a series of successful dramas in this genre, Double Take, The Beirut Diaries, Conspiracy, Total Eclipse, etc.

Following his initial success, Matt Black installed himself in a small but well-placed penthouse overlooking the Thames to do his writing and bought the latest ibook and software. Writing required solitude, but at the same time, it was important to be near the hub of things to provide inspiration. Surrey Quays provided both. He got himself into the habit of writing from 8 to 2 every day and again for an hour in the evening. His reputation developed steadily. His edgy thrillers Collateral Damage and Fragile both won awards, the latter compared by one critic to David Cronenberg, and it was suggested that he might move into films.

Matt was always meticulous in the way he presented his scripts, down to the last detail. He even put in stars and stripes logos where he thought the commercial breaks should be placed if the programme were sold to American television. He was certain that he had saved the document for his new script, Malice, correctly. He had updated it daily. Final Draft 10 was a piece of software on which you could rely. Nearly all screen-writers used it. But when he opened his document one day, he could not help but notice that a key scene from his story had disappeared. Matt was mystified.

He updated his firewall and virus checker, ran a host of malware checks and retyped the scene, as close as he could remember to his original. Fortunately, there was not much dialogue, as there were only two characters, Ron and Anne. Much of this section consisted of sluglines and action. As a further precaution set Final Draft to auto-save each document every two minutes. He also began to back up all his files on a data stick and also, for belt and braces security, on icloud.

Two weeks later he discovered that Bruce and Lee, the two Emergency Force characters from Brink had disappeared entirely from his screenplay. Every reference to them was gone. To his alarm, they had also disappeared from the all of the sequential copies of Brink on his data stick backup and from icloud.

Shane, the technician on the repair desk at PC World told him. ‘We’ve run dozens of tests. There have been no incursions into your hard drive. Your machine seems perfect.’

‘But its also gone on all of the storage backups,’ Matt said. ‘How do you explain that?’

‘The loss of data there is even weirder,’ Shane said. ‘It’s is all a bit GCHQ,’

‘Either that or X Files,’ Matt said.

Shane was not familiar with The X Files. He was from an X Factor generation.

‘There are measures we could take to find out where the data is disappearing to’ he said. ‘We could put a programme on that would track each byte of data.’

‘But doesn’t the Apple operating system do that anyway?’ queried Matt.

‘Well, it does and it doesn’t,’ Shane said.

‘Perhaps it would be a good idea,’ Matt said, ‘to start again from scratch.’

Fortunately, there was an offer on a top of the range iMac.

Shane readied the machine, and Matt was soon typing into the recovered version of Brink, putting in the passages that had disappeared from the original. It was a cracking script, he felt as he embellished the evacuation scene. Happy that he had made good progress, he went off to make a cup of tea. When he returned, to his horror, the new passages had gone again. In fact, the text of the document was disappearing before his eyes. The sentences were evaporating.

Soon there would be a blank screen.

Soon there would be no-one left in Milton Keynes. Peterborough and Northampton were being evacuated too. There would be burning and looting all over central England. There would be many casualties before order was restored. As he pressed keys helplessly and line by line Brink vanished, he was completely unaware of its far reaching consequences. How could he know? Nothing like this had happened before.

Matt also noticed that, minimised on the task bar, the screenplay for Shot Down in Downing Street was open. The assassin, posing as a reporter, was ready to strike as the Prime Minister emerged from Number 10.

© Chris Green 2020: All rights reserved

Where Have All the Flowers Gone?

~ Chris Green ~ 1 Comment

wherehavealltheflowersgone

Where Have All the Flowers Gone? by Chris Green

Always something of a wild man, Danny Rocco isn’t the type you would expect to find at a Ludovico Einaudi recital. But the main reason that Danny’s being at the Einaudi concert is unlikely is that Danny Rocco is dead. He met his maker three years ago when his Triumph Bonneville collided with an eighteen-wheeler truck on a notorious accident black spot on the A39. He was reportedly doing ninety-five miles per hour. He stood no chance. My sister, Sara was devastated. She and Danny had been an item. Although Danny and I had little else in common, I went with Sara to Danny’s funeral. He was cremated.

Yet, in the interval at the concert, Danny comes nonchalantly up to me and shakes my hand. He is dressed in a stylish dark suit and tie. Being dead seems to have mellowed him considerably.

‘Primavera sounded pretty good, this evening, didn’t it, William?’ he says. ‘One of Ludovico’s best, don’t you think?’

I am flummoxed. It is strange enough that someone who previously sprinkled his conversation with expletives and listened to Motörhead and Slipknot should be so taken with the gentle piano tunes of Einaudi. And he had never called me William, it was always Bill. It is beyond strange that I am about to have a conversation with a dead man. A number of possibilities flash though my head, this is Danny Rocco’s long-lost twin, a stunt double or perhaps it was his stunt double or his secret twin that crashed the bike. But the scar on his left cheek, sustained I remember in a fight with Slugger McGee in The Pig and Whistle suggests that, impossible though it might seem, this really is Danny Rocco. To back this up further, he is also wearing the distinctive carbon fibre black ring that Sara gave him. This is Danny Rocco.

When I come round, I find myself stretched out on a worn red velvet settee in a small windowless room. A dark-haired middle-aged woman is hovering over me. She says her name is Izzy. She says she is a designated first-aider.

‘What happened?’ I say.

‘You passed out,’ Izzy says. ‘What do you remember?’

I begin to regain my bearings. I remember I was watching an Einaudi piano recital. Suddenly, it hits me like a left hook from Wladimir Klitschko.

‘I was ……. I was talking to an old friend of mine,’ I say, looking around me, vaguely expecting to see him in the flesh. ‘Danny Rocco. Did he ….. Did Danny bring me in here?’

‘No,’ Izzy says. ‘Your friend was not with you. When I arrived on the scene, you were lying flat out on the floor in the aisle with a group of concerned people around you wondering what had happened. One or two of them said they had tried to bring you round. They kindly helped me to bring you in here.’

I should be used to strange. There have been a string of unrelated anomalies lately. Last Thursday, hundreds of clocks exploded. Time was scattered everywhere, hours and minutes strewn all over the streets. Guv Malone told me the tide didn’t come in and while you can’t believe everything Guv says, you have to agree we live in volatile times. We had yellow buses in the town and then they were green, then red and yesterday they were yellow again. No explanation. The numbers had changed too. 6 was 9, 13 was 31 and 17, 71. Without any explanation, the peacocks and cardinals disappeared from the garden and there were no parrots in the park. They just upped and left. But then they returned in their thousands. Birds were everywhere. Toucans, lovebirds, parikeets, lorikeets, red-necked tanagers, spangled cotingas. You couldn’t move for brightly-coloured birds.

It’s as if someone is playing tricks. I’m sure all of you have noticed any number of unexplainable phenomena but surely Danny Rocco’s coming back from the dead ranks among the strangest. No-one seems to believe I saw him at the concert, not even Ellie.

‘You should have been there,’ I tell her. ‘It was him. I’m sure of it. Why weren’t you there, anyway? I told you I had a ticket for you. I waited for ages before I went in. I missed the opening number.’

‘I tried phoning but you never answer your phone,’ Ellie says. ‘You do still have a phone, don’t you? I was going to tell you that Ludovico Einaudi is touring Japan so not to bother going. In any case, he’s not likely to be playing at The Little Theatre, is he? It only seats about two hundred. It must have been someone else. You don’t remember who because you fainted. And this Danny Rocco you think you saw was probably someone who worked at the theatre. You say his appearance had dramatically changed. I know you get confused when putting names to faces. You thought Rahul Joshi at the convenience store was Daniel Craig, remember? Or at least that he looked like him. I think you may have meant Dev Patel. I don’t think Meghan Markle is going to be the new James Bond either. I can’t imagine how you came up with that one.’

I try to interrupt Ellie but she has the bit between her teeth.

‘You do realise you keep imagining things, don’t you?’ she continues. ‘It’s time you got a grip, Bill. I think you ought to go and see Dr Rosado.’

It turns out Dr Rosado is on sabbatical so I see Dr Gray instead.

‘I see that over the years, Dr Rosado has had you on a range of ….. well I suppose for lack of a better expression, you would have to call them hallucinogens,’ Dr Gray says. ‘H’mmmm. A little unorthodox. But I suppose he is an experienced practitioner. And you are currently taking, let me see ……. Sorry, I’m having a little difficulty with the name. I’ve definitely not heard of them. How are you getting on with them?’

‘OK, I guess,’ I say. ‘My partner felt I should check in with you. That’s why I’m here. She thinks I was mistaken about something. She doesn’t believe that someone that was dead has come back to life.’

‘I see. Well, it has happened before.’

‘It has?’

‘Yes. Our dear Lord came back to life, didn’t he? He rolled away the stone.’

‘You mean Jesus?’

‘Yes, Jesus. On the third day.’

It’s probably best not to go into Danny Rocco’s lack of messianic credentials.

‘Apart from that,’ Dr Gray says. ‘Any delirium?’

‘Not really, no.’

‘Any confusion?’

‘Now and then. We live in very confusing times, don’t we? Everyone is finding things a little strange since the circus came to town and they changed the road names. Have you noticed that dogs have stopped barking?

‘Look! To be on the safe side, I think we’ll try you on something different this time. This new one they’ve brought out perhaps. There are fewer potential side effects.’

Time has settled down. The birds are back in the garden. Blue tits, finches, blackbirds, sparrows. They are singing their hearts out. And the dogs are barking again. The buses too have sorted themselves out. They are back to their muted grey. And the old road names are back. It is easier now to get your bearings. But predictability can be dull. There are no longer any surprises. I’m finding it difficult to adjust to regular patterns, waking each morning to find everything exactly as I left it. And where have all the flowers gone? Those colourful blooms that reached up to the sky. These new tablets that Dr Gray prescribed will take some getting used to. I believe that on the whole, Dr Rosado’s tablets suited me better. It’s a pity that he is now in custody.

© Chris Green 2020: All rights reserved

Homburg

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homburg2020

Homburg by Chris Green

Ben Maceo told me about the clock last week. Ben has special powers, you see. He can tell when things are going to happen. Had it been anyone else, I would never have believed them, but as it was Ben, I knew that it would happen and so I was able to prepare. Ben knew that the big clock in the town’s main square was going to explode and that there would be fragments of time scattered everywhere. He knew you would no longer be able to rely on your watch or the numbers you saw on your phone display to tell the time. He knew that time being the key to practically everything, the chaos would spread. Perhaps I should have shared his warning with others, but I did not. I find that not many people are ready for unpleasant truths, and especially not to hear them before the event. The others on the campus already think that I’m a bit weird for hanging around with Ben.

Anyway, time is all over the place now. Not just hours and minutes, but years and months are coalescing, or separating. No-one knows what is going on and from what I can see from the television pictures, there is panic on the streets. Film crews have been shipped in from far and wide to take a look at the chaos that is happening in the town. Many of course have not been able to get here as time is buffeted around, but some have arrived, or are arriving. But others who have arrived are stuck here, whether they want to be or not.

Every aspect of our everyday lives, as Ben points out, is time- dependent. I am not going to even venture outside until things get back to normal. Perhaps they will never get back to normal, but this is a chance that I have to take. In the meantime, I can take some cuttings from my agave plants and practice some Janacek on my ukulele, and there’s that Schopenhauer essay I have to finish off. Schopenhauer’s view on time is that we spend too much of it ruminating on the past or planning for the future that our lives quickly pass us by. So, I’m going to try to get on with mine. After all, Ben has my phone number. He will let me know if and when there is any change. Perhaps he might even call round. We could listen to my new Ozric Tentacles CD. And, who knows what else?

I have learned to trust Ben’s intuition. It was Ben who told me about the man in the Homburg hat’s arrival at the railway station last June. Ben was aware that the stranger’s very presence in the town would bring about the worst snows on record, and this in the middle of summer too when the rest of the country was basking in the seasonal sunshine. The mystery man was also responsible for the disappearance into thin air of the 11:11 train from the capital to the west country on November 11th, somewhere between the ancient burial sites and the land sculptures by the artist with the unpronounceable name. Ben told me this was going to take place days before it happened.

His gift is that he can detect what is happening behind the scenes. He can see the invisible threads that connect all things. He knows that when one of those threads gets broken that something anomalous will happen. By tracing the path of the broken thread, he says, he can tell exactly what will happen, along with when and where it will happen. He does not do any of this consciously. He says that it’s just like having the radio on in the background. This is how he knew that we would have blizzards in June and he knew the train would disappear.

‘There is more strangeness in the world than most people realise,’ he is fond of saying. ‘Most people cannot see the mechanics of things happening. They just put events down to cause and effect, without understanding what cause might be or what happens in between cause and effect or else they come up with some claptrap about theoretical physics to explain things.’

I’m right with Ben on this one. Theoretical physicists seem to know very little about the universe. Their theories change every five minutes. They talk about red shifts and blue shifts, expansions from the big bang and contractions down to gravity, dark matter, and dark energy, but despite all this blather, their understanding of what is really going on never seems to become any clearer. The great Karl Popper summed it up by saying, ‘Whenever a theory appears to you as the only possible one, take this as a sign that you have neither understood the theory nor the problem which it was intended to solve.’ Ben Maceo takes it a step further and argues that there is no point at all in universal theories, each event is unique and has its own explanation.

……………………………………………….

Time is still all over the place. So far as I can tell, it has been three days, give or take, so far as I can tell since it all went down and Ben still hasn’t been round to see me. He hasn’t so much as called me. You would think that given his intuitive powers, he would have detected the undeniable chemistry between us. Surely he has spotted that I always sit next to him in Paradox and Plurality. He must have noticed that I hang on his every word. What can he possibly be doing that is getting in the way of our blossoming romance? Especially now. He can’t be busy. College has been closed since the upheaval. He has no excuse not to get in touch.

I left several messages on Ben’s phone, but amidst all of the temporal disorder, I suppose he may not have got them. Perhaps he will get them tomorrow or maybe he got them and thought they were from last week. From before the clock exploded. This could explain why I haven’t had a call. On the other hand, the messages may still be up there in the ether, struggling to find its way, along with all the other communications that have been disrupted. They said on the news that messages from weeks ago were still bumping around out there, trying to find their destination. I suspect some people will have made it out of town, but the newsman said that this would be a risky undertaking because of the wormholes. I imagine the term wormhole is perhaps being used here because they have no idea what is going on.

Ben would be able to explain what is going on, but he probably wouldn’t want to tell them. Perhaps they would not understand it if he did. If you can’t understand something without an explanation, then you can’t understand it with an explanation. I read that somewhere. I wonder where it was. There is an innate tendency to feel that things have always been as they are now and always will be. This is the way the human mind seems to work, but there was always a before and there will always be an after. It’s just a question of learning to think this way. We need to take a more Zen approach.

It is dark much of the day. Sometimes light breaks through for a few minutes but then the sky blackens again. With nothing to regulate them properly, night and day seem to be entirely arbitrary. My laptop is continually doing a system restore and my bedside clock is like a random number generator. I keep picking up numerals off the floor from the various clocks around the flat. Living without the certainty of time takes a lot of getting used to.

Ben did say that in the beginning, at least for the first few days, the aftermath of the explosion in the town would be difficult to live with. Perhaps he has left town. He knew that it was going to happen and seemed to understand the effect it would have, so this would make sense. And this is why he can’t communicate. Bit he should have taken me with him. Instead, I am stuck here. Oh well, no use dwelling on it. If it stays light for a while, I think I will paint some yantric mandalas to focus my mindfulness.

……………………………………………….

The stranger in the Homburg hat. …… The one that Ben described. ……. He is outside my house. ……. He’s looking in the window. ……. He has something in his hand. He is holding it up for me to see. It looks like an envelope, a black envelope, one of those A4 folding ones that you use to keep documents in. …… Oh my God! I can see his silhouette through the frosted glass of the front door. He is wearing a long black overcoat and with the hat looks about seven-feet tall. He’s knocking on the door. ……. What should I do? I’m not ready for this. I am terrified. He knocks again and shouts something. I can’t make out what he is saying. His diction is not good, but it does sound like a threat. ……. Suddenly, there is another rupture in time and to my great relief, the man in the Homburg hat is no longer there. But, the black manilla wallet is lying on the coir doormat inside the door, in front of me. Anxiously, I pick it up and inspect it, afraid to open it to see what is inside.

Finally, I pluck up the courage to take a look. The wallet contains nine sheets of A4 paper, each with several paragraphs of text on, but it is like no writing that I have ever seen before. It is perhaps a little, but only a little, reminiscent of Arabic script. In any event, it looks to the untrained eye as unintelligible as Kurdish or Urdu might be. At the bottom of the last page, as if acting as a signature, there is a line-art graphic of a shattered clock. How am I supposed to make anything of this arcane communication? We covered theosophy and The Golden Dawn and all that Zoroastrian mysticism in a module last semester, along with Rosicrucianism and the Kabbalah, but I can’t pretend that I followed it that closely. It was too easy to get one mixed up with the other and I drifted off a lot. I think I may have just sat in on the module to be around Ben.

The curious thing is, I find that I am able to read this bizarre communication. Not all of it, certainly, but I can make out passages of the strange text. Where has this remarkable ability sprung from? The letter contains none of the mumbo jumbo from esoteric teachings that the blocks of arcane lettering suggest. Instead, it mentions a meeting. I am to meet an undisclosed party, by the statue of Neil Diamond. The statue of Neil Diamond? Crackling Rosie? Sweet Caroline? Why is there a statue of Neil Diamond? The statue, it says, is located next to the harmonica museum. I didn’t realise there was a harmonica museum in the town. Where on earth is the harmonica museum? The letter doesn’t offer a map. Oh well, I expect I will find it. It is not a large town. The main problem might be the one concerning the specified time, midday. Time has not settled down yet, so how will I know when it is midday and if I do find out, will it still be midday when I get there.

……………………………………………….

‘Light doesn’t necessarily travel at the speed of light,’ says a muted voice. I cannot see where it is coming from and, at first, think it might just be a voice in my head. After all, it is an odd line in conversation.

‘The slowest recorded speed for light is thirty-eight miles per hour,’ the voice continues. Is it perhaps some kind of coded message? I turn around to see a short stocky one-armed man in a Pablo Picasso blue and white hooped sweatshirt and black sunglasses emerging from behind the statue of Neil Diamond. He has a Siamese cat perched on his shoulder. Even though there is a lot of competition for strange, if this fellow is going for strange, he has surely succeeded.

‘Would you like to sing to my cat?’ he says. ‘He likes sea shanties best.’

‘I don’t think I know any sea shanties,’ I tell him. ‘Sea shanties aren’t a very girlie thing.’

‘Of course, you do,’ he says, dancing on the spot. ‘Everybody knows at least one sea shanty. What about Blow the man down?’

‘No sorry,’ I say. ‘I don’t know it.’

‘What about a folk song then,’ he says. ‘My cat likes Wimoweh. My cat is called Trevor, by the way.’

‘OK I’ll give it a go,’ I say, finding myself somehow being drawn into Pablo Picasso’s veil of nonsense.

Wimoweh is easy as it doesn’t have a lot of words, but as soon as I start singing, Pablo Picasso disappears along with his cat. One minute they are here and the next they are gone like thieves in the night. I am still no wiser as to what the meeting might have been about, or indeed if this was the meeting at all. I wait outside the harmonica museum for a while, but no-one else turns up to meet with me.

I notice that some men are trying to rebuild the town clock. It is a great brute of a thing, much bigger than I remember it being. It is surrounded by crude scaffolding and one of the men is struggling to carry the minute hand up an improvised ladder while another holds the hour hand in place at three o’clock. Perhaps time will soon be back to normal and I will see Ben again. After all this singularity, I’m looking forward to some straightforward metaphysics and philosophy.

……………………………………………….

‘By the new saxophone shop? Yes, Ben. Of course, I can meet you there. I’ve got my bicycle. The new saxophone shop, though? I’m not sure where that is…… Ah, I see. Jack of Clubs Street. That’s around the corner from the kaleidoscope repair centre, is it?’

At last, to my great relief, Ben has called me. It’s so good to hear his voice. Since he’s been away, I have had to suspend belief with some of the things that have been happening.

‘Yes, up Jack of Clubs Street and about a hundred yards on the left,’ he says. ‘You can’t miss it. It has a large Selmer saxophone hanging outside. I’ll meet you in an hour.’

I’m concerned that if I let him off the phone then he will be gone out of my life again. ‘Look! I’ve been worried about you,’ I say. ‘And I’ve been living a nightmare. Where have you been?’

‘I’ve been here and I’ve been there and I’ve been in between,’ he says. ‘You’re right. Things got a bit mad back there for a while, didn’t they? But, I believe the man in the Homburg hat has gone now.’

‘Thank God,’ I say. ‘He was sinister.’

‘I hope the dancing painter with the cat wasn’t too much bother,’ he says. ‘He comes out of the woodwork sometimes when he sees an opportunity. I expect you had to sing a song or two.’

It is uncanny the way Ben knows what has been happening, even though he has not been in town. Or has he? He did say he’s been here and he’s been there and he’s been in between. Anyway, I’m thrilled to be meeting him again. I can hardly contain myself.

I pass the clock and see that the hands are now in place and the men are taking the scaffolding down. A small group of cheery vagrants are gathered around it, celebrating with their bottles of cider. I pass the new statue of Neil Diamond, although I have to say, it doesn’t look a bit like him. I take a detour to avoid some men putting up a hoarding to advertise a new blockbuster called Rocket Man, or something. I’ve not been this way often, but eventually I manage to find Jack of Clubs Street. It is a long narrow street and it is enveloped by a haze so I cannot immediately make out where the saxophone shop is. Then, I spot the silver Selmer saxophone shimmering through the murk. It seems to have fallen from its mount onto the pavement.

But, where is Ben? There is no sign of him. What can have happened to him? I get off of the bike and as the haze clears a little, I look frantically up and down the street. It is then that I notice the man in the Homburg hat. He is walking slowly towards me. He has something with him. He is holding it with both hands on his shoulder. In the haze, it is difficult to make out what it is. Is it a balloon? Or, is it a kite? It might be a surfboard. Oh, Jesus, Mary, and Joseph! It’s a …… rocket launcher! Jack of Clubs Street is not a safe place to be. Why has Ben brought me here?

© Chris Green 2020: All rights reserved

When I Was Older

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wheniwasolder

When I Was Older by Chris Green

When I was older, I was a saxophonist. I was one of the last living saxophonists before the instrument was banned and all saxophones were melted down to help the war effort. The trumpet suffered a similar fate. Brass instrument detection squads with sophisticated detection equipment were deployed with harsh penalties introduced for possession. But that was then. April 2047, if you want the precise date it became illegal to blow your horn.

I’m Charlie Tooting. You may not have heard of me as I am, at the present time, that is your present time, the time you are reading this, still a journeyman, working out tunes on the blues harmonica. Little Walter and Junior Wells are my inspiration. But at some stage, in what you think of as your future, you will hear my name. You will hear my music. Mark my words! You may even be moved to buy some. Make a note now! Charlie Tooting. Saxophone.

It is difficult, isn’t it, to get your head around the fact that time isn’t linear? This is not what you are led to expect. But, when you look more closely, there is no conceptual distinction between past and future, let alone an objective line of now. You need to drop the idea that time is something that flows. Time, like space, is just there. All of it. More helpful perhaps to view space-time as a four-dimensional structure. The fundamental laws of physics work the same both forward and backwards.

Saxophones were not melted down to help the war effort, of course. Nor were trumpets. By 2047, wars were not fought this way. All conflicts were conducted in cyberspace. The real reason for the ban is a puzzler. It may never be disclosed.

A group of us, a dozen in all perhaps, are sitting in Eve’s garden in the early Autumn sunshine. It is a Saturday morning. It is the time you refer to as now. Eve has put on a spread of cakes and pastries including my favourite, tiramisu. In the background, Chet Baker is singing about a lost love. It is not clear when his love went missing.

Vincent asks Eve if there is any wine.

Eve laughs and says something about 1969.

What on Earth is she on about?

‘A reference to a lyric from a 1976 tune by The Eagles,’ Holly Wood explains.

Mainstream rock is not really my thing. It lacks subtlety. Little use of counterpoint. Sparing use of minor keys. I prefer jazz and blues.

‘Is there anything going on today?’ Pascal asks. ‘Something we could all go to.’

I mention the possibility of going to the match. Our local team are playing one of the bigger teams. This doesn’t seem to interest anyone.

The stranger in the harlequin-patterned shirt stroking the Maine Coon cat tells us there is a Street Fair on Monday. With fairground rides, magicians, circus acts, music and dancing. He mentions the names of some bands. They sound like tropical diseases.

‘Is Monday a Bank Holiday?’ I ask. It seems strange to have one in October. If it is a public holiday, it will probably mean that my harmonica class will have been cancelled. Lou said nothing about this last week. He just told me I needed to learn a new breathing technique and practice my blocking.

‘Monday is a Bank Holiday,’ Eve says. ‘It’s a new one to celebrate Prince Barry’s birthday.’

Who is Prince Barry, I wonder? Have I missed something? It’s hard to keep tabs on everything. There are so many unanswered questions. Why are red buttons always the most important? Who let the dogs out? And what is that low-pitched hum we’ve all been hearing for the last three months? No-one knows.

‘I don’t think I’ll be able to go to the Street Fair,’ I say. ‘My war wound is playing up.’

Shrapnel. Operation Olive. The Battle of Rimini. 1944. This was a proper war. A war with tanks and guns. That’s where I came across the harmonica. It must have belonged to a dead soldier. 1944.

‘Time can be a trickster,’ I say.

‘Time keeps on slipping, slipping into the future,’ Eve says.

Another tune from the 1970s, apparently. Eve is fond of quoting song lyrics. But does it? Does time keep slipping, slipping into the future? It seems to me this is not always the case. The big white Zephyr with the tail fins has been following me for weeks and I have been following the big white Zephyr with the tail fins for weeks. You may have seen it too. Big white Zephyr. Blacked out windows.

You’ve probably noticed how the night moves. Without warning, you are shifted from one narrative to another. It is said that when we leave somewhere, we leave something of ourselves behind. Even though we go away, part of us remains. We might thus inhabit many places at the same time. I was unable to understand the mechanics of the mystical crossroads until I was older but this is the way it is with time. One day, you will wake to find that the information has silently seeped into your consciousness. You will find yourself zipping about the space-time continuum. It will become so commonplace you will not even notice when it happens. And happen, it will.

I am on stage. The Charlie Tooting Quintet. We are playing at the Rimini Bar. In a small town in the west of England. Maybe you are in the audience. I can see there are quite a few in tonight. If you are not, you can catch up with us elsewhere. You will find details of our touring schedule on our website. Be sure to check the dates carefully otherwise you may find you have missed us. We have a request to play How Long Has This Been Going On. This is strictly speaking a tenor tune but I like to surprise people by playing it on soprano sax. I look around the stage for my instrument. I don’t appear to have brought the soprano. In fact, I have no saxophone at all. All I have here is a harmonica. And there is no band.

These things happen. When I was older, I discovered temporal precision, like many other things, is not something you can rely on. Best to throw out your timetables. They will do you no good. What then can you rely on? Can you rely on what you see? What you hear? What you read? Of course not! Can you rely on Divine intervention? Can you rely on intuition? Chance? Who can say?

Backgammon is considered a game that has the perfect balance between skill and luck. You need to make similar calculations to those you might make in a game of chess but at the same time, throughout the game, you have to rely on chance. The odds of throwing a double six are thirty five to one. The odds of rolling two double sixes in a row, when this is what you require to bear off, I believe, are one thousand, two hundred and ninety five to one. How then is Clancy Edo able to defy these odds? And this, of course, from a losing position and after I have upped the stakes with the doubling dice. Clancy has managed this on several occasions now. Littlewood’s Law suggests a person can expect to experience miracles, which he defines as events with odds of one in a million, at the rate of about one per month. But even so.

It was not until I was older that I realised many things in life are quite probably, unexplainable. The low-pitched hum we’ve all been hearing is unexplainable. The way the big white Zephyr with the tail fins keeps appearing is unexplainable. The way an original tune appears in your head from out of nowhere is unexplainable. Perhaps any revolutionary new idea is. Where can it have come from? Consciousness itself is unexplainable. If you are looking for answers to life’s mysteries, rationality will get you nowhere. There are black holes and it is said by one of our great thinkers that black holes are where God divided by zero.

I think I can hear someone calling me. It could be that my new medication is ready.

© Chris Green 2020: All rights reserved

ODDS

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oddsOdds by Chris Green

Having worked at BiggerBet, Rick O’Shea knows a little about odds. Rick knows, for instance, the bookmakers’ odds of West Ham winning the Premier League are 1,000 to 1. The mathematical odds of being dealt a Straight Flush at five-card Draw Poker are 72,192 to 1. The odds of winning the jackpot on the six ball Lottery by getting each number correct are roughly 14 million to 1. But the odds of Billy Chance turning up on his doorstep in his Tottenham Hotspur strip bouncing a football are incalculable, especially as Billy doesn’t appear to have aged since Rick last saw him over thirty years ago. As far as Rick knows, Billy is dead. He heard Billy met his maker when his Sierra Cosworth came off the road at Fiddlers Elbow, a notoriously dangerous bend that over the years has claimed many lives.

If Billy is dead, he doesn’t seem to realise it because he wants to know if Rick is up for a kick-around in Farmer Flynn’s field. This is not going to work out as Farmer Flynn’s field has long since been built upon. It is now a mixed development of three and four bedroomed town-houses and deceptively spacious starter apartments. In any case, Rick’s arthritis means that kicking a ball around is all but impossible these days. He has an appointment with the doctor later.

‘You’d better come in, Billy,’ he says, hoping that something will come to light to help solve the mystery.

‘It looks different,’ Billy says once they are in the hallway. ‘What happened to the poster of Gazza?’

Billy doesn’t look different. He still looks ten years old. He is exactly how Rick remembers him. The same ginger hair parted harshly at the side. The same scar on his left cheek which has not quite healed, this from the scrap he had had in the playground with Johnny Keating. He isn’t sure how he should play it. There is too much of a gap between logic and what is happening here. Can Billy not see that he is no longer ten years old? That things have moved on? Rick tries to explain to him that this is not the old house he used to visit. That all happened a long time ago.

‘Oh! I see. You’ve moved, have you, Rick?’ Billy says. ‘When was that?’

Rick tells him in the simplest way he can that he has moved several times. And furthermore …..

‘If you like, we could go along to the double bridge instead,’ Billy says.

Rick recalls they sometimes used to go trainspotting in the old days. The double bridge was a place you could see the trains coming in both directions from a long way off.

‘No. I don’t fancy that, Billy,’ he says, hoping he will not need to explain railway developments over the last four decades.

‘OK,’ Billy says. ‘But I think I’ll go along. The express will be coming through soon. I’ll leave the ball here then, shall I?’

With this, Billy is gone.

……………………………………….

‘Too much sitting at a desk,’ Dr Baccarat says. ‘You need to get more exercise. But I have an under-the-counter spray that I think might help. And I’ll see what I can do about that other matter.’

Rick is pleased he was able to see Dr Baccarat. He is always more helpful than Dr Hopper or Dr Bolt. They usually send him away with a flea in his ear.

After the appointment and a blast of Dr Baccarat’s spray, he stops off at The Gold Cup for a Special Brew. He has a chat with his former colleague, Dean Runner. Dean has also lost his job with BiggerBet. Dean says the problem is you can bet on anything. Bog snorkelling, cheese rolling, the discovery of life on Mars, when the end of the world would be. How can you honestly offer objective odds on unusual bets? It is easy to see how Rick made a mistake offering odds on the winner of the Home Counties Conker Semi-Finals. While he probably shouldn’t have accepted such a large bet at such long odds and certainly not to someone he was acquainted with, BiggerBet could afford the payout. Besides, they themselves had not done too badly. Both Rick and Dean had frequently taken advantage of insider knowledge and backed unlikely winners.

When Rick returns home, he finds an old Fiat Uno parked on the drive. A rare sight these days but the car seems somehow familiar. He assumes it must belong to a friend of Amy’s. Amy has probably returned from work early. Since Brexit, there has been a reduced demand for eyebrow tinting. People can no longer afford such luxuries. But there is no sign of Amy’s Mini.

Inside the house, he becomes aware of a sweet perfume he doesn’t immediately recognise. Someone is shuffling about upstairs.

‘Is that you, Ricky?’ a female voice calls down. ‘I hope you don’t mind. I let myself in.’

It takes him a while to recognise the voice. He has not heard Donna’s voice for a long time. But it certainly sounds like her. It is then he remembers she had a Fiat Uno back when he used to see her. As he recalls, it kept breaking down. But he hasn’t seen Donna for years. What can she possibly be doing here?

He goes up to the bedroom. Donna is slipping out of her dress. She looks exactly as she did years ago. Lithe and youthful.

‘Shall we get in?’ she purrs, gesturing towards the bed.

Dr Baccarat’s under-the-counter spray has offered some relief to Rick’s arthritic limbs and the Special Brew has perked him up. But an under-the-sheets romp with a twenty-something Donna is an altogether different proposition. He remembers she was always what one might describe as lively. Also, it might be difficult to get Amy to be understanding if she comes home early from the salon. Meanwhile, it is difficult for him to understand what is going on. This isn’t merely a question of the odds being incalculable. They have somehow entered the realms of impossibility. What crazy shit is going down in his world?

To buy some time, he tells Donna he is going to take a quick shower. He urgently needs to gather his thoughts.

‘Don’t be too long,’ Donna says. ‘I’m feeling very horny.’

Rick goes into the spare room and calls Amy, this on the pretext of asking her to drop by Tesco on her way home to buy plum jam as they have run out. She tells him she is meeting Nicky after work. She told him this morning. Doesn’t he remember? He tells her not to worry, he will go out and get the jam. On the plus side, she isn’t going to suddenly come through the door.

When he goes back into the bedroom, he discovers Donna is no longer there. He hears the sound of a car starting up outside. He looks out the window and sees the Fiat disappearing up the drive.

……………………………………….

Years ago, Rick’s psychotherapist, Hoagy Platt taught him the 4-7-8 breathing technique. Remembering this, he uses it now to try to calm himself. It seems to work. As the minutes pass, he feels more centred. He questions whether either of today’s curious visits actually happened. Perhaps he was simply mistaken. This has happened before. The mind can sometimes play tricks. If you give it free rein, imagination is apt to run wild. Perhaps the visits were nothing more than illusions brought on by stress.

He checks the bedroom again. At first glance, nothing appears to be out of place. It looks as it usually does, the bed neatly made, the pillows on either side correctly stacked and the sheet folded over the duvet at the top. But then he notices a large pink hooped earring on the floor. This is not the type of thing that Amy would wear. She only ever wears studs or discreet dangles. This is a younger person’s jewellery and pink is Donna’s colour. There are traces of perfume lingering in the air, the same one he caught a whiff of earlier. While neither of these things in themselves is conclusive, together they present a strong case for Donna’s having been here. Billy’s football on the floor by the coat-rack in the hallway suggests that he too was here.

Weird though the day has been, Rick tells himself that no actual harm has been done. Whether real or not, these were his own private experiences and so long as he can put them behind him, life can return to normal. He has overcome lapses in reason before. When you consider it, life itself is strange. Many things happen to people every day for which there is no plausible explanation. Why would he be exempt from the whims of unpredictability and strangeness? Who can tell what is real and what is imaginary anymore? What is genuine and what is fake?

‘How’s the job hunting going?’ Amy asks when she comes home.

Rick tells her he has applied for a senior position at YouBet. He hasn’t. He had thought about putting in an application but with everything else happening, this had taken a back seat.

‘That’s good,’ Amy says. ‘All this sitting around at home is not good for you. Haven’t you noticed you are putting on weight? By the way, someone called Donna came in to have her eyebrows done earlier. She said she remembered you from years ago. Knew you quite well, apparently. It seems strange you’ve never mentioned her. Around fifty, I’d say, although she dressed much younger. Skimpy little dress, bleached blonde hair, lots of make-up. Mutton dressed as lamb, to coin a phrase. Ring any bells?’

‘No,’ Rick says. ‘I don’t think I know anyone like that.’ The Donna that Amy is describing seems to have little in common with the vision he caught a glimpse of earlier. And yet ……

……………………………………….

‘I wonder who that creepy old fellow is that’s been hanging around outside,’ Amy says at breakfast the next morning.

‘Who?’ Rick says. ‘I haven’t noticed anyone.’

‘The one with the long ginger hair and the scruffy white football shirt,’ she says ‘Every time I go out, he seems to be there. He talks to himself. He’s definitely strange.’

‘No. Can’t say I’ve seen him,’ Rick says.

‘Mutters to himself, Gazza’s great or something like that,’ Amy says. ‘I always give him a wide berth. Perhaps you might have a word.’

‘I can’t see him,’ Rick says, going over to the window. ‘Where is he?’

‘He’s doesn’t seem to be there at the moment but he was first thing when I got up,’ Amy says. ‘Look. I’ve been meaning to ask. Where did that football in the hallway come from?’

‘Don’t know,’ Rick says. ‘Your nephew, Adrian?’

‘But Adrian hasn’t been here for months.’

‘Don’t know, then. Perhaps it’s that crazy old man’s and he’s been looking for it.’

‘Very funny! Anyway, I have to get to work. Hope you hear about that job.’

Hoping for a less traumatic day, Rick settles down to do some research. He isn’t sure what terms to use but time shifts and false memory seem like good starting points. He finds pages and pages of results, each repeating the same things, no matter what he types in as qualifiers. Time shifts are more related to science fiction than hard science and false memory is a self-explanatory psychological phenomenon. Not exactly revelations. The internet is so frustrating. He is glad he has the cat to keep him company.

But wait, they don’t have a cat. Amy must have accidentally let this one in when she left for work. Yet Rick can’t help thinking the cat looks like Zorro. But don’t all black and white cats look the same? And Zorro died over twenty years ago. He would be about forty by now. That would be two hundred and eighty in human years. The cat has the same red collar that Zorro used to have. With a name tag. It is called Zorro. The odds against there being more than one black and white cat called Zorro with a red collar would have several noughts on the end.

Granted, these are short odds compared to the appearances of Billy Chance and Donna Betts. But still. This can wait until later. The cat is not doing any harm. It is time to find out what he can on Billy and Donna. He is about to try some targetted internet searches when he is interrupted by the arrival of a white van and a knock at the door.

‘You’ll have to give me a hand with this one, guv,’ the delivery driver says. ‘You’ll see why.’

The package turns out to be a three-foot by three re-enforced cardboard box. It is addressed to Rick but he feels he would remember if he had ordered anything this bulky. It is clearly not the windcheater jacket he bought on eBay or the DVDs from Amazon. The package has no return address. Rick is reluctant to accept it but the driver hovers over him threateningly and mouths something about having come all this way. Between the two of them, with a lot of huffing and puffing, they manage to get it inside the house and Rick signs for it.

Nor is it simple to open the box. Rick has to call upon most of the items in his toolbox. To his puzzlement, despite its huge size and weight, the box appears to be empty. He tries to turn it on to its side but it takes all his strength just to move it a few inches. How can an empty cardboard box be so heavy? Science and sensibility are out the window.

As Rick sits staring at the box wondering what to do with the thing, the hidden contents begin to emerge. Slowly at first. A smell, a taste, a pattern. Then a trickle. A song here, a picture there, a candle, a potted plant. A flip-top mobile phone, a new book about a boy wizard, a family pack of Honey Nut Clusters. Soon there is a settee, a chair, a CD rack, laughter and chatter. A card table, beer cans, a stack of newspapers, open at the sports pages. A TV in the corner with a chef shouting abuse at the others in his kitchen. Someone buzzing about saying something about taking the children to see Shrek. The news channel showing live pictures of planes hitting New York towers. The desktop computer is slow and clunky but it has the Internet and the facility to bet online. You can get odds of 6 to 4 on there being a third plane. A good price for a certainty. A no-brainer, Rick thinks.

He attempts to make a large bet. The site won’t accept any of his credit or debit cards. Is this a bad thing or a good thing? He cannot decide which. If, on the one hand ….. But, there again ….. The box in the room is still regurgitating the past. More clutter. The room is filling up with stuff. Tables and chairs, a backgammon set, half-empty coffee cups, discarded clothes, wine bottles, overturned ashtrays. The dog is barking. He doesn’t have a dog. Alarms are sounding. There are intruders. Everything is closing in. He feels claustrophobic. There are more shots of the burning towers on the TV. He finds it difficult to breathe from the smoke inhalation. He needs to go outside to get some air.

He makes his way out onto the street. To his relief, there are no suspicious people from the past hanging around. There are no unexpected cars on the drive. The traffic on the street is flowing orderly in both directions. A normal day here. A number 28 bus passes. It has an advert for YouBet on the side with their tag-line, you’ll get the best odds.

© Chris Green 2019: All rights reserved

Cor Anglais

~ Chris Green ~ Leave a comment

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Cor Anglais by Chris Green

I’m guessing many of you haven’t had someone following you in the fog playing The Diabelli Variations on the cor anglais. Beethoven piano pieces aren’t something you expect to hear on a double reed woodwind instrument in a concert hall, let alone while you are taking a morning walk along the coastal path. You will be able then to understand my puzzlement. Here I am on my way to Red Rock and so is the mystery cor anglais player in pursuit. Sea mists have been building in strength throughout the year in these parts and this is the worst one we’ve had. It’s a solid sheet of dense grey. Visibility is down a matter of feet. It is foolhardy to be walking along the narrow path at all. But the dogs next door were barking furiously. I could no longer concentrate on the chess video I was watching. The so-called game of the (last) century, Bobby Fischer versus Donald Byrne. We had reached Fischer’s famous Queen sacrifice on move seventeen. There were only four moves to go but I had to get out of the house.

When I stop to allow my pursuer to catch up so that I can catch a glimpse, he stops too. But he continues playing. I have only a rudimentary knowledge of music but my understanding is that the range of the English horn is a little under four octaves while the pianoforte spans seven octaves. As Beethoven was one to make full use of the keyboard, you would have to say this interpretation of the Diabelli Variations falls short.

My phone rings. ‘Bonjour Monsieur Gibson,’ the caller says.

He continues speaking in French but slowly, as if it is not his main language. Not that this helps. My knowledge of French is almost non-existent. I blame this on my old language teacher, Mr Coot. I don’t think his heart was in it. He spent whole lessons talking about cricket or telling us about the time he met Harold Macmillan. I wasn’t able to learn much French. But argent means money, doesn’t it? And I can make out the words, fils and tuer. Son. Kill. I don’t much like where the conversation is heading. I was wondering why Paul hadn’t phoned me but I had put it down to his being too busy with his Environmental Science assignment and not because he was being held hostage. It appears he’s been kidnapped. There’s not a lot else that kidnappé can mean, is there? I can’t understand much of the rest though. What’s the point in him issuing a threat in a language I don’t understand?

I try to get the caller to speak English but he clearly wants to call the shots. When he hangs up, I still have no idea who he is, how or why he might be holding Paul or exactly what his demands are. Why does he imagine that I have any money, anyway? Since I lost my job at the software company, I have been living on handouts. Could the phonecall even be a hoax? Someone pretending to be French? To confuse the issue, shift the emphasis? Might it even be something Paul has for some reason cooked up with his friends? Probably not. It does not seem like the kind of thing Paul would do. In any case, it would be irresponsible for me to let the matter go. For the time being, I have to assume my son is being held to ransom and it is not a hoax. I need to phone the police. Unfortunately, the Emergency 999 service has been suspended and I don’t have enough credit to phone the 118 Directory Enquiries services to get a number.

It is getting murkier by the minute. I need to take stock and get to a phone I can use. I remember my old chess buddy, Krzysztof lives close by, in a static home in the holiday park. He rents it cheaply during the winter months and I haven’t seen him for a while. Krzysztof is a resourceful man. He is one of those fortunate people that know how to get out of difficult situations. I’m certain he will be able to help. He will know what I should do.

I give him a call and explain my predicament.

‘Strange things are happening to us all, my friend,’ he says. ‘These days, day is night and black is white.’

I agree with him. Things are indeed upside down. Until recently, Paul’s future seemed guaranteed. The world was crying out for environmental scientists. But how quickly things change. Unlike climate, which is officially not now changing, even though everyone can see it is. I am not a great one for reading the papers but the outlook hasn’t looked good since the big squabble started. Then there was that other business. The one we voted on. It’s a shame the young did not get out to vote because it is going to be worse for them. Wherever you look now there is doom and gloom. Censored internet. Less choice. Poor prospects. Smaller horizons. You probably remember those days not so long ago when you could book a holiday in the sun. You could fly anywhere. Chess players from my club can no longer play any of the guys from overseas. Sundays have been replaced by Mondays, they are fracking in the park, packs of dogs are roaming the streets and a bottle of red wine costs an arm and a leg.

When I arrive at Krzysztof’s, I find to my horror that he has no face. I look at him but no-one is looking back at me. Between the collar of his shirt and his hat, there is a void. No eyes. No ears. No mouth. He did not warn me about this. Would it have been better if he had given me the heads-up? I don’t know. It would still have been a shock. Some of you may not have experienced it but until you get used to talking to a hat bobbing up and down and stranger still, the hat talking back, it can be disorientating. I try not to draw attention to it but Krzysztof detects I am uncomfortable and tries to put me at ease.

‘It’s not as unusual as you might imagine, Bill’ he says. ‘Many people from my country living here have no faces now. It’s one way we are able to stay put since that vote.’

‘On the other hand, they’ve made it easier to stay put,’ I say. ‘There’s not even a rail link to the continent anymore.’

© Chris Green 2018: All rights reserved

Only One Reality

~ Chris Green ~ 2 Comments

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Only One Reality by Chris Green

A second did not seem an important integer, but therein lay the problem. It was such a small unit of time. Yet, such was the degree of precision operating in the overcrowded skies that if Quincey Sargent had returned from his break seven seconds earlier or seven seconds later, the dreadful accident would not have happened. Sargent would not have given the instruction that resulted in the collision between the two leviathans that changed, albeit ever so slightly, Earth’s path around the sun.

Had the accident not happened, things would be as they had always been. Earth would spin on its axis once every twenty four hours and revolve around the sun in its normal orbit every three hundred and sixty five days. There would still be thirty one million, five hundred and thirty six thousand seconds in a calendar year. But as you know there are now more. Just how many more has still to be calculated accurately. We hear new estimates every day with eminent scientists forever trying to steal a march on one another. No one can even say for sure that Earth’s orbit is going to settle into a regular pattern. As you will be aware, the uncertainty has played havoc with digital technology and really messed up schedules and timetables. Try catching the eight o’clock Eurostar now.

Quincey Sargent has of course been dealt with, along with Stanton Kelso at ATC who failed to notice that the two giant craft were on a collision course. You probably saw Sargent and Kelso’s execution on television, if you have one that still works. But knowing that they were punished can never make up for the hundreds of thousands of lives that were lost. I expect from time to time some of you still take a look at the film of the explosion on topnet, if you can get topnet, to remind yourselves.

But it is not only the measurement of time that we have to consider. The accident has a far greater legacy, affecting every area of our lives. We’re only just beginning to find out the full extent of the disruption it has caused.

My friend, Ƣ, who works at the spy base calls me up out of the blue. He says that many of the strange phenomena that might be attributable to the catastrophe are being hushed up. Ƣ is not a WikiLeaks scaremonger. When Ƣ tells me something I believe him. I trust Ƣ implicitly. We go back a long way. We belonged to the same motorcycle club, The Diabolos when we were younger. He rode a Triumph Bonneville and I had a Norton Commando. You build up trust when you are riding fast bikes on long runs in large groups like this. Margins of error are small. Ƣ would not lie to me now.

‘I’m sure you’ve noticed that your satnav no longer works and there aren’t nearly as many websites as there once were,’ he says.

‘Of course,’ I say. ‘As you know digital is my field.’

‘Quite! Time is well and truly screwed, isn’t it?’ he says. ‘Anything that depends on time or needs a timer to operate, forget it.’

‘At least you no longer need to keep looking at your watch.’ I say. ‘Do you know? Even the oven timer is kaput and I’ve no idea when to put the cat out. In fact, the cat no longer wants to go out.’

‘Who can blame it with all that fog?’ he says. ‘But, there’s a whole bunch of other stuff that for whatever reason is not being reported. Why has an eight kilometre wide trench opened up across Central Asia?’ he says. ‘I don’t think that has been on the news. Why are they keeping the lid on that?’

‘Perhaps they have been too preoccupied with the floods in Nevada and Arizona to report on it,’ I say.

‘Why have the people in Australia started talking in a language that no one understands? Why do goats no longer have shadows.’ he says. ‘And what’s happened to all the fish in the sea?’

‘You think it’s all part of a big cover-up then,’ I say.

‘The communication satellites weren’t taken out by the explosion like they told us,’ he says. ‘They’ve been shut down since. And it’s not our people that are doing it. There’s definitely something sinister going on.’

I tell Ƣ about the after images that have begun to appear on all my photos. ‘They make it look like people are slowly leaving or arriving,’ I say. ‘It is as if I have set a long exposure or superimposed a series of images on one another.’

Ƣ tells me that others are having the same problem. A friend of his finds he has a Serbian First World War ambulance superimposed on all his pictures and someone else he knows has a spectral German shepherd in every shot. Every day he says he comes across more and more curious things that cannot be explained.

‘I’m wondering whether we are seeing more strange things lately, Ƣ, because we’re beginning to expect things to be odd,’ I say. ‘Aren’t we looking for weirdness?’

‘I suppose you might have a point, Bob,’ he says. ‘But I’m guessing that you don’t really believe that what you say explains everything. There are just so many things that have changed. Life bears no resemblance to how it used to be. Look! There is one important thing that has never been revealed and no-one seems to have picked up on it. What was on board those two craft that collided? We just don’t know. The Ministry hasn’t been able to find out. Our allies haven’t been able to find out. Nobody seems to know. Which is where you come in.’

‘I do? You’ll have to make that a little clearer,’ I say.

‘Well, Bob. For obvious reasons I can’t go public with any of the information I come across. I mean, look what happened to Eddie Snowden. I don’t want to have to live like that.’

‘What you are saying is that I can, is that it?’

‘Pretty much, Bob. I know that the internet is a bit skinnier than it once was, but you’ve got the skills to set up a proxy website and you know all there is to know about SEO, if that is the right expression and assuming that search engines still work. You could at least begin to post information for me. At the same time, you could discretely find out what other people might be noticing that we are not being told and report back.’

‘But …..’

‘You will get paid.’

‘It’s not that. It’s …..’

‘I know. I know. I work in the secrecy business. But there’s a limit. When something this serious is going down, I don’t think you should keep people in the dark. What do you say?’

I don’t have anything better to do. I no longer have a job. Nobody seems to need digital display designers any more. I suppose I could get a job repairing cars or something. With all the electrics failing that’s where the demand is. But everyone’s going to be turning their hand to that. I agree to Ƣ’s proposal.

I try to think of a suitable name for the site. aintthatthetruth.com, wtfshappening.com, alliwantisthetruth.com, none of them very snappy. Surprised that the domain hasn’t been taken, I settle on whistleblower.com.

Ƣ comes up with staggering tales from the word go, extraordinary stories from around the world. He wants people to know that they have started practising voodoo in Switzerland. He wants it out there that everybody in Japan has become left handed. That there are giant badgers in Nepal. The reason that the fish are all dead it is now thought is that there is no salt left in the sea. They have moved the International Date Line three times in a week and changed the value of pi. The latest on the length of a day is now that it is believed to be twenty five hours and twenty four minutes in old time. Ƣ says that no-one is talking about the number of seconds in a year any more. This he says is going to be impossible to calculate until Earth’s orbit has settled.

My site begins to attract whistleblowers from around the world. Rigatony posts that Venice is sinking fast and that everyone in Padova is having identical disturbing dreams at night. Plastic has become unstable and computer keyboards and TV remote controls are decomposing, posts MercyCaptain. According to Kommunique, all the babies born in Kyrgyzstan since the catastrophe have been female, not a popular option in a Muslim country. There are dust storms in Oklahoma says CrashSlayer. Aren’t there often dust storms in Oklahoma?

A lively online community quickly comes together through the forum. My admin duties keep me busy day and night. In no time at all the analogue hit counter is up to five figures. Although there’s nothing directly relating to the cargoes of the craft, a majority of the posts are constructive and informative. Being an open forum there are of course also time wasters and religious fanatics. Fire and brimstone and Sodom and Gomorrah are mentioned a lot. What we are witnessing, the evangelists claim, is God’s punishment for planned parenthood, spare parts surgery and gay marriage.

There have always been conspiracy theories, so it is unsurprising that some of these also find their way on to whistleblower.com pages. Everything going wrong it is claimed is part of a plan by ruthless aliens who want to force us into submission so they can take over Earth. It is an Illuminati or Zionist plot to take over the planet. It is part of a big budget surreality television show. Everything is an illusion anyway. Some things you have to take with a pinch of salt. Nothing resembling a conclusive explanation for the upheaval appears, although the illusion explanation, while clearly impossible to confirm, is tempting. Everything that is happening might well be part of someone’s dream. Or a hologram. Gravity in the universe comes from thin, vibrating strings. These strings are holograms of events that take place in a simpler, flatter cosmos. The holographic principle suggests that, like the security chip on your credit card, there is a two-dimensional surface that contains all the information needed to be able to describe a three-dimensional object, our universe. In essence, the information containing a description of a volume of space, be it a person or our Earth could be hidden in a region of this flattened real version of the universe.

It’s a bit of a head-banger. I put this to Ƣ as best I can.

He agrees that multiverses and strings are legitimate lines of enquiry and the Ministry has been putting resources into their research. But how does this help?

‘We have a whole heap of strangeness, that we didn’t have before,’ he says. ‘If parallel worlds could explain what is happening, we would have had the kind of anomalies we are getting now all along. There would have always been parallel worlds. That’s not what it is.’

It is difficult to disagree with him. Quantum mechanics even in its simpler form is something I have never been able to grasp, despite watching many programmes about it on television.

Ƣ goes on to tell me I am doing a good job and if I keep at it, all should be revealed. There is bound to be an explanation for the apparent rupture in the space-time continuum. So that’s what it is, a rupture in the space-time continuum.

One moment I am sat at my computer, keying in a report about the dense swarm of black moths that has appeared over London, the next I am in a darkened room. The space is unfamiliar. It is small. There are no windows. There is a dank smell. The door is locked. I can hear the hollow sound of a slow but steady drip of water. I have always suffered from claustrophobia. Being confined like this has always been my deepest secret fear. I am terrified. This feels like the grave. Is this what death is like? Is this how it happens? Could this be it? No blinding light. No life flashing before your eyes. No white tunnel. Is this it? The other side? Or, perhaps it’s the waiting chamber, the holding bay.

This is not it. Sometime later, it may be hours, minutes or even seconds, my captors reveal themselves. Not before I have been to hell and back. The door opens and they materialise slowly as if they are made up of dots, like a half-tone in an old newspaper. There are three of them. As my eyes get used to the light I can see that they are three-dimensional figures and they are wearing military fatigues. They don’t look friendly. There are no welcoming gestures. They have guns.

The one on the right of the group opens his mouth to speak. The sound appears to come from the one on the left, the one with the scar down his cheek and the alligator grin. ‘You will close the website down,’ he barks.

‘Immediately,’ says the one on the right. The sound appears to come from the one on the left. This one has a gallery of Japanese Dragon tattoos on his arms.

‘We would have taken it down ourselves, but you did something ……. smart with it,’ says the one in the centre. He is built like a Sherman tank and aptly he is the one with the biggest gun. It is pointing directly at my head.

Beneath my fear, I can’t help thinking that this is a heavy-handed approach. Just one of them, any one of them could have knocked me up at home, pointed a gun at my head and expected to get results. You would not mistake these people for boy scouts. They really look like killers.

‘We are the time police,’ says Alligator Grin. This may not be what he says, but this is how I hear it. Perhaps they are the time police. Perhaps they are not. Perhaps they are hallucinations but I am not taking that chance. My survival mechanism tells me that they are armed and I am not.

‘We are here to set the record straight,’ says Dragon Tattoos.

‘To put an end to all that nonsense you’ve been publishing,’ says Tank.

‘Lies,’ says Alligator Grin. At least I think that’s what he says. His diction is not good.

‘There’s only one reality,’ says Dragon Tattoos.

‘And it’s not yours,’ says Tank.

‘You are going to start again on your server and tell people the facts,’ says Dragon Tattoos.

‘The real facts,’ says Tank. They have lost the rhythm. It’s not his turn to speak.

‘The day is twenty Ferraris,’ says Alligator Grin. I’m getting the hang of it now. He means twenty four hours.

‘And there are sixty minutes to the hour, and sixty seconds to the minute,’ says Dragon Tattoos.

‘The same as it has always been,’ says Tank. For a moment, I think he is about to pull the trigger, but if he does that then the website is still going to be there.

‘And the earth sorbet has always been the same,’ says Alligator Grin. Perhaps he means Earth’s orbit.

‘You will say all the rest was a misapprehension.’ I lose track of who is saying what. They are firing phrases at me like bullets. I feel dizzy. The room is spinning.

‘A result of an over-active imagination,’

‘Too much science fiction,’

‘Choo many movies,’

‘Too many video games,’

One moment I am face to face with three menacing mercenaries, the next moment I am back in front of my computer at home. The mercenaries must have been an hallucination caused by the stress of being in the darkened room. The darkened room might itself have been a delusion. It’s hard to tell what is really happening any more. But, here I am at home. I breathe a sigh of relief. But I’m not out of the woods yet. Two men in dark suits are with me in the room. One looks like a Mormon missionary, the other looks like Napoleon Solo. They both have guns. They are both pointed at me.

‘You have not heard from Ƣ,’ says Mormon missionary. This is a statement.

‘You are not going to be seeing Ƣ,’ says Napoleon Solo. This too is a statement.

‘Ƣ died in a motorcycle accident in 1999.’ Mormon Missionary again.

‘So let’s get started on the new website,’ says Napoleon Solo. He is beginning to look less like Napoleon Solo. More Reservoir Dogs. Is it the way he angles his gun? Or is it the look of intent he has on his face? Mr Blue, perhaps.

‘People need to know what’s really going on,’ says Mormon Missionary. He begins to look a little less like a Mormon missionary. More Men in Black.

‘sameasiteverwas.com,’ says Mr Blue.

‘And put this little piece of …….. worm software on the back of it,’ says Man In Black. ‘It will take over all internet browsers and stop anyone getting access to any …….. rogue sites.’

‘People will be able to sleep easy in their beds, with the assurance that everything is OK,’ says Mr Blue.

‘And know that someone is looking out for them,’ says Man In Black. ‘Like a big brother.’

I begin to see how it is that history is always written by the ones with the guns, the ones with the biggest guns, whoever they might be. The ones who can manipulate the media, whatever the media might be. How science at any point in time is what the scientists of the day tell us, however erroneous, and why God persists, albeit in one or two different versions. The people who are in charge make the rules, all the rules. They are the ones that dictate what is true and what is lies and that their way is the way it has always been. They establish their set of beliefs as facts and employ militia to enforce their truth, their version of events. They quash dissent. They find out what people’s fears are and work on them until they are too frightened to disagree. There are no ways of seeing. There is just the one way, their way. Their version of events will always be the one that has always been. If necessary they will burn books and rewrite history. They will put worms onto your computer. They will destroy civilisations to make the oven timer work. You will know exactly when you have to put the cat out.

Earth will revolve around the sun in the same way at the same distance and there will always be thirty one million, five hundred and thirty six second in a year until such time as the people in charge say otherwise. Goats will always have shadows, Switzerland will never practice voodoo. Plastic will continue to be stable. Venice will not sink. There will always be fish in the sea. There will never be a multiverse. Pi will always be three point one four one six. The same as it ever was. There will only be one reality. All the rest will be make-believe. That’s just the way it is.

© Chris Green 2019: All rights reserved