The Continuing Story of Wet Blanket Ron – Part Six

thecontinuingstoryofwetblanketronpartsix

The Continuing Story of Wet Blanket Ron – Part Six by Chris Green

The fat lady is not yet singing. Wet Blanket Ron wonders if there is then still time for a reprieve. A final act? A happy ending in this long and drawn out saga? He has been at the mercy of his heartless creator for so long that there is no obvious reason for him to suppose there might be light at the end of the tunnel. Time and time again our hapless hero has been at the fall end of windfall.

Having discovered he is a fictional character, Ron dreams of a change of fortunes. In short, he wants his freedom. After all, Kilgore Trout, Kurt Vonnegut’s fictional creation who suffered similar abuse at the hand of his author finally freed himself. Perhaps more famously, Arthur Conan Doyle’s creation, Sherlock Holmes came to life so thoroughly that many doubted he was ever fictional. Holmes even has his own pages of quotes in literary compendiums.

Ron dreams of living by the sea. The Côte d’Azur perhaps or Portofino. With Marilyn Monroe. No, wait! Marilyn Monroe’s dead. Dead’s worse than being fictional. In any case, she would be old by now. The Seven Year Itch was a long, long time ago. Even Kathleen Turner and Jessica Lange would be getting on a bit. Charlize Theron? Beyonce? The problem is that these are all famous people. The glitterati. It is not going to be easy for a small-town fictional character to master the complexities of the modern world, let alone mix with high-fliers. Maybe Ron should set his sights a little lower. A maisonette in Torquay with Tina from the nail bar perhaps or a caravan in Burnham on Sea with Karen from Greggs? Ron will, of course, need to put from his mind that his last girlfriend as a fictional character, Lola, like her namesake in The Kinks classic, to his embarrassment turned out to be a man. Neither does Ron’s work record bode well for success in the real world. His creator has been merciless. Every job Ron has had has ended in disaster, often his arrest and to cap it all, a spell or two at Her Majesty’s pleasure.

The lines between fiction and reality have a tendency to become blurred. Aren’t most people’s lives a kind of fiction anyway based as they are on some social construction of reality dictated by the purveyors of taste? Fiction itself no longer seems to be separate from real life. Who can say for certain anymore which is which? Might the blurring of boundaries present in today’s metafiction work to Ron’s advantage? Might the confusion be helpful for his transition towards control of his own destiny? The fat lady is not yet singing so who knows what is around the corner?

The adjustment to real life is a big one and Ron New finds it strange at first. When you are a fictional character you do not have to make any decisions. Be it good or bad, everything is arranged for you. The real world is not like that. You have to decide when to get up, what to wear, what to have for breakfast. What foods do you actually like? Where do you like to go? Who do you speak to? What do you talk about? How do you introduce yourself to people you feel attracted to? How do you get out of situations you don’t like? But before any of this, there are more pressing problems. How do you get a job to earn money to buy food and clothing? How do you find somewhere to live? Are there any shortcuts to survival? Are there any short cuts to success?

Ron is on the street in a town that he does not recognise. He has a nagging suspicion it is in the south of England but without any previous experience of the real world, he cannot be sure. But at least it appears to be by the sea. So far as he can tell, he has little more than the clothes on his back, a pair of frayed black Levi jeans, a windcheater jacket and an Ellesse rucksack that has seen better days. There are no keys in his pockets nor is there any money. He has a vintage Nokia phone but discovers it has just 49p credit on it. Contacts has only one contact anyway, someone called Doobie. What kind of a name is that?

Ron feels every bit as depressed as he did when he was fictional. There are shadows where there should be none. A Nine Inch Nails tune is running through his head. Large black dogs are everywhere. In a desperate attempt to cheer himself, he reminds himself he is free. At last, he is free. He repeats it over and over as an affirmation. The world is his mollusc. Isn’t that what they say?

He opens the rucksack and finds an old pair of Adidas trainers, assorted socks and pants, a Swiss army knife, a diary from last year, a job interview letter with his name on it, a driving licence in his name with a different address and a large polythene bag of crushed vegetable matter. No money. No keys. So it goes. You can’t expect everything all at once.

The job interview, he notices, is for today and he seems to be heading for it. The job is for a position as an Appointment Canceller. Not the most prestigious of positions but he has to start somewhere. Ron, of course, cannot refer to the fictional job history which is still fresh in his head, his jobs with N Vision Inc, Daniel DeAngelo and PurplePhones for instance. These were strictly two-dimensional forays, nothing more than words on the written page. There again, as they turned out to be such disasters, it would hardly boost his chances if he were able to refer to them. Some of the pages of the diary are filled in. Might there be something that would help him get the job? There could be clues inside, meetings, appointments, this sort of thing. Even though he is not conscious any earlier real life existence, might he in some esoteric way have a back-story? As a grown man he ought to have some kind of a past.

He does not get the chance to find out.

Ron New,’ the receptionist calls out. ‘Mr Sulky will see you now.’

The interview goes badly. He does not have the required experience in Appointment Cancelling. Mr Sulky tells him he has better things to do than listen to lame-dog excuses for his not being prepared. As Ron walks away, his dream of a maisonette or a caravan with a Tina or a Karen in a south of England seaside resort, modest though it might be, begins to fade. He begins to see shadows again where there are none. A Leonard Cohen tune starts up in his head. Black dogs appear once more, ready to pounce.

His mobile rings. The display tells him it is Doobie, whoever Doobie is.

Ronny, my man,’ the fevered voice on the line says. ‘Why haven’t you called me, dude?’

Sorry,’ Ron says. ‘Who are you exactly?’

Who am I, dude, who am I?’ Doobie says. ‘You’re jiving me, right?’

Ron doesn’t think he is jiving the stranger. He is not sure what jiving is. Other than a fifties dance where you twist your partner around to rock and roll music. How does he even know that? Where does language come from? How do you acquire your lexicon of words and expressions? How can he explain to this person on the line, this Doobie character, that this is the first phone conversation he has had in the real world? Does everyone call each other dude here, he wonders? How can he explain that until recently he was a fictional character? His understanding of the ways of the world is bound to be below average.

It’s Doobie. You were supposed to call me. Remember!’

Ron doesn’t remember.

Doobie tells him they need to meet up. Ron is not sure whether this is a warm invitation or a threat but with nothing else scheduled, he agrees. He doesn’t know where The Frisky Goat is. He asks Doobie for directions.

Sitting at a corner table in the garden of The Frisky Goat, it becomes apparent their association has a lot to do with the large bag of vegetable matter in Ron’s rucksack. It ought to have been in Doobie’s possession two days ago. Ron is fronting it and Doobie is to pay him when he has sold it. It does not immediately sound to him like a good arrangement. What if he never sees Doobie again? What insurance does he have? But, once again, being new to all this, he lets it go.

Ron is surprised when later that day, Doobie phones him again to say he has a large wad of cash for him. There are several noughts on the end. Could they meet up at The Mad Dog? It appears the trade in vegetable matter is a lucrative one. What a stroke of good fortune then that during the day, he inadvertently stumbled on another cache of the same vegetable matter. Doobie is certain to snap this up too. What Ron doesn’t understand is, as the stuff is worth so much, why do people hide it in such obvious places? A lean-to in a municipal park doesn’t seem a very secure hiding place for a valuable commodity. Still, where it came from or why it was there are not his concern. He feels after years as a down on his luck fictional character, he deserves a break.

Deal done, and several more like it, Ron has enough funds to look for somewhere to live. Matt Black of Black and White Lettings explains, as luck should have it, a spacious furnished ground-floor flat in a nice part of town has unexpectedly become available. Although it is usual to have to wait for background checks, as Ron seems to have loads of ready cash, Matt says if he wishes he can move in immediately.

It is often said things tend to happen in threes. Perhaps this might help to explain how, no sooner has Ron moved into Bougainvillea Heights than he meets foxy cover-girl, Tiffany Golden. It might also have something to do with the new Porsche that Ron has bought but they seem to hit it off right away and in no time at all, Tiffany has moved in with him.

Having had a taste of good fortune, Ron wants more. He wants to make his mark, become a name in the big world. Living at Bougainvillea Heights is alright for the time being in the British summer while the sun is shining. And certainly having the lovely Tiffany around helps. But, why would anyone want to be stuck in one place? With one set of options? The same faces every day. If he thought there was all there was, he might as well still be fictional. There’s a big world waiting for him.

Tiffany agrees. With her experience in making her way in the world, she encourages Ron. She too has ambitions. Together they thrash out ways to make more money. Mega bucks, she says with a glint in her eye. Sunday Times Rich List rich, Ron suggests. What then are the growth areas of commerce? Short selling on the stock market or investment in bitcoin might achieve results but they need a large stake to begin with. Then there are long-term bets like property, gold or even domain squatting? But these can hardly be seen as get rich quick ideas. What they need is a sure-fire money-making start-up.

They decide that in today’s dog-eat-dog world, their best chance to make a fortune is to get into the fake news business. There appears to be an insatiable appetite for fake news, the faker the better. Fake news is all produced by small individual organisations, each with a specific agenda. Hoax sites, hyper-partisan sites, false statistic sites all seek to add to media obfuscation but there what is lacking is a neutral mercenary professional agency. Someone whose only aim is to make stacks of cash from disseminating everyone’s lies. This is the gap in the market that they plan to plug by setting up youbetterbelieveit.com, a fake news generator and bogus facts checker. To cover all angles they also set up dontbelieveaword.com

Although they have every reason to feel their enterprise ought to be successful, the speed with which the idea is taken up by media groups surprises them. Their sites quickly become the turn-to sites for meme-makers and clickbaiters on social media, people of all political persuasions, religious groups and killer cults. Contradictory fake news items are splashed daily all over the internet, along with fake provenance should anyone be bothered to check. Each one provides a pay-off for Ron and Tiffany.

Detective Inspector Crooner is tired of being a fictional character brought into the limelight only when there is a Wet Blanket Ron story in the offing. Worse, while he has been waiting in the wings for a new caper, he has heard through the grapevine that Wet Blanket Ron is no longer a fictional character. By all accounts, Ron is making his way in the real world. Presumably, there being few storylines for a struggling small-town police inspector, he will now be axed. He wants his freedom from the printed page too. He wants to be a flesh and blood police inspector with a seaside constabulary somewhere perhaps in the south of England. Mrs Crooner has always wanted to live by the sea.

He would then be able to continue where he left off, apprehending Wet Blanket Ron for the type of bizarre crime that only a reprobate like Ron was capable of. Like the time he had nicked Ron for bringing down rock star, Johnny Angel’s helicopter. Or the time he had pulled him in for smuggling packets of time out of the Royal Observatory at Greenwich. This had earned him his promotion. It was reasonable to assume that a real life Ron would be up to no good.

The path to self-actualisation that developmental psychologist, Abraham Maslow outlines in his Hierarchy of Needs is a complicated five-step process. First, you need your physiological needs and your safety needs to be met. You then need to belong to a social network and be able to develop self-esteem. But, before any of these things can happen, you need to not be fictional. Being fictional is the biggest obstacle of all to self-actualisation. Incredible then that along with Wet Blanket Ron, Inspector Crooner is able to make this leap. He finds himself at a seaside resort in the south of England, the same seaside resort as his old adversary.

Old habits die hard and in the blink of an eye, he is once again on Ron’s tail but this time it is for real. He has a real team of officers and a real police station. He has access to the real police computer and all its real Intel. Crime has moved on. Attention in the modern force is moving towards cybercrime. Crooner reads up on internet misuse. The Communications Act 2003 for instance makes it an offence to send a message that is grossly offensive or of an indecent, obscene or menacing character over a public electronic communications network. During his research into how widespread this is becoming, much to his delight, the name, Ron New keeps cropping up. Ron is alleged to have a monopoly on fake news websites in this part of the world. Well, well, well, he thinks, what a stroke of luck!

The Bizzies are outside,’ Tiffany shouts.

Ron would probably not understand what she was referring to but he cannot hear her above the music. He is listening to Wagner’s Götterdamerung, the dramatic immolation scene at the end of the opera. Birgit Nilsson as Brünhilde is belting it out. Ron has been giving himself a crash course in culture. Along with Fellini, Proust and Eliot, Wagner came highly recommended. He has made his way through fifteen hours of The Ring Cycle. The immolation scene is the climax of the whole work. Brünhilde is mounting her horse and riding into the flames. This apparently is the origin of the phrase, it’s not all over until the fat lady sings.

Tiffany shouts louder this time. ‘The Old Bill are here, Ron.’

What? Who?’

The Bill. ….. The police. They want to have a word.’

Tell them they will have to wait,’ Ron shouts back. ‘Or better still, come back another day. …… What do they want, anyway?’

Inspector Crooner does not seem keen on waiting, coming back another day or telling Tiffany what he wants. He and three other determined officers barge their way into the Bougainvillea Heights apartment. It does not appear that they have called round to tell Ron to keep the noise down. It’s possible they have something else on their minds.

What was that about the fat lady singing?

© Chris Green 2018: All rights reserved

Advertisements

Darkness on the Edge of Town

darkness

Darkness on the Edge of Town by Chris Green

1:

Tim Soft is walking home along Marlboro Street. He feels he has had a wearying day at the office. He wishes it were Friday, but it’s only Tuesday. A vintage Chevrolet Impala pulls up alongside him, one of the ones with the harmonica front grille and the big tail fins. Tim notices that it has recently had a door replaced. The replacement door is pink while the original colour of the car, so far as he can tell in the advancing dusk, is blue. It’s unusual to see an American car on the streets these days, he reflects, but they do look good even with mismatched doors. Tim is a big fan of Americana, American cars, American music, American films, Breaking Bad and of course, Twin Peaks.

A pale-skinned man with a lean angular face leans across the bench seat and winds down the passenger side window. He has a wavy nineteen fifties-style quiff and a long scar running down his left cheek. Bruce Springsteen’s, Darkness on the Edge of Town is blaring out, a song Tim remembers from back in the day when he was sharing a house in Slumpton with Sid Hacker and Susie Q. That all seems a long time ago now. He likes to think he has matured since then. He likes to think he is more successful now. The Chevy driver turns The Boss down and in a gravelly voice asks for directions to Twin Peaks. How strange is that? He even looks like a Twin Peaks character. He has a faraway look in his eye and may be on drugs, Tim feels, probably hard drugs. But surely he must have misheard him. It’s easy to experience a degree of dissonance after a long day in a noisy publishing house staring at an iMac Pro.

Sorry,’ he says. ‘Where did you say?’

The driver looks him up and down menacingly. For a moment, Tim thinks he might be about to leap out of the car, grab him by the lapels and force him up against the wall.

Quinn Street, buddy,’ he says, finally.

Was this what he said originally, Tim wonders? It would be good to clear this up but he is not going to ask. It would not be a good idea to question the ruffian’s powers of diction. He decides to put the misunderstanding down to a mondegreen and try to forget all about Twin Peaks.

Tim is sure Quinn Street came up in conversation recently but can’t remember how or why. Was it maybe in connection with Razor Ramirez, a notorious local drug dealer, who he heard might have moved into this part of town? But then, why would the dude in the Chevy be asking him. He is wearing a smart suit, albeit without a tie. He remembers finding out that Marty Quinn was a local councillor in the nineteen eighties, since disgraced for his kerb-crawling conviction but he doesn’t imagine that the dude will be interested in local history. Nervously, Tim explains the directions as the driver revs the Chevy’s engine impatiently.

Past the entrance to the park, second left, left again, then …… third right,’ he says, hoping that he has got this right.

2:

When Tim gets home, he finds Judy is flustered. She looks dishevelled. Her make-up is smudged. He’s not sure but it looks like she might have been crying. When he had phoned her from work earlier to find out if he needed to get anything on the way home, she had cut him short saying there was someone at the door. It had seemed inconsequential at the time. He had thought no more of it.

Are you OK?’ he asks.

Judy appears to hesitate before she replies. Tim puts the hesitation down to her being upset. Now he comes to think of it, she has been a bit up and down lately and very prickly. At times he has felt he is treading on eggshells. He is no longer sure how to react.

What’s wrong?’ he says, putting his arm around her. ‘Who’s upset you? ……… Was it something to do with whoever was at the door when I phoned?’

Judy pushes his arm away.

I had just got home from the …… hairdressers,’ she says, doing her best to avoid his gaze. ‘And someone …….. called round …… for you.’

Who?’ he asks. Having been married now for nine years, Tim does not get many casual visitors.

Big guy, black leather, slicked back hair,’ she says. ‘He had a …… a piercing stare. He said I’m looking for Tim Soft. I told him you weren’t here but he didn’t seem happy about it.’

Tim is taken aback. He’s pretty sure he doesn’t know anyone like the fellow she is describing. Not these days, anyway. One hoodlum lurking in the area was odd enough. Surely it is unreasonable for another one to appear so soon. This is a quiet suburban estate. He wonders whether Judy is making it up. But, why would she?

He was …… very threatening,’ Judy continues. ‘I asked him what he wanted to see you about and he said you would know.’

I wasn’t expecting anyone,’ Tim says. So far as he knows he does not owe money and can’t think of anyone he might have upset recently.

He had a strange accent,’ Judy says. ‘Foreign, yet not foreign. He looked like someone out of that David Lynch show you made me watch. The one with the man from another place and that ridiculous talking tree.’

Another reference to Twin Peaks. Working in publishing, Tim is of the belief that the fictional world should stay where it belongs, whether this be the written page, cinema or television and not spill over into real life. Especially now that he has completed the graphics and layout for the Twin Peaks illustrated publication and put it to bed.

The thing is, Tim, he said he was going to call back,’ Judy adds. ‘Perhaps we ought to go out.’

Good idea,’ Tim says. ‘What about that new bar?’

3:

After his third bottle of Double Bastard at The Sizzling Squid, Tim still feels nervous about returning home. Normally Double Bastard relaxes him but he has a bad feeling about something. He is not sure what but something is not quite right.

Surely no-one is going to call round after ten,’ Judy says, looking at her watch. Her three glasses of Albanian Shiraz seem to have calmed her. Tim suspects she may also have secretly taken one or two of the happy pills that Dr Ranatunga prescribed. Perhaps Dr Ranatunga might have been a little remiss. They appear to make her behaviour unpredictable.

But what if our caller is lying in wait?’ he says. ‘I think I’ll just have one more beer.’

We can’t stay out all night,’ Judy says when Tim returns from the bar. ‘Are you coming?’

Even though it is a short distance, chivalry dictates that Tim not allow Judy to walk home alone but chivalry has never been his strong suit. Especially after nine years of marriage. Besides, he now has another beer to finish.

I’ll be right behind you,’ he says.

Tim does not believe he has ever seen anyone quite so tall as the forbidding figure he suddenly finds standing over him. At first, he thinks the huge fellow must be some kind of hallucination brought on by the Double Bastard but the hallucination refuses to go away. The colossus stands silently, a good seven feet tall, not seven feet from him, staring fixedly in his direction. He is formally dressed. Like a club steward. Or perhaps even the giant in Twin Peaks. More likely a club steward though in this situation. Whoever it is, the big fellow seems unhappy about something. What has he done to upset him? Maybe it is time for him to leave. He might even be able to catch up with Judy.

4:

Tim makes his way unsteadily through the night. As he turns into Viceroy Terrace, up ahead of him, he spots the Chevy with the mismatched door. Right outside his house. His initial instinct is to make himself scarce. No sense in looking for trouble. He could perhaps drop in on his brother, Tom. He owes him a visit. There again, Tom’s partner, also called Tom seems to have taken a dislike to him. Tom and Tom probably wouldn’t appreciate him calling round drunk at ten o’clock at night. And, of course, there is Judy to consider. She might be in danger and it would be all his fault. For that matter, she might even already be bound and gagged in the back of the car. He steels himself and strides purposely up the street towards the vehicle. It has its engine running, Bruce Springsteen’s Point Blank blaring through the open window. As he gets closer, the driver gives a final rev of the engine and the car pulls away. Tim cannot see Judy inside the car but it occurs to him that the thug might have bundled her into the boot. This is the kind of thing that would happen in Twin Peaks.

He unlocks his front door. The house is in darkness. Not a good sign. He calls out Judy’s name. There is no reply. Frenziedly, he darts around the house looking for her. Surely she would be home by now even if she had taken a detour through Lark Park and along Chesterfield Avenue. Yet, she is not home. He dials her number but to his dismay, he hears her phone ringing in the next room. Why doesn’t she ever take the thing with her? What’s the point in having a mobile if you leave it at home?

He rummages around looking for clues. He does not know quite what he is looking for. He takes a look at her phone. There are several missed calls other than his. The phone does not record the caller’s number. He scrolls through the numbers she has dialled. He doesn’t recognise any of them. But then, he can hardly remember his own number. He opens up the Camera Roll folder. Flicking through, he sees that one of the photos looks like the hoodlum who was driving the Chevy. He can’t believe it. How can this be? He takes a closer look. It is a photo of him. There is no doubt about it. There’s the Chevrolet Impala in the background. And there’s another. In this one, he is with a group of people at some kind of outdoor event. He doesn’t like the look of them one bit. Here’s a selfie. Chevy Man has his arm around Judy. What is that all about? Is she having an affair? With that hoodlum? Should he have noticed some warning signs? Were there some clues he might have spotted. He comes across a random address scribbled on a scrap of paper by her laptop. Razor, 66 Quinn Street. Surely this can’t be right. How on earth would she know Razor? Then it dawns on him. She must be buying drugs. It’s the only explanation. If she is buying drugs, it would help to explain a few things. This would explain the happy pills. Her mood swings. How had it all come to this? He begins to wonder if perhaps he might have become too involved with the fictional world of Twin Peaks and taken his eye off the ball.

5:

Whatever Tim’s feelings might be at this moment in time, Judy is to all intents and purposes, missing. Unless she was on her way to meet her supposed lover when she left the pub and he was on his way to meet her when he sped off, it would appear she is not even with him. So there must be another explanation. Tim has a dilemma. Should he sit and back and thank his lucky stars that he has caught her out in her deceit? Or, should he set about finding what has happened to her just in case it is something calamitous? Clearly, he can’t report her to the police as a missing person. Given the circumstances, they would just laugh at him. He could phone around the numbers on her mobile to see if anyone has an idea where she might be but once again, given the circumstances, he would be subjecting himself to ridicule. He could take a trip round to 66 Quinn Street. Probably a longshot and wary about the hostile reception he would be likely to get, he decides to give it a miss. All he can do, he feels, is sit tight and see what happens. Judy’s phone rings. Unrecognised number says the display and when he answers it, the caller hangs up. Weren’t mobile phones designed to simplify life?

6:

When one parameter in your life changes, you often find that everything else changes. Perhaps it is linked in some way to chaos theory or a variation of the domino effect. When it is a negative development you might throw in the expression, slippery slope. Tim’s life seems to be on a downward run. When he goes into work the following morning, sleep-deprived and hungover, he finds himself summoned to his boss’s office. His work lately has not been up to scratch, Carson Gaye tells him and the work on the Twin Peaks publication, in particular, was shoddy, full of mistakes that should have been corrected before it went to print. His services are no longer required. He is sacked.

When Tim gets back home Judy still hasn’t returned. There are more missed calls on her phone from the same unrecognised number as the previous evening. Tim is now convinced that something untoward has happened. He is about to call the police when, to his puzzlement, they arrive mob-handed on his doorstep. They have not come about Judy’s disappearance however but to search the house for drugs. Detective Sergeant Badger shows him the warrant, issued that very morning. Acting on a tip-off, he explains. When asked the routine question, is there anything that shouldn’t be here, Tim tells him that he is wasting his time. Of course, there are no drugs in the house. D. S. Badger laughs and tells him that everyone says that but in his experience, it usually means the opposite. Tim continues to remonstrate as burly officers in fatigues begin to turn the house upside down.

Here it is, guv,’ the one with the buzz cut and the neck tattoos says, slitting open a sealed package the size of an airline bag that, like a magician, he appears to have pulled out from underneath the staircase.

Good work, Scuzzi,’ the Sergeant says. ‘That’s what we’re looking for.’

Badger tells Tim it is probably the largest cache of crystal meth he has ever come across. How can this have happened, Tim wonders? Crystal meth is something he thought only existed in Breaking Bad or spoof documentaries about fictional rock bands. The police must have somehow planted it. He suggests this is a set-up, breaking into a rant about police malpractice. His protests go unheeded. He is cuffed and taken down to the station to be charged.

While Tim is waiting for his solicitor to arrive, he feels that not even his brother Tom’s friend, Wet Blanket Ron could match the speed of his change of fortune. In just twenty four hours, he has managed to go from happily-married, devil-may-care, graphic designer living in a plush house on a well-positioned estate to paranoid, estranged, international drugs smuggler confined to a foetid cell, looking forward to a long stretch in Wormwood Scrubs or Belmarsh. Surely not even Ron could claim such a rapid fall from grace.

Is it Murphy’s Law, Tim wonders, that states that when you think things cannot get any worse, they do? Something along those lines, anyway. Is it Smith’s Law that suggests that Murphy was an optimist? While Tim is trying to remember exactly which of the amateur philosophers stated what, still believing in his heart of hearts that things can’t really get worse, he learns that Judy’s mutilated body was found earlier in the canal. Estimated time of death, Inspector Dawlish Warren from the Homicide and Serious Crime Command informs him was between midnight and 6 am this morning. The Inspector takes it a step further and tells him that he is the prime suspect. Can he account for his movements between those times?

7:

Tim’s solicitor introduces himself. ‘Dario Chancer of Gallagher, Shed and Chancer.’

Thank God you are here, Mr Chancer,’ Tim says. ‘I’ve been going crazy in this bloody place.’

OK. Let’s get straight down to it then, Mr Soft,’ Chancer says. ‘This drugs business first, I think. What’s the story with that?’

I’ve no idea where the package came from,’ Tim says. ‘The police must have planted it.’

Some work to do there then,’ Chancer says. ‘The police don’t often admit planting evidence. At least not voluntarily. Now! I think it might be easier to try and build a case around the drugs being your wife’s. After all, I understand Judy Soft is dead. She won’t be able to argue. For a small consideration, I think we might be able to get a few witnesses to testify to Judy’s drug activities, if you catch my drift. ……… Which brings us on to the murder. First question I have to ask you is, are you guilty? Did you kill Judy?’

Of course not,’ Tim says.

So you’ll have an alibi for last night,’ Chancer says. ‘Someone who can confirm where you were between midnight and six?’

Not exactly, no,’ Tim says. ‘I was at home on my own, worrying myself silly.’

Not so good. It would certainly make our job easier if you did have an alibi,’ Chancer says. ‘Still! We can work on one.’

‘Do you have any suggestions, Mr Chancer?’

Well. Let me see. … H’mm. …… I wonder. Listen! You might think this is a little unconventional but I’ve used it once before and it seemed to work then. ……. Do you happen to watch Twin Peaks by any chance?’

As a matter of fact, I do. I’m a big fan. I …….. ‘

Then you will be familiar with a character called Garland Briggs.’

Of course. Major Briggs was abducted by aliens.’

That’s right. He was sucked up into a vortex.’

Indeed. But how does this help?’

You could say that at 11 last night, you were walking home when you were suddenly sucked up off the street by a vortex and not returned until, let’s say to be on the safe side, ten this morning. And you can’t account for the time spent in the other place. It’s all a bit of a blur. Perhaps you might come up with some gobbledegook about the white lodge or the black lodge and perhaps throw in a dwarf or two and a talking tree for good measure. Now! Just one thing. You haven’t told them anything so far, have you? You know. Anything that might incriminate you?’

No. I’ve said nothing. I was waiting for you to get here.’

Good! Only if you had, it would be difficult to say that the alien abduction had just slipped your mind.’

You don’t think that perhaps, it’s a bit …… far out for a defence, then.’

We could back it up with some testimonies from expert witnesses.’

Expert witnesses?’

Hardcore Ufologists. And maybe a die-hard Twin Peaks fan.’

But, the thing is I didn’t do it, Mr Chancer. I didn’t kill Judy. I’m innocent. Not only that I want the bastard who did kill her brought to justice.’

But as you’ve told me, Mr Soft. You don’t have an alibi. You haven’t had much experience of the judicial system, have you? No alibi translates as guilty in a court of law.’

8:

In HM Prison Wakefield where Tim Soft is serving his thirty year stretch, he is allowed no visitors. Even the prison warders are vetted before they can enter his cell. He has been well and truly removed from society. But, if you were a fly on the wall in his cell, you just might hear Tim humming Bruce Springsteen’s Darkness on the Edge of Town. It appears to be an obsession. There are no posters of Rita Hayworth, but you would find the walls of his cell covered in posters of vintage Chevrolet cars. Another obsession. Then there is all his arcane talk about extra-dimensional connected spaces, the black lodge and the white lodge. Psychiatrists have been unable to penetrate the dark deluded world that Tim inhabits.

Some might argue that he was unfortunate to get a prison sentence at all as by many people’s reckoning, he could be considered insane. As it happened, Tim changed his story daily during the trial and kept changing his plea. He did not seem to know what time of day it was and on occasions, could not remember his name. But, as is often the case, his eventual plea of ‘not guilty by reason of insanity’ failed to impress. The court did not believe that he had been abducted by aliens or that he was being instructed by a talking tree. No-one was listening. It was felt that his crimes were too serious.

The court heard how Tim had weaved a web of deceit and treachery, taking in all those who had the misfortune to come into contact with him. He had pretended to be a respectable citizen while in reality, he was running a ruthless drugs empire. Countless casualties lay in the wake of his underworld activities. How he managed to get with his duplicity for so long was a mystery. By the time of his trial, even his friends and family were lining up to testify against him. His brother Tom explained how, as a boy, Tim used to torture the family pets, and not just the gerbils and hamsters. The court heard how his long-suffering wife, Judy had been the victim of his abuse for years. On that fateful night, Tim had gone on the rampage, killing two men in The Sizzling Squid in cold blood before brutally bludgeoning Judy to death and dumping her body in the canal. No matter how unbalanced he was, he was not going to get away with a soft sentence in a rehabilitation facility.

© Chris Green 2018: All rights reserved

It Doesn’t Matter Anymore

itdoesntmatteranymore

It Doesn’t Matter Anymore by Chris Green

I have just taken delivery of a large pot of gloss sealer when the call comes through on the burner. I was not expecting to be back in action so soon. I was hoping to finish off some painted ornamental stones, a hobby I’ve taken up to keep me mellow and mindful in between assignments. Art therapy, I suppose you would call it. Then perhaps spend the weekend with Sakura in Juan-les-Pins. But this is the way it is with sleeper agents. A few weeks of leisure in quiet surroundings followed by what might be weeks of uncertainty, dicing with death.

I send Sakura a text message saying I’ve been called away on business and then I turn off my personal mobile. I do not go into detail. I tell her, it’s a last-minute thing and my phone will be out of range for a while. Sakura doesn’t know what I do for a living. She thinks I’m a reclusive writer. When the time is right, I will tell her but for now, it’s best to observe the security procedures that go with my position. In my world, everything is on a need-to-know basis.

Although I have been signed up for three years, I have never met Ж, the head honcho of Department Z but rumours circulate. It is said Ж is famous for his riddles. Perhaps they help him diffuse the seriousness of the business we are in. He tells me I am to rendezvous with Buddy Holly at Gloucester Services on the M5 in Southern England. I don’t imagine that Buddy Holly is his real name. For that matter, I’m not sure that Buddy Holly was Buddy Holly’s real name.

I have no difficulty in finding my contact. I can see right away why Ж referred to him as Buddy Holly. With the trademark thick black spectacles, charcoal nineteen-fifties suit and slim red tie, he is the spitting image. I expect him to pick up a Stratocaster and start belting out Peggy Sue at any moment. He doesn’t. With the Department’s bear’s paw handshake, he introduces himself formally as Ћ. We sometimes never get to be on last name terms with our associates, let alone first names. The degree of familiarity depends on the level of security needed for a particular operation. This one is Category X, the highest category. There will probably not too many opportunities then to discuss the durability of Winsor and Newton acrylics here or the new exhibition of Cornish Modernists that is starting at Tate St Ives. Significant upheaval must be taking place.

A phonecall from Ж establishes what we are being assigned to investigate. It is indeed a biggie. North of Gloucester, he tells us, it is no longer getting light in the mornings as it should in April. The further north you go, the later the dawn is. In Birmingham, the clouds peel back after 9 and by the time you get to Sheffield, the dawn chorus arrives around 10:15. He says it is a mystery what might be causing this. Surprisingly not everyone in these areas has even noticed the anomaly and for some reason, it is not being reported in the press. Not even the weather-obsessed Daily Express is covering it. The implications are huge. Our remit is to find out what is happening and why it is happening.

I can’t help but be curious as to why I have been selected as I do not have a scientific background. Certainly not one in Physics. My background is in the Arts. Literature to be specific, magical realism. I can conjure up a carnivorous jungle or a bottomless well out of nothing. Talking cats are a speciality. So why has Ж selected me? Perhaps that is it. Perhaps it is precisely because of my creative credentials. But, surely Ж should know, magical realism is not the same as sci-fi. The essence of the puzzle would seem to sit easier with the latter. I don’t know how I should interpret it but Ћ says he only reads sci-fi. He tells me he has been recruited from Black Ops. To put it crudely, he eliminates people.

I find I can’t get on with addressing my companion as Ћ. Sometimes all this cloak and dagger seems too oppressive. I tell him I’ll call him Buddy instead. It seems only fitting. He says he will reciprocate by calling me, Ray. On account of the Ray Bans I’ve taken to wearing on assignments I assume. Or perhaps it is an allusion to Ray Charles.

Where do we begin on this one?’ I ask. ‘Everything seems a bit vague. To add to this, there’s the oddity that apparently people are split on whether anything is happening. Some say it is dark in the mornings but yet others say it isn’t. In fact about fifty-fifty according to the report I’ve just downloaded.

Fifty two-forty eight to be precise, Ray,’ Buddy says.

I might be wrong but those numbers seem to be familiar,’ I say.

I thought I’d heard them somewhere too,’ Buddy says. ‘But I can’t place where. Anyway, best we start asking some people what’s going on. Let’s see how their experiences differ as we move north.’

It hasn’t been a sudden thing, by any means, bab,’ Les Yardley tells us in Wolverhampton. ‘For the last two years or so, every morning things have been just a little greyer than they were the day before. Not the kind of thing you notice at first, mind, particularly in winter but when spring comes round you think to yourself, hang on, the streetlights are still on. It is still dark. The trees aren’t coming into leaf and the birds aren’t singing.’ Father McKenzie in Stafford is more emphatic. He says it has been so dark that businesses have begun to move out. All the automotive assembly plants have now gone. The queues at the church food banks, he says, are colossal. In a word, the future’s looking grim. May Loos in North Norfolk tells us it doesn’t get light until the afternoon and when it does, it usually rains. But, she says, oddly enough, the people in her parts don’t seem to care. They seem to like it this way. It’s as if it’s what they always wanted. Either this or they haven’t noticed that all the other cars they meet on the A149 have their lights on all day and the big skies over the county reflect the title for that erotic novel everyone was reading a while back.

It’s a strange situation. I realise it is part of the human condition that everyone sees things differently. A Rothko painting, for instance, might be seen by some as blots of blurry colour, perhaps painted by a myopic child but to others, it is a transcendent statement, a work of true genius. But even so, it is difficult to explain the staggering variation in existential perception Buddy and I are coming across as we make our way up-country. As the figures suggest, opinion about what, if anything, is happening is split down the middle. Although it now seems more people are able to detect that there has been some sort of change for the worse, whether it be the delayed dawn, the increased rainfall or the astonishing job losses. Many of those we speak to tell us it is now a rarity to see a smile on the street. Children no longer play in the parks. Perhaps if you were to take stock now, the numbers might now come out at seventy-thirty.

I tell Buddy that while some of the people we are speaking to will inevitably be prone to exaggeration, the North is not at all how I remember it. It is a shadow of its former self. It is as if the colour has been drained from it, its vital energy sapped. Buddy agrees. He’s only been up this way once before but the thing that struck him then was how friendly people were. They don’t seem so friendly now. They are sullen, dispirited. Like those matchstick figures in those Lowry paintings, he suggests.

We drive on, still puzzled by what exactly our mission might be. How on earth could our respective fields of expertise be put to any use in this bizarre situation? There’s possibly not going to be much need here for a parallel universe filled with kites or, for that matter, all that ordnance Buddy has brought along. What course of action are we meant to take? We decide for the moment to hold off in reporting back. Perhaps there is something we have not yet grasped about where our skills might come in.

We arrive in the north-east, Tyne and Wear. It is lunchtime. The streets of Sunderland are still dark. There is a steady drizzle. A queue of drenched downtrodden looking locals are queueing outside a boarded-up Morrisons supermarket. Word is going around that there has been a delivery and it will open its doors soon. They will be able to buy bread and maybe potatoes.

This is all down to a big mistake we made two years ago, kidder,’ a thick-set man tells us. Despite the wintry drizzle, he is decked out in builders-cut jeans and t-shirt. ‘In that voting malarkey. We thought we was being canny by saying we wanted out. Thought it would stop the flow of foreigners. That’s what The Sun was saying. They were giving out free copies of The Sun at Morrisons. And then there was that red bus with all that bollocks written on the side. Parked it in the square over there, they did. Anyway, we can’t go back now, can we? If only we could. I guess it doesn’t matter anymore. ……. Wait a minute! …….. You’re Buddy Holly, aren’t you? Not Back to the Future or something is it?’

© Chris Green 2018: All rights reserved

Earworm

earworm

Earworm by Chris Green

I wake up for the third morning in a row with the chorus of Dominique going round in my head. I don’t understand where this can have come from. I have not heard The Singing Nun’s tiresome tune for fifty years. You have probably never heard The Singing Nun in which case you will have no idea what I’m talking about. Perhaps you do not even get earworms. Perhaps, like my neighbour, Mrs Oosterhuis, you can listen to Smooth Extra in your garden all day without wanting to put a hammer through the radio. I can’t. I have to be particular what I listen to. When I get an earworm, unfortunately, it sticks around.

Hearing any catchy melody is liable to set one off. Smooth Extra, of course, plays nothing but middle-of-the-road classics, designed to bury themselves deep into the listener’s subconscious. I cannot go outside if Mrs Oosterhuis has the radio on. But, I am so sensitive to the phenomenon, it only takes a name heard in passing to set off an earworm. Suzanne (takes you down to her place near the river) Caroline (sweet Caroline, duh, duh, duh). Or even a word. Silver (you’re everywhere and nowhere, baby), War (huh, what is it good for?). And every time I see a dog, Who Let The Dogs Out forces itself upon me. Each time an earworm develops, the blessed thing is likely to plague me until it is replaced by another. In this case, Dominique (a nique a nique), a weird one indeed. I have consciously tried to supplant it but it won’t go away.

Science has looked into the earworm phenomenon and lists of tunes with the greatest earworm potential have been produced. Among those which regularly appear in the top ten are Bohemian Rhapsody, Can’t Get You out of My Head and 500 Miles. This is as maybe. You could argue about it until the cows come home but Dominique is the most invasive earworm I’ve ever had. It’s driving me crazy.

Things have been getting pretty strange ever since it started. Last night I watched a forty minute film where three silhouetted figures dressed as the grim reaper threw ping-pong balls into a contrabass clarinet played by a rotating musician. It was on an Australian internet TV channel. For some reason, this was the only channel I could get on my Smart TV. I had been hoping to distract myself by watching the final episode of the Philip C. Dark thriller, Muddy Water. Perhaps I had not logged in correctly. With so many passwords to remember, sometimes I feel my head is going to explode. Internet banking alone is a little like Russian roulette.

Like Mr Jones in that song by the sixties troubadour, I feel something is happening but I don’t know what it is. Is it just the tune in my head or is something more sinister taking place? Why, for instance, has it been getting dark early the last few nights? Admittedly the nights are drawing in but it is only July. It might be nothing but what are those shiny, elliptical objects on the edge of the horizon? And where have all the birds gone? Since I’ve had this earworm, all manner of changes are taking place.

My friend, Casey Rizla says the weirdness will pass.

Nothing is ever predictable,’ he says. ‘You should learn to expect the unexpected.’

That’s all very well,’ I say. ‘But what about The Singing Nun?’

I’ll tell you what,’ he says. I will play you a tune that’s so catchy, it will see it off just like that and Mrs Oosterhuis’s radio station won’t even have it on their playlist. Karma Chameleon doesn’t come close. This is earworm gold. Not even Rivers of Babylon can touch this baby.’

Waltzing Matilda is certainly a catchy tune but I find it has no staying power and it is not long before Dominque is back. Disappointed, Casey tries another that he is certain will do the trick. This time it’s Ride of the Valkyries. Twenty minutes later, Dominique is back.

In an attempt to get to the bottom of it, I do some research. The Singing Nun, Soeur Sourire (Sister Smile) was Belgian. She was of the Dominican order which I guess goes some way to explaining the lyrics. St Dominic or Dominique was a Spanish priest. He lived very simply and travelled the land talking about the Lord. The song was a hit worldwide and went to number 1 in the US charts. Sister Smile moved in with her lesbian lover, Annie and they committed suicide together with barbiturates and alcohol in 1985. I saw her soul float through the clouds says the inscription on their gravestone.

So how does knowing this help? In a word, it doesn’t and things are getting weirder. Why was there a samba band outside the World’s End restaurant listening to the Shipping Forecast? They had made a pile of their drums and were hugging one another like there was no tomorrow. And why were those people walking their cabbages and cauliflowers in the park? On leads. Perhaps there are no longer any gods. Do I mean dogs? I’m getting confused. It’s that tune that keeps going round and round in my head. How many days is it now? I’ve lost all sense of time. I can no longer seem to tell left from right. Or right from wrong. Everything is wrong. It’s becoming difficult to believe anything. Casey Rizla says that fake news has taken over mainstream media and you need to look elsewhere for reliable information. He suggests it might be written on the subway wall. No, wait a minute! I think that was the other fellow, Simon and Garth’s uncle. Oh, what on Earth’s his name?

Something else is puzzling me. Why does the banker never wear a mac in the pouring rain? Hang on! This is a different tune. This is the one I heard the blind trumpeter playing outside The Mojo Filter this morning. It’s really infectious. It’s ….. it’s Penny Lane. Penny Lane is in my ears and in my eyes. It’s been in my head ….. well, all day. Dominique has gone. I was beginning to think I was going to have it surgically removed.

© Chris Green 2018: All rights reserved

Aegean Blues

aegeanblues

Aegean Blues by Chris Green

The man and the woman arrive at the resort late in the evening. They are the only ones aboard the transfer coach to be dropped off here. Most of the others are headed south to the beach-party resort. Having made something of a detour, it is with an air of indignation that the driver deposits their cases by the side of the road a little distance from the apartment block.

A gaunt woman in a blue overall appears out of the gloom to lead them to their accommodation. The man and the woman would like to ask questions but the woman in the blue overall has the harassed look of someone at the end of a long shift. She hurries them past a swimming pool and along a murky corridor. She opens the door to apartment number nine and, without ceremony, disappears.

Aegean Blue is a small two-storey block with just thirty two apartments. In the words of the brochure, a tranquil setting, for those seeking a quiet holiday. Number nine is on the ground floor. They switch on the light and notice that it is smaller than they expected. There are no features to remark on. No attractive little alcoves. No seascapes or pictures of sunsets on the wall. A large wardrobe takes up most of the room and the twin beds are a long way apart. Neither of them makes any reference to the shortcomings of the accommodation. It is as if by not showing disappointment, they might not, after all, be disappointed.

It’s so hot,’ the woman says. Thirty three degrees the captain told them shortly before they touched down.

And the shutters are closed,’ the man says. Despite the delayed flight, the mix-up over the cases, the insufferable hard-house music on the coach, and now the smell of pine disinfectant in the room, he is still is hoping they will make out.

After a walk in the moonlight along the road that hugs the beach, past apartment blocks that, if they were finished, would look out onto the sea, they manage to find a bar that doesn’t advertise Greek Dancing. After a bite to eat and a bottle of the local wine, the woman feels more relaxed.

It’s quiet. All you can hear are the waves,’ she says. ‘We’re going to like it here.’

The man agrees. He feels their block is far enough from the plate-smashing quarter of the resort. He is relieved. He remembers that when they booked the holiday on a stressful Saturday in March, he had chosen to ignore the fact that the Bouzouki Musician of the Year qualifiers were being held in a nearby resort.

Arm in arm, they arrive back at the apartment. It seems airier and more welcoming with the shutters open. And it offers a lovely view of an olive grove with a church on a hill visible in the distance.

The woman hangs up her skirts and tops on the wire hangers in the wardrobe and lines up her cosmetics in the bathroom. The man pushes his case under the bed. They are just getting undressed when they hear the menacing drone of a mosquito in the room. The woman locates the mosquito repellent and starts to spray the room.

I think I may have got it,’ she says.

The man pours them a refreshing glass of the aniseed liqueur they bought at the airport. They sip their drinks and begin to settle. They lie down on the bed and look at one another lovingly.

It’s so nice to actually be here,’ the woman says.

Our first real holiday together,’ the man says.

There is a sudden searing rasp from upstairs, followed by another. Wooden furniture being pushed repeatedly across a tiled floor perhaps. As the disturbance continues, the man and the woman speculate that beds, the table and chairs, the dressing table, the wardrobe, and perhaps a flotation tank are being rearranged. The rep on the coach mentioned that a majority of the arrivals to the island were on Friday night and the early hours of Saturday morning. And, after all, they themselves moved their own twin beds together straight away. At least, the continuous scraping sounds drown out the clatter of the primitive plumbing, the nocturnal network of barking dogs and the dance music from the club. But it is hardly conducive to tender lovemaking.

The next day, despite their tiredness, the man and the woman are out and about visiting the sights on the island that the guidebook recommends and do not spend much time in the apartment. But that night, the screeches and scrapes from upstairs are even louder and more persistent than the first night. Previous explanations seem redundant.

As they lay awake, they compare the cacophony to a large sea mammal giving birth, amateur violinists tuning up and an angry elephant.

As the night wears on their humour diminishes.

They begin to blame each other for choosing the holiday.

If you hadn’t been so concerned with price we could have taken a villa,’ the woman says.

If you had listened to what I found on the Internet, we would have gone to the west of the island,’ the man says.

The disturbances upstairs continue.

And you didn’t pack my meditation CD.’

Would you like to listen to some jazz on my iPod?’

And we’ve run out of mosquito spray.’

Would you like another glass of ouzo?’

At 4 am, after several unsuccessful attempts to heal the rift, the man feels he can take no more. He calls the travel company’s twenty four hour helpline, only to be told by someone from the Indian subcontinent that office hours are 9 to 5, Monday to Friday. ‘Please be leaving a message after the tone,’ the voice says. A complaint the following morning to Lefteris, who despite his resemblance to a beach bum, appears to be the proprietor, reveals only that he understands little English. The resort rep, Dale, who they finally track down the next day at Athena Quad Bike Hire, is no more helpful. He says he has had no other complaints. He seems more concerned with helping the girl in the day-glo bikini, who wants to know which nightclub is the best to meet fit fellas.

Despite trying wax earplugs rather than the foam ones, the man and the woman have another sleepless night. Too tired to venture out the next day, they decide to take it easy on the sun loungers by the pool. Most of the guests have gone out for the day on the travel company’s glass-bottomed boat trip. In the bar, Lefteris, with his crusty locks and grubby red Che Guevara t-shirt drinks a beer and watches the football, Brazil versus Argentina. He has his feet on the bar and seems to be doing his best to ignore his customers. Not that there are many, just the older couple from Gateshead, or perhaps it is Newcastle, who are staying in the next apartment. The man asks the man from Gateshead or Newcastle if they have been kept awake by the nightly clamour.

Ah divvnae heaah owt, Ye knaa wa ah mean leik. It wez kwiet las neet, wez it ne, pet?’

Given the language barrier, the man decides not to pursue the matter. He manages to attract Lefteris’s attention during a commercial break.

Many goals Brazil, good football,’ Lefteris says.

The man agrees and reels off the names of some players.

Yes,’ Lefteris says, ‘good goals’

The man takes two chilled beers back to the poolside, where the woman has removed her bra and is tanning her back.

We could have an early lunch at Aphrodite’s, and then a siesta,’ the man suggests.

Sounds good,’ the woman says. ‘Could you rub some more suntan lotion on to my shoulders?’

The morning passes quietly. Occasionally the bronzed body builders that live on the sunbeds at the other end of the pool change position. The gay couple saunter past in new hats. The pair with the piercings and the tattoos nurse their sunburn under a parasol, and one or two of the other guests come or go.

Are you hungry yet?’ the man asks.

I think I could be persuaded,’ the woman says. ‘Rub some factor fifteen on the backs of my legs, would you?’

After calamares, dolmades and Greek salad with a chilled bottle of rosé, the man and the woman return to Aegean Blue.

The apartment is quiet. Very quiet. Not a murmur from the plumbing and even the fridge seems more subdued.

The man sees a window of opportunity and seizes it. The woman is pleased that he has and responds favourably. She says she has been waiting for him to make the move since they arrived. Their sighs and moans build gradually into a crescendo. They climax together in a frenzy of thunderous passion. Afterwards, they lay together in one another’s arms.

The brief silence is shattered by a forceful thumping like a hip-hop bass-line. It takes the man and the woman a few seconds to realise that someone is knocking at the door.

Keep the bloody noise down in there, will you!’ an angry voice shouts. ‘We’re trying to get some sleep upstairs.’

© Chris Green 2018: All rights reserved

GUN

 

gun2018

GUN by Chris Green

Gary Bilk works as a tyre technician in Camborne, an old mining town in Cornwall. Most evenings after work, he picks up his girlfriend, Suzi Foxx from outside HairCraft salon and takes her to The Cock Inn. They have a bite to eat, play pool, darts or dominoes and chat with the regulars about rugby. Most girls that Gary has known have found the pubs he likes to frequent a little unsophisticated. They have shown little interest in rugby, or darts, or dominoes for that matter. Because of this, his previous romances have never lasted long, but he has been seeing Suzi for several weeks.

Gary himself does not play much rugby these days. After all, he will be forty soon and rugby is a game for younger and fitter men. But, he likes to go and watch his team, Camborne RFC, especially when they are having a good run. They are currently having a bad run, due to the loss of their fly-half, John Scorer and their blind-side flanker, Trev Padstow. No one is sure what happened to the pair. They mysteriously disappeared halfway through the season. Camborne have only won one game since.

Having been thrown out of his accommodation over rent arrears, Gary is staying at his friend, Curnow’s, this despite Curnow supporting Camborne’s great rivals Redruth RFC. Suzi’s flatmate Tamsyn apparently does not like the idea of Gary staying over. The flat is too small for that kind of thing, she says. So, after their chilli con carne or chicken and chips and a pint or two of cloudy Cornish cyder at The Cock, once or twice a week, Gary and Suzi get their rocks off in his Mitsubishi Lancer. He has made it more comfortable with a duck feather duvet and pillows, a can of California car scent and a DVD player with cinema surround sound.

It is on one such occasion in the car park behind Tesco that a gun falls out of Suzi’s handbag. At first, Gary thinks it is her phone that has dropped down between the seats. Suzi often loses her phone. It is not until after they have finished their business in the back seat that he realises that it is a handgun. Handguns are quite unusual in Cornwall. Gary has never seen one before. This is the type he understands from the movies to be a semi-automatic pistol.

Fucking hell, Suzi!’ he says. ‘What’s going on?’

Oh. Don’t worry about that,’ Suzi says. ‘It’s …… only a toy. It’s a present for ….. my colleague, Hannah’s son, er, Vincent. He will be ten next week.’

Gary picks it up. It does not feel to him like a toy gun. It seems too heavy and has too much detail. He remarks on this.

They are very realistic these days, aren’t they?’ Suzi says, taking it from him and slipping it back in her bag. ‘But, I suppose that is the point.’

But…..,’ he begins.

Suzi does not let him finish. She is practised at the art of distraction. When it comes down to it, she finds Gary is the same as all other men she has been with. They might just as well have an on-off button.

While Suzi has not been in the habit of lying to him, the incident begins to sew the seeds of doubt in Gary’s mind. On the way home, after dropping Suzi off, he is unable to rid himself of the thought that it might have been a real pistol and that Suzi may be concealing something sinister from him. What does he really know about her? He knows she is twenty nine – or thereabouts. She has a fleur-de-lys tattoo on her thigh and she is a Gemini. She takes more of an interest in sport than most women do and even seems to understand the rules of rugby.

He knows nothing about her background. He has a vague recollection of her saying early on in their relationship that both her parents were dead although he cannot be sure. You don’t take in everything that someone says early on in a relationship because you are more concerned with getting your own biography across. He knows from her accent that she is not from Cornwall but he is not good at placing dialects and she has never offered any details of her origins. She appears to have no children and has never mentioned any brothers or sisters. On occasions, without being specific, she has alluded to former lovers and so far as he can tell, she is not without sexual experience. But for a woman of …… let’s say thirty three, Suzi Foxx comes without obvious baggage.

When Gary goes to pick Suzi up outside HairCraft the following day, she is not there. Normally she is outside waiting for him. He waits impatiently on the double-yellows just down the road but still she does not arrive. He decides to park the Lancer and go in to remind Suzi that he is here. Maybe one of her hair appointments arrived late or something. He might get the opportunity to check out Hannah at the same time and ask her about Vincent and his birthday. A gun does seem to be a strange kind of present in these days of drug gangs and terrorism.

I’m sorry but we don’t have anyone called Suzi working here,’ the alarmingly young receptionist says. ‘I’m Teegan. Can I help?’

Gary realises he has never actually been into the salon before. Suzi always had him wait outside. ‘Is Hannah here then?’ he asks, out of desperation.

We have no-one called Hannah here either,’ Teegan says. ‘You could try the PoundStretcher shop next door.’

Gary tries her phone. It is switched off. It is nearly half past six. He makes his way to The Cock Inn. He is not sure what the misunderstanding is, but doubtless Suzi will turn up there, full of apologies.

No Suzi, tonight then, Gary?’ Big Hank says. Hank is the one who arranges the monthly country and western nights at The Cock. Once a month he dresses like Roy Rogers and rides to the pub on his horse and tethers it up outside. You can’t be done for drink-driving with a horse, he says each time. The joke is now a little stale.

I expect Suzi will be in later,’ Gary says.

Like that, is it?’ Jago says. Jago is the dominoes champion at The Cock. He is possibly the only one who understands the scoring or perhaps he makes up the rules as he goes along. All that Gary knows is that he has never beaten him.

She’s trouble, that one,’ Hank says.

Better off without her if you ask me,’ Jago says.

No one’s asking you,’ Gary says.

The guys are right, Gary. I don’t think you can trust her,’ Bodmin Bob the barman says. ‘I saw her at Newquay Airport today. She was catching a flight. Düsseldorf, I think it was.’ Bodmin Bob has just returned from London, having done business there. While everyone agrees that Bodmin Bob is dodgy, no one is quite sure what his business is. Some think he is a fraudster while others think he is a drug dealer. There is even speculation he might be a people trafficker or a hit man. No-one can explain why he is working as a barman at The Cock.

Gary can’t remember Suzi mentioning any plans to go to Germany. While he has to admit he sometimes switches off when she is talking, especially if he is watching a game, he is almost sure he would have remembered something like that. While he still wants to think the best of Suzi, what with the gun and the hairdressers and now this, it is becoming increasingly difficult. He doesn’t want to lose face here in the bar though. Not in front of Big Hank and Jago. He would never live it down.

Ah, I’ve just remembered,’ he says, in a flash of inspiration. ‘Suzi’s sister Heidi lives in Düsseldorf. And it’s her son Vincent’s birthday tomorrow. He will be ten. I remember her buying the present for him.’

That’s nice,’ Hank says. ‘What did she buy him?’

He is about to say a gun, but catches himself. ‘A rugby shirt,’ he says instead. ‘A Phil Scrummer number 8 jersey.’

They play a lot of rugby in Düsseldorf, do they?’ Jago says.

She should have bought him a gun,’ Hank says. ‘Ten year old boys like guns.’

After leaving The Cock, Gary drives round to the address that Suzi has given him for her and Tamsyn’s flat. He knocks loudly. He is determined to find out what is going on and if he can’t get the information from Suzi, then he will be able to get it from Tamsyn. The burly wrestler type that answers the door is visibly unhappy at being disturbed by a drunken dolt, claims no knowledge of the pair and instructs Gary to leave forthwith before he punches his lights out. His girlfriend’s web of lies appears to be extending.

Over the next few days, Gary keeps a low profile. There is no word from Suzi Foxx and her phone stays switched off. He is disappointed, embarrassed and angry. He does not like being made a fool of. He keeps his distance from Curnow, and at work, he indignantly greets customers and changes their tyres with extreme prejudice. He steers clear of The Cock Inn. He doesn’t even go along to Big Hank’s Country and Western night. He gives Camborne RFC’s final home game of the season against Redruth, said to be the fiercest rivalry in rugby, a miss. He isn’t even aware of the mysterious disappearance of Camborne winger, Will Wilson, before the game. Missing Will’s dynamic runs, Camborne lose by a single point and as a result, face relegation.

Curnow has found that people in this neck of the woods usually have the courtesy to knock when they come round to visit. Equally, SWAT team raids are unusual in Cornwall. So, he is doubly shocked when early one morning such a team forces its way into his house using a battering ram.

Hands in the air!’ the officer with the Breaking Bad beard screams.

Where is she?’ the one wearing Men In Black sunglasses hollers.

Who?’ Curnow asks. This meets with a blow to the head from the one with the Die Hard facial scars.

What’s the fuck’s going on?’ Gary asks, emerging groggily from his room. This meets with a blow to the head from Samuel L. Jackson.

We’re looking for Clara Hess. That’s who,’ Jean Claude Van Damme yells. ‘Now! Where is she?’

Who? What?’ Curnow says. He appears to be adjusting to his new role of crime suspect quickly.

We know that she has been at this address, knucklehead,’ Breaking Bad beard shouts. ‘Keep your hands in the air.’

The other four begin to roam, methodically trashing the place, tipping over furniture, tossing Curnow’s belongings here and there, as if Clara Hess might be hiding behind the bookcase, in the closet, under the settee, in the fridge.

Why are you wrecking my flat?’ Curnow says. ‘We have never heard of the person you are looking for. Where did you get this information?’

Aha! We have your friend Robert Trescothick in custody, birdbrain, and he has been very helpful,’ Breaking Bad beard sneers.

Who?’ Gary says.

Robert Trescothick, asshole.’ BBB says. ‘You might know him better as Bodmin Bob,’

Gary does not see Bob as one to co-operate with the police but then you never know, do you? There’s not a great amount of subtlety with this bunch. And, of course, they may have caught Bob red-handed doing whatever it is that he does. But who is this Clara Hess, and where does she fit in? He reflects that it is safer if for the moment he pretends he does not know Bodmin Bob. This is a miscalculation. It earns him a hefty blow to the midriff from Die Hard, who has just returned to the fray.

Look here, smartass,’ he says. ‘You have two choices. Come down to the station and tell us what you know or come down to the station and we turn off the cameras and the tape and give you a good kicking.’

At this point, Gary wants to mention solicitors, but a fist in the windpipe prevents him. There is a sudden crackle on Breaking Bad beard’s radio, an unintelligible voice barks something through the static. Die Hard turns around. BBB hollers something in a cryptic language that probably only armed officers are able to understand. It seems to hail a change of plan. Without further explanation, the SWAT team vanishes.

Did all of that really happen?’ Curnow asks.

It certainly feels like it did,’ Gary says.

Must have got the wrong house, don’t you think?’ Curnow says.

Gary is not so sure. He does not mention it to Curnow but he has the growing feeling that Suzi Foxx and Clara Hess might be one and the same. He is not even sure any more about Curnow. When something like this happens you do not know what to think. To take himself off the radar, he decides to go to stay at a local bed and breakfast until it all blows over.

When later on he sees the headline in The Cornishman, CAMBORNE RUGBY STAR FOUND DEAD ON BODMIN MOOR he begins to suspect the SWAT team’s inept raid might have been in connection with this. The report says the body of Will Wilson is believed to have been lying in the undergrowth for several days before being discovered by a local man out walking his dog. …… Wilson is believed to have been shot several times by an automatic pistol ….. Police are combing the area …… They are also investigating whether there might be a connection with the disappearance of Camborne’s other two rugby stars earlier in the season. …. No trace of them was ever found …. Anyone who might have any information that might be of help in tracing the killer is being asked to contact ………

The next few days bring some startling disclosures. Two more bodies are found on Bodmin Moor, fitting the description of John Scorer and Trev Padstow, the two missing Camborne rugby stars. Bodmin Bob is released without charge. Curnow along with Clara Hess and several others whose names are not familiar face are arrested and face charges of murder or conspiracy to commit murder. It is all over the papers. At work, they are all talking about it. There is much speculation about the possible motive. Rumours are rife. A rival rugby team, Redruth or Launceston perhaps? The Devon Mafia? A European takeover? Everyone seems to have heard a whisper somewhere.

Gary does not know how to respond. In a way, he feels very close to it all. He might have seen this coming with Suzi Foxx or Clara Hess or whoever she was, but never in a million years would he have suspected his friend, Curnow would be involved. Curnow Trevanian, the skinny lad from Tolcarne, a gunman? Unthinkable. He has known Curnow since his school days. He cannot bring himself to look at the Cornishman report and especially not the pictures of them being taken into custody.

Hands up mister,’ says a small voice behind him, as he is leaving work.

Gary turns around to see a young lad pointing a gun at him, a semi-automatic pistol. The boy is laughing. Out of the corner of his eye, he catches a glimpse of Suzi Foxx wearing a summer print dress walking towards him.

Hello Gary,’ she says sheepishly. ‘Put that thing away, Vincent! …. It’s all right, Gary. It’s not a real gun, but they look so realistic these days, don’t they? …….. Hey! I’m sorry about all the trouble that I’ve caused you. I know I shouldn’t have lied about everything. The thing is I couldn’t tell you much before because ……… Well, if you’d like to come round to my new flat later, I’ll tell you then. ……. Oh, by the way, this is my son, Vincent.’

© Chris Green 2018: All rights reserved

Moondog

moondog

Moondog by Chris Green

All Airbnb hosts have different ideas about promoting their space and a different interpretation of hospitality. Emphasis might be on the style of the rooms, the location of the property or even the size of the breakfast they offer. Each let has a different vibe about it, dependent to some extent on the owners’ personalities. The top-floor apartment in the Somerset village is one of a succession of lets Birgit and I have taken in order to explore southern England.

Perhaps we ought to take a closer look at reviews before we book but even then you can never rely on the accuracy of the comments. Suffice to say, ahead of our visit, we are not sure what might await us as the only photo of the accommodation on the site is the lovely view from the window. It is clear though from the off that Ray and Susan’s let is going to be more quirky than the others.

Birgit is on a dairy-free diet and has stopped off at the farm shop down the road from the accommodation to buy some fresh fruit and soya milk. They have left the key under a ceramic pot for us so I let myself in. Ray hears me and comes to greet me. He is a tall man in his mid-fifties with a receding hairline. He is wearing a floral waistcoat and has a silver tenor saxophone around his neck which strikes me as a little unusual.

I hope you like Moondog,’ he says.

I am not sure who or what he is referring to but to be polite, I answer, yes, of course.

Good,’ Ray says, and we leave it at that. As we make our way upstairs, he starts talking about trees. Do I think the shellbark hickory requires clay or loam soil, he wonders? I shrug. I do not know much about trees. He tells me you can eat the nuts of the shellbark hickory. I make an encouraging remark about the Picasso-patterned stair carpet. Susan is nowhere in evidence.

As I walk into the apartment, the first thing that hits me is that the walls are painted bright red and decorated with a collection of Abstract Expressionist paintings by New York artists. Pollock, De Kooning, Yamamoto, Rothko. Not originals of course but nonetheless, in the context of rural Somerset, dramatic and unexpected. Perhaps I do not register any surprise but if I do, Ray certainly doesn’t appear to notice it.

I’ll leave you to it,’ he says dismissively and with this, he is gone.

Birgit arrives with her provisions and I let her in. We laugh a little about how odd the flat is. The multicoloured tiled floor, for instance, is on several levels like a series of steps, something to be aware of in the night perhaps. However, it is not the accommodation that we came for. We do not plan on being indoors much during our stay. It is June and after all, we are only here for one night. We are moving on to Dawlish in the morning to explore Devon.

Once Birgit has changed outfits a few times, we take advantage of the warm evening sunshine and go for a drive in the beautiful Somerset countryside. Although it is reputed to be flat as a pancake, we manage to find some hills and fine hills they are. The Quantocks. We stop off for a bite to eat and a drink at a pub in Dunster and arrive back at about ten.

The cat that is slinking about the front garden looks to me like an ocelot, but surely it can’t be. Perhaps it is an overfed Bengal or something. In any case, there is no-one around to ask. There is no sign of our hosts. We get ourselves settled and potter around making more remarks about the unusual layout of the apartment. In our kitchenette, I look for glasses for our nightcap. I find the Warhol print cupboard is packed with Brillo pads. Boxes on boxes of them. Eventually, I find two orange Penguin book-cover cups, both of them novels by Clifford Font.

At first, I think it is the knocking of old-fashioned plumbing that wakes me. Then I realise the rhythmic drumming sound is interspersed with snatches of violin and oboe. Birgit is awake so I ask her. She says she can’t hear anything.

It must be in your head,’ she says.

But it’s really loud,’ I say. ‘How can you not hear it?’

There’s nothing,’ she says ‘Go back to sleep.’

The sound continues. This is not the saxophone but Ray might play any number of other instruments. But surely not all at the same time. And there’s definitely a lot going on here. Some strange minor chords on the piano. Lots of percussion. Bells, voices. It’s strangely hypnotic. Isn’t that a foghorn? Might this perhaps be the mysterious Moondog, whoever or whatever Moondog is?

When Birgit drops off, I key in a search on the tablet. I discover Moondog was a blind American composer, street musician, poet, theoretician and inventor who from the late 1940s lived and worked for thirty years in Manhattan. He recorded dozens of albums, all of them difficult to categorise. Amongst his friends in the music world were Philip Glass, Leonard Bernstein, John Coltrane and Charlie Parker. Moondog was heavily into Nordic mythology and built an altar to Thor in his country home in New York State. His long white beard and long white hair gave him a distinctive appearance, along with the Viking cloak and horned helmet he wore to protect his head because his blindness meant that he kept walking into things. He moved to Germany in 1974, where he claimed to have been in spiritual communication with Beethoven.

My curiosity raised to stratospheric levels, I creep downstairs to see where the weird music is coming from. I suppose I’m expecting to find Ray slumped in a chair in some kind of comatose state listening to it on his Bang and Olufsen hi-fi. Perhaps he has old Moondog LPs on vinyl. Surprisingly, no-one seems to be around. I cannot make out the source of the music now. Suddenly, I notice it is quiet. There is no music. ……… It occurs to me that Birgit could have been right. Maybe there never was any music. It might just have been in my head. But, if this is the case then I must be losing my marbles.

I spend a fitful night, dreaming of moons and dogs but at seven thirty, Birgit is up and ready to go. She says she is ravenous. I tell her I’m not sure that Ray and Susan are up. She says she is certain she heard someone moving about downstairs so we make our way down to the breakfast room. It is Susan who greets us. Long red hair and long red Bohemian dress aside, Susan’s appearance is surprisingly conventional.

The breakfast room has half a dozen bright paintings on the wall. David Hockney in style I feel although Birgit thinks they are more Matisse than Hockney. We cannot make out the signature on any of them. I ask Susan. She tells us they are her work. I congratulate her and tell her I like them a lot.

Very different from the Abstract Expressionist works upstairs though,’ I say. ‘I expect those are Ray’s choice.’

Don’t you like them?’ Susan says.

I love them,’ I say.

Anyway, I adore them too. I like all styles,’ she says. ‘I chose all the works in the house. Ray doesn’t care much about art.’

With a view to perhaps mentioning the strange sounds I heard in the night, I tentatively ask Susan where Ray is.’

Ray is in New York,’ she says. ‘He went last Thursday. He’s at a Moondog Appreciation event. Then he’s going to look at trees. Apparently, they have a lot of woodland in New York State. He says he will be back next week.’

Over breakfast, I scan the reviews for our Dawlish accommodation. One guest mentions that she feels the place might be haunted. I’m not sure I like the thought of that.

© Chris Green 2018: All rights reserved