Mario and Lorelei by Chris Green
Lorelei Love possesses a rare talent. She knows that things are going to happen before they do. As a result of her premonitory powers, Lorelei’s life has been alternately comforting or frightening, depending on what is scheduled to happen. Unfortunately knowing something is going to occur does not give Lorelei powers to prevent it. Try as she might to take steps to avoid something unpleasant, she has not found a means to do so. She has however developed her persuasive powers to prevent too much disappointment or distress. Sometimes destiny needs a helping hand.
Lorelei Love is not a clairvoyant or fortune teller. She cannot tell which horse is going to win the Derby, or if there is going to be an earthquake. She only knows what is going to happen in relation to her. If she were to put a bet on a horse, she would know if she was going to pick up money later on, and if the earthquake was going to affect her daily life, then she would know about it. Otherwise, she has the same faculties as those without the gift.
Today, the first Friday in April, her day will be alternately tiresome and exciting. Tiresome that she knows she is going to be waiting twenty minutes in the tailback on the Buena Vista bypass, exciting that she knows she is going to meet Mario Van Horn in the tropical fish department of the pet superstore on the retail park at three o’clock, even though she never goes there and has no interest in tropical fish. She knows with equal certainty that, although he is a complete stranger, with just a fleeting glance in her direction, Mario will make her heart skip a beat. In short, she knows that Mario Van Horn will sweep her off her feet.
Mario Van Horn does not possess such a talent. Dashing and debonair he might be in his dark blue suit, but he comes across as preoccupied. He has been told he can be unaccommodating and unresponsive. Casual and dispassionate are also terms that have been thrown at him. In the studio where he works as a producer, musicians that he is recording say that he is oblivious to how they would like to play. He takes the edge out of their music. He makes whatever they play sound like the famously bland band, Keane.
Mario is often not aware that something has happened even after it has. It was not until his decree absolute arrived on the mat that he realised his wife, Ursula had started divorce proceedings. He had thought that she was on holiday with her friend, Sharita. Try as he might, Mario has found himself unable to redress his shortcomings. An army of life coaches, psychologists and consultants have become exasperated at his inability to change. They all say his aloofness is astonishing. He could be a textbook study for a new condition.
It is three o’clock on the first Friday in April and Mario Van Horn has absolutely no idea that he is glancing in Lorelei Love’s direction, let alone that his glance is making a lasting impression on her. He is so unobservant that he has not even grasped that he is in the tropical fish department in the pet superstore. He has only stepped in there to buy a house rabbit for his sister in law, Mercedes, who will be nineteen on Sunday.
Lorelei Love leaves the pet superstore with a warm glow, brought about by Mario’s loving gaze. She understands that he has been too shy to approach her, but she knows this will not matter. She sits in her yellow Mini Cooper with the black stripes and waits for Mario to leave and get in his car. She knows this is a black Toyota Auris with a 69 plate. She knows that she is going to follow him home, even though she already knows where he lives. She knows that within a week she is going to be spending nights there.
Mario’s awareness of fate is non-existent. When, having stalked him for days, Lorelei calls round to his house, he still does not recognise her.
‘Are you the Avon lady?’ he asks. ‘I’m afraid that Ursula has gone away.’
He is surprised by the kiss. It is not the type of apologetic peck on the cheek you might expect from someone selling beauty products door to door, who has accidentally called at the wrong house. It is a passionate take your breath away all-out assault on his face. It is the type of kiss you might expect from an aroused lover. It is the type of kiss that in a raunchy film might serve as a prelude to the participants ripping off each others’ clothes. Having established that she is not the Avon lady and finding that things are happening down below, Mario responds with wild abandon. He is not at all sure what is happening or if what is happening is happening to him. But despite this uncertainty, in no time at all, they are upstairs and are ripping off one another’s clothes. A little later, after a bout of bountiful coupling, he asks her name.
‘Lorelei Love,’ she says.
‘Well, Lorelei Love,’ says Mario Van Horn. ‘That was ….. unexpected. I don’t know what came over me. I’m not usually so …… forward,’
‘I do hope that isn’t so,’ says Lorelei. ‘I was hoping we might do it again soon.’
‘I think that it was possibly the most unusual experience of my life,’ says Mario.
‘I knew that this was going to happen, so there was no point in fighting it,’ says Lorelei Love.
‘I couldn’t help but notice that you weren’t fighting it,’ says Mario. ‘I’m Mario Van Horn by the way,’
‘I know,’ says Lorelei.
‘I think I probably know everything about you.’
It is the third Thursday in May. Lorelei Love is now living with Mario Van Horn. As long as she takes the lead, she gets what she wants. She is happy with this arrangement. She has shown photos of Mario to her friends and her colleagues at the advertising agency, and they all think that he is a dreamboat. It is disconcerting that Mario doesn’t always notice that she is there, but there are small signs that he might be changing. Once or twice lately he has greeted her with kisses when she has got in from work. As she drives home from the office along the Santa Rosa Boulevard, she wonders if today is going to be one of those days. This is an odd sensation for Lorelei because she feels she should know definitely one way or the other. Perhaps Mario will not even be home. Maybe he will be mixing muzak at the studio, or perhaps it is his sister in law, Portia’s birthday and he has had to take an animal round. Lorelei is not accustomed to such uncertainty. She is sure though that it will pass.
Mario has noticed that there are more house plants to water and the washing machine is nearly always on. The kitchen is filling up with cookery books and kitchen utensils that he does not know the names of. The red wine has been replaced with white. Pink paperbacks with titles in handwritten script and cover illustrations of smiling young women in white chiffon are appearing on the bookshelf. There is no longer room in the wardrobe for all of his dark blue suits. There is a chess game going on with the bottles in the bathroom. He has noticed that Lorelei is around the place more than she used to be, in fact nearly all the time. Did she ask if she could move in? Did he say she could? Should he ask her if she asked him when she gets home from work?
Mario finds it a little worrying that Lorelei tends to be right all of the time, but on balance, he enjoys her company. Lorelei wears raunchier lingerie that Ursula did, laughs heartily at his badly told jokes, and is unexpectedly good at solving those tricky popular culture allusion clues to finish the Guardian cryptic crossword on a Saturday. And he likes the way she sometimes surprises him in the shower. He wonders if he ought to clear some of his old equipment out of the garage to make room for Lorelei’s Pro Trainer All In One Gym and maybe paint over the grey in the spare room with a brighter colour. Blue perhaps.
Mario starts to prepare the ingredients for an omelette. He will remember to put the peppers and mushrooms in this time. The one last Thursday was a little bland without them.
‘Anyone home,’ choruses Lorelei. She knows that Mario is home because the Toyota is parked in its usual way across both parking spaces on the drive. The music that is playing, while it still has a discernible melody, has traces of dubstep and acid jazz. It is a departure from the bland overproduced middle of the road music she is used to him playing while she is out of the house. ‘I like the music. What is it?’
‘Oh, that’s one I made earlier,’ says Mario. ‘While you were at the hairdressers.’
‘I haven’t been to the hairdressers. I’ve been working,’ says Lorelei.
‘Oh, that’s right,’ says Mario. ‘While you were at the travel agents.’
‘Ad agency,’ says Lorelei. ‘I work at AdAge. Its an ad agency. Remember, you picked me up from there. You remarked on what a clever play on words it was.’ She is secretly pleased that although one or two things seem to have changed lately, Mario still retains hints of his heedlessness. Detachment is part of his charm.
‘I’m just making us an omelette,’ he says. ‘Afterwards, I thought we might go out to the greyhound racing. You keep telling me how much you like dogs.’
‘Did I say that?’ she says. Watching a bunch of skinny mutts chasing an electric rabbit around a gravel track has not been not on her radar. She was budgeting for a quiet night in with a bottle of Prosecco and a scented bath. Then perhaps Mario could give her a massage with the new oils she had bought. She hopes she is not witnessing a change in the dynamic of their relationship. With the dimming of her prescience, is Mario attempting to take over the decision making?
It is the second Saturday in July. Lorelei Love comes home from the hairdressers to the sound of Sufi music. Are there whirling dervishes in the front room, she wonders. Each day this week she has come home to increasingly unusual music. Each time she has asked Mario what it is, it has been ‘something that he mixed that day’. On Monday it was garage punk, on Tuesday it was psytrance. On Wednesday it was psychedelic rock, on Thursday it was trip-hop.
‘What is it today?’ asked Lorelei yesterday.
‘Steampunk animé with a touch of drum and bass,’ said Mario.
‘The melody has all but disappeared,’ said Lorelei.
Mario Van Horn, Lorelei realises, is changing. He doesn’t even wear his dark blue suit any more and he hardly ever shaves. And why does he wear sunglasses around the house? While she understands that two people in a relationship tend to mould each other to some degree, she is not sure that the changes are going in the right direction. She remembers making a casual comment a while back that they probably didn’t get out enough but Mario seems insensitive to her interests. Over the past week, she has been treated to a twenty-twenty cricket match, a rugby sevens tournament, an orienteering workshop and a strip show. Although Mario claims they had discussions regarding plans for these evenings out, she has no recollections of these.
Accustomed to knowing in advance what is going to happen, each day now she is racked with anxiety about what is going to take place. Surely not another night at the dog track, or a rock-climbing weekend. There were times in the past when she felt the burden of knowing what was going to happen was an irritation. It weighed heavily on her shoulders, but this was compensated by its comforts. Why is it she is no longer able to call the shots? Has she lost the gift of prescience completely?
Mario doesn’t know what is wrong. Lorelei no longer wears raunchy lingerie and has stopped surprising him in the shower. He has even painted the spare room purple for her and put up some shelves to accommodate her growing self-help book collection. Surely it can’t be his comment about her putting on weight. He had meant it in a nice way.
‘I thought we might go to see some Sufi tonight, darling,’ he says. ‘So I put this sampler together to get us in the mood.’
Lorelei registers a robust look of disapproval. Mario thinks she is beginning to seem more like Ursula every day. He turns the music down a little.
‘We can have a curry,’ he says. ‘Akbar’s has an excellent selection of Punjabi dishes and the cabaret comes on at nine. Authentic qawwali music.’
‘I hate this awful wailing and I hate curry,’ screams Lorelei. What could she have ever seen in Mario Van Horn? The man is singularly intolerable. How, she wonders had she not seen this situation coming?
‘We could go to Ping Pong and have some noodle dishes if you prefer,’ he continues, seemingly oblivious to his falling star. ‘They have bamboo music, I believe, That’s quite gentle.’
‘I hate you,’ she shrieks.
‘Or we could just go The Black Horse for a pie and a game of darts if you like.’
‘You just don’t get it, do you?’
‘You’ll be hungry later on.’
‘I’m leaving you.’
It is the second Sunday in September. Lorelei Love is pleased to be shot of Mario Van Horn. She is starting to enjoy life again. While her rare talent is still not fully functioning, she is beginning to get her premonitory powers back. Just last week, she foresaw that she was going to meet a tall stranger with blond curls who would sweep her off her feet. And here she is driving along Las Palomas in her new Mini Cooper S Coupé with the roof down to meet DoubleTake.
DoubleTake’s singer, Ben Cool with his blond hair and black suede eyepatch is a dreamboat. AdAge has won the contract to handle the band’s PR. Naturally, Lorelei has volunteered to take personal control of the contract. What she doesn’t realise is that Mario Van Horn has died his hair blond and changed his name to Ben Cool. He didn’t even realise he could sing, until about a month ago when he was recording the overdubs for HashTag’s album, and now look at him. His fifteen minutes of fame beckons. What he doesn’t know is that the agency his management company has hired to handle the band’s promotion is AdAge.
© Chris Green 2020: All rights reserved