Pulp Friction

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Pulp Friction by Chris Green

Nancy fancies Tafelspitz and I haven’t had Wiener Schnitzel for a long time, so we are going to treat ourselves. Things have been a little fraught since our Schnauzer, Max had to be put to rest. Respiratory disease, very sad at the end. Max was more than just the family pet. He went everywhere with us. We feel we deserve a break from our grieving. A movie on Netflix and something nice to tickle our taste buds. Nancy and I are fond of Slovenian food and also like the occasional Serbian Pljeskavica but Austrian cuisine is our favourite. Perhaps we can follow the meal with our favourite dessert, Kaiserschmarrn.

We discover that Schachelwirt in the High Street, the only Austrian establishment in Darkwell no longer offers a delivery service. As the engine of the Fiat blew up a month ago, I get the Lambretta out of the shed, dust it off and make my way downtown. Nancy can’t see why I keep putting off getting a new car. She keeps mentioning a Skoda she has seen for sale in Harmonica Drive. I keep delaying going to see it. This has been a niggling source of friction between us. I’m waiting for the right opportunity to tell her that I recently made an injudicious investment in a Ponzi scheme and funds are low. This coming on top of diminishing returns in the pulp fiction publishing house that I am involved with. Nancy probably isn’t aware of this either. I hope my new collection of surreal stories sells well and the money soon starts coming in otherwise I may have to come clean.

On the way into town, slap bang in the middle of the Scott McKenzie roundabout, I come across a huge featureless black block. How can I have not noticed it before? It is colossal, probably eighty feet tall. As a writer with his head in the clouds, I realise I get distracted from time to time. But surely something of this magnitude ought to be unmissable. The block appears to be vibrating, giving off a loud, low-pitched hum. Inevitably, it brings to mind the monolith in the Stanley Kubrick film.

Seeing a mysterious black slab in an unexpected place however is one thing, but it is not going to come up with our Austrian meal. I can just imagine what Nancy will say if I go home and say, sorry I got distracted by a potential catalyst for evolution.

Have you seen that great big black slab at the roundabout?’ I ask Jürgen in Schachelwirt while I am waiting for the food. ‘Has it been there long?’

Nein,’ Jürgen says.

At first, I wonder if he means nine days or nine years before realising that he means no. Either it hasn’t been there long or that he hasn’t seen it. Despite the language barrier, I establish that both are the case. He hasn’t seen it and therefore doesn’t know how long it might have been there.

Returning with the takeaway, I am relieved to see that the roundabout is not teeming with angry monkeys throwing bones into the air. Or puzzled lunar scientists looking skyward. But from a writer’s point of view, their absence is, at the same time, disappointing. In 2001, those two scenes were pivotal. They helped move the narrative along. Despite the lack of Kubrickian connections, though, I am curious about what the mysterious slab might be. And more than a little unnerved by its sinister aspect. So, why is such an imposing artefact not attracting any attention? Motorists are negotiating the roundabout as if the monolith is a standard item of traffic furniture.

It is not often that one has the chance to see Doinzetti’s L’elisir d’amore in an English suburban setting. But here, outside the electricity sub-station on Magnolia Street, the opera is being performed, by a troupe of multiracial cross-dressers no less. They are called CDSO. A large billboard advertises them as WOKE, BAME, LGBT. I try to recall what the acronyms stand for. Acronyms seem to be taking over our lives. Is WOKE an acronym? Whatever! L’elisir d’amore has long been one of my favourites. I pull the scooter up alongside to take in the carnival of colour.

Conscious though that our Austrian delicacies in the carrier on the back of the bike will be getting cold, I can’t afford to hang around. Nancy does not share my fondness for Gaetano Donizetti. She doesn’t like Italian opera. She prefers Richard Strauss. She is always playing Der Rosenkavalier. She would be unlikely to accept a Donizetti-related excuse for my lateness. I expect she has the plates in the oven on the scalding setting in readiness for the feast. Along with the puzzle of the strange black block, I can investigate the background to this operatic oddity later. There is bound to be an explanation somewhere on the internet.

To get the food home swiftly, I ignore the tantalising glimpse of a flying saucer over the Toker’s End flats and the curious sight of Ironman talking to Shrek at the bus stop outside the Palace cinema that recently closed down. It’s a pity the old picture houses are going out of business, the new multi-screens don’t have half the atmosphere. Why is there a dancing brown bear outside outside BiggerBet? No time for this now, but where is all this strangeness coming from, I wonder as I turn into our street? Has The Game started up again on Channel 19?

Nancy, who knows about these things, tells me that, thankfully in her view, The Game has not started again, nor has The Lark on KTV. People do not go for the candid camera stuff anymore, she says. I do not pursue it. If I go into detail, she will only say I’m imagining things. Best to enjoy our fine food along with the new Austrian blockbuster Nancy has chosen and leave my investigation until the morning.

Google tells me the performance of L’elisir d’amore is one of a series of stunts designed to change attitudes to minorities and promote LBGTQ+ awareness (what is Q+) in the provinces, where attitudes have not kept pace with those in the big cities. It claims that nineteen-sixties levels of sexism and homophobia are still present in parochial towns like Darkwell. It says bigotry is rife here and derogatory terms like shirt-lifters and rug-munchers are still used freely. Why single out Darkwell? The town appears quite liberal. Gaz and Sebastian seem to have an active social life. They often tell us about the wild parties they’ve been to, and I believe we even have a Rainbow Festival Weekend in Darkwell these days.

The dancing brown bear is part of a bizarre new advertising campaign, Barney the Bear Bets at BiggerBet. Be Like Barney the Bear. A betting bear! Smacks of desperation, that one. Is there perhaps a Creatives strike? On a local Facebook page, I find out that the flying saucer is simply someone’s expensive new drone. This model of drone has been mistaken for a UFO in many locations around the country, it says. Once you take the trouble to look beyond conspiracy theories, you find there is often a simple explanation to many of life’s mysteries. This is not to suggest that conspiracy theories are a bad thing. For the writer of fiction, they can be a useful device. I’ve often resorted to them to add a little colour to a story. Conspiracy theories were central to Twinned with Area 51, Grassy Knoll and Black Fiat Uno. And where would my Phillip C. Dark series of stories have been without them?

A search for black slab comes back with nothing of particular interest but monolith is more successful. Using Kubrick as a starting point, it makes suggestions about the possible purpose of a pulsating black block. A power source perhaps, or a transmitter of some sort. Nothing though about why there is such an artefact at the Scott McKenzie roundabout. This is going to require another trip into town.

The trip has to wait until the afternoon. Nancy has an early appointment at Curl Up and Dye, which is in the opposite direction. I drop her off and wander along to The Dream Store in Serendipity Street. The Dream Store is like a library for ideas to help artists, writers, Alice in Wonderland aficionados and random fantasists out when they are struggling for inspiration. A postmodern repository for the unconventional, a kind of leftfield Google. You find all kinds of crazy stuff here. It is run by the guy that put together The Kaleidoscope Repair Manual whose name escapes me. I head for the Random Plot Generator section.

To my puzzlement and alarm, the Random Plot Generator section has been replaced by a giant mural of John Travolta in his Pulp Fiction suit dancing with a classical figure, a moving statue. Pulp Friction, it says. I’m not well versed in Classics so I’m not sure who the Greco-Roman figure is supposed to be. The dolphin behind the desk has no information. Why is there a dolphin behind the desk? No simple explanation is forthcoming. Logic seems to have temporarily gone AWOL.

Back on the street, I realise I may have been mistaken. It cannot have been a dolphin at the desk. This is a step too far. A dolphin needs water. No amount of artistic licence can work around this idea. But the giant mural of John Travolta dancing with the classical figure has potential. There is plenty of scope to slip it somewhere into a plotline. Perhaps even into the short story I’m presently writing. I file the idea away for later.

You often hear it said that you have to separate fact from fiction, but it is not that simple. Science recognises that everyone sees things differently, selecting some stimuli while ignoring others. Cultural background, preconceived notions and psychological state all play their part. Painters and writers are, of course, prone to cognitive exploration. Seeing things in a different way is central to the art of creativity. Homing in on things that others don’t see is their bread and butter. But there must be limits to how removed from everyday reality they are. Even though reality is a slippery customer, there has to be common ground, things that cannot be open to conjecture. Their existence is absolute, indisputable, The black slab on the Scott McKenzie roundabout is such a bold image that it surely cannot be merely a figment of my overactive imagination.

I meet Nancy from Curl Up and Die. The Viennese Bob style suits her much better. I always felt her Romy Schneider cut was a little out of date. I tell her she looks good. If there’s one thing I’ve learnt about women, it is that complements are a good idea after a hairdresser’s appointment. Failing to say the right thing usually has dire consequences.

I suppose we’re going off to see your pulsating black slab now,’ Nancy says, not hiding her disapproval. Or that she has not taken well to wearing the helmet on the back of the Lambretta.

If that’s OK,’ I say. ‘It’s pretty dramatic.’

Perhaps afterwards we could have lunch at that new Slovenian bistro by the Raincoat Museum,’ she says. ‘Rachel has been telling me they do a divine Idrijski Žlikrofi.’

Halfway along Tambourine Way leading to the Scott McKenzie roundabout, diversion signs are in place. The road ahead is completely blocked off. Highway maintenance vehicles of all shapes and sizes line the road. An army of highway workers slowly goes about its business, whatever this might be. Most of them seem to be standing around waiting for instructions. I pull up alongside a swarthy passer-by in a chunky army-style jacket. He is weighed down by a battery of cameras and binoculars. He looks as if he is on a serious mission.

It wasn’t like this yesterday,’ I say, pointing to the roadworks. ‘What’s going on?’

It’s been like it for weeks, guv,’ he says. ‘Where have you been?’

What about the Scott McKenzie roundabout and …..’

The Scott McKenzie roundabout?’ he says. ‘Where have you been? They replaced that with a junction and traffic lights a year or two ago. After the big pile up. Don’t you remember?’

The monolith. That great big black slab I saw yesterday. What’s happened to that?’ I say.

I don’t know what medication you’re on, mate,’ he says. ‘But I’ve got to get on. I’m hoping to come across Captain America. Or Willy Wonka. I don’t suppose you’ve seen them. Apparently, they are in the area. Along with Darth Vader and The Terminator, what’s his name? The Austrian one.

Arnold Schwarzenegger,’ Nancy says.

Yes, Arnie. That’s him,’ Chunky Jacket says. ‘A lookalike obviously.’

Why all the cameras?’ Nancy asks.

I gather you guys aren’t aware that MovieMax is offering a chance to win a holiday in Hollywood,’ he says. ‘You have to get photos of two of these movie characters out and about. It’s a promotion for MovieMax cinemas. They are opening a new one in Darkwell. Anyway, once you’ve got the photos, all you have to do is answer a simple movie-related question.’

Well, I saw Ironman and Shrek yesterday,’ I say. ‘At the bus stop outside the old Palace cinema, as it happens. There’s irony. You might want to take a look around that part of town.’

I know where you mean,’ he says. ‘I’d better get on to it.’

What’s the question, by the way?’ I say. The idle thought passes through my mind that the question might be something to do with the monolith in 2001. This turns out not to be the case.

They are asking, what do they call a quarter pounder with cheese in Paris?’ he says.

H’mmm. That’s a line from Pulp Fiction, isn’t it?’ I say. ‘OK. Refresh my memory. What do they call a quarter pounder with cheese in Paris?’

They call it Royale with Cheese,’ he says in a passable John Travolta accent. ‘They wouldn’t know what the fuck a quarter pounder is. They’ve got the metric system there.’

Of course,’ I say. ‘I remember it well now. But before you go, tell me! How would I have got to Schachelwirt in the High Street yesterday evening?’

What’s Schachelwirt?’

The Austrian restaurant and takeaway.’

There is no Austrian restaurant and takeaway in the High Street.’

What about the new Slovenian bistro?’ Nancy asks. ‘It’s by the Raincoat Museum.’

That’s easy,’ he says. ‘You just go back along Tambourine Way the way you came and turn right. Oh, look! There’s Harry Potter.’

He’s looking this way,’ I say. ‘He’s waving his wan……….

I fancy Tafelspitz,’ Nancy says. ‘I wish there was an Austrian restaurant in Darkwell.’

Well, there isn’t,’ I say. ‘Never has been. Never will be.’

Shall we go to Slovenian bistro by the Raincoat Museum then?’ she says.

II really ought to finish this story first,’ I say. ‘Perhaps we could go afterwards.’

© Chris Green 2020: All rights reserved

 

 

The Pugilist

thepugilist

The Pugilist by Chris Green

I’m certain I logged out last night and shut the laptop down. It’s something I am in the habit of doing as a cautionary measure. This morning, to my utter astonishment, there’s a new document open on the screen, three thousand words give or take. It’s titled The Pugilist. It claims to be a story of mine. I know I’ve been absent-minded lately, downright forgetful even but I would have remembered if I had got up in the night and written three thousand words. I haven’t written that much in one go in a long time. And Betty is away at her sick mother’s so there was no-one else in the house. The doors were locked overnight. I’m spooked.

But on a quick read through, I find the story is better than most of the stuff I’ve been writing lately. It’s about a poor boy who leaves his home and his family in search of fortune and fame. He’s struggling to get by in a harsh world. He is empty as a pocket with nothing to lose. He now wants to escape the bitter cold of New York winters and make his way back home. He feels alone in the city, the only living boy in the great metropolis.

It’s primarily a first-person narrative but here and there, without warning, it lapses into the third person. Yet in a subtle way. It is not my usual territory though. It features no unscheduled time shifts. No talking cats. No unreliable history or Alice in Wonderland characters. It’s a plain straightforward account of a human being with real feelings and emotions. The absence of strange in the narrative is as maybe but surely there is mystery enough in how it came to be here on my computer. The document was last saved at 3:13 a.m, which would probably place it slap bang in the middle of the steamy dream I was having about Susie Hill. Document History tells me I am looking at revision number one. I’m not sure if this statistic includes autosaves, but this suggests a competent typist with a determination to get the job done. An online plagiarism check finds no correlation with other online texts. However impossible it might seem, this has been typed out on my machine in the middle of the night without waking me by someone who knows my password.

Whatever its origins, one does not look a gift horse in the mouth. I can use the story to get over my writers block. But if I am to pass it off as mine, it important I put my stamp upon it. During the course of the day, I edit out some of the most overt sentimentality. I give the protagonist an imaginary friend called Art. I introduce a cult that worships a blind goat and create an alien communications centre in the back of an antiquarian bookshop in Queens. I make a note to develop these ideas later.

Betty phones and asks how I am and what I have been doing. I don’t want to alarm her or get her to think that I might be losing it like I did last Spring so I tell her I have been tidying up the garden. I have cut back the photinia and the laurel hedging and have weeded the veg patch. She is pleased I have separated the parsley from the sage but what about the rosemary and the time, she says? I tell her I will get on to it. She says her mother is still not very steady and she will need to stay over for another couple of days.

Still puzzled by its origin, but optimistic I can make something of the story, I feel happy with the progress I’ve made. I close the document down. As a security measure against any further incursions, I change my login password to a complex combination of uppercase letters, lowercase letters, numbers and symbols and I log out. I wake at 5 a.m., not to the sound of the alarm, but to the sound of the laser printer whirring. I dash downstairs to see what is going on, only to discover that the document for The Pugilist is being printed off. How can this be happening? Not only is it being printed off but I see from the open document on the screen that it has been added to. The word count is now over four thousand words. I read through it carefully and notice that some of my changes from the previous day have been reversed.

Determined not to be beaten, I set about revising the document once more. To explain the title beyond the metaphorical, I have the protagonist carry a book about Rocky Marciano around with him. Like a bible, he takes this with him everywhere. The opening section of the story is a little verbose so I clip three hundred words from it. To give the story greater familiarity, I introduce a few old favourites from my earlier stories, Phillip C. Dark, Guy Bloke and Wet Blanket Ron. To reflect the style my readers have become accustomed to, I add few curiosities to the narrative. He now has a mongrel dog called Bono. He suffers from Porphyrophobia, a fear of the colour purple. A tall thin man with no face wearing a leather duster overcoat and a broad-brimmed black hat pursues him relentlessly around New York and he has taken to hiding out in basement bars in Brooklyn, drinking Bottled in Bond Bourbon.

I save the document to the flash drive I keep in my jacket pocket and delete the original file on the laptop. I settle down to a glass of wine and a David Lynch film and try to put the riddle out of my mind. It can wait until tomorrow. All work and no play and all that. Betty phones to say her mother has taken a turn for the worse. She will be there now until after the weekend. I sympathise. I tell her I have been clearing out the shed and have taken the rusty old bike to the tip. She seems pleased that I am not spending all day huddled over the laptop.

I wake at 4 a.m. from a disturbing dream about a deranged killer on the loose in a small town logging community in Washington State to furtive sounds coming from downstairs. It is barely audible but it sounds as if someone is typing. I throw on my dressing gown and go to investigate. There is no sign of anyone but the document is once again open on the laptop and has got bigger. Over five thousand words now.

‘’Good to see you, Al,’ Charlie says. ‘But I know you only ever come and see me when you have a computer problem. So I’m guessing it’s no accident that you’ve brought the laptop. Virus again, is it?’

If only it were that simple, Charlie,’ I say. ‘It’s more of a presence than malware. And it’s pretending to be me.’

Ah, I see,’ Charlie says. ‘That will be the Takeover worm. It’s a bad one, old buddy. No-one’s come up with a way to remove it yet. It’s so deadly in fact, you’ll probably find it has cancelled your car insurance, cleaned out your bank account, and sold your house.’

What?’

Only joking, mate. Have a toke on this and I’ll take a look.’

I sit quietly back with the spliff and watch Charlie get to work. He brings up dialog boxes I never knew existed. I find myself gradually drifting off. I haven’t smoked weed in a long time.

How’s Betty?’ Charlie says, bringing me out of my reverie. ‘I saw her a couple of days ago going into that new clothes shop with the silly name in the Strand, the one that used to be Paul Simon.’

You couldn’t have, Charlie,’ I say. ‘Betty’s at her mother’s. That’s eighty miles away. She’s been there for a week.’

Is she? Oh well! Couldn’t have been her then,’ he says.

Perhaps Betty is deceiving me and she is not really at her mother’s. Her phone calls may have just been to divert suspicion. I felt this last weekend but did not want to admit it. By not acknowledging it, I somehow felt it was not happening. But deep down, is I am honest with myself, I did fear the worst. Each time she has called, she has said she is extending her stay. Is she afraid to tell me she is with someone else? That she has left me? Is she worried that I might have another breakdown like the one last spring when I found out she was playing away? Is this what is happening? I wanted to feel that we had repaired our relationship but you can never be sure. Although I have not noticed that any of her things around the house are missing, she has told me many times over the years that I’m not very observant. That I’m too tied up with my writing to notice anything important.

Hey! Look!’ Charlie says. ‘This is really weird, Al. According to this, no files have been open on the machine for several days.’

Let me have a look.’

Here you are! See! That’s what it says. Are you sure you’re OK? You haven’t been seeing that quack doctor again, have you?’

You mean Garth’s uncle? No, but I’m wondering if perhaps I should.’

By the way, mate. When you told be about this new story, I wondered what happened to that story you were telling me about the last time I saw you? The one about the bridge.’

Bridge?’

Yes, the one over the turbulent waters.’

© Chris Green 2019: All rights reserved

Hunky Dory 2019

hunkdory2019

Hunky Dory 2019 by Chris Green

It all began one hot stormy night two years back when Hermione and I were living in Joy Street in Bridgewater. I dreamt it was 1972 and the album, Hunky Dory was playing. I was listening to the album, slowly and leisurely as I would have back then if someone had put it on the turntable. One side then the other. It was one of those rare dreams that you stay in for a long time. While my dreams normally comprised multiple interlocking narratives, this one had just a single thread. Hunky Dory. It seemed to move forward in real-time. The music flowed through me and over me. It inhabited my senses. It felt in a curious way like I was the music. The eponymous title track of the album, in particular, sounded sublime.

It was not until I woke that I realised there was no song called Hunky Dory on the album. While most of Bowie’s albums had a title track, Hunky Dory notably didn’t. Where could the phantom tune I had heard possibly have come from? In the dream, the tune was slipped in seamlessly between Changes and Oh You Pretty Things. I was able to recall it note for note. It was still there intact, going around and around my head like an earworm. It was a sweet slow-tempo number with tinkling piano, playful acoustic guitar runs and a haunting melody. Reminiscent perhaps of Quicksand from the album with hints of The Bewlay Brothers. I wondered if perhaps it was a song from another of Bowie’s albums. Maybe a later one. Having been a lifelong fan, I was familiar with most of his work. I spent some time running through the possibilities in my head. Nothing fitted. So far as I could tell, this was an original tune. My original tune.

I remembered reading that Paul McCartney claimed the melody of Yesterday came to him in a dream. Keith Richards made a similar claim about Satisfaction. He had woken up with it and put it down on a cassette machine. Both had worried that they had heard the respective tunes somewhere or other in the past and they were someone else’s work. They both discovered that they were their originals. So perhaps this wasn’t so unusual. Classical composers too, it was said, often arrived at important passages this way. Perhaps musical ideas were in the ether like radio waves and it was a question of tuning in to them. Perhaps sleep created favourable conditions for this. When all the other senses were switched off.

But still! If I was right about the quality of this song, then it would probably have been the standout track on the Hunky Dory album which is frequently cited as Bowie’s finest work. But it wasn’t on the acclaimed album. I couldn’t let it slip away. Starting with the melody, I began to put the notes down on manuscript paper. I then put down the piano and guitar parts. The words were a little harder but with those I couldn’t remember, I improvised. I could always improve these if need be. It was the melody that mattered most.

Many of you will have heard the song by now, perhaps several different mixes of it. Even cover versions. If so, you will understand how excited I must have been that morning two years ago. But, as an unknown artist, it was not easy to get Hunky Dory onto the market. Not being an established name, no-one wanted to even talk to me. I couldn’t exactly tell them I had heard it on a David Bowie album. Even supposing I could have, this would hardly support provenance of authorship. For a start, I would have been about four years old at the time of the album. Even Mozart would have struggled to come up with a decent tune at this age. Nor could I say it came to me in a dream. They would think I was loony tunes and end the call there and then. Someone will get back to you became a familiar line. No-one ever did. I almost gave up.

Hermione had made it clear all along that she was not that keen on the song.

You’ve done all you can, Ziggy,’ I remember her saying. ‘You ought to give up on it. Then perhaps you would have some time and we would be able to go out now and again. We could go and see a band or something.’

The song will never get anywhere, no matter how good it is,’ I remember my brother Nathan saying. ‘The market’s sown up.’

I found the line, turn and face the strange crack in the sky a little puzzling,’ I remember my therapist, Rebel saying. ‘Perhaps you might explain what it means to you. And this line, strange fascinations of a hand reaching down. Hunky Dory’s an odd kind of song, isn’t it?’

Although they’re a bit weird, Ziggy, I can’t help thinking some of those lyrics seem familiar,’ I remember Jonny Bisco, the landlord of The Major Tom saying.

It seemed no-one believed in my song. But through thick and thin, I persevered. Eventually, Chris Green at The Kaleidoscope Repair Shop where I worked said he quite liked it. He persuaded his friend, Vic Timov at Unicorn Records, a small independent label based in Devon to give me studio time to record the song properly. Although there were problems with distribution of the CD and vinyl when the tune started selling in tens of thousands, downloads alone took it to the top the charts in several countries.

It’s a pity Mercury Records are taking me to court. They claim that the melody of Hunky Dory is identical to the melody of After All, one of David Bowie’s early tunes. There may be a slight similarity but there are only so many combinations of notes available. Occasionally some duplication is inevitable. And the lyrics to Hunky Dory are completely different. I can’t for the life of me see that they have a case. It’s essentially a different song. My solicitor, Guy Bloke of Chesterton, Pringle and Bloke is optimistic he can deliver a favourable outcome.

© Chris Green 2019: All rights reserved

A Sword In Every Pond

swordineverypond

A Sword In Every Pond by Chris Green

You have never in your life been to Stockport. You weren’t even aware that it was a town in Greater Manchester. So where are these phantom thoughts coming from? Conversations about black puddings with Ruby Leighton in the Asian convenience store off Warren Street. Supping stout in the snug at The Whippet with Beryl Braithwaite. Teaching textiles to truculent sixteen-year-olds on Tuesday evenings at Stockport College. These visitations, if you can call them that, started earlier today, when you and Lance were walking along the Cornwall coastal path between Bedruthan Steps and Porthcothan. Your consciousness was breached by rogue meanderings about Stockport. You have been unable to stop them since. Several times you have found yourself lapsing into Mancunian dialect with something being dead this and dead that, and coming out with ee oop and our kid.

So far you have managed to cover these slips so that Lance hasn’t noticed. He’d just say that you were being a hysterical woman. Sometimes you wonder if Lance notices anything about you, or whether he regards you as part of the furniture. But, where is all this coming from? You are scared. Cornwall is said to be the spookiest place in Britain but there’s spooky and there’s spooky. You mostly read about things going bump in the night in remote smugglers’ inns or legendary beasts roaming misty moors, not daemons fighting for control of your consciousness on coastal cliff paths.

The hallucinations continue most of the night. False memory cuts in and out, like a short-wave radio signal in a tropical storm. You are bathed in sweat. You’ve never got past page ten of Finnegan’s Wake, but this is like a cerebral implant of the whole novel. The spiritual turbulence just goes on and on. Eventually, you get up and do an hour’s Tai Chi. This seems to help to exorcise the daemon. Things are a little quieter this morning. Your thoughts have returned to received pronunciation.

……………………………………….…

You have driven along the coast to settle yourself. You are in Tintagel.

Mon Dieu!’ You have not spoken in French before, not even in France. ‘Ici on parle Français,’ the shop said, so you are parling Français. You are telling the shop assistant that you are from Bretagne and that your name is Camille. Where has this come from?

Nous recevons beaucoup de gens ici de Bretagne,’ she says.

Votre français est très bon,’ you say.

Merci,’ she says. ‘Je suis allé en Bretagne l’année dernière.’

Cornwall et Bretagne partagent une riche histoire maritime,’ you say.

Nous sommes les mêmes personnes,’ she says. ‘Les Cornish et les Bretons.’

You tell her that you are here to learn about the mythical kingdom of Avalon.

Many French people come here because they are fascinated by the Arthurian legend. Everything in Tintagel has some connection with it’ she says. ‘You will have noticed The King Arthur Arms next door. All the shops are named Camelot or Pendragon. Locals even name their pets after the Knights of the Round Table.’

You should be in a state of utter panic at becoming Camille, one set of thoughts and words being replaced by another, but this time you seem to be going with the flow. You are a teacher and you have come to Cornwall with your partner, Luc. Luc is a keen surfer and has gone off to Fistral for the day to catch the swell and you are taking photos of Tintagel for a course on Avalon you are planning.

This is why I have come,’ you say, taking out your Canon Eos.

You must expect strange things to happen while you are here,’ she says.

Is Cornwall then still a place of magic and sorcery?’ you ask.

There is magic in the air. You live it and breathe it,’ she says. ‘You cannot escape it. There is a sword in every pond.’

……………………………………….…

You can’t remember where you have left the car. In fact, you can’t remember what car it is you’re looking for. And you’ve bought a metal detector. Not to look for the car, but to look for hidden treasure. Perhaps you are seeking the Holy Grail. And …… you’ve turned into a man. You have checked. You have all your man bits. Your Santander bank card says that you are called D. A. Knight and your …… Gay Pride card confirms this. You are Daniel Knight. But, you can’t remember what car you’re supposed to have. You’re not sure even where you are. You think you are in Padstow. At least this is where you bought the metal detector, or was it Newquay? You remember thinking it was an odd item to find in a surf shop. Anyway, you have a pocketful of coins that you have found. This is how you discovered that you had turned into a man. What car should you be looking for? You have a recollection of a black Silhouette and a white Apparition but for some reason, you think it might be grey. Most cars are grey, so this does not help. Perhaps it’s a grey Golf. You need to phone Arthur. Arthur will know. Wait, you think, who is Arthur?

……………………………………….…

My partner, Patti is reading the visitors book. It is a habit she has when we go away. She likes to know what to expect. We are staying in West Cornwall. We have driven a long way and have just arrived at our accommodation.

Listen to this,’ she says.

Natasha and Lance say great holiday everything perfect except for the noisy people from Stockport who were staying next door.’

I shouldn’t worry too much. I expect the people from Stockport will have gone back by now,’ I say. ‘Where is Stockport, anyway?’

Camille and Luc from Brittany, France say Avoid Tintagel if you can. It’s no good at all for surfing.’

I don’t expect you can get much of a wifi signal with all those granite rocks,’ I say.

The visitors’ book has given me an idea though. I squeeze in beside Patti on the striped canvas settee to read it with her.

What about this one?’ I say. ‘Daniel and Arthur from Glastonbury, Somerset say great holiday except for the ironing board cover which lifts up with the shirts.’

Too much information,’ says Patti.

But, don’t you see? There is potential here,’ I say. ‘And ….. Look! They all stayed here in consecutive weeks.’

You mean, turn it into a story.’

Absolutely!’ I say.

© Chris Green 2019: All rights reserved

The Continuing Story of Wet Blanket Ron – Part Seven

thecontinuingstoryofwetblanketronpartseven

The Continuing Story of Wet Blanket Ron – Part Seven by Chris Green

As many of you will be aware, Wet Blanket Ron started life as one of my fictional creations, based originally on someone called Dale Loveless, a ne’er-do-well of my acquaintance. This, of course, was just a starting point for the character. In the interests of drama, I allowed Ron to change according to the needs of each story he featured in. Those of you who over the years have followed his progress closely will know that recently, Ron made a bid to break free and start a new life of his own. He no longer wanted to be a character in my stories. He was tired of constantly being the victim.

To what extent, he wondered, did he exist or could he exist? There were so many everyday matters a fictional character needed to become familiar with if he was to get by in the real world. Where, for instance, would he live? How would he earn a living? As readers will know, Ron’s work record as a fictional character has been nothing short of disastrous.

Without relevant experience in the real life workplace, opportunities did not knock. The black economy beckoned. Although Ron’s first steps at wheeling and dealing showed great promise, it inevitably ran into difficulties. We left him at the end of Part Six with the Serious Crime Squad knocking at his door to bring him in, a duplication of his experiences as a fictional character. Ron was learning that, after so many years in bondage, it would not be easy to adjust to the dog-eat-dog world we live in. Without the guiding hand of an author to shape his destiny, he would need to show resilience and imagination if he was to succeed. Did he perhaps have a plan?

…………………………………….

I am horrified when I arrive home from a short break in Stockholm to discover this document open on my laptop. It appears Ron is writing his own dystopian novel.

Doom B by Wet Blanket Ron

I wish I could tell you everything was going to be all right. I’d love to let you know that you would survive this debacle. But unless a miracle occurs, this time next month, you will be dead. We will all be dead. Every single one of us will have perished. Who would have thought pigeons could be so dangerous? That each time you fed the lovable little birds in the park or put bread out for them in your garden, you were in effect signing your own death warrant.

Pigeons are not at all the cute creatures that so fascinated the painter, Pablo Picasso. His father kept pigeons back in Malaga and sometimes the young Pablo would take them with him to school. He maintained his fondness for the birds. Throughout his life, he painted them, blissfully unaware that many years later these same birds would be responsible for the downfall of mankind. That they would transmit the deadly Doom B virus, a malady for which there was no antidote. Not only is Doom B madly infectious but swift. As you have probably heard by now, the virus kills its victim within two hours.

At first, it was thought that a mass slaughter of pigeons would contain the spread of the virus. But this took place and made no impact. The rotting corpses of the pigeons turned out to be even more deadly than the live birds. In any case, it was probably too little too late. The damage had already been done. Too many people had already been infected. Billions the world over. The spread of the virus was irreversible. Although it was primarily an airborne virus, Doom B was so infectious it could even be transmitted by phone.

Ron is really going for it here, isn’t he? Nothing cheery about this scenario. No light at the end of the tunnel. No sense it will end well. It seems he is keen to justify his nomenclature. This is Wet Blanket Ron in a nutshell.

Wait! Here’s another.

Dog by Wet Blanket Ron

As she lay dying beside the burning wreck of the Subaru, Betty Oosterhuis wondered what would happen to her Jack Russell, Frank. Would poor Frank have to be put down? Surely no-one else would be able to tolerate his barking. But Frank had seen her through thick and thin. Frank saw off all those delivery people that wanted to put bills through the door or those that called around to talk to her about going to church. Frank got the annoying neighbours to move out. The ones who planted those big trees that blocked out her light. Frank’s barking saved her that time her son broke down the door with an axe. He ………

Ron is blatantly taking biographical details from my life in this one. Mrs Oosterhuis was my next-door neighbour. The neighbour from Hell. The one with the awful dog that forced me to move. How could I hope to write meaningful prose with the hideous thing barking all day? What is Ron up to?

Here’s yet another story he’s started. He’s left it open on the taskbar. It’s called Death of the Author. This was the title of an essay by the French literary critic, Roland Barthes about the need to separate a literary work from its creator. I remember it from my student days. A seminal work. My tutor, Aretha Holly spent a whole lecture talking about it. French theorists were all the rage at the time, Baudrillard, Derrida, Foucault, Lyotard, the library shelves were full of their weighty tomes. Barthes was perhaps the only one I could get my head around. But Ron’s story presents a more literal interpretation of the term, death of the author. It appears to be about a real author. It’s about someone plotting to kill a writer…. Bloody hell! It has me in it as the central character.

…………………………………….

Ron must have meant me to find these stories. The documents were open on my laptop. He must have realised they would send me into a panic. A fictional character coming to life in a work of fiction is one thing but a fictional character coming to life in real life is another. And a fictional character coming to life in real life and suggesting killing his creator is scary. Even if it is not Ron who wrote these but a random breaker and enterer having a prank by pretending to be Wet Blanket Ron, there’s no getting away from the fact that someone other than me has in my absence been on my computer and written these stories. Someone with malicious intent. Someone who wants to kill me.

I take a careful look around the house. Everything appears to be in place and I can find no evidence of a break-in. I debate whether to take the matter to the police but I conclude they would probably not have the expertise to deal with a case like this. They would ask questions like has anything been taken? How do you know this man, this Wet Blanket Ron? What does he look like? They would definitely not respond favourably to my, he is fictional; I created him. I don’t know what he looks like.

But this is the problem, I don’t know what he might look like in the flesh. I’ve always pictured him in his forties, about five feet nine, a bit of a paunch, sober, ill-fitting clothes, a hangdog expression, perhaps going grey or thinning on top, maybe a pair of brow-line spectacles. But, of course, I don’t know. Even if I did, he might be in disguise. So, how will I know if Ron suddenly appears? I begin to eye everyone I see with suspicion. Might they be Wet Blanket Ron? I size up every stranger in the street. Are they following me? Are they approaching me with intent? Might they be brandishing a club, wielding a machete? Might they be reaching for a gun from a shoulder holster? Why is that man in the Nick Cave and the Bad Seeds T-shirt bending down to tie his shoelace? Is the fellow in the orange hi-viz jacket delivering letters really a postman? Why are those men waiting outside the boarded-up tobacconists’ shop?

I step up the security at home. I change the locks on the doors and windows. I change all the passwords on the computer. I get into the habit of shutting it down when I am not using it. I put a new sim card in my phone.

I return home from my evening shop to find the laptop is on. There, open on the screen is a new document. It’s called simply, What Does a Writer Do All Day? It describes my movements throughout the day in great detail including where I parked the car, the people I spoke to, the shops I went into and the places I crossed the road. Ron knows my every move. This raises the level of scariness to critical.

I decide to talk to my old friend, Pete Free about it. As Wet Blanket Ron is loosely based on Dale Loveless and Pete has known Dale since college, I figure he might have an idea of what Dale, and by extension, Ron might do next. Admittedly, it is a huge leap in logic. But even if it is a longshot, I have to try something. I mull over the riddle of existence. How does anything organic come about? There must always be something that gives rise to matter, something that precedes it. Matter cannot originate out of nothing. Or can it? Can living organisms spontaneously materialise, for instance, from an idea? As Ron appears to have done here. I take comfort from the fact that Pete is a bit of a philosopher. Surely, he will be able to shed some light on this conundrum.

I call around to Pete’s and before I know it, he has handed me a large spliff to look after. I seem to recall this is exactly what happened the last time I visited him. Once again, on leaving, I remember little of our conversation except that Pete hasn’t seen Dale, has no wish to see Dale and has no idea what he might be up to, has no interest in Wet Blanket Ron and that the universe is a hologram and we are floating inside it. I have the feeling I already knew this from my previous visit.

Being skadooshed seems to stir up something in the depths of my consciousness. On the way home, it suddenly occurs to me that the answer is staring me in the face. I could re-fictionalise Ron, simply put him back on the written page where he belongs. I could write a new Wet Blanket Ron story. This time around, I could give him a favourable situation so he wouldn’t have a problem with being fictional. I could place him on a Caribbean beach with a sultry babe, a cool glass of rum and Grenadine and a big bag of Jamaican Dream collie. Perhaps he could have a long-keeled ketch moored nearby, kitted out with all mod cons. Might he even have his own private island? He could be Mr Big. Ron would command the respect of all those he came in contact with. I could even drop the Wet Blanket part of his name or at least use it sparingly.

I get down to it right away. I give Ron a record breaking lottery win, set him up with glamour model, Lara Lascala and take him to a private beach, a few miles west of Ocho Rios. He has a fully crewed, state of the art catamaran on hand for those sizzling hot days when there is nothing else for it but to take to the seas. This should keep him out of mischief for a while. Oh, and I’m giving him his own secret ganga farm in the nearby hills. What could possibly go wrong?

© Chris Green 2019: All rights reserved

Trout Fishing

troutfishing

Trout Fishing by Chris Green

FRIDAY


‘Sunsets on Mars are blue,’ says the man’s voice coming from behind her. It is too loud for her to ignore.

Suzy turns around to see a stranger in a badly creased seersucker suit has sat down at the next table. He is alone. Is he talking to her or talking to himself, she wonders? Perhaps he is practising lines for a play. The Apollo is just down the road and he has that theatrical air about him. Dishevelled hair. Lined face. Goatee beard. Wild eyes. Probably best to ignore him. But, what an odd thing to say, out of the blue!

Iguanas have three eyes,’ he says. He definitely seems to be addressing her. He is staring right at her. Intently. Might he be coming on to her? If he is, she doesn’t think much of his chat up lines. Or his style. He is looking her up and down, leeringly. She had thought this morning when she got up that wearing her red dress might lift her spirits. She had been feeling a bit low. With Lev gone, everything seemed to be getting on top of her. But in hindsight, perhaps the dress was a mistake. It makes her stand out too much at this time of the morning. Luigi’s Café is not a dressing up kind of place. Supermarket shoppers mainly. And it seems, the odd weirdo.

She looks around for a waitress to ask for the bill for her Profiterole and Macchiato but they have all temporarily disappeared. She takes out her phone and pretends to make a call hoping this will deter the stranger. It doesn’t.

The brain is composed of 60% fat,’ he says. ‘Did you know that?’

He’s just plain creepy, she concludes. Looney Tunes. A basket-case. She should leave. There is still no sign of a waitress and the other customers all appear to be engaged in conversations. She pushes a ten-pound note under her plate, gathers up her bags and makes a hasty exit.

On the street, she is relieved to discover the creep has not followed her. Just the other day, her friend Yvonne told her she had had a stalker. This had all started off with someone leering at her in Starbucks when she was on her own. He began to follow her everywhere and she had to bring in the police.

Suzy is about to get into her Ssangyong when her phone rings. She does not recognise the number. She decides to answer it, anyway. Kurt, her eldest was talking about getting a new phone.

Bluetooth was named after King Harald Bluetooth who united Denmark and Norway in the tenth century,’ says the now familiar voice. Bluetooth? Is this how the creep from the café has obtained her number? A bit tecky but how else would he know it?

I understand you feel intimidated,’ Holly at the hairdressers says. ‘But really, all you have to do is steer clear of Luigi’s and not answer the phone.’

I’ve already blocked the number,’ Suzy says.

It’s not as if he knows where you live,’ is it?’ Holly says.

I hope not,’ Suzy says. ‘It’s not something you could find out from a mobile phone number, is it, Hol?’

No. He was just some geek trying to be clever,’ Holly says. ‘You get them all the time.’

I guess you’re right,’ Suzy says. ‘He was talking nonsense.’

It is Friday night. Kurt and Axel are out with their mates taking drugs or two-timing their girlfriends or whatever teenage lads get up to these days. Either way, they are likely to be out all night. Suzy is alone in the house. At times like this, she wishes Lev had not gone off like he did. It has been nearly a month now but she cannot get used to being alone. At the time, she felt she wanted him out of her life but now she is not so sure. She is all over the place. It only takes the slightest thing to upset her. Perhaps they should have given it another try. Her friends keep telling her she should move on but in the meantime, she is finding it can be very lonely, especially as all of them are in relationships. She decides there’s nothing really for it but to mix a gin and tonic and see what’s on TV. On a Friday night! How sad is that!

She sips her drink and presses the on-button on the remote. Without warning, his face fills the screen. This is impossible. Yet, there’s no mistaking him. The dishevelled mop of hair. The goatee beard. The Keith Richards creases that line his face. The intense stare. This is the creepy man from the café. In high definition and larger than life on her 56 inch TV. How can this be happening?

A tarantula can live without food for more than two years,’ he says. To add to her disorientation and distress, the freak is coming out with more surreal rubbish too. What kind of game is this? What can it all mean? What does he want?

She tries changing channels but to her horror, he is still there staring straight into the camera and, by extension, directly at her.

Earth has travelled five thousand miles in the last five minutes, Suzy’ he says.

He is even addressing her by name now.

She tries random buttons. He stays on the screen, leering menacingly at her.

There are too many black holes to count,’ he sneers.

Panicked, Suzy pulls out the plug. He is gone. She pours herself another drink. No tonic this time.

Andy Mann, the aerial installation technician who used to work with Lev assures her what she is describing is impossible. But as she seems distraught and he happens to be in the area, he says he will call around and take a look.

Take me through it,’ he says. ‘Show me exactly what you did.’

Suzy is a little reluctant, in fact, she is bricking it as she plugs the TV back in. She stands back and presses the button on the remote. BBC1 comes on as you would normally expect. The One Show. She changes the channel over and over. Each number brings up the correct station showing its normal Friday night fare.

Suzy does not know what to feel, vulnerable, confused, relieved, embarrassed.

Now that you’re here, Andy, why don’t you stop for a drink?’ she says.

SATURDAY

Thank you for staying over, Andy,’ Suzy says. ‘That was good of you.’

The least I could do,’ Andy says.

And you’re sure Amy won’t have wondered where you were.’

No. Amy’s visiting her mother. Anyway, I could always say my van broke down or something. It’s worked before.’

You mean I’m not the first. You are bad, Andy.’

The main thing is, do you feel better? You were in a bit of a state when I arrived.’

I do, Andy. Much better. Perhaps you could make me feel …… better again before you go.’

What about Kurt and Axel? Won’t they be back soon?’

You must be joking. It’s Saturday. Wherever they’ve been or wherever they are now, they won’t be up this early.’

You’re having trouble with this one, aren’t you, Phil,’ Patti says.

It’s ground to a halt the last couple of days,’ I say. ‘And I don’t know where to take it. The Philip C. Dark brand relies upon shock and surprise and this one has run out of steam.’

You could introduce a talking cat,’ Patti says. ‘That would move the story forward.’

Funnily enough, I was thinking of a talking cat,’ I say. They are always a good stand-by. I could call it Dave. Dave’s a good name for a cat, don’t you think?’

SUNDAY

Dave has been out all night. His people have left him and gone away on holiday. The lad who is supposed to be letting him and out and feeding him his pouches of Gourmet chunks has not been since Friday afternoon. Young people are so unreliable at weekends. Not the best of nights to be out either as it has been pouring with rain and he has had to sleep in a leaky old shed. It is now light and thankfully the rain has stopped. Dave sees an opportunity of some warmth and who knows, perhaps even a tasty breakfast from the lady at number 42, the one whose husband has left her. Nice smells are coming from her kitchen.

Suzy is unnerved by the scratching sound at the door. Not being accustomed to talking cats, she is freaked out when the ginger and white tom asks her if he can come in and snuggle up by the radiator to get warm.

I’m quite partial to bacon too if you have a spare rasher or two,’ Dave says. ‘And perhaps a sausage.’

Perhaps, in the wake of her recent experiences, she is becoming de-sensitised to strangeness. Rather than slip once more into panic mode, she finds herself quietly amused by the idea of a chatty moggy.

I’ve not seen you around here before,’ she says. ‘What’s your name?’

I’m Dave,’ Dave says. ‘Would you like to talk about magic carpets?’

Magic carpets?’ Suzy is confused.

I thought magic carpets would make a change,’ Dave says. ‘All my people want to talk about are cabbages and kings.’

OK,’ Suzy says. ‘Let’s talk about magic carpets.’

Or if you prefer we could talk about Red Sails in the Sunset,’ Dave says. ‘Do you know that song? I could sing it for you.’

I think I might have it somewhere,’

There are thirty nine recorded versions of Red Sails in the Sunset. Did you know that? My favourite is Fats Domino’s’ Have you got that one or did Lev take it with him when he left?’

Perhaps we should stick with magic carpets.’

Or we could try Belgian Surrealists.’

Magic carpets would be better.’

OK. As you probably know, magic carpets originate in the area from Egypt to Iraq known as the Fertile Crescent, which of course is also where domestic cats come from.’

Uh huh.’

Not going well with the talking cat, is it?’ Patti says.

It does need a little work,’ I say. ‘And a title.’

Would you like to read my Richard Brautigan book?’ Patti says. ‘Trout Fishing in America. I think it might help.’

Good title,’ I say. ‘I’m guessing it’s not about trout fishing, right?’

Not completely, no,’ Patti says. ‘It’s a series of sketches of a strange yet strikingly familiar world.’

© Chris Green 2018: All rights reserved

The Continuing Story of Wet Blanket Ron – Part Six

thecontinuingstoryofwetblanketronpartsix

The Continuing Story of Wet Blanket Ron – Part Six by Chris Green

The fat lady is not yet singing. Wet Blanket Ron wonders if there is then still time for a reprieve. A final act? A happy ending in this long and drawn out saga? He has been at the mercy of his heartless creator for so long that there is no obvious reason for him to suppose there might be light at the end of the tunnel. Time and time again our hapless hero has been at the fall end of windfall.

Having discovered he is a fictional character, Ron dreams of a change of fortunes. In short, he wants his freedom. After all, Kilgore Trout, Kurt Vonnegut’s fictional creation who suffered similar abuse at the hand of his author finally freed himself. Perhaps more famously, Arthur Conan Doyle’s creation, Sherlock Holmes came to life so thoroughly that many doubted he was ever fictional. Holmes even has his own pages of quotes in literary compendiums.

Ron dreams of living by the sea. The Côte d’Azur perhaps or Portofino. With Marilyn Monroe. No, wait! Marilyn Monroe’s dead. Dead’s worse than being fictional. In any case, she would be old by now. The Seven Year Itch was a long, long time ago. Even Kathleen Turner and Jessica Lange would be getting on a bit. Charlize Theron? Beyonce? The problem is that these are all famous people. The glitterati. It is not going to be easy for a small-town fictional character to master the complexities of the modern world, let alone mix with high-fliers. Maybe Ron should set his sights a little lower. A maisonette in Torquay with Tina from the nail bar perhaps or a caravan in Burnham on Sea with Karen from Greggs? Ron will, of course, need to put from his mind that his last girlfriend as a fictional character, Lola, like her namesake in The Kinks classic, to his embarrassment turned out to be a man. Neither does Ron’s work record bode well for success in the real world. His creator has been merciless. Every job Ron has had has ended in disaster, often his arrest and to cap it all, a spell or two at Her Majesty’s pleasure.

The lines between fiction and reality have a tendency to become blurred. Aren’t most people’s lives a kind of fiction anyway based as they are on some social construction of reality dictated by the purveyors of taste? Fiction itself no longer seems to be separate from real life. Who can say for certain anymore which is which? Might the blurring of boundaries present in today’s metafiction work to Ron’s advantage? Might the confusion be helpful for his transition towards control of his own destiny? The fat lady is not yet singing so who knows what is around the corner?

The adjustment to real life is a big one and Ron New finds it strange at first. When you are a fictional character you do not have to make any decisions. Be it good or bad, everything is arranged for you. The real world is not like that. You have to decide when to get up, what to wear, what to have for breakfast. What foods do you actually like? Where do you like to go? Who do you speak to? What do you talk about? How do you introduce yourself to people you feel attracted to? How do you get out of situations you don’t like? But before any of this, there are more pressing problems. How do you get a job to earn money to buy food and clothing? How do you find somewhere to live? Are there any shortcuts to survival? Are there any short cuts to success?

Ron is on the street in a town that he does not recognise. He has a nagging suspicion it is in the south of England but without any previous experience of the real world, he cannot be sure. But at least it appears to be by the sea. So far as he can tell, he has little more than the clothes on his back, a pair of frayed black Levi jeans, a windcheater jacket and an Ellesse rucksack that has seen better days. There are no keys in his pockets nor is there any money. He has a vintage Nokia phone but discovers it has just 49p credit on it. Contacts has only one contact anyway, someone called Doobie. What kind of a name is that?

Ron feels every bit as depressed as he did when he was fictional. There are shadows where there should be none. A Nine Inch Nails tune is running through his head. Large black dogs are everywhere. In a desperate attempt to cheer himself, he reminds himself he is free. At last, he is free. He repeats it over and over as an affirmation. The world is his mollusc. Isn’t that what they say?

He opens the rucksack and finds an old pair of Adidas trainers, assorted socks and pants, a Swiss army knife, a diary from last year, a job interview letter with his name on it, a driving licence in his name with a different address and a large polythene bag of crushed vegetable matter. No money. No keys. So it goes. You can’t expect everything all at once.

The job interview, he notices, is for today and he seems to be heading for it. The job is for a position as an Appointment Canceller. Not the most prestigious of positions but he has to start somewhere. Ron, of course, cannot refer to the fictional job history which is still fresh in his head, his jobs with N Vision Inc, Daniel DeAngelo and PurplePhones for instance. These were strictly two-dimensional forays, nothing more than words on the written page. There again, as they turned out to be such disasters, it would hardly boost his chances if he were able to refer to them. Some of the pages of the diary are filled in. Might there be something that would help him get the job? There could be clues inside, meetings, appointments, this sort of thing. Even though he is not conscious any earlier real life existence, might he in some esoteric way have a back-story? As a grown man he ought to have some kind of a past.

He does not get the chance to find out.

Ron New,’ the receptionist calls out. ‘Mr Sulky will see you now.’

The interview goes badly. He does not have the required experience in Appointment Cancelling. Mr Sulky tells him he has better things to do than listen to lame-dog excuses for his not being prepared. As Ron walks away, his dream of a maisonette or a caravan with a Tina or a Karen in a south of England seaside resort, modest though it might be, begins to fade. He begins to see shadows again where there are none. A Leonard Cohen tune starts up in his head. Black dogs appear once more, ready to pounce.

His mobile rings. The display tells him it is Doobie, whoever Doobie is.

Ronny, my man,’ the fevered voice on the line says. ‘Why haven’t you called me, dude?’

Sorry,’ Ron says. ‘Who are you exactly?’

Who am I, dude, who am I?’ Doobie says. ‘You’re jiving me, right?’

Ron doesn’t think he is jiving the stranger. He is not sure what jiving is. Other than a fifties dance where you twist your partner around to rock and roll music. How does he even know that? Where does language come from? How do you acquire your lexicon of words and expressions? How can he explain to this person on the line, this Doobie character, that this is the first phone conversation he has had in the real world? Does everyone call each other dude here, he wonders? How can he explain that until recently he was a fictional character? His understanding of the ways of the world is bound to be below average.

It’s Doobie. You were supposed to call me. Remember!’

Ron doesn’t remember.

Doobie tells him they need to meet up. Ron is not sure whether this is a warm invitation or a threat but with nothing else scheduled, he agrees. He doesn’t know where The Frisky Goat is. He asks Doobie for directions.

Sitting at a corner table in the garden of The Frisky Goat, it becomes apparent their association has a lot to do with the large bag of vegetable matter in Ron’s rucksack. It ought to have been in Doobie’s possession two days ago. Ron is fronting it and Doobie is to pay him when he has sold it. It does not immediately sound to him like a good arrangement. What if he never sees Doobie again? What insurance does he have? But, once again, being new to all this, he lets it go.

Ron is surprised when later that day, Doobie phones him again to say he has a large wad of cash for him. There are several noughts on the end. Could they meet up at The Mad Dog? It appears the trade in vegetable matter is a lucrative one. What a stroke of good fortune then that during the day, he inadvertently stumbled on another cache of the same vegetable matter. Doobie is certain to snap this up too. What Ron doesn’t understand is, as the stuff is worth so much, why do people hide it in such obvious places? A lean-to in a municipal park doesn’t seem a very secure hiding place for a valuable commodity. Still, where it came from or why it was there are not his concern. He feels after years as a down on his luck fictional character, he deserves a break.

Deal done, and several more like it, Ron has enough funds to look for somewhere to live. Matt Black of Black and White Lettings explains, as luck should have it, a spacious furnished ground-floor flat in a nice part of town has unexpectedly become available. Although it is usual to have to wait for background checks, as Ron seems to have loads of ready cash, Matt says if he wishes he can move in immediately.

It is often said things tend to happen in threes. Perhaps this might help to explain how, no sooner has Ron moved into Bougainvillea Heights than he meets foxy cover-girl, Tiffany Golden. It might also have something to do with the new Porsche that Ron has bought but they seem to hit it off right away and in no time at all, Tiffany has moved in with him.

Having had a taste of good fortune, Ron wants more. He wants to make his mark, become a name in the big world. Living at Bougainvillea Heights is alright for the time being in the British summer while the sun is shining. And certainly having the lovely Tiffany around helps. But, why would anyone want to be stuck in one place? With one set of options? The same faces every day. If he thought there was all there was, he might as well still be fictional. There’s a big world waiting for him.

Tiffany agrees. With her experience in making her way in the world, she encourages Ron. She too has ambitions. Together they thrash out ways to make more money. Mega bucks, she says with a glint in her eye. Sunday Times Rich List rich, Ron suggests. What then are the growth areas of commerce? Short selling on the stock market or investment in bitcoin might achieve results but they need a large stake to begin with. Then there are long-term bets like property, gold or even domain squatting? But these can hardly be seen as get rich quick ideas. What they need is a sure-fire money-making start-up.

They decide that in today’s dog-eat-dog world, their best chance to make a fortune is to get into the fake news business. There appears to be an insatiable appetite for fake news, the faker the better. Fake news is all produced by small individual organisations, each with a specific agenda. Hoax sites, hyper-partisan sites, false statistic sites all seek to add to media obfuscation but there what is lacking is a neutral mercenary professional agency. Someone whose only aim is to make stacks of cash from disseminating everyone’s lies. This is the gap in the market that they plan to plug by setting up youbetterbelieveit.com, a fake news generator and bogus facts checker. To cover all angles they also set up dontbelieveaword.com

Although they have every reason to feel their enterprise ought to be successful, the speed with which the idea is taken up by media groups surprises them. Their sites quickly become the turn-to sites for meme-makers and clickbaiters on social media, people of all political persuasions, religious groups and killer cults. Contradictory fake news items are splashed daily all over the internet, along with fake provenance should anyone be bothered to check. Each one provides a pay-off for Ron and Tiffany.

Detective Inspector Crooner is tired of being a fictional character brought into the limelight only when there is a Wet Blanket Ron story in the offing. Worse, while he has been waiting in the wings for a new caper, he has heard through the grapevine that Wet Blanket Ron is no longer a fictional character. By all accounts, Ron is making his way in the real world. Presumably, there being few storylines for a struggling small-town police inspector, he will now be axed. He wants his freedom from the printed page too. He wants to be a flesh and blood police inspector with a seaside constabulary somewhere perhaps in the south of England. Mrs Crooner has always wanted to live by the sea.

He would then be able to continue where he left off, apprehending Wet Blanket Ron for the type of bizarre crime that only a reprobate like Ron was capable of. Like the time he had nicked Ron for bringing down rock star, Johnny Angel’s helicopter. Or the time he had pulled him in for smuggling packets of time out of the Royal Observatory at Greenwich. This had earned him his promotion. It was reasonable to assume that a real life Ron would be up to no good.

The path to self-actualisation that developmental psychologist, Abraham Maslow outlines in his Hierarchy of Needs is a complicated five-step process. First, you need your physiological needs and your safety needs to be met. You then need to belong to a social network and be able to develop self-esteem. But, before any of these things can happen, you need to not be fictional. Being fictional is the biggest obstacle of all to self-actualisation. Incredible then that along with Wet Blanket Ron, Inspector Crooner is able to make this leap. He finds himself at a seaside resort in the south of England, the same seaside resort as his old adversary.

Old habits die hard and in the blink of an eye, he is once again on Ron’s tail but this time it is for real. He has a real team of officers and a real police station. He has access to the real police computer and all its real Intel. Crime has moved on. Attention in the modern force is moving towards cybercrime. Crooner reads up on internet misuse. The Communications Act 2003 for instance makes it an offence to send a message that is grossly offensive or of an indecent, obscene or menacing character over a public electronic communications network. During his research into how widespread this is becoming, much to his delight, the name, Ron New keeps cropping up. Ron is alleged to have a monopoly on fake news websites in this part of the world. Well, well, well, he thinks, what a stroke of luck!

The Bizzies are outside,’ Tiffany shouts.

Ron would probably not understand what she was referring to but he cannot hear her above the music. He is listening to Wagner’s Götterdamerung, the dramatic immolation scene at the end of the opera. Birgit Nilsson as Brünhilde is belting it out. Ron has been giving himself a crash course in culture. Along with Fellini, Proust and Eliot, Wagner came highly recommended. He has made his way through fifteen hours of The Ring Cycle. The immolation scene is the climax of the whole work. Brünhilde is mounting her horse and riding into the flames. This apparently is the origin of the phrase, it’s not all over until the fat lady sings.

Tiffany shouts louder this time. ‘The Old Bill are here, Ron.’

What? Who?’

The Bill. ….. The police. They want to have a word.’

Tell them they will have to wait,’ Ron shouts back. ‘Or better still, come back another day. …… What do they want, anyway?’

Inspector Crooner does not seem keen on waiting, coming back another day or telling Tiffany what he wants. He and three other determined officers barge their way into the Bougainvillea Heights apartment. It does not appear that they have called round to tell Ron to keep the noise down. It’s possible they have something else on their minds.

What was that about the fat lady singing?

© Chris Green 2018: All rights reserved