Nevermind by Chris Green
Growing up was never going to be easy for me. I could see from an early age that my parents were simply too distracted to put effort into raising a family. In the circles in which they moved, parenting was not fashionable. They immersed themselves in a series of leisure interests, none of which involved having a youngster in tow. Perhaps it was a generational thing. In the nineteen-seventies and nineteen-eighties, attitudes to family life in society were changing. As a result, I missed out on Santa’s Grottos, pantomimes, seaside outings, board games and skateboarding.
Busy pursuing a series of unsuccessful band projects, Dad was absent a lot of the time but Mum was hardly there at all. After years of talking about movie stardom, she finally left for Hollywood when I was nine, destined to become a film extra in a series of low budget B-Movies. Dad called it a day on performing with bands. It was obviously not going to make him a fortune. From this point on, he began to focus on building his vast record collection and growing a long beard. He looked like some kind of shaman or Eastern mystic. Does he have hidden powers, Phil Dark asked me one time, is he a soothsayer? Eddie Whitlock, who I used to play football with, referred to him as Mephistopheles. It slowly dawned on me that Dad was a bit weird.
I was never sure exactly what he did for a living but it was not a nine to five at the office. As far as I could tell, it involved a lot of sitting around in our smoke-filled front room with groups of dazed-looking people listening to loud music. Whatever it was, he put in very long hours. Clearly, this paid off. He always seemed to have large wads of tens and twentys in rubber bands. From time to time, he would peel off a couple of notes and tell me to go down the arcade or something. I quickly became adept at losing money on the machines. School was never of much interest to me and Dad didn’t even insist that I attended. I’m not sure I missed a lot.
By the time I was fourteen, Dad’s collection of albums extended around all four walls of the front room and beyond. It must have run into thousands. This was before the digital age. In Dad’s world, even the then-new medium of CDs was frowned upon. As for cassettes, he said, you might as well be listening through polythene. It had to be vinyl. He insisted the sound vinyl gave was richer. He was eclectic in his tastes and enjoyed everything from reggae to Nepalese gong music, heavy metal to acid jazz, The New York Dolls to The Third Ear Band. He had everything. The Velvet Underground, The Dead Kennedys. The Psychedelic Furs. He had to my reckoning no less than nineteen Captain Beefheart albums. And probably the only Sam the Sham and the Pharaohs album in existence
While it would be wrong to say I liked all the music he played. Frank Zappa’s Lumpy Gravy and Throbbing Gristle’s The Second Annual Report, for instance, were hard to get into. But Dad’s collection provided me with a musical education way beyond that which I would have got from my peers or by listening to the radio. In the normal run of things I would never have heard be-bop jazz, roots reggae or Creole. And I would have probably only heard the punk they played on Radio 1 and not the gritty New York stuff. Dad was keen for me to show an interest. He actively encouraged my appreciation of music. When he wasn’t too busy, he would take time out and like a history teacher, take me through his collection.
‘This is Chuck Berry,’ he might say. ‘This is where rock music began. The intro of Johnny B. Goode changed everything. And this is Dick Dale who pioneered the surf guitar sound.’
Or another time, ‘This is Nirvana, son. It’s called Nevermind. You won’t come across this for another ten years. But then you will hear it a lot. There are others too.’
I didn’t take much notice of the ten years bit at the time but I wish I had. If had I taken it in, it may have helped me later on.
Given there was little else happening around the house, I developed a keen interest in music. I discovered a lot of it sounded brilliant, especially on the kit that Dad had set up, the Lin deck, the powerful Quad amp and the massive Kef speakers. Music from all genres. It was also not too shabby on the Sony music centre he bought me for my bedroom. I was becoming hooked. Sometimes we both had our systems on full blast. It must have been hell for the neighbours.
‘I don’t mind you playing my albums,’ he said. ‘So long as you are careful. But whatever you do, don’t be tempted to play this one.’
With this, he drew out an album with a plain matt black sleeve with no writing or artwork.
Naturally, I asked him why. Was it dangerous? Was it illegal? He did not answer my questions.
‘Seriously,’ he said, to emphasise the point. ‘Don’t be tempted to play it. It would not be a good idea.’
He ignored further protestations and gave me the look that I knew from experience meant business. I put the matter to the back of my mind. No doubt one day I would find out what the record was but for now it didn’t matter. There were plenty of others to get my teeth into.
Inspired by Dad’s collection, and through the twentys, he continued to slip me every couple of days, I began a collection of my own. Marvin Gaye, Miles Davis, The Ramones, Def Leppard, Was Not Was, Nick Drake, Jacob Miller. I liked a lot of different types of music. I felt I was ahead of my peers at school, who were still listening to the likes of Duran Duran and Spandau Ballet.
Although he had given up gigging, Dad still had some of his guitars hanging around and with my new-found interest in music, it seemed only natural that I should learn to play. The Gibson I plugged in didn’t make sweet sounds right away but after a few days practice, I began to get the hang of it. With a view to perhaps forming a group, I began to write songs with my friend, Charlie. Charlie had been playing longer than me and knew more than just a few chords. He could even play keyboards and read music.
By this time, Dad had met Debbie. At last, there was someone who seemed to like his Karl Marx beard. I had felt for a long time the beard had held him back in the romance stakes since Mum left. There was so much beard and it was so unkempt. Not every woman would want to wake up to that. But Debbie clearly didn’t mind. With a new spring in his step, he started to go out more often taking Debbie to exhibitions and concerts. This meant I often had the house to myself. Charlie took to coming around and we began to put together new songs. Charlie was impressed by Dad’s huge collection and we would go through it and play our favourites on the new Bang and Olufsen hi-fi Dad had bought to impress Debbie.
On one of Charlie’s visits, I went out to get refreshments and when I returned, I found him collapsed on the floor. I tried to bring him round by slapping him and shaking him but he did not respond. Had he taken something, he shouldn’t, I wondered? Had he suffered an attack of a mysterious life-threatening condition he had not told me about? I checked his pulse. It seemed to be pulsing and so far as I could tell, he was still breathing which was lucky. I sure as hell wasn’t going to give him the kiss of life. I would never live it down. I called an ambulance. They asked me who he was. They asked me what had happened. I said I didn’t know. The paramedics tried to bring him round. They seemed to become more and more flustered. One of them talked urgently to a colleague over the radio. Evidently, Charlie’s condition was serious. I went with the crew in the ambulance as it rushed him to hospital, alarms sounding.
While I was waiting in Littleton General for news, I got an angry call from Dad.
‘I told you to leave that album alone,’ he shouted down the phone.
‘Which album?’ I said.
‘The one I told you about,’ he said. ‘The black album. I found it in its dust jacket on the floor. …… At least, you didn’t play it. ……. You didn’t play it, did you? No, of course not. You couldn’t have. Otherwise …..’
I suddenly realised he was talking about the black album. As it happened, I hadn’t even thought about it for years.
Without saying where I was or what had happened to Charlie, I told Dad I had more important things to think about and hung up. But, might Charlie have played the album while I was out? Could there be a connection between this and his collapse? Dad had been very definite that I should not play it. There had to be a reason. But this was absurd. It was a ridiculous idea. What was I thinking? It couldn’t realistically have had anything to do with it.
I kept out of Dad’s way for a few days and he was pre-occupied with Debbie’s birthday preparations and he appeared to forget all about the episode. Charlie meanwhile recovered, but he did not come around much after this. I don’t know if this was down to Charlie or whether it was down to me but we never got around to discussing what had actually happened that day. Meanwhile, I found a new writing partner, Jilli who I discovered I could quite happily give the kiss of life to if needed. Things moved forward rapidly as they tend to do for teenagers.
You may not have heard of The Lenticular Clouds but in 1987, for one week in July, our single, Out of Time was in the charts at number 39. Also we recorded an album that we felt might have cemented us in the annals of rock history had it sadly not been shelved by the record company after an alleged wrangle with our manager, Larry Funk. The master tapes of Up in the Clouds mysteriously disappeared. We re-recorded the songs from the album but with poor facilities and wholesale changes in our line-up, they didn’t come out the same. Given the poor quality of the recording, this too was shelved. By the end of 1988, I found I was the only surviving member of the original band. Charlie, Vince, Hank and Freddie had all left, along with Jilli.
Out of the blue one day, I remembered the Nirvana disc that Dad had shown me back in 1981. The one he told me I would not come across for another decade. Why the anomaly had not troubled me before, I cannot say. Perhaps I had never been big on mindfulness. Like Mum and Dad, I was too easily distracted, unable to concentrate on one thing long enough to get to the bottom of it. But surely this was a biggie. How had I let this one go? It occurred to me now that there might be others like Nevermind, other items in Dad’s collection that denied temporal logic. Albums that Dad owned that rightly belonged to a future time. Hadn’t he suggested this was the case when he first mentioned it? How or why this might be, of course, was a different matter. Perhaps Phil Dark and Eddie Whitlock had been right and Dad did have special powers. Might the curious black album that he had made all the fuss about be part of the weirdness as well? It was time for me to investigate.
I did not confront Dad with it immediately but when he and Debbie had gone to see an art-house film at the cinema, I looked through the shelves for the black album. He had moved it but I eventually found it. I slowly took it out of its sleeve. There was nothing written on the plain black label. I placed it carefully on Dad’s new Linn Axis turntable and lowered the arm. I think I knew what I expected to hear but at the same time, I refused to believe it. Sure enough, it was Make Believe, the opening track from The Lenticular Clouds’ original album. The fist song Charlie and I wrote. I tried to get my head around how this could have happened. We had not even recorded it at the time that Dad first showed me the disc. But in a way it made sense because this was on the same occasion that he showed me Nevermind, which would not be available for another ten years. There was no rational explanation for this either. Perhaps there never would be. Dad refused point-blank to explain. What was the point, he said? I never listened to him and anyway, I would not understand. While I was not an expert in these matters, I had worked out that the passing of time was in a sense illusory. There was no tomorrow. Every time I had woken up it was today. But you could play around with concepts for evermore. This was abstract thinking. It did not help towards understanding. Why are life’s mysteries so tantalising?
It was anything but straightforward but I managed to track down Mum in California. I wished I hadn’t bothered. It was distressing. She didn’t seem to know who I was let alone what the score was with Dad’s music collection. Nor did she seem interested in talking. It sounded as if she wanted to get back to her bottle. Why are family units so dysfunctional?
I left home shortly after this. I left the music business behind and moved away from Littleton to sort my life out. I travelled for a year or two and ended up in New Zealand where I joined a sheep worshipping cult. This did not work out. Sheep worshipping is not for everyone. It is not all it is cracked up to be. I had a breakdown. On my recovery, I struck up a relationship with my psychotherapist’s daughter, Naida. We got married and now have two teenage children who are hopefully better adjusted than I was when I was growing up.
These days, I find it is far easier to stream music. You no longer need to build up a collection. It’s all out there. Apart from The Lenticular Clouds album that is. You may have some difficulty finding this. Nevermind, should you want to, you can stream all of Nirvana’s stuff. And as Johnny B. Goode was sent into interstellar space on the Voyager mission a while back, it is quite likely that aliens from some distant place are heading this way to see what else we have to offer. They are probably ready for Dick Dale’s surf guitar classics and Captain Beefheart’s nineteen albums. They are probably even ready for Impaled Northern Moonforest and Compressorhead. And who knows what they might bring to the table?
So far as I can make out, Dad’s record collection gradually got replaced by CDs and later, digital. I think Debbie was keen to free up the space. I never asked how much he got for it but it must have been thousands. The beard has gone too, I gather. Now and again, I try to recall how strange life was back then. But, it all seems so long ago, I sometimes question whether it happened at all. Memory is not always a reliable servant. I don’t know if I can say for certain that temporal order has been restored or whether it was ever breached. Perhaps its best to be mindful and be on the look out for more surprises, just in case.
© Chris Green 2019: All rights reserved