This Old Art of Mine by Chris Green
It all began when my electric kettle exploded. One expects setbacks now and again. But, they seem to happen at the worst possible time. Because the government had for some undisclosed reason not paid my pension for two successive months, I had no money to replace the kettle.
Since I retired, I have slowly but surely become a creature of habit, pacing myself with regular cups of tea throughout the day. Eight o’clock, nine o’clock, ten, etc. With no kettle to boil the water, I began to use a small saucepan. Slower, certainly. Less convenient, for sure. But it did the job. As I listened to Toscanini’s recording of Wagner’s Die Meistersinger von Nürnberg with my third cup of the day, I calculated that if my pension didn’t come through for another month, I would need to put the saucepan on the hob three hundred and twenty seven more times. While I could get most of my provisions from the food bank in the Methodist church, it seemed unlikely they would have an electric kettle to give away. This was not the kind of thing people donated. I needed to rethink how I spent my days.
The lightbulb moment came during the quiet passage at the end of Act 2 of the opera. I had no money, but I had plenty of Art. I had never been able to afford originals by famous artists but Art had always been my passion. I had collected posters and prints for nearly forty years. There were hundreds in the attic. I could fill the spot where the kettle was with a painting. Van Gogh’s sunflowers perhaps or Monet’s water lilies. Or, what about a Magritte or a Dalí? Might these not be more appropriate? After all, surreal ideas demanded surreal solutions.
The Magritte cloud painting looked perfect in the spot where the kettle had been. Much more calming than the noisy old kettle ever was. Inspired, I decided to replace the toaster with Picasso’s La Rêve. An abstract simplification of line and form by the master, this was altogether more pleasing. I had never liked the toaster. It was a cheap model, made in Taiwan. No matter how you set it, the toast always came out black.
Days passed but no pension payments came through. I was forced to continue to frequent the food bank. I discovered too that you could get a free meal at The Salvation Army in Christopher Street and, it seemed, unlimited cups of tea. If I planned it right, I could arrive for a late breakfast, have six or seven cups of Yorkshire’s finest throughout the morning and play one or two games of chess with Dmitri. Dmitri usually beat me but this didn’t matter. He was a good conversationalist, waxing lyrical about his shot-putting days back in Omsk Oblast. With a word in the right ear, I found I could also stay for lunch at the Sally Army and Mads was a pretty good chef. Before he lost his job through a drugs conviction, he had worked at one of the top hotels.
After lunch, I could return home for a lengthy nap on the Chesterfield. I could get through the rest of the day by opening a tin or two from the food bank, peaches in syrup perhaps or fruit salad and boiling one or two saucepans of water for my PG Tips. I could sit back and relax with an old Wagner favourite or perhaps even Verdi or Donizetti, without having to worry about shopping. Il Campanello always sounded good with my final brew of the day.
The microwave had to go. It was grey and drab and looked completely out of place alongside the new artwork, especially once I had painted a colourful Mondrian design on the kitchen door and up-cycled the kitchen cabinets into Hokusai diptychs. I tried replacing the unsightly Curry’s monstrosity with a vibrant Hockney landscape and then a Rothko multiform before settling on a brightly coloured, Kandinsky. The kitchen was taking shape.
Most of the food from the food bank came in cans so I found I no longer needed the fridge freezer. I decided to put it to rest in the shed. This left plenty of room in the kitchen for The Henry Moore sculpture I picked up for a song at an auction in Tavistock years ago. The kitchen table made good kindling. The Salvador Dalí settee fitted nicely in its place. Finally, I replaced the cooker with a large Jackson Pollock and turned the music up loud.
Outside the Bumblebee Conservation Trust charity shop on Lance Percival Street one day, I bumped into Freda Mann.
‘I heard about your kettle,’ Freda said. ‘I have a spare one. Would you like me to drop it round?’
‘That’s very kind of you, Freda,’ I said. ‘But I don’t think I have room for it.’
© Chris Green 2019: All rights reserved
2 thoughts on “This Old Art of Mine”
Had a laissez faire kinda vibe, a sort of the simple life/being broke ain’t so bad kinda thing that comes with survival rather than surplus and time to burn with money and consumerism.
Thanks Lion. Pleased you liked it. This one happened very quickly.