The Pugilist by Chris Green
I’m certain I logged out last night and shut the laptop down. It’s something I am in the habit of doing as a cautionary measure. This morning, to my utter astonishment, there’s a new document open on the screen, three thousand words give or take. It’s titled The Pugilist. It claims to be a story of mine. I know I’ve been absent-minded lately, downright forgetful even but I would have remembered if I had got up in the night and written three thousand words. I haven’t written that much in one go in a long time. And Betty is away at her sick mother’s so there was no-one else in the house. The doors were locked overnight. I’m spooked.
But on a quick read through, I find the story is better than most of the stuff I’ve been writing lately. It’s about a poor boy who leaves his home and his family in search of fortune and fame. He’s struggling to get by in a harsh world. He is empty as a pocket with nothing to lose. He now wants to escape the bitter cold of New York winters and make his way back home. He feels alone in the city, the only living boy in the great metropolis.
It’s primarily a first-person narrative but here and there, without warning, it lapses into the third person. Yet in a subtle way. It is not my usual territory though. It features no unscheduled time shifts. No talking cats. No unreliable history or Alice in Wonderland characters. It’s a plain straightforward account of a human being with real feelings and emotions. The absence of strange in the narrative is as maybe but surely there is mystery enough in how it came to be here on my computer. The document was last saved at 3:13 a.m, which would probably place it slap bang in the middle of the steamy dream I was having about Susie Hill. Document History tells me I am looking at revision number one. I’m not sure if this statistic includes autosaves, but this suggests a competent typist with a determination to get the job done. An online plagiarism check finds no correlation with other online texts. However impossible it might seem, this has been typed out on my machine in the middle of the night without waking me by someone who knows my password.
Whatever its origins, one does not look a gift horse in the mouth. I can use the story to get over my writers block. But if I am to pass it off as mine, it important I put my stamp upon it. During the course of the day, I edit out some of the most overt sentimentality. I give the protagonist an imaginary friend called Art. I introduce a cult that worships a blind goat and create an alien communications centre in the back of an antiquarian bookshop in Queens. I make a note to develop these ideas later.
Betty phones and asks how I am and what I have been doing. I don’t want to alarm her or get her to think that I might be losing it like I did last Spring so I tell her I have been tidying up the garden. I have cut back the photinia and the laurel hedging and have weeded the veg patch. She is pleased I have separated the parsley from the sage but what about the rosemary and the time, she says? I tell her I will get on to it. She says her mother is still not very steady and she will need to stay over for another couple of days.
Still puzzled by its origin, but optimistic I can make something of the story, I feel happy with the progress I’ve made. I close the document down. As a security measure against any further incursions, I change my login password to a complex combination of uppercase letters, lowercase letters, numbers and symbols and I log out. I wake at 5 a.m., not to the sound of the alarm, but to the sound of the laser printer whirring. I dash downstairs to see what is going on, only to discover that the document for The Pugilist is being printed off. How can this be happening? Not only is it being printed off but I see from the open document on the screen that it has been added to. The word count is now over four thousand words. I read through it carefully and notice that some of my changes from the previous day have been reversed.
Determined not to be beaten, I set about revising the document once more. To explain the title beyond the metaphorical, I have the protagonist carry a book about Rocky Marciano around with him. Like a bible, he takes this with him everywhere. The opening section of the story is a little verbose so I clip three hundred words from it. To give the story greater familiarity, I introduce a few old favourites from my earlier stories, Phillip C. Dark, Guy Bloke and Wet Blanket Ron. To reflect the style my readers have become accustomed to, I add few curiosities to the narrative. He now has a mongrel dog called Bono. He suffers from Porphyrophobia, a fear of the colour purple. A tall thin man with no face wearing a leather duster overcoat and a broad-brimmed black hat pursues him relentlessly around New York and he has taken to hiding out in basement bars in Brooklyn, drinking Bottled in Bond Bourbon.
I save the document to the flash drive I keep in my jacket pocket and delete the original file on the laptop. I settle down to a glass of wine and a David Lynch film and try to put the riddle out of my mind. It can wait until tomorrow. All work and no play and all that. Betty phones to say her mother has taken a turn for the worse. She will be there now until after the weekend. I sympathise. I tell her I have been clearing out the shed and have taken the rusty old bike to the tip. She seems pleased that I am not spending all day huddled over the laptop.
I wake at 4 a.m. from a disturbing dream about a deranged killer on the loose in a small town logging community in Washington State to furtive sounds coming from downstairs. It is barely audible but it sounds as if someone is typing. I throw on my dressing gown and go to investigate. There is no sign of anyone but the document is once again open on the laptop and has got bigger. Over five thousand words now.
‘’Good to see you, Al,’ Charlie says. ‘But I know you only ever come and see me when you have a computer problem. So I’m guessing it’s no accident that you’ve brought the laptop. Virus again, is it?’
‘If only it were that simple, Charlie,’ I say. ‘It’s more of a presence than malware. And it’s pretending to be me.’
‘Ah, I see,’ Charlie says. ‘That will be the Takeover worm. It’s a bad one, old buddy. No-one’s come up with a way to remove it yet. It’s so deadly in fact, you’ll probably find it has cancelled your car insurance, cleaned out your bank account, and sold your house.’
‘Only joking, mate. Have a toke on this and I’ll take a look.’
I sit quietly back with the spliff and watch Charlie get to work. He brings up dialog boxes I never knew existed. I find myself gradually drifting off. I haven’t smoked weed in a long time.
‘How’s Betty?’ Charlie says, bringing me out of my reverie. ‘I saw her a couple of days ago going into that new clothes shop with the silly name in the Strand, the one that used to be Paul Simon.’
‘You couldn’t have, Charlie,’ I say. ‘Betty’s at her mother’s. That’s eighty miles away. She’s been there for a week.’
‘Is she? Oh well! Couldn’t have been her then,’ he says.
Perhaps Betty is deceiving me and she is not really at her mother’s. Her phone calls may have just been to divert suspicion. I felt this last weekend but did not want to admit it. By not acknowledging it, I somehow felt it was not happening. But deep down, is I am honest with myself, I did fear the worst. Each time she has called, she has said she is extending her stay. Is she afraid to tell me she is with someone else? That she has left me? Is she worried that I might have another breakdown like the one last spring when I found out she was playing away? Is this what is happening? I wanted to feel that we had repaired our relationship but you can never be sure. Although I have not noticed that any of her things around the house are missing, she has told me many times over the years that I’m not very observant. That I’m too tied up with my writing to notice anything important.
‘Hey! Look!’ Charlie says. ‘This is really weird, Al. According to this, no files have been open on the machine for several days.’
‘Let me have a look.’
‘Here you are! See! That’s what it says. Are you sure you’re OK? You haven’t been seeing that quack doctor again, have you?’
‘You mean Garth’s uncle? No, but I’m wondering if perhaps I should.’
‘By the way, mate. When you told be about this new story, I wondered what happened to that story you were telling me about the last time I saw you? The one about the bridge.’
‘Yes, the one over the turbulent waters.’
© Chris Green 2019: All rights reserved